28.05.2016 Views

alla to the Biennale di architettura

IMG20160525172842129

IMG20160525172842129

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Guida Guide<br />

<strong>alla</strong> <strong>to</strong> <strong>the</strong><br />

<strong>Biennale</strong> <strong>di</strong><br />

<strong>architettura</strong><br />

2016<br />

SPONSORED BY<br />

IL GIORNALE DELL’ARTE®<br />

IN COLLABORAZIONE CON<br />

IL GIORNALE DELL’ARCHITETTURA ®


<strong>Biennale</strong> <strong>di</strong> Venezia 2016 I Venice <strong>Biennale</strong> 2016<br />

Eventi e se<strong>di</strong> espositive in città I Events and venues in <strong>the</strong> city<br />

12<br />

13 14<br />

3<br />

19<br />

4 11<br />

12<br />

2<br />

1<br />

3<br />

19<br />

7<br />

16<br />

18<br />

2 6<br />

5<br />

19<br />

11<br />

1<br />

5<br />

8<br />

9<br />

4 8 9<br />

6<br />

3<br />

18<br />

10<br />

15<br />

7<br />

10<br />

17<br />

Giar<strong>di</strong>ni<br />

Esposizione<br />

Exhibition<br />

Bar/Restaurant<br />

Books<strong>to</strong>re<br />

Pa<strong>di</strong>glione del libro<br />

Book Pavillon<br />

Entrata<br />

Entrance<br />

Biglietteria<br />

Ticket office<br />

Dep. bagagli<br />

Checkroom<br />

Infopoint<br />

Servizi igienici<br />

Toilets<br />

3<br />

4<br />

2<br />

1<br />

24 25<br />

26<br />

27<br />

23 28<br />

22<br />

21 17<br />

16<br />

18 15<br />

29<br />

30<br />

20 19<br />

14 13<br />

12<br />

5 6 7 8<br />

9 10<br />

11<br />

Arsenale<br />

Esposizione<br />

Exhibition<br />

Entrata<br />

Entrance<br />

Biglietteria<br />

Ticket office<br />

Dep. bagagli<br />

Checkroom<br />

Infopoint<br />

Teatri<br />

Theatres<br />

To/per ADACH<br />

Arsenale Novissimo<br />

Giar<strong>di</strong>ni<br />

1 2<br />

3<br />

4<br />

5<br />

• Giar<strong>di</strong>ni<br />

Fermata Actv s<strong>to</strong>p<br />

• Arsenale<br />

Fermata<br />

Actv<br />

s<strong>to</strong>p<br />

Giar<strong>di</strong>ni<br />

1 Pa<strong>di</strong>glione Centrale<br />

Central Pavilion<br />

«Reporting from<br />

<strong>the</strong> Front»<br />

2 Olanda/Ne<strong>the</strong>rlands<br />

3 Belgio/Belgium<br />

4 Spagna/Spain<br />

5 Svizzera/<br />

Switzerland<br />

6 Venezuela<br />

7 Russia<br />

8 Giappone/Japan<br />

9 Corea/Korea<br />

10 Germania/<br />

Germany<br />

11 Canada<br />

12 Gran Bretagna/<br />

United Kingdom<br />

13 Francia/France<br />

14 Repubblica Ceca e<br />

Repubblica Slovacca/<br />

Czech and Slovak Rep.<br />

15 Australia<br />

16 Uruguay<br />

17 Israele/Israel<br />

18 Stati Uniti d’America/<br />

United States of<br />

America<br />

19 Paesi nor<strong>di</strong>ci<br />

(Finlan<strong>di</strong>a, Norvegia,<br />

Svezia)/<br />

Nor<strong>di</strong>c countries<br />

(Finland, Norway,<br />

Sweden)<br />

20 Danimarca/Denmark<br />

21 Finlan<strong>di</strong>a/Finland<br />

22 Ungheria/Hungary<br />

23 Brazile/Brazil<br />

24 Austria<br />

25 Serbia<br />

26 Egit<strong>to</strong>/Egypt<br />

27 Pa<strong>di</strong>glione Venezia<br />

Venice Pavilion<br />

28 Polonia/Poland<br />

29 Romania<br />

30 Grecia/Greece<br />

Arsenale<br />

1 Corderie, Artiglierie<br />

«Reporting from <strong>the</strong><br />

Front»<br />

2 Sale d'armi: Argentina,<br />

Emirati Arabi Uniti/<br />

United Arab Emirates,<br />

Messico/Mexico,<br />

Perù/Peru, Singapore,<br />

Sudafrica/South Africa,<br />

Turchia/Turkey<br />

3 Pa<strong>di</strong>glioni/Pavilions:<br />

Albania, Bahrein,<br />

Cile/Chile, Croazia/<br />

Croatia, Iran, Irlanda/<br />

Ireland, Kuwait,<br />

Macedonia, Slovenia,<br />

Thailan<strong>di</strong>a/Thailand,<br />

Yemen<br />

4 Tese delle Vergini:<br />

Italia/Italy<br />

5 Deposi<strong>to</strong> cisterne:<br />

Cina/China<br />

GUIDA ALLA BIENNALE DI ARCHITETTURA | 3


CAPE COD<br />

GUIDA ALLA BIENNALE DI ARCHITETTURA | 4<br />

La nuova serie per il bagno <strong>di</strong> Philippe Starck. www.duravit.it


Le nazioni The Nations<br />

ALBANIA<br />

I Have Left You <strong>the</strong> Mountain<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner:<br />

