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Wheelock Magzine_Winter2016

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Student Spotlight<br />

The Student<br />

Becomes the Teacher<br />

26<br />

Olivia Thomes ’16 of<br />

Dorchester, MA, recently<br />

embarked on an unconventional<br />

endeavor and<br />

followed it through successfully. When<br />

choosing her course load for the first<br />

semester of her senior year, she perused<br />

descriptions of classes taught by Leland<br />

Clarke ’75, Wheelock College associate<br />

professor of Arts. Having taken his<br />

classes before, the Literature major —<br />

with minors in Communications with a<br />

focus in Media Literacy as well as Writing<br />

— found them to be enriching. The latest<br />

course taught by Clarke that interested<br />

Olivia was Rhythm and Resistance, but it<br />

was a First-Year Seminar.<br />

A First-Year Seminar provides freshmen<br />

with a support system of fellow<br />

first-year students so they can adjust to<br />

a new environment and a new phase of<br />

life together. It also helps them adjust to<br />

greater demands on their time, develop a<br />

better understanding of how they learn,<br />

and acquire essential academic skills that<br />

help them throughout their four years at<br />

Wheelock. Being a senior, Olivia was not<br />

eligible to take Rhythm and Resistance.<br />

So, she approached Clarke and asked him<br />

if she could co-teach the course with him.<br />

This would not be a typical arrangement<br />

due to the fact that independent studies<br />

had never been focused or related to<br />

already existing courses, as well as the<br />

fact that undergraduates had never been<br />

allowed to be teachers’ assistants. Much<br />

to Olivia’s delight, however, and that<br />

of Clarke and the students in the class,<br />

Clarke received approval.<br />

Not only was Olivia fortunate to<br />

have this unlikely experience; she also<br />

received four credits for an independent<br />

study. In order to have this experience,<br />

however, she had to add a new perspective<br />

to the class, as well as do her own<br />

research to engage the students.<br />

Rhythm and Resistance explores the<br />

arts and social protest from a humanistic,<br />

interdisciplinary perspective. And it<br />

gives students an understanding of historical<br />

and contemporary views of social<br />

protest by studying examples of music as<br />

it is used within global communities to<br />

incite social change. The students were<br />

not aware that they would have a teacher’s<br />

assistant for this class until it started.<br />

They were excited by her presence, and<br />

since this was not a common practice,<br />

they had the privilege of participating in<br />

the new adventure.<br />

Olivia is passionate about reading and<br />

writing fiction, short stories, and poetry.<br />

Having a separate syllabus from Clarke,<br />

she brought this passion to the classroom<br />

with the argument that music lyrics are<br />

their own genre of literature. This was<br />

one new perspective she added to the<br />

class. While Clarke taught the history<br />

of the music, Olivia helped the students<br />

analyze the lyrics to find metaphors and<br />

similes, along with other techniques used<br />

in creative writing, that help portray the<br />

message of the song, how the message<br />

promotes social change, and to what<br />

social issue it relates. The music ranged<br />

from Louis Armstrong’s version of “Black<br />

and Blue” to “A Change Is Gonna Come”<br />

by Sam Cooke to “If I Were a Boy” by<br />

Beyoncé. In the classroom, students<br />

listened to genres from old jazz and blues<br />

to rock ’n’ roll to contemporary music.<br />

Olivia also learned in the classroom.<br />

For example, Clarke presented a lecture<br />

on spirituals, which brought her new<br />

insight into the genre. Spirituals are religious<br />

(generally Christian) songs written<br />

by African slaves in the U.S. Originally,<br />

they imparted Christian values while<br />

also describing the hardships of slavery.<br />

Although spirituals were originally<br />

monophonic songs — they had a single,<br />

unaccompanied melodic line — they<br />

are best known today in harmonized<br />

choral arrangements.<br />

Also a member of the Wheelock College<br />

Student Advisor Program within<br />

the Office of Academic Advising, Olivia<br />

is a peer mentor who provides one-onone<br />

advice to first-year students. She is<br />

a role model who is available to students<br />

for informal guidance and support. She<br />

also helps them choose their courses for<br />

upcoming semesters. This year, Olivia<br />

is happy that she was the peer mentor to<br />

the students in Rhythm and Resistance.<br />

The students in this class were awestruck<br />

by the fact that she was a student who<br />

was co-teaching a course, was a student<br />

adviser, and was working two jobs.<br />

Olivia came to Wheelock because of<br />

its “wholesome environment.” She also<br />

came because its mission resonates with<br />

her. As a writer now and in the future, she<br />

believes the written word to be a powerful<br />

impetus to social change. “When I<br />

write, it comes from a place of authenticity,”<br />

she says, meaning that whether she is<br />

writing fiction or nonfiction, she does not<br />

over- or underdramatize a topic, especially<br />

when dealing with serious subjects.<br />

Olivia has been published in the<br />

Wheelock literary <strong>magazine</strong> every year<br />

she has been at Wheelock.<br />

WINTER 2016

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