EVENT TICKETING
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<strong>EVENT</strong> <strong>TICKETING</strong><br />
Digital Insights Report<br />
NOVEMBER 2015<br />
0800 122 3534<br />
hello@insideonline.co.uk<br />
www.insideonline.co.uk
Contents<br />
1. SEARCH VOLUME OVERVIEW<br />
2. SEASONAL TRENDS<br />
3. KEYWORD COMPETITIVENESS<br />
5. NUMBER OF KEYWORDS<br />
6. VISIBILITY YEAR ON YEAR<br />
7. SHORT TERM POTENTIAL<br />
8. RATE OF LINK ACQUISITION<br />
9. AUTHORITY OF LINKING DOMAINS<br />
10. VISIBILITY VS AUTHORITY<br />
11. VISIBILITY VS INDEXED<br />
12. UNDERPERFORMING SITES<br />
14. SOCIAL INFLUENCE<br />
15. CONTENT PERFORMANCE<br />
16. CONTENT EXAMPLE<br />
insideonline<br />
<strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report
See the world like we do<br />
In the world of SEO & digital marketing, data defines us, data measures us and data<br />
drives us. We see past the physical appearance of campaigns and look straight to<br />
the core of the data to build a view of the online landscape.<br />
We wanted to show you a view of the Event Ticketing market. Having access to data<br />
has been a constant passion of ours for years and we have acquired data from a<br />
huge array of sources in order to build our reports.<br />
Within this report we will share sets of data we have created for your sector and<br />
explain the implications of this information on the Event Ticketing industry.<br />
I hope you find the insights useful and we would love to hear what you think.<br />
Andy Cooper - Managing Director<br />
DDI: 01244 564505<br />
ANDY@INSIDEONLINE.CO.UK<br />
insideonline<br />
<strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report
Search Volume Overview<br />
According to Ticket Script, online ticketing is the preferred choice for 83% of event goers. 70% of respondents prefer<br />
to buy tickets direct from the promoter or venue, leaving traditional ticket agencies well behind in the popularity<br />
stakes. Growth in social commerce is highlighted by the fact that 62% of the coveted Millennial Generation is keen<br />
to buy tickets through social media. Results are backed up by ticket script’s sales data which shows that ticket sales<br />
through social channels have grown 520 per cent in two years.<br />
BRAND SEARCHES PER MONTH<br />
DESKTOP VS MOBILE SEARCH<br />
ticketmaster 1000000<br />
see tickets 135000<br />
gigs and tours 40500<br />
get me in 40500<br />
atg tickets 33100<br />
skiddle 33100<br />
stub hub 27100<br />
live nation 27100<br />
eventim 22200<br />
twickets 12100<br />
the ticket factory 9900<br />
gigantic 6600<br />
event brite 6600<br />
tickets-scotland 6600<br />
ticket line 3600<br />
we got tickets 3600<br />
ticket web 2900<br />
ticket arena 2900<br />
seat wave 2400<br />
ticket source 2400<br />
song kick 1900<br />
scarlet mist 1900<br />
the ticket sellers 1600<br />
via go go 1000<br />
def tickets 880<br />
event genius 720<br />
eticketing 480<br />
ticket abc 480<br />
yapsody 320<br />
stereo board 210<br />
seat geek 170<br />
gig wise 90<br />
bradsons 70<br />
alt-tickets.co.uk 40<br />
DESKTOP 52% | MOBILE 48%<br />
Note: these figures are approximate search<br />
volumes taken from Google.<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 1
Seasonal Trends<br />
The graph below shows how the UK weekly search volume for ‘Event Ticketing’ compares between 2013 and 2015.<br />
The data has been normalised, therefore the trend lines show the percentage of peak search volume (y axis). The<br />
trend lines are designed to give some insight into what has been a turbulent year for online retail as a whole.<br />
‘<strong>EVENT</strong> <strong>TICKETING</strong>’ SEARCH VOLUME TRENDS<br />
2013 2014 2015<br />
The data above is taken from Google UK search only.<br />
The trends take into account searches from desktop<br />
and mobile devices.<br />
It is important to highlight that the above seasonal trend<br />