Albanian Ministry of Culture;<br />

Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Simon Battisti,<br />

Leah Whitman-Salkin, Åbäke;<br />

Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: Etel Adnan,<br />

Mourid Barghouti, Michel Bu<strong>to</strong>r,<br />

Claire Fontaine, Yona Friedman,<br />

Anri Sala, Michael Taussig, Yanis<br />

Varoufakis, Ornela Vorpsi, Finn<br />

Williams<br />

ARGENTINA<br />

experimentAR - Poéticas desde la<br />

frontera<br />

Sede/Venue: Arsenale, Sale d’Armi;<br />

Commissario/Commissioner:<br />

Federico Gonzalez Perini; Cura<strong>to</strong>re/<br />

Cura<strong>to</strong>r: Atilio Pentimalli<br />

ARMENIA<br />

1 Independent Landscape<br />

Sede/Venue: Chiesa <strong>di</strong> Santa Croce<br />

degli Armeni, Calle dei Armeni,<br />

San Marco 965; Commissario/<br />

Commissioner: Ministry of Culture,<br />

(Vartan Karapetian); Cura<strong>to</strong>re/<br />

Cura<strong>to</strong>r: Sarhat Petrosyan<br />

AUSTRALIA<br />

The Pool - Architecture, Culture and<br />

Identity in Australia<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Janet Holmes a<br />

Court AC; Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Amelia<br />

Holliday and Isabelle Toland (Aileen<br />

Sage Architects) with Michelle Tabet;<br />

Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: Conversations<br />

with Olympians Shane Gould and<br />

Ian Thorpe; authors Anna Funder<br />

and Chris<strong>to</strong>s Tsiolkas; musician Paul<br />

Kelly; environmentalist Tim Flannery;<br />

fashion designers Romance Was<br />

Born; and art cura<strong>to</strong>r Hetti Perkins<br />

AUSTRIA<br />

Places for people<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario<br />

Cura<strong>to</strong>re/Commissioner Cura<strong>to</strong>r:<br />

Elk Elke Delugan-Meissl with Liquid<br />

Frontiers; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs:<br />

Caramel architects, EOOS, <strong>the</strong> next<br />

ENTERprise architects<br />

BAHRAIN<br />

Fundamentalists and O<strong>the</strong>r Arab<br />

Modernisms<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner: Sh.<br />

Mai Al Khalifa; Cura<strong>to</strong>ri/Cura<strong>to</strong>rs:<br />

Anne Holtrop and Noura Al Sayeh<br />

BELGIO/BELGIUM<br />

Bravoure<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Chris<strong>to</strong>ph Grafe,<br />

Direc<strong>to</strong>r Flanders Architecture<br />

Institute; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Bravoure<br />

Architecten De Vylder Vinck Taillieu -<br />

Doorzon Interieur Architecten - Filip<br />

Dujar<strong>di</strong>n<br />

BRASILE/BRAZIL<br />

Jun<strong>to</strong>s<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Luis Terepins, Bienal<br />

de São Paulo Foundation; Cura<strong>to</strong>re/<br />

Cura<strong>to</strong>r: Washing<strong>to</strong>n Fajardo;<br />

Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: João Felipe<br />

Wallig, Goma Oficina, Leticia Monte,<br />

Nanda Eskes, Mario Quintanilha/<br />

Paulo, Pedro Henrique de Cris<strong>to</strong>,<br />

Caroline de Cris<strong>to</strong>, Plus D Stu<strong>di</strong>o,<br />

Mauro Bonelli, Tia Surica, Ruy<br />

Rezende, Dyonne Boy, Tia Maria,<br />

Pedro Évora, Pedro Rivera, Merced<br />

Guimarães, IPN, Damião Braga,<br />

Quilombo da Pedra do Sal, Pequena<br />

África, Tia Ciata, Giovane Harvey,<br />

Sara Zewde, Junior Perim, Vinicius<br />

Daumas, Rodrigo Azevedo, Vik Muniz,<br />

Basil Water, Chico Rocha, Bruno<br />

Por<strong>to</strong>, Lula, O Norte, Dona Dalva,<br />

Terra Tuma Arquite<strong>to</strong>s Associados,<br />

Laura Taves, Clarisse Linke, ITDP, Zé<br />

Lobo, Transporte Ativo, Stu<strong>di</strong>o-X,<br />

Fernando Assad, Elisabete França,<br />

MMBB, H+F, Rober<strong>to</strong> Andrés<br />

CANADA<br />

Extraction<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Ca<strong>the</strong>rine Crows<strong>to</strong>n,<br />

Art Gallery of Alberta; Cura<strong>to</strong>re/<br />

Cura<strong>to</strong>r: Pierre Bélanger, OPSYS;<br />

Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: OPSYS / RVTR<br />

CILE/CHILE<br />

Against <strong>the</strong> Tide<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner:<br />

Cristóbal Molina (National Council<br />

of Culture and <strong>the</strong> Arts of Chile);<br />

Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Juan Román, José<br />

Luis Uribe; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs:<br />

Felipe Aranda, Ximena Cáceres,<br />

Clau<strong>di</strong>o Castillo, Ximena Céspedes,<br />

Gabriel Garrido, Carolina Guerra,<br />

Juan Francisco Inostroza, Yasna<br />

Monsalve, Felipe Muñoz, Daniel<br />

Prie<strong>to</strong>, Javier Rodríguez, Jonnattan<br />

Silva, Carolina Solís, Tanya Vera,<br />

Cesar Verdugo<br />

CINA/CHINA<br />

Daily Design, Daily Tao-Back <strong>to</strong> <strong>the</strong><br />

Ignored Front<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner: China<br />

Arts & Entertainment Group (CAEG);<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Jingyu Liang;<br />

Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: Apporoach<br />

Architecture Stu<strong>di</strong>o, Drawing<br />

Architecture Stu<strong>di</strong>o (Han Li, Yan<br />

Hu), in+of architecture (Lu Wang),<br />

People’s Architecture Office (Zhe He,<br />

James Shen, Feng Zang), Run Atelier<br />

(Hao Wang, Man Ye), Qun Song, View<br />

Unlimited Lanscape Architecture<br />

Stu<strong>di</strong>o CUCD (Xie Xiaoying, Yan Tong,<br />

Haitao Huang, Qu Zhi), Wuyong (Ma<br />

Ke), Jingxiang Zhu (Unitinno+CUHK),<br />

Jing Zuo<br />

CIPRO/CYPRUS<br />

2 Contested Fronts: commoning<br />

practices for conflict transformation<br />

Sede/Venue: Palazzo Malipiero;<br />

Commissario/Commissioner: Petros<br />

Dimiotis, Ministry of Education and<br />

Culture; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Socrates<br />

Stratis<br />

COREA/KOREA<br />

The FAR Game: Constraints<br />

Sparking Creativity<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Arts Council Korea;<br />

Cura<strong>to</strong>ri Esposi<strong>to</strong>ri/Cura<strong>to</strong>rs<br />

Exhibi<strong>to</strong>rs: Sung Hong Kim, Eungee<br />

Cinn, Keehyun Ahn, Seungbum Kim,<br />

Isak Chung, Daeun Jeong<br />

COSTA D’AVORIO/IVORY COAST<br />

3 Live Differently<br />

Sede/Venue: Palazzo Bembo<br />

and Palazzo Mora; Commissario/<br />

Commissioner: N’Guessan N’Dri<br />

Bar<strong>the</strong>lemy; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Sossah Francis; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs:<br />

Ministère de la construction et de<br />

l’urbanisme, Ministère de l’habitat et<br />

du logement social, Ministère de la<br />

culture et de la francophonie, Ordre<br />

des architectes, Ecole d’architecture<br />

d'Abidjan<br />

CROAZIA/CROATIA<br />

We Need It - We Do It<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner: Zlatko<br />

Hasanbegovic, Minister of culture;<br />

Ministry of Culture; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Dinko Peracic; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs:<br />

Dinko Peracic, Slaven Tolj, Miranda<br />

Veljacic, Emina Višnic<br />

DANIMARCA/DENMARK<br />

Art of Many and <strong>the</strong> Right <strong>to</strong> Space<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Kent Martinussen,<br />

CEO, Danish Architecture Centre;<br />

Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Boris Brorman<br />

Jensen and Kris<strong>to</strong>ffer Lindhardt<br />

Weiss; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: 3XN;<br />

AART architects; Adept; AI; Anders<br />

Abraham & Christina Capetillo;<br />

Anders Peder Larsen; Andersen &<br />

Sigurdsson Architects; Arcgency;<br />

Arkitektfirmaet Merete Lind<br />

Mikkelsen; Arkitema Architects;<br />

BCVA Architecture; BESSARDs’<br />

STUDIO; BIG; BO FROST architects;<br />

CEBRA; CF; Møller Architects;<br />

Christensen & Co architects;<br />

COBE; COLORCLOUDSTUDIO;<br />

DISSING+WEITLING architecture;<br />

Dorte Mandrup Architects; EFFEKT;<br />

ELKIÆR + EBBESKOV; Erik Brandt<br />

Dam architects; Erik Møller<br />

Architects; Force4; Frans Drewniak<br />

& Philip Rahm; Frederiksund<br />

Municipality; Friis & Moltke Architects<br />

Gottlieb Paludan Architects;<br />

Herzog de Meuron; JAJA architects;<br />

Jakob Knudsen; Jan Gehl; Jane<br />

Havshøj Architects; Jes Vagnby;<br />

JJW Architects; Johan Mottelson;<br />

Jonathan Meldgaard Houser; Junya<br />

Ishigami; Karlsson Arkitekter; KHR<br />

Arkitekter; Kim Loudrup; KRADS;<br />

Kristine Jensens Tegnestue;<br />

Lenschow & Pihlmann; LETH &<br />

GORI; LUMO Architects; Lundgaard<br />

& Tranberg Architects; Mathilde Petri<br />

Architects; Middelfart Municipality<br />

and Middelfart Wastewater Utility;<br />

Mikkelsen Architects; Møller &<br />

Grønborg; Nicolai Bo Andersen;<br />

NORD Architects Copenhagen; ONV<br />

Architects; POLYFORM; Roskilde<br />

Municipality; RUBOW Arkitekter;<br />

schmidt hammer lassen architects;<br />

SLA Architects; SLETH Architects;<br />

SNE architects; Spektrum Arkitekter;<br />

Svendborg Architects; THIRD NATURE;<br />

Toposfære IVS;TRANSFORM; Tyra<br />

Lea Am<strong>di</strong>sen Dokkedahl; URBAN<br />

AGENCY; Vandkunsten Architects;<br />

Vilhelm Lauritzen Architects; WE<br />

Architecture; Wienberg Architects<br />

and Frier Architecture; Schønherr;<br />

Henning Larsen Architects; JDS<br />

Architects; MAP Architects<br />

EGITTO/EGYPT<br />

ReframingBack/<br />

ImperativeConfrontations<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Ahmad Hilal;<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Ministry of Culture;<br />

Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: Eslam Zenbaey,<br />

Luca Borlenghi, Gabriele Secchi,<br />

Mostafa Salim<br />

EMIRATI ARABI UNITI/<br />

UNITED ARAB EMIRATES<br />

Transformations: The Emirati<br />

National House<br />

Sede/Venue: Arsenale, Sale d’Armi;<br />

Commissario/Commissioner:<br />

Salama bint Hamdan Al Nahyan<br />

Foundation; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Yasser<br />

Elsheshtawy<br />

FILIPPINE/PHILIPPINES<br />

4 Muhon: Traces of an Adolescent<br />

City<br />

Sede/Venue: European Cultural<br />

Center - Palazzo Mora, Strada Nuova<br />

3659; Commissario/Commissioner:<br />

National Commission for Culture and<br />

<strong>the</strong> Arts (NCCA), Felipe M. de Leon;<br />

Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Juan Paolo de la<br />

Cruz, Sudarshan Khadka Jr., Leandro<br />

Locsin (LVLP Partners)<br />

FINLANDIA/FINLAND<br />

From Border <strong>to</strong> Home - Housing<br />

Solutions for Asylum Seekers<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Juulia Kauste<br />

