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esearch and development – 2016<br />
Sound Perception and Design<br />
Head Researcher: Patrick Susini<br />
Deputy Head Researcher: Nicolas Misdariis<br />
Activities<br />
—<br />
The team’s research focuses on the perception and<br />
cognition of sounds, bringing together knowledge from<br />
psychoacoustics, sound signal processing/synthesis,<br />
psychology, and cognitive neurosciences. More generally,<br />
the team’s research revolves around creation and<br />
educational activities in the field of sound design.<br />
Finally, the team has associated disparate educational<br />
actions:<br />
• Organization of applicative workshops in partnership with<br />
industrial companies and collectivities as a part of the DNSEP<br />
degree program in Sound Design at the Ecole Supérieure des<br />
Beaux Arts TALM (Le Mans) in collaboration with the design<br />
school ENSCI – Les Ateliers (http://lemans.esba-talm.fr/<br />
etudes/option-design-sonore).<br />
• Organization of professional training courses that combine<br />
a project with classwork in connection with IRCAM’s department<br />
of Education and Cultural Outreach (http://www.ircam.<br />
fr/formations.html).<br />
Research focuses primarily on environmental sounds. This<br />
rarely studied subject provides access to different levels<br />
of cognitive representation in connection with the surface<br />
characteristics of sounds and the sources that produce<br />
them. The team’s work therefore concerns the perceptive<br />
characterization of these sounds and of the cognitive<br />
mechanisms used to identify them.<br />
Environmental sounds are often produced in a context of<br />
interaction combined with movement when manipulating an<br />
object. One of the major themes in the team is to continue<br />
to study environmental sounds in a process that combines<br />
perception and action. This is a vital and unique gateway<br />
for research in auditory cognition and for interactive sound<br />
design applications.<br />
The team’s research topics have been extended to vocal<br />
imitations as well as musical sounds and to the voice<br />
in connection with environmental sounds. This creates<br />
new perspectives for better understanding the cognitive<br />
processes involved by the identification of a sound source<br />
and by the emotional processing of sounds.<br />
Applications for the team’s work are found primarily<br />
in sound design: we create the rules, the tools, and the<br />
methods—derived from our fundamental work—with the aim<br />
of facilitating the creation of functional and pleasant sounds<br />
for our everyday lives. The societal impact of our work was<br />
awarded in 2014 with the Décibel d’Or Recherche prize<br />
granted by the French Comité National du Bruit.<br />
Creation in sound design is carried out combining the “knowledge”<br />
with “know-how” of the team’s researchers and associated<br />
composers (Andrea Cera, Sébastien Gaxie, Alexander<br />
Sigman, Hiroshi Kawakami, Roland Cahen) in different projects.<br />
There are three types of creative projects carried out by the<br />
team: industrial projects (telecommunications, the automotive<br />
and the luxury industry); research projects for the creation of<br />
sound signaling; and educational projects for a variety of workshops<br />
on subjects that range from sports equipment to mass<br />
transit.<br />
Major Themes and Current Projects<br />
—<br />
• Loudness of non-stationary and multi-source sounds<br />
(LoudNat, p. 67 and MoUVie, p. 66)<br />
• Analysis and perceptive characterization of complex<br />
sound scenes and environments (Houle, p. 36 and MoUVie,<br />
p. 66)<br />
• Sound, imitation, and identification (Skat-VG project,<br />
p. 65)<br />
• Sound and interactions (Legos project, p. 47)<br />
• Sound and emotions (CREAM project, p. 64)<br />
• Sound signaling and HNI (RoadSense project, p. 67)<br />
• Tools and methods for sound design (CIFRE SNCF thesis,<br />
Skat-VG project, p. 65)<br />
Specialist Areas<br />
—<br />
Psychoacoustics, experimental psychology, cognitive<br />
neurosciences, acoustics, sound design, data analysis<br />
Collaborations<br />
—<br />
TU-Berlin (Berlin, Germany), J. Gutenberg Universität<br />
(Mainz, Germany), McGill University (Montréal, Canada),<br />
University of Canberra (Canberra, Australia), IUAV (Venice,<br />
Italy), Politecnico di Torino (Turin, Italy), Carnegie Mellon<br />
University (Pittsburgh, United States), KTH (Stockholm,<br />
Sweden), Lund Universitet (Lund, Sweden), ZHdK (Zürich,<br />
Switzerland), LVA- INSA (Lyon), LMA-CNRS (Marseille),<br />
CR-ICM (Paris), LAM (Paris), LAPPS (Paris), Ebam TALM<br />
(Le Mans), ENSCI (Paris), Université de Strasbourg, Centre<br />
d’Etudes Techniques de l’Equipement (Paris), IFSTTAR<br />
(Marne-la-Vallée), Renault, PSA, SNCF, EDF, Klaxon, LAPS-<br />
Design, Genesis, Aximum, Univers Sons, Région Ile de France<br />
Team<br />
—<br />
Researchers: J.-J. Aucouturier (CNRS), O. Houix, N. Misdariis,<br />
P. Susini<br />
Researchers Associated with Projects: G. Lemaitre (Skat-VG),<br />
M. Liuni (CREAM), M. Vannier (MoUVie), E. Ponsot (CREAM)<br />
Doctoral Students: P. Arias (CREAM), M. Carron (Cifre SNCF),<br />
R. Leiba (MoUVie), L. Rachman (CREAM)<br />
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