is just for a single keyword. The trend shown is unlikely to<br />
represent the overall search volume within the industry.<br />
If the search volume for the keyword above is down year<br />
on year, it may be that the search volume within longertail<br />
queries has increased.<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 2
Keyword Competitiveness<br />
The chart below shows how monthly search volume for each specific keyword compares to the organic<br />
competitiveness of each keyword. Such analysis helps to identify “low hanging fruit” within the industry: keywords<br />
which have substantial search volume, but with limited competition in the search results. An effective search strategy<br />
will constantly review keyword strategy, examining short, medium and longer-term goals. How does your keyword<br />
strategy compare?<br />
KEYWORDS:<br />
*closely related statistics<br />
1. cheap tickets<br />
2. tickets<br />
3. event tickets<br />
4. buy tickets<br />
5. gig tickets<br />
6. concert tickets<br />
7. music tickets<br />
8. sell concert tickets<br />
9. *sell tickets online<br />
9. *family day out<br />
9. *festival tickets<br />
10. ticket websites<br />
11. buy tickets online<br />
12. *sell gig tickets<br />
12. *tickets for sale<br />
13. book tickets<br />
14. sold out tickets<br />
15. *ticket resale<br />
15. *cheap concert tickets<br />
16. selling tickets online<br />
17. ticket hub<br />
18. ticket seller<br />
19. get tickets<br />
20. book tickets online<br />
21. buy and sell tickets<br />
22. tickets now<br />
23. sell my tickets<br />
24. sport tickets<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 3
Search engine algorithms are a series of complex data interactions.<br />
Using powerful technology and expert consultancy, Inside Online align<br />
your website’s search engine visibility to your business goals.<br />
ENTERPRISE CLASS TECHNICAL CONSULTANCY<br />
CONTAGIOUS CONTENT MARKETING<br />
Measurable business results delivered<br />
by a passionate and creative team.<br />
BE INSPIRED INSIDEONLINE.CO.UK<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 4
Number of Keywords<br />
When we analyse the websites within these reports we also take into consideration the size of the sites. Some sites<br />
rank for keywords because they cross multiple markets, where some operate in more niche areas. This chart gives an<br />
indication of how large these sites are or how many keywords they rank for overall.<br />
This data is taken from Search metrics where every keyword that a site ranks for is take into account. this is regardless<br />
of position or amount of traffic. It represents your current standing within the search engines.<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 5
Visibility Year on Year<br />
So what does this mean? Every market has a level of growth and opportunity, here we can see how domains have<br />
fared compared to the whole market. A domain may have increased over the year, but if the market has grown by a<br />
greater margin - has there been an opportunity lost?<br />
ORGANIC SEARCH<br />
NOVEMBER 2015 NOVEMBER 2014 DIFFERENCE VARIANCE<br />
ticketmaster.co.uk 179081 209626 -15% -16%<br />
atgtickets.com 52998 52682 1% -2%<br />
seetickets.com 41123 38771 6% 4%<br />
skiddle.com 35532 30543 16% 14%<br />
songkick.com 30376 19370 57% 53%<br />
stubhub.co.uk 21463 13335 61% 57%<br />
gigwise.com 20071 11705 71% 68%<br />
eticketing.co.uk 19702 14226 38% 35%<br />
livenation.co.uk 17743 18558 -4% -6%<br />
ticketline.co.uk 17673 20432 -14% -15%<br />
seatwave.com 16886 16439 3% 0%<br />
viagogo.co.uk 16875 22309 -24% -26%<br />
eventbrite.co.uk 13530 10517 29% 26%<br />
theticketfactory.com 13366 10860 23% 20%<br />
gigsandtours.com 13237 12278 8% 5%<br />
getmein.com 11399 13296 -14% -16%<br />
axs.com 10610 6452 64% 61%<br />
stereoboard.com 9803 7222 36% 33%<br />
eventim.co.uk 6514 11415 -43% -44%<br />
ticketweb.co.uk 4845 4409 10% 8%<br />