Museum of Finnish Architecture;<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Marco Steinberg;<br />

Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: a team,<br />

Lindberg & Erdman, Society Lab with<br />

<strong>the</strong> participation of alt Architects,<br />

D.A.T, PANGEA + QUATORZE, Helsinki<br />

Kasbah Combine, Sa<strong>to</strong>shi Ohtaki<br />

FRANCIA/FRANCE<br />

Nouvelles du Front, Nouvelles<br />

Richesses<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Institut Français,<br />

Ministère de la Culture et de la<br />

Communication - Direction Générale<br />

des Patrimoines; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Frédéric Bonnet - OBRAS e AJAP 14<br />

(PNG, Boidot & Robin, Stu<strong>di</strong>o 1984,<br />

Stu<strong>di</strong>olada, Boris Bouchet, Claas<br />

architectes, R Architecture, NeM /<br />

Niney et Marca architectes)<br />

GERMANIA/GERMANY<br />

Making Heimat; Germany, Arrival<br />

Country<br />

Sede/Venue: Giar<strong>di</strong>ni<br />

Commissario/Commissioner:<br />

Peter Cachola Schmal (Deutsches<br />

Architekturmuseum-DAM); Cura<strong>to</strong>re/<br />

Cura<strong>to</strong>r: Oliver Elser (DAM);<br />

Esposi<strong>to</strong>re/Exhibi<strong>to</strong>r: Something<br />

Fantastic<br />

GIAPPONE/JAPAN<br />

en: art of nexus<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: The Japan<br />

Foundation; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Yoshiyuki Yamana; Esposi<strong>to</strong>ri/<br />

Exhibi<strong>to</strong>rs: mnm (Mio Tsuneyama),<br />

ondesign (Osamu Nishida), Erika<br />

Nakagawa, Naruse Inokuma<br />

Architects (Jun Inokuma, Yuri<br />

Naruse), Naka Architects’ Stu<strong>di</strong>o<br />

(Toshiharu Naka, Yuri Uno), Nousaku<br />

Architects (Fuminori Nousaku,<br />

Junpei Nousaku), miCo, (Mizuki<br />

Imamura, Isao Shinohara), Levi<br />

Architecture (Jun Nakagawa), Shingo<br />

Masuda+Katsuhisa Otsubo Architects<br />

(Shingo Masuda, Katsuhisa Otsubo),<br />

Koji Aoki Architects (Koji Aoki),<br />

403architecture [dajiba] (Takuma<br />

Tsuji, Takeshi Hashimo<strong>to</strong>, Toru Yada,<br />

BUS (Sa<strong>to</strong>ru I<strong>to</strong>, Kosuke Bando, Issei<br />

Suma), dot architects (Toshikatsu<br />

Ienari, Takeshi Shakushiro, Wataru<br />

Doi)<br />

GRAN BRETAGNA/GREAT BRITAIN<br />

Home Economics<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Vicky Richardson;<br />

Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Shumi Bose,<br />

Jack Self, Finn Williams; Esposi<strong>to</strong>ri/<br />

Exhibi<strong>to</strong>rs: ÅYR, Pier Vit<strong>to</strong>rio Aureli<br />

and Martino Tattara (Dogma) with<br />

Maria S, Giu<strong>di</strong>cci (Black Square),<br />

Julia King, Hesselbrand<br />

GRECIA/GREECE<br />

#ThisIsACo-op<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Ministry of<br />

Environment and Energy, General<br />

Secretary of Spatial Planning<br />

and Urban Environment, Eirini<br />

Klampatsea; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Association of Greek Architects,<br />

