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NEW VISIONS<br />

By Robert Sentinery<br />

BUZZ<br />

The legacy of Frank Lloyd Wright is one of our city’s strongest assets. One could<br />

say that Mr. Wright was an early adopter when it came to appreciating the beauty<br />

of this region. When he acquired the 600-plus acres (for $3.50/acre) at the<br />

base of the McDowell Mountains to build Taliesin West, the winter locale for his<br />

school and residence, he described the stretch of land as being “America’s gold<br />

spot.” Now, some 80 years later, the place remains a mythical architectural oasis<br />

that draws tourism from around the world.<br />

The challenge for Taliesin West is that, over the years, it has become more of a<br />

museum honoring Wright’s genius, rather than a vital institution for higher learning.<br />

The Frank Lloyd Wright School of Architecture seemed to be slowly falling<br />

by the wayside. When the Higher Learning Commission threatened to revoke the<br />

school’s accreditation back in 2014, something dramatic needed to happen. Enter<br />

Aaron Betsky.<br />

Not only is Betsky a trained architect, with a master’s degree from Yale, he is a<br />

world-renowned theorist and critic. He has authored 12 books and hundreds of<br />

articles on aesthetics, psychology and human sexuality as it pertains to architecture<br />

(Betsky married artist Peter Haberkorn in 2004 in the Netherlands, a decade<br />

before the gay-marriage movement in the U.S.). He is one of the most respected<br />

thinkers in the world of architecture today—a fountainhead of knowledge who<br />

promises to breathe new life into the school and restore its stature as the “workshop<br />

for reinventing American architecture.” (See “Aaron Betsky: The Future of<br />

Taliesin West,” p. 8).<br />

Tucker Woodbury is a visionary in his own right, but his focus is more on recreation<br />

and historic preservation. His company, Genuine Concepts, is responsible<br />

for a growing list of the Valley’s finest hangouts and watering holes, including<br />

the iconic downtown places Crescent Ballroom and Valley Bar. You may know<br />

him from a slew of other spots, including The Vig (four locations), Linger Longer<br />

Lounge, Cobra Arcade Bar, Little Woody’s, The Beverly and, coming soon, The<br />

Womack—a tribute to the Chez Nous (r.i.p.), the classic lounge that’s drowned<br />

in Phoenix history. Woodbury completed many of these adaptive reuse projects<br />

with his friend and business partner Charlie Levy. So let’s raise a glass to them<br />

for making Phoenix a more enjoyable place (see “Tucker Woodbury: Tomorrow’s<br />

Yesterday,” p. 34).<br />

Those who have been around the Phoenix creative scene for the last decade will<br />

remember a fashion line called Arte Puro—one of the early brands to surface<br />

from the Valley’s fashion wasteland. So much has changed since then. We now<br />

have a thriving fashion week and lots of designers selling wares.<br />

Leonor Aispuro was half of Arte Puro. She had high hopes for the line and even<br />

relocated to Brooklyn (before it was hip) to take it to the next level. After pouring<br />

in blood, sweat and tears for years, Aispuro decided to leave. She came back to<br />

Phoenix to regroup and start anew, with a more hands-on, sustainable approach.<br />

Her Leonor Aispuro Private Collection is beginning to make waves beyond our<br />

shores, with a recent appearance in Italian Vogue and a designer profile in British<br />

Vogue (see, “Leonor Aispuro: Fashion Artisan,” p. 12).

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