gigantic.com 3417 3409 0% -2%<br />
ticketabc.com 3017 1060 185% 178%<br />
ticketarena.co.uk 2089 1248 67% 64%<br />
ticketsource.co.uk 2009 1382 45% 42%<br />
eventgenius.co.uk 1436 382 276% 268%<br />
tickets-scotland.com 1431 1326 8% 6%<br />
wegottickets.com 1376 1697 -19% -21%<br />
seatgeek.com 949 1430 -34% -35%<br />
theticketsellers.co.uk 929 1155 -20% -21%<br />
alt-tickets.co.uk 850 473 80% 76%<br />
bradsons.co.uk 27 34 -21% -22%<br />
AVERAGE GROWTH 2.22%<br />
2014 saw fewer updates than in previous years from<br />
Google, however the updates themselves were larger,<br />
incorporating more of the core algorithm. Penguin 3 in<br />
October and Panda 4.1 in September were the biggest<br />
updates and are the most likely to have had an effect on<br />
a domains visibility.<br />
Other factors such as site changes (expanding or reducing<br />
site size for example) or making significant structure<br />
changes are other common reasons for observing big<br />
increases or decreases in organic visibility.<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 6
Short Term Potential<br />
The graph below shows the number of unique organic keywords each website has ranking on page 2 or 3 of Google<br />
(positions 11 to 30). This is one way of measuring a sites short-term potential, as such keywords are unlikely to be<br />
generating much traffic (if any) in these positions. With a little push, it is entirely realistic to push many of these terms<br />
from page 2 or 3 onto page 1.<br />
In order to make the most of the short-term potential each site has, it is essential to know which keywords are ranking<br />
just outside of the traffic generating positions. Once this is known, some simple onsite tweaks may be required to give<br />
these terms the push they need to begin attracting organic traffic. Alternatively, if all possible onsite tweaks have been<br />
exhausted, the primary focus should switch to increasing the overall authority of the domain.<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 7
Rate of Link Acquisition<br />
The greater the number of links a site has pointing towards it tends to correlate with the authoritativeness of the<br />
domain, which in turn tends to correlate with organic visibility. Therefore, not only is the current state of a domains<br />
link profile important, it is also vital to understand who is building new links the quickest (and how they are doing it!).<br />
The graph below shows the average rate at which each domain has acquired new links over the last 11 months. The<br />
source of this data is Majestic SEO.<br />
As a general rule, the larger brands manage to obtain the highest number of links per month due to their ability to<br />
naturally gather links. If smaller brands are managing to gather links at a higher rate, it could be that aggressive link<br />
manipulation is taking place.<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 8
Authority of Linking Domains<br />
In light of recent Google updates, the quality of linking domains has never been more important or under as much<br />
scrutiny by Google. The graph below shows the number of unique linking domains each site has pointing to it, broken<br />
down by the authority of each linking domain. Such factors carry significant weighting within the Google algorithm,<br />
and are likely to continue doing so for the foreseeable future.<br />
Very Authoritative Domains 70-100 Above Average Domain Authority 50-69 Average Domain Authority 30-49<br />
Low Domain Authority 10-29 Very Low Quality Domains Under 10<br />
The ultimate goal of any link acquisition drive is to<br />
achieve links from domains within the 70 – 100 range. 1<br />
or 2 of these links have the potential to rapidly increase<br />
a sites organic visibility.<br />
Sites which have a large number of lower quality links<br />
are advised to do a full review to ensure none of the<br />
links are in breach of the Google Webmaster Guidelines.<br />
