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CONTENDERS AWARDS SEASON LAUNCH<br />

55<br />

“BEASTS OF NO<br />

NATION”<br />

(Netflix)<br />

Featuring a magnetic Idris<br />

Elba and a gut-wrenching<br />

14-year-old Abraham Attah<br />

(who won a prize at Venice),<br />

Joji Fukunaga’s epic strikes<br />

a chord at a time of severe<br />

unrest on the African<br />

continent.<br />

“BLACK MASS”<br />

(Warner Bros.)<br />

Gangster films have a<br />

long legacy at the Oscars,<br />

and moreover, Scott<br />

Cooper’s film boasts a<br />

finely tuned ensemble with<br />

performances from Johnny<br />

Depp and Joel Edgerton<br />

that are drawing raves<br />

in particular.<br />

“BRIDGE OF SPIES”<br />

(Buena Vista)<br />

While the spy genre has<br />

never fully clicked for the<br />

Academy, Spielberg and<br />

Hanks certainly have. Dealing<br />

in Cold War themes of<br />

paranoia that still resonate,<br />

the film also packs a heavy<br />

below-the-line punch.<br />

“BROOKLYN”<br />

(Nov. 4, Fox Searchlight)<br />

Fox Searchlight, the reigning<br />

back-to-back best picture<br />

champ, has an interesting<br />

pair of contenders in this and<br />

Paolo Sorrentino’s “Youth.”<br />

But John Crowley’s comingof-age<br />

portrait of the<br />

immigrant experience is the<br />

warmer feel-good player.<br />

“CAROL”<br />

(Nov. 20, Weinstein)<br />

Todd Haynes’ lesbian<br />

romance could be a strong<br />

contender in a year marked<br />

by strong female-driven<br />

narratives. Performances by<br />

Cate Blanchett and Rooney<br />

Mara, who won lead actress<br />

at Cannes, could prove<br />

formidable.<br />

“THE DANISH GIRL”<br />

(Nov. 27, Focus)<br />

Tom Hooper’s “Les<br />

Misérables” follow-up is<br />

centered on timely subject<br />

matter (transgender<br />

acceptance), boasts<br />

handsome crafts and<br />

features a powerful lead<br />

from reigning Oscar champ<br />

Eddie Redmayne.<br />

“EVEREST”<br />

(Universal)<br />

In a year marked by films<br />

dealing in themes of survival,<br />

this might be the ultimate<br />

man vs. the elements<br />

drama. The fact-based film’s<br />

emotional pull, physical<br />

scale and advantageous 3D<br />

lensing add considerable<br />

weight to the proceedings.

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