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NEEDLE • KNIFE • TORCH [&] BRUSH

Steven S. Powers presents, NEEDLE • KNIFE • TORCH [&] BRUSH, a collection of Outsider, Folk Art and good ol' Americana assembled for exhibition and sale at The Philadelphia Antiques & Art Show April 15-17 2016 with a gala preview party April 14. The Navy Yard, Marine Parade Grounds, Philadelphia, PA 19112. StevenSPowers.com for more information.

Steven S. Powers presents, NEEDLE • KNIFE • TORCH [&] BRUSH, a collection of Outsider, Folk Art and good ol' Americana assembled for exhibition and sale at The Philadelphia Antiques & Art Show April 15-17 2016 with a gala preview party April 14. The Navy Yard, Marine Parade Grounds, Philadelphia, PA 19112. StevenSPowers.com for more information.

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coincidence, but on several occasions Roth mentions money<br />

and the Homer Lee Banknote Company. Given these interests,<br />

artistic talent and his unstable mind, the fraud may be tied to<br />

this Joseph Roth.<br />

At the turn of the 19thC and into the 20thC, institutions began<br />

using arts and crafts as occupational therapies—embroidery<br />

was one such craft. In thinking of the patience required for<br />

such involved and ambitious works, one can see how<br />

embroidery would slow down ones racing thoughts. One<br />

cannot frenetically scribble their mad rambling words—the<br />

deliberate action of threading the needle, pushing it through<br />

the obverse and reverse, step and repeat, forces one to<br />

consider their thoughts at a more manageable pace.<br />

It is during this time that we see embroideries and other<br />

artistic creations documented in Europe—most famously by<br />

Dr. Hans Prinzhorn, a German psychiatrist and art scholar.<br />

Because of the materials used, Roth’s work draws comparison<br />

to the work of Lorina Bulwer (1838–1912) who was a British<br />

needleworker and a patient at the Great Yarmouth Workhouse.<br />

Bulwer created embroideries with illustrations and copy also<br />

written all in capital letters and without punctuation to<br />

express her anger at her situation. Agnes Richter (1844-1918)<br />

a patient in a German insane asylum obsessively embroidered<br />

her straight jacket. Roth’s work also conjures up the colorful<br />

and obsessive drawings of Adolf Wölfli (1864-1930) of the<br />

Waldau Clinic in Bern, Switzerland, as well as James Edward<br />

Deeds, Jr. (1908-1987) who was in State House #3 in Missouri.<br />

The textile on the previous page is the earliest recorded and<br />

dates from August 27, 1905. It is entitled, the “REPORT.” It<br />

begins with name of Dr. West (who Roth refers to several<br />

times) and lists a number of vocations; Brikleker (bricklayers),<br />

Stonemeson (stonemason), Sourbuilthers (sewer builders), etc.<br />

Roth then declares that he wants to go into NYC with Dr. West<br />

to the Homer Lee Banknote Company. It ends by Roth stating<br />

that he wants to see President Roosevelt in Washington<br />

[about] “the gold and silver money mashinry [sic].” And signs<br />

the textile, “Joseph Roth = World Erloser (world savior).” Note<br />

that not only does he refer to himself as the redeemer; he<br />

decidedly uses the equals (=) sign!

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