Action should be taken immediately on any links which<br />
are found in breach of these guidelines.<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 9
Visibility vs Authority<br />
As a general rule, there is a positive correlation between the number of inbound links and domain authority. Likewise,<br />
there is usually a positive correlation between domain authority and organic visibility – the greater the authority, the<br />
greater the potential the site has to rank for organic keywords. The scatter graph below shows how each site’s organic<br />
visibility score (as measured by Searchmetrics) correlates with its domain authority score (as measured by SEOMoz).<br />
URL:<br />
*closely related statistics<br />
1. ticketmaster.co.uk<br />
2. eticketing.co.uk<br />
3. songkick.com<br />
4. seetickets.com<br />
5. livenation.co.uk<br />
6. atgtickets.com<br />
7. *gigwise.com<br />
7. *ticketline.co.uk<br />
8. skiddle.com<br />
9. seatwave.com<br />
10. stubhub.co.uk<br />
11. eventbrite.co.uk<br />
12. ticketweb.co.uk<br />
13. axs.com<br />
14. gigsandtours.com<br />
15. viagogo.co.uk<br />
16. eventim.co.uk<br />
17. gigantic.com<br />
18. getmein.com<br />
19. theticketfactory.com<br />
20. stereoboard.com<br />
21. wegottickets.com<br />
22. seatgeek.com<br />
23. ticketsource.co.uk<br />
24. alt-tickets.co.uk<br />
25. ticketarena.co.uk<br />
26. *eventgenius.co.uk<br />
26. *tickets-scotland.com<br />
27. theticketsellers.co.uk<br />
28. ticketabc.com<br />
29. bradsons.co.uk<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 10
Visibility vs Indexed<br />
All the work that a website does to increase its domain authority is worthless without a well built out site, including a<br />
number of different pages to target each of the important relevant keywords and keyphrases within that niche. A high<br />
number of indexed pages would generally correlate with a high level of organic visibility – as there are more pages<br />
that could rank for any given keyword query.<br />
URL:<br />
1. ticketmaster.co.uk<br />
2. atgtickets.com<br />
3. seetickets.com<br />
4. skiddle.com<br />
5. songkick.com<br />
6. stubhub.co.uk<br />
7. eticketing.co.uk<br />
8. livenation.co.uk<br />
9. gigwise.com<br />
10. ticketline.co.uk<br />
11. seatwave.com<br />
12. viagogo.co.uk<br />
13. eventbrite.co.uk<br />
14. theticketfactory.com<br />
15. gigsandtours.com<br />
16. getmein.com<br />
17. axs.com<br />
18. stereoboard.com<br />
19. eventim.co.uk<br />
20. ticketweb.co.uk<br />
21. gigantic.com<br />
22. ticketabc.com<br />
23. ticketarena.co.uk<br />
24. ticketsource.co.uk<br />
25. eventgenius.co.uk<br />
26. tickets-scotland.com<br />
27. wegottickets.com<br />
28. theticketsellers.co.uk<br />
29. seatgeek.com<br />
30. alt-tickets.co.uk<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 11
Underperforming Sites<br />
Sites which are underperforming organically have an obvious major common factor – they have a limited number of<br />
unique linking domains (almost a quarter of that of the performing websites). Each of the sites listed ranks reasonably<br />
well for one or two of the generic organic keywords, but rarely more than this. In a lot of these cases, organic visibility<br />
is limited by poor onsite optimisation and poor long-tail strategies.<br />
URL<br />
ORGANIC VISIBILITY<br />
UNIQUE LINKING<br />
DOMAINS<br />
DOMAIN AUTHORITY<br />
deftickets.co.uk 49 201 30<br />
yapsody.com 32 142 43<br />
scarletmist.com 41 402 34<br />
twickets.co.uk 200 96 29<br />
Average of Underperforming Sites 81 210 34<br />
Average of Visible Sites 526 286 29<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 12
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insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 13
Social Influence<br />
Social Influence is starting to affect the search engines more over time. We’re seeing a shift from basic “how many<br />
