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NEXUS ISSUE 19 2014

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nexus magazine<br />

AUTEUR PRESENTS LAUREN BACALL<br />

Auteur Dr Richard Swainson<br />

Lauren Bacall once said that "being a widow is not a profession".<br />

Though her reputation rested solidly on the fact of having been married to<br />

Humphrey Bogart from <strong>19</strong>45 to <strong>19</strong>57, she was only 33 when he died. Perhaps<br />

not a great actress but a distinctive Hollywood personality, Bacall's career<br />

continued until this year, a full seven decades after the most celebrated<br />

debut in movie history.<br />

Auteur House stocks the majority of Bacall's best work. Here's a top ten<br />

list, in chronological order:<br />

1. To Have and Have Not (<strong>19</strong>44). The legend was born when <strong>19</strong> year old<br />

Bacall taught Bogie how to whistle. Fidelity to the Hemingway book took<br />

a backseat to the pair's smouldering chemistry though the film is still a<br />

gripping thriller.<br />

2. The Big Sleep (<strong>19</strong>46). One of the great works of the American cinema.<br />

Bacall's part in this adaptation of Raymond Chandler's novel was beefed up<br />

after the initial version was completed. The final result is nonetheless seamless,<br />

with dialogue of unprecedented wit and sexual subtext.<br />

3. Dark Passage (<strong>19</strong>47). The least known of the Bogie-Bacall films but in<br />

some ways the most fun. Bogie only appears on screen after about an hour,<br />

his character initially bandaged and director Delmer Daves employed a first<br />

person camera technique to innovative effect.<br />

4. Key Largo (<strong>19</strong>48). The last of the couple's pairings, Key Largo offers<br />

better parts to the supporting players, with Claire Trevor winning an Oscar<br />

and Edward G Robinson deserving one. A stilted and stagey play adaptation.<br />

5. How to Marry a Millionaire (<strong>19</strong>53). Bacall is on hand at the changing of<br />

the blonde-sex-symbol guard as Betty Grable passes the baton to Marilyn<br />

Monroe. The tale of three gold-diggers who end up seemingly settling for<br />

less, it is amusing if indebted to Monroe's earlier Gentlemen Prefer Blondes.<br />

6. Written on the Wind (<strong>19</strong>57). One of Douglas Sirk's now critically admired<br />

<strong>19</strong>50s melodramas. A purposefully over-the-top tale of lust, infidelity and<br />

addiction. Dorothy Malone won a supporting Oscar; Bacall is solid in the lead.<br />

7. The Shootist (<strong>19</strong>76). John Wayne's final, poignant film in which the<br />

real-life health woes of the Duke bleed into those of his screen character.<br />

Bacall is the widow who offers non-sentimental solace. A mature, moving<br />

performance.<br />

8. Dogville (2003). Taking an unfussy part in Lars Von Trier's ensemble,<br />

Bacall proves herself up to the challenge of experimental cinema, shooting<br />

on a bare soundstage with largely imagined props and backdrops. A triumph<br />

for all concerned.<br />

9. Birth (2004). Another strong if small part in an unusual, cutting-edge<br />

drama. Nicole Kidman thinks her dead husband has been reborn as a young<br />

boy. Mummy Lauren begs to differ.<br />

10. The Walker (2007). Paul Schrader's character study of a gay dog-walker<br />

and his upper crust clientele is an acquired taste but this film is impeccably<br />

acted, not least by Bacall, employing her caustic wit magnificently. At 83<br />

she's still got it.<br />

16 nexusmag.co.nz

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