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WOODRUFF<br />

TOMLINSON<br />

regarding “Empire”<br />

and defending Warner<br />

Bros.’ rights to exploit<br />

the J.R.R. Tolkien<br />

franchises “The Lord of<br />

the Rings” and<br />

“The Hobbit.”<br />

“Ultimately, you’ve<br />

got to like litigating<br />

and you’ve got to like<br />

the people that you’re<br />

working with, both<br />

inside the firm and your<br />

clients.”<br />

MICHAEL<br />

MAIZNER, 37<br />

SENIOR COUNSEL,<br />

LOEB & LOEB<br />

Maizner has become<br />

a go-to attorney for<br />

entertainment union<br />

and guild issues, with<br />

special expertise in<br />

child labor laws and<br />

reality-competition<br />

shows. Lately, an<br />

increasing amount of<br />

his time has been spent<br />

helping clients navigate<br />

the uncharted waters<br />

of the digital world.<br />

“When the industry<br />

first thought to address<br />

new media in the<br />

collective bargaining<br />

agreements, they were<br />

looking at short-form<br />

programming. They<br />

didn’t expect full-on<br />

hourlong dramas with<br />

Kevin Spacey.”<br />

CHRISTOPHER<br />

PEREZ, 32<br />

PARTNER,<br />

DONALDSON + CALLIF<br />

Perez has helped<br />

everyone from<br />

independent TV and<br />

film producers to<br />

YouTube creators<br />

take full advantage<br />

of their First<br />

Amendment rights.<br />

He’s secured insurance<br />

covering fair use,<br />

copyright, trademark<br />

infringement and<br />

personal rights issues<br />

for more than 400<br />

narrative films and<br />

documentaries,<br />

including “Escape From<br />

Tomorrow,” which was<br />

shot surreptitiously<br />

at Disney World and<br />

considered by many<br />

to be unreleasable.<br />

“People know that fair<br />

use exists, but they<br />

don’t realize it’s as<br />

usable as it really is .”<br />

JOHN<br />

TOMLINSON,<br />

37<br />

HEAD OF<br />

ENTERTAINMENT,<br />

LOCKTON COS.<br />

Tomlinson wanted<br />

to be a professional<br />

drummer, but when<br />

his college band<br />

broke up, he decided<br />

to go to work with his<br />

father, who helped<br />

pioneer the business of<br />

insuring touring bands.<br />

He designed antiviolence<br />

and terrorism<br />

policies for artists<br />

touring dangerous<br />

territories and devised<br />

event-cancellation<br />

and nonappearance<br />

coverage for EDM acts.<br />

He stepped in to help<br />

an act navigate around<br />

some political violence<br />

to make it to a concert.<br />

“Had we not been able<br />

to find a way to make<br />

that happen, the show<br />

would’ve had a big nonappearance<br />

claim.”<br />

CROCKETT<br />

WOODRUFF, 38<br />

SENIOR VP/SENIOR<br />

RELATIONSHIP<br />

MANAGER,<br />

ENTERTAINMENT ,<br />

CITY NATIONAL BANK<br />

Woodruff has spent<br />

most of his banking<br />

career at City National .<br />

In the past year,<br />

he’s helped close<br />

10-single picture<br />

transactions totaling<br />

over $150 million and<br />

six participations in<br />

various syndicated<br />

credit facilities totaling<br />

over $130 million “You<br />

see a lot of struggling<br />

producers who just<br />

need some direction.<br />

It’s great to see<br />

people’s dreams<br />

come true.”<br />

Evolution Media congratulates<br />

ALEX BASKIN<br />

and all the honorees of<br />

Features<br />

81

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