likes does a page have” towards engagement with the user. Active pages that promote great content and engagement<br />
have higher performance metrics than those who build pages purely with the motivation of having a well liked page.<br />
This data shows who has been the best at promoting engagement through the social channels.<br />
TOTAL INFLUENCE RETWEETS FACEBOOK VOTES GOOGLE+ STUMBLEUPON<br />
ticketmaster.co.uk 104616 34116 66987 1647 1866<br />
stubhub.co.uk 49594 771 3925 44897 1<br />
seetickets.com 58072 27731 28392 1936 13<br />
getmein.com 12995 4084 5899 306 2706<br />
eventim.co.uk 14408 3597 9087 1684 40<br />
seatwave.com 18427 0 86 366 17975<br />
viagogo.co.uk 5578 1577 3022 941 38<br />
eticketing.co.uk 64 0 63 0 1<br />
eventgenius.co.uk 188 0 188 0 0<br />
ticketline.co.uk 33864 3230 30302 324 8<br />
ticketweb.co.uk 72202 29679 42201 287 35<br />
skiddle.com 32204 12289 19129 646 140<br />
livenation.co.uk 26411 10648 15353 187 223<br />
songkick.com 42251 4789 16715 389 20358<br />
stereoboard.com 9847 5887 2091 1823 46<br />
gigantic.com 1524 793 433 297 1<br />
gigsandtours.com 29881 0 29529 351 1<br />
theticketfactory.com 2087 0 1817 270 0<br />
axs.com 93160 0 78778 14382 0<br />
gigwise.com 3208 0 1005 213 1990<br />
atgtickets.com 7439 1047 6090 291 11<br />
ticketarena.co.uk 1686 356 0 1176 154<br />
tickets-scotland.com 5544 89 5451 2 2<br />
eventbrite.co.uk 37071 2110 2061 32897 3<br />
ticketsource.co.uk 1372 0 1340 32 0<br />
alt-tickets.co.uk 3049 1127 1921 1 0<br />
seatgeek.com 16551 1958 3739 5921 4933<br />
wegottickets.com 40651 11272 29122 257 0<br />
ticketabc.com 111 0 110 0 1<br />
theticketsellers.co.uk 28922 9993 18806 26 97<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 14
Content Performance<br />
Understanding how existing content is performing is an integral part of building an effective content strategy. Here<br />
we look at the top engaging content produced by the top brands within this report and measure how effective it<br />
has been at gaining social media shares. This gives an example of the type of content which is most engaging to the<br />
‘Event Ticketing’ market. When this analysis of competitor content is produced at scale it is a powerful resource for<br />
content idea generation.<br />
TOP 10 SHARED CONTENT FOR ‘<strong>EVENT</strong> <strong>TICKETING</strong>’<br />
FACEBOOK GOOGLE+ TWITTER LINKEDIN PINTEREST<br />
Skiddle Mix 081 - Mark Jenkyns (Hot Creations) - skiddle.com/news<br />
2154 0 29 0 0<br />
Total = 2183<br />
Weekends Matter August 2015 - Guest Mix Futuristic Polar Bears - skiddle.com/news<br />
1156 0 13 0 0<br />
Total = 1169<br />
Providing the tools for the next generation with John ‘00’ Fleming - skiddle.com/news<br />
1007 0 27 0 0<br />
Total = 1034<br />
Dimitri From Paris: It’s cool to be underground, but where is it going? - skiddle.com/news<br />
953 0 61 0 0<br />
Total = 1014<br />
Joining the dots with Bella Sarris - skiddle.com/news<br />
922 1 18 0 0<br />
Total = 941<br />
Vote for the AIM Best Live Act 2015 Now! - blog.songkick.com<br />
10959 0 1178 0 0<br />
Total = 12137<br />
The Hardest Working Bands of 2014 - blog.songkick.com<br />
3499 1 3276 9 0<br />
Total = 6785<br />
Win VIP Tickets to V Festival! - blog.songkick.com<br />
22 0 1963 0 0<br />
Total = 1985<br />
Songkick and CrowdSurge join forces - blog.songkick.com<br />
988 0 105 77 0<br />
Total = 1170<br />
Review: The Jam - About The Young Idea (film) | Gigwise - gigwise.com/blogs<br />
4077 0 54 0 0<br />
Total = 4131<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 15
Content Example<br />
‘the psychology of music’ - Infographic<br />
FACEBOOK<br />
LIKES<br />
LINKEDIN<br />
SHARES<br />
TWITTER<br />
SHARES<br />
PINTEREST<br />
SHARES<br />
GOOGLE+<br />
SHARES<br />
TOTAL<br />
SHARES<br />
5.5K 202 282 198 15 6.2K<br />
insideonline <strong>EVENT</strong> <strong>TICKETING</strong> Digital Insights Report - 16
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