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esearch and development – 2016<br />

Sound Perception and Design<br />

Head Researcher: Patrick Susini<br />

Deputy Head Researcher: Nicolas Misdariis<br />

Activities<br />

—<br />

The team’s research focuses on the perception and<br />

cognition of sounds, bringing together knowledge from<br />

psychoacoustics, sound signal processing/synthesis,<br />

psychology, and cognitive neurosciences. More generally,<br />

the team’s research revolves around creation and<br />

educational activities in the field of sound design.<br />

Finally, the team has associated disparate educational<br />

actions:<br />

• Organization of applicative workshops in partnership with<br />

industrial companies and collectivities as a part of the DNSEP<br />

degree program in Sound Design at the Ecole Supérieure des<br />

Beaux Arts TALM (Le Mans) in collaboration with the design<br />

school ENSCI – Les Ateliers (http://lemans.esba-talm.fr/<br />

etudes/option-design-sonore).<br />

• Organization of professional training courses that combine<br />

a project with classwork in connection with IRCAM’s department<br />

of Education and Cultural Outreach (http://www.ircam.<br />

fr/formations.html).<br />

Research focuses primarily on environmental sounds. This<br />

rarely studied subject provides access to different levels<br />

of cognitive representation in connection with the surface<br />

characteristics of sounds and the sources that produce<br />

them. The team’s work therefore concerns the perceptive<br />

characterization of these sounds and of the cognitive<br />

mechanisms used to identify them.<br />

Environmental sounds are often produced in a context of<br />

interaction combined with movement when manipulating an<br />

object. One of the major themes in the team is to continue<br />

to study environmental sounds in a process that combines<br />

perception and action. This is a vital and unique gateway<br />

for research in auditory cognition and for interactive sound<br />

design applications.<br />

The team’s research topics have been extended to vocal<br />

imitations as well as musical sounds and to the voice<br />

in connection with environmental sounds. This creates<br />

new perspectives for better understanding the cognitive<br />

processes involved by the identification of a sound source<br />

and by the emotional processing of sounds.<br />

Applications for the team’s work are found primarily<br />

in sound design: we create the rules, the tools, and the<br />

methods—derived from our fundamental work—with the aim<br />

of facilitating the creation of functional and pleasant sounds<br />

for our everyday lives. The societal impact of our work was<br />

awarded in 2014 with the Décibel d’Or Recherche prize<br />

granted by the French Comité National du Bruit.<br />

Creation in sound design is carried out combining the “knowledge”<br />

with “know-how” of the team’s researchers and associated<br />

composers (Andrea Cera, Sébastien Gaxie, Alexander<br />

Sigman, Hiroshi Kawakami, Roland Cahen) in different projects.<br />

There are three types of creative projects carried out by the<br />

team: industrial projects (telecommunications, the automotive<br />

and the luxury industry); research projects for the creation of<br />

sound signaling; and educational projects for a variety of workshops<br />

on subjects that range from sports equipment to mass<br />

transit.<br />

Major Themes and Current Projects<br />

—<br />

• Loudness of non-stationary and multi-source sounds<br />

(LoudNat, p. 67 and MoUVie, p. 66)<br />

• Analysis and perceptive characterization of complex<br />

sound scenes and environments (Houle, p. 36 and MoUVie,<br />

p. 66)<br />

• Sound, imitation, and identification (Skat-VG project,<br />

p. 65)<br />

• Sound and interactions (Legos project, p. 47)<br />

• Sound and emotions (CREAM project, p. 64)<br />

• Sound signaling and HNI (RoadSense project, p. 67)<br />

• Tools and methods for sound design (CIFRE SNCF thesis,<br />

Skat-VG project, p. 65)<br />

Specialist Areas<br />

—<br />

Psychoacoustics, experimental psychology, cognitive<br />

neurosciences, acoustics, sound design, data analysis<br />

Collaborations<br />

—<br />

TU-Berlin (Berlin, Germany), J. Gutenberg Universität<br />

(Mainz, Germany), McGill University (Montréal, Canada),<br />

University of Canberra (Canberra, Australia), IUAV (Venice,<br />

Italy), Politecnico di Torino (Turin, Italy), Carnegie Mellon<br />

University (Pittsburgh, United States), KTH (Stockholm,<br />

Sweden), Lund Universitet (Lund, Sweden), ZHdK (Zürich,<br />

Switzerland), LVA- INSA (Lyon), LMA-CNRS (Marseille),<br />

CR-ICM (Paris), LAM (Paris), LAPPS (Paris), Ebam TALM<br />

(Le Mans), ENSCI (Paris), Université de Strasbourg, Centre<br />

d’Etudes Techniques de l’Equipement (Paris), IFSTTAR<br />

(Marne-la-Vallée), Renault, PSA, SNCF, EDF, Klaxon, LAPS-<br />

Design, Genesis, Aximum, Univers Sons, Région Ile de France<br />

Team<br />

—<br />

Researchers: J.-J. Aucouturier (CNRS), O. Houix, N. Misdariis,<br />

P. Susini<br />

Researchers Associated with Projects: G. Lemaitre (Skat-VG),<br />

M. Liuni (CREAM), M. Vannier (MoUVie), E. Ponsot (CREAM)<br />

Doctoral Students: P. Arias (CREAM), M. Carron (Cifre SNCF),<br />

R. Leiba (MoUVie), L. Rachman (CREAM)<br />

20

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