SADAS-PEA, Esposi<strong>to</strong>ri Partecipanti/<br />

Exhibi<strong>to</strong>rs Participants: Eirini<br />

Afen<strong>to</strong>uli, Nicholas Anastasopoulos,<br />

Angeliki Avgitidou, Olga Balaoura,<br />

Symeon Banos, Yianna Barkouta,<br />

Mara Bitrou, Chris<strong>to</strong>s Bletsas,<br />

Stefanos Chandelis, Pavlos<br />

Chatziangeli<strong>di</strong>s, Maria Chris<strong>to</strong>ulia,<br />

Kostas Daflos, Thomas Dalampouras,<br />

Andromachi Damala, Melpo<br />

Danou, Marissia Deligiorgi, Ivi<br />

Diaman<strong>to</strong>poulou, Lina Dima,<br />

Panayiotis Demopoulos, Elef<strong>the</strong>ria<br />

Disli, Loukas Elef<strong>the</strong>riou, Dimitrios<br />

Elef<strong>the</strong>ria<strong>di</strong>s, Despoina Filippidou,<br />

Vasileios Fiorentzakis, Nikos Gazepis,<br />

Foteini Georgakopoulou, Nikos<br />

Georgia<strong>di</strong>s, Valia Gialia, Dimitris<br />

Giannisis, Iasonas-Anastasios<br />

Giannopoulos, Konstantinos<br />

Gounari<strong>di</strong>s, Prodromos Gounari<strong>di</strong>s,<br />

Kiki Grevia, Dimitrios Grozopoulos,<br />

Stefania Gyf<strong>to</strong>poulou, Hariklia<br />

Hari, Elisavet Hasa, Yvonne Iatrou,<br />

Sotiria Inetzi, Kostas Kakogiannis,<br />

Phevos Kallitsis, Elina Karanastasi,<br />

Ernestina Karystinaiou-Ethymia<strong>to</strong>u,<br />

Maria Kassola, Tonia Katerini,<br />

Nikos Kazeros, Zoi Kibezi, Stefania<br />

Kontinou-Chimou, Iakovina Kontiza,<br />

Anthi Kosma, Myr<strong>to</strong> Kostaropoulou,<br />

Zissis Kotionis, Ioannis Kottis,<br />

Georgia Kotsari, Panagiotis K.<br />

Koumoundouros, Panos Kouros,<br />

Annita Koutsonanou, Apos<strong>to</strong>los<br />

Kyriazis, Sasa Lada, Demetrios<br />

Lampris, Manos Laoutaris, Anna<br />

Lavasa-Karapa, Andreas Lazaris,<br />

Light art collective Beforelight,<br />

Iris Lykourioti, Leda Lycourioti,<br />

Panagiota Mamalaki, Konstantina<br />

Marinaki, Elef<strong>the</strong>rios Maris, Vasileios<br />

Mavrianos, Mary Mavri<strong>di</strong>s, Nafsika<br />

Michail, Stylianos Minotakis, Yiannis<br />

Mitropoulos, Stephania Mosse,<br />

Chrysi Nikoloutsou, Yorgis Noukakis,<br />

Vassiliki Panagio<strong>to</strong>poulou, Georgios<br />

A. Panetsos, Panayotis Pangalos,<br />

Iason Pantazis, Giorgos Papa<strong>di</strong>mas,<br />

Anastasia Papadopoulou, Dafni<br />

Papadopoulou, Giorgos Papagkikas,<br />

Nefeli Papanagio<strong>to</strong>u, Asimina<br />

Paraskevopoulou, Eleni Pe<strong>to</strong>uri,<br />

Mara Petra, Pantelis Petri<strong>di</strong>s,<br />

Maria Platanioti, Vassiliki-Maria<br />

Plavou, Julie Psallida, Anna Sapka,<br />

Eirini-Dafni Sapka, Konstantinos<br />

Savvi<strong>di</strong>s, Maria Sereti, Efstratios<br />

Skopelitis, Sofia Sofianou, Tzina<br />

Sotiropoulou, Marilli Spilia<strong>di</strong>, Athina<br />

Spilio<strong>to</strong>poulou, Artemisia Spiotta,<br />

Prodromos Stais, Eftychia Stamataki,<br />

Stavros Stavri<strong>di</strong>s, Iordanis Styli<strong>di</strong>s,<br />

Stavros Theocharis, Chrysos<strong>to</strong>mos<br />

Theodoropoulos, Constantina<br />

Theodorou, Christina Thomopoulou,<br />

Konstantina Tossouni, Panos Totsikas,<br />

Jilly Traganou, Penny Travlou, Evgenia<br />

Tsagkaraki, Venetia Tsakalidou, Yiouli<br />

Tsakiridou, Irene Tsakiropoulos,<br />

Ioannis Tsaliki<strong>di</strong>s, Natassa Tsironi,<br />

Spyros Tsi<strong>to</strong>uris, Vasilis Tsonakas,<br />

Christina Tzevelekou, Eleni Tzirtzilaki,<br />

Alexandros Valsami<strong>di</strong>s, Parina<br />

Vasilopoulou, Fereniki Vatavali,<br />

Anastasia Verteouri, Lefteris Virirakis,<br />

Dimitra Vogiatzaki, Sophia Vyzoviti,<br />

Maria Xenaki, Alexandra Zacharia<strong>di</strong>,<br />

Vaios Zi<strong>to</strong>noulis, Dafni Zografou<br />

IRAN<br />

Rewind «Play» Forward - City<br />

Matters, Community Matters More<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner:<br />

«REPORTING FROM THE FRONT»<br />

Diret<strong>to</strong>re 15. Mostra Internazionale <strong>di</strong><br />

Architettura/Direc<strong>to</strong>r 15th International<br />

Architecture Exhibition: Alejandro<br />

Aravena<br />

Ministry of Roads and Urban<br />

Development, Hamed Mazaherian;<br />

Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Parshia<br />

Gharegozlou, Behzad Atabaki;<br />

Esposi<strong>to</strong>re/Exhibi<strong>to</strong>r: Saba<br />

Engineering Events Association<br />

IRLANDA/IRELAND<br />

Losing Myself<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner: Niall<br />

McLaughlin; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Yeoryia Manolopoulou; Esposi<strong>to</strong>re/<br />

Exhibi<strong>to</strong>r: Níall McLaughlin (Níall<br />

McLaughlin Architects)<br />

ISRAELE/ISRAEL<br />

A is for Architecture, B is for Biology<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissari/<br />

Commissioners: Arad Turgeman, Miki<br />

Gov; Cura<strong>to</strong>ri Esposi<strong>to</strong>ri/ Cura<strong>to</strong>rs<br />

Exhibi<strong>to</strong>rs: Ido Bachelet, Bnaya<br />

Bauer, Arielle Blonder, Yael Eylat Van-<br />

Essenn, Noy Lazarovich<br />

ITALIA/ITALY<br />

Taking Care - Progettare per il bene<br />

comune<br />

Sede/Venue: Tese delle Vergini,<br />

Arsenale; Commissario/<br />

Commissioner: Federica Galloni,<br />

Diret<strong>to</strong>re generale Arte e Architettura<br />

contemporanee e Periferie urbane,<br />

Ministero dei Beni e delle Attività<br />

culturali e del Turismo; Cura<strong>to</strong>re/<br />

Cura<strong>to</strong>r: TAMassociati - Massimo<br />

Lepore, Raul Pantaleo, Simone<br />

Sfriso;<br />

Informazioni/Information<br />

Luoghi espositivi<br />

Exhibition venues<br />

Giar<strong>di</strong>ni <strong>di</strong> Castello, Arsenale, se<strong>di</strong> varie<br />

in citta/o<strong>the</strong>r locations in Venice<br />

Aperture al pubblico<br />

Opening <strong>to</strong> <strong>the</strong> public<br />

Dal 28 maggio al 27 novembre<br />

Dalle 10 alle 18. Arsenale dalle 10.00<br />

alle 20.00 nei giorni <strong>di</strong> venerdì e saba<strong>to</strong><br />

fino al 24 settembre. Chiuso il lunedì<br />

(esclusi 30 maggio, 5 settembre, 31<br />

ot<strong>to</strong>bre e 21 novembre)<br />

From May 28 <strong>to</strong> November 27<br />

10 am-6 pm. 10 am-8 pm at <strong>the</strong> Arsenale<br />

venue on Fridays and Saturdays<br />

until 24th September. Closed on Mondays<br />

(except 30th May, 5th September,<br />

31st Oc<strong>to</strong>ber, 21st November)<br />

Biglietterie Tickets office<br />

Giar<strong>di</strong>ni e Arsenale (Campo della Tana,<br />

Arsenale Nord)<br />

Biglietti Tickets<br />

I Biglietti singoli sono vali<strong>di</strong> per un<br />

solo ingresso in ciascuna sede espositiva<br />

(Giar<strong>di</strong>ni e Arsenale) anche in<br />

giorni non consecutivi. I Permanent<br />

Pass e lo Special 2 days sono vali<strong>di</strong><br />

per più ingressi in ciascuna sede<br />

espositiva (Giar<strong>di</strong>ni e Arsenale). Il<br />

Ridot<strong>to</strong> combina<strong>to</strong> è valido per un<br />

ingresso <strong>alla</strong> 15° Mostra internazionale<br />

<strong>di</strong> Architettura e <strong>alla</strong> XXI Triennale<br />

<strong>di</strong> Milano (2 aprile-12 settembre)<br />

The ticket is valid for one entry <strong>to</strong> each<br />

of <strong>the</strong> two exhibition venues (Giar<strong>di</strong>ni<br />

and Arsenale) also on non-consecutive<br />

days. Permanent Pass and Special 2<br />

days are valid for multiple entries <strong>to</strong><br />

each exhibition venue (Giar<strong>di</strong>ni and Arsenale).<br />

The Combined concessionary<br />

ticket is valid for one admission <strong>to</strong> <strong>the</strong><br />

15th International Architecture Exhibition<br />

and one admission <strong>to</strong> XXI Triennale<br />

<strong>di</strong> Milano (2 Apr. - 12 Sept.)<br />

q Intero Special 2days (pass valido<br />

per due giorni consecutivi per entrambe<br />

le se<strong>di</strong>/Special 2days -full price (pass<br />

valid for two consecutive days for both<br />

venues) € 30<br />

q Intero/Full price € 25<br />

q Ridot<strong>to</strong>/Reduced: € 22<br />

q Studenti under 26/Students under<br />

26: € 15<br />

q Permanent pass: € 80<br />

q Intero Special 2 days (pass valido<br />

per due giorni consecutivi per entrambe<br />

le se<strong>di</strong>/Special 2days - full price (pass<br />

valid for two consecutive days for both<br />

venues): € 30<br />

q Ridot<strong>to</strong> combina<strong>to</strong> <strong>Biennale</strong>/Triennale/Combined<br />

concessionary ticket<br />

<strong>Biennale</strong>/Triennale: € 33<br />

q Per i possessori <strong>di</strong> tessere Aci, Coop,<br />

Cts, Fai, Touring Club, CinemaPiù, VeneziaUnica<br />

City pass (buono d’or<strong>di</strong>ne<br />

servizi) Rolling Venice Card, Carta Giovani,<br />

Trenitalia freccia Argen<strong>to</strong>/Bianca/<br />

Rossa con biglietti destinazione Venezia<br />

(antecedente max 3gg), abbonati<br />

Trenitalia in Vene<strong>to</strong> o Friuli Venezia Giulia<br />

e e soci carta Freccia/For card holders:<br />

Aci, Coop, Cts, Fai, Touring Club,<br />

CinemaPiù, VeneziaUnica City pass<br />

(purchase order) Rolling Venice Card,<br />

Carta Giovani, Trenitalia freccia Argen<strong>to</strong>/Bianca/Rossa<br />

ticket destination<br />

Venice (earlier 3 days max), holders of<br />

regional Trenitalia subscription Vene<strong>to</strong><br />

or Friuli Venezia Giulia and cartaFREC-<br />

CIA members Ridot<strong>to</strong>/Reduced: € 22<br />

q Over 65, militari, residenti Comune<br />

<strong>di</strong> Venezia, su presentazione del bigliet<strong>to</strong><br />

del 10. Festival Internazionale<br />

<strong>di</strong> Danza Contemporanea, del 44.<br />

Festival Internazionale del Teatro, del<br />

60. Festival Internazionale <strong>di</strong> Musica<br />

Contemporanea e su presentazione<br />

dell’abbonamen<strong>to</strong> <strong>alla</strong> 73. Mostra Internazionale<br />

d’Arte Cinema<strong>to</strong>grafica/<br />

Over 65 yrs, military officers, Venice<br />

residents, ticket holders of <strong>the</strong> 10th<br />

International Festival of Contemporary<br />

Dance, of <strong>the</strong> 44th International Theatre<br />

Festival, of <strong>the</strong> 60th International<br />

Festival of Contemporary Music, or<br />

subscription holders of <strong>the</strong> 73rd Venice<br />

International Film Festival Ridot<strong>to</strong>/<br />

Reduced: € 20<br />

q Formula 2+1 (2 adulti + 1 under<br />

16/2 adults + 1 under 16 yrs): € 42<br />

+ € 14 (ogni under 16/for every fur<strong>the</strong>r<br />

visi<strong>to</strong>r under 16 yrs old)<br />

q Gruppo adulti (min. 10 persone,<br />

prenotazione obbliga<strong>to</strong>ria)/Adult groups<br />

(min. 10 people, booking required): € 16<br />

q Gruppo studenti scuole secondarie<br />

(min. 10 persone, prenotazione obbliga<strong>to</strong>ria)/Secondary<br />

school students groups<br />

(min. 10 people, booking required): € 10<br />

q Gruppo studenti università (min. 10<br />

persone, prenotazione obbliga<strong>to</strong>ria)/<br />

University students groups (min. 10 people,<br />

booking required): € 14<br />

q Gruppo studenti università convenzionate<br />

(min. 50 persone, prenotazione<br />

obbliga<strong>to</strong>ria, valido per entrambe le se<strong>di</strong><br />

per 3 gg. consecutivi)/Students groups<br />

of <strong>the</strong> universities involved in <strong>Biennale</strong><br />

Sessions (min. 50 people, booking<br />

required, valid <strong>to</strong> visit <strong>the</strong> 2 exhibition<br />

venues for 3 consecutive days): € 20<br />

q Permanent pass studenti under 26/<br />

Permanent pass students under 26: € 45<br />

Informazioni e prenotazioni<br />

Information and Booking<br />

Tel./Ph. 39 041 5218 828<br />

www.labiennale.or<br />

IL GIORNALE DELL’<br />

®<br />

ARTE<br />

Pagine a cura <strong>di</strong><br />

Laura Milan<br />

Aggiornamen<strong>to</strong> al 13 maggio 2016<br />

GUIDA ALLA BIENNALE DI ARCHITETTURA | 5


Le nazioni The Nations<br />

KUWAIT<br />

Between East and West, A Gulf<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner:<br />

NCCAL; Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Hamed<br />

Bukhamseen and Ali Karimi<br />

LUSSEMBURGO/LUXEMBOURG<br />

5 Tracing transitions<br />

Sede/Venue: Ca’ del Duca, Corte<br />

del Duca Sforza, San Marco 3052;<br />

Commissario/Commissioner: LUCA<br />

Luxembourg Center for Architecture,<br />

Andrea Rumpf; Cura<strong>to</strong>ri Esposi<strong>to</strong>ri/<br />

Cura<strong>to</strong>rs Exhibi<strong>to</strong>rs: Claude Ballini,<br />

Serge Ecker, Daniel Grünkranz,<br />

Panajota Pano<strong>to</strong>poulou<br />

MACEDONIA<br />

No Man’s land<br />

Sede/Venue: Arsenale; Commissario/<br />

Commissioner: Ivanka Apos<strong>to</strong>lova;<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: S<strong>to</strong>jan Pavleski;<br />

Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: S<strong>to</strong>jan Paveski,<br />

Ivan Simeonov, Gjorgji Radovanovic<br />

and Ljupcho Tasevski<br />

MESSICO/MEXICO<br />

Unfol<strong>di</strong>ngs and assemblages<br />

(Despliegues y ensambles)<br />

Sede/Venue: Arsenale, Sale d’Armi;<br />

Commissario/Commissioner:<br />

María Margarita Segarra Lagunes;<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Pablo Landa<br />

Ruiloba; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: David<br />

Mora Torres, Valeria Prie<strong>to</strong>, Mariano<br />

Arias-Diez, Alejandro Suárez Pareyón,<br />

César Augus<strong>to</strong> Guerrero Rodríguez,<br />

Mariana Ordoñez Grajales, Jorge<br />

Andrade Narváez, Paloma Vera, João<br />

Bo<strong>to</strong> Ma<strong>to</strong>s Caeiro, Javier Toscano<br />

Guerrero, Isadora Hastings, Melba<br />

Denisse García, Álvaro Lara Cruz, Juan<br />

Carlos de la Garza Madero, Juan José<br />

Santibañez, Luz Yazmin Viramontes,<br />

Juan Alfonso Garduño, Jesús Rober<strong>to</strong><br />

Nuñez, Rodolfo Samperio, Alfredo<br />

Hidalgo Rasmussen, Daniel Filloy<br />

Ring, Juan M; Casillas Pin<strong>to</strong>r, José<br />

Carlos Lavalle Alonzo, Alexa Mabel<br />

Pacheco, Carlos Hagerman, Jesús<br />

Álvarez, Lara Becerra, Betsaid M;<br />

Moreno Corona, Jorge A; Rivera, Aarón<br />

Gutiérrez, Raúl Cárdenas Osuna<br />

MONTENEGRO<br />

6 Project Solana Ulcinj<br />

Sede/Venue: Palazzo Malipiero,<br />

San Marco 3079; Commissario/<br />

Commissioner: Dijana Vucinic,<br />

Ministry of Sustainable Development<br />

and Tourism; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Bart<br />

Lootsma; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs:<br />

ecoLogicSTUDIO (Clau<strong>di</strong>a Pasquero,<br />

Marco Polet<strong>to</strong>), LAAC Architects<br />

(Kathrin Aste, Frank Lu<strong>di</strong>n, Benjamin<br />

Ennemoser, Alois Hehenberger, Cenk<br />

Güzelis), LOLA Landscape Architects<br />

(Eric-Jan Pleijster, Peter Veenstra,<br />

Brigitta van Weeren, Simon Verbeeck,<br />

Marco Peruzzi)<br />

NIGERIA<br />

7 Diminished Capacity<br />

Sede/Venue: Spazio Punch,<br />

Fondamenta San Biagio 800/O,<br />

Giudecca; Commissario/<br />

Commissioner: Nkanta George Ufot<br />

(Ministry of Information and Culture);<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Camilla Boemio;<br />

Esposi<strong>to</strong>re/Exhibi<strong>to</strong>r: Ola-Dele Kuku<br />

NUOVA ZELANDA/NEW ZEALAND<br />

8 Future Islands<br />

Sede/Venue: Palazzo Bollani, Castello<br />

3647; Commissario/Commissioner:<br />

Tony Van Raat; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Charles Walker; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs:<br />

Kathy Waghorn, Jessica Barter,<br />

Stephen Brookbanks, Maggie Carroll,<br />

Bruce Ferguson, Minka Ip, Jonathan<br />

Rennie, Rewi Thompson<br />

OLANDA/THE NETHERLANDS<br />

Blue: Architecture of Peacekeeping<br />

Missions<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Het Nieuwe Instituut;<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Malkit Shoshan<br />

PAESI BALTICI/BALTIC STATES<br />

9 The Baltic Pavilion<br />

Sede/Venue: Palasport G.B.<br />

Gianquin<strong>to</strong>, Castello, Calle S. Biagio;<br />

Commissario Es<strong>to</strong>nia /Commissioner<br />

Es<strong>to</strong>nia: Raul Järg; Commissario<br />

Let<strong>to</strong>nia/Commissioner Latvia:<br />

Janis Dripe (Ministry of Culture of<br />

<strong>the</strong> Republic of Latvia); Commissari<br />

Lituania/Commissioners Lithuania:<br />

Ona Lozuraité, Jonas Žukauskas;<br />

Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Karlis Berzinš,<br />

Jurga Daubaraite, Petras Išora, Ona<br />

Lozuraityte, Niklavs Paegle, Dagnija<br />

Smilga, Johan Tali, Laila Zarina, Jonas<br />

Žukauskas; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs:<br />

Architekturos Fondas, Eesti<br />

Arhitektuurikeskus<br />

PAESI NORDICI (Finlan<strong>di</strong>a, Norvegia,<br />

Svezia)/NORDIC COUNTRIES<br />

(Finland, Norway, Sweden)<br />

In Theraphy - Nor<strong>di</strong>c Countries Face<br />

<strong>to</strong> Face<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: ArkDes, The Swe<strong>di</strong>sh<br />

Centre for Architecture and Design<br />

(Sweden); Commissario aggiun<strong>to</strong>/<br />

Deputy Commissioner: The Finnish<br />

Museum of Architecture (Finland)<br />

and Nasjonalmuseet (Norway);<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: David Basul<strong>to</strong>,<br />

James Taylor-Foster<br />

PERÙ/PERU<br />

Our Amazon Frontline<br />

Sede/Venue: Arsenale, Sale d’Armi;<br />

Commissario/Commissioner: José<br />

Orrego; Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Sandra<br />

Barclay and Jean Pierre Crousse;<br />

Esposi<strong>to</strong>re/Exhibi<strong>to</strong>r: Ministry of<br />

Education, Plan Selva Project Head<br />

of <strong>the</strong> project Elizabeth Añaños<br />

and with Clau<strong>di</strong>a Flores, Sebastian<br />

Cilloniz, Jose Luis Villanueva, Miguel<br />

Chavez, Gino Fernandez, Alvaro<br />

Echevarria, Alfonso Orbegoso, Luis<br />

Miguel Hadzich, Carlos Tamayo<br />

POLONIA/POLAND<br />

Fair Buil<strong>di</strong>ng<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Hanna Wróblewska;<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Dominika Janicka,<br />

in cooperation with Martyna Janicka<br />

and Michal Gdak<br />

PORTOGALLO/PORTUGAL<br />

10 Neighbourhood: Where Alvaro<br />

meets Aldo<br />

Sede/Venue: Campo <strong>di</strong> Marte,<br />

Giudecca; Commissario/<br />

Commissioner: Carlos Moura-<br />

Carvalho; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Nuno<br />

Grande e Rober<strong>to</strong> Cremascoli;<br />

Esposi<strong>to</strong>re/Exhibi<strong>to</strong>r: Álvaro Siza<br />

Vieira<br />

REPUBBLICHE<br />

CECA E SLOVACCA/<br />

REPUBLIC CZECH AND SLOVAK<br />

Care for Architecture: Exemplum<br />

of <strong>the</strong> Slovak National Gallery or<br />

Asking Arche of Architecture <strong>to</strong><br />

Dance<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Monika Mitášová,<br />

Monika Palcová; Cura<strong>to</strong>ri Esposi<strong>to</strong>ri/<br />

Cura<strong>to</strong>rs Exhibi<strong>to</strong>rs: Benjamín<br />

Brádnanský, Petr Hájek, Vít Halada,<br />

Ján Studený, Marián Zervan<br />

(Academy of Fine Arts and Design in<br />

Bratislava and University in Trnava);<br />

ROMANIA<br />

11 Selfie Au<strong>to</strong>ma<strong>to</strong>n<br />

Sede/Venue: Giar<strong>di</strong>ni and Nuova<br />

Galleria dell'Istitu<strong>to</strong> Romeno <strong>di</strong><br />

Venezia Palazzo Correr, Campo<br />

Santa Fosca, Cannaregio 2214;<br />

Commissario/Commissioner: Attila<br />

Kim; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Tiberiu<br />

Bucsa; Esposi<strong>to</strong>re/Exhibi<strong>to</strong>r:<br />

Tiberiu Bucsa, Orsolya Gal, Stathis<br />

Markopoulos, Adrian Arama, Oana<br />

Matei, Andrei Durloi<br />

RUSSIA<br />

V.D.N.H.<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Semen Mikhailovsky;<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Sergey Kuznetsov<br />

SERBIA<br />

Heroic: Free Shipping<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Ivan Raskovic;<br />

Comita<strong>to</strong> scientifi co/Scientifi c<br />

Committee: Ljiljana Miletic<br />

Abramovic, Igor Maric, Aleksandar<br />

Bobic, Milan Ðuric, Vla<strong>di</strong>mir<br />

Milenkovic, Vesna Cagic Miloševic,<br />

Maja Ciric; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs:<br />

Stefan Vasic, Ana Šulkic and Igor<br />

Sjeverac<br />

SEYCHELLES<br />

12 Between Two Waters, Searching<br />

for Expression in <strong>the</strong> Seychelles<br />

Sede/Venue: Palazzo Michiel;<br />

Commissario/Commissioner:<br />

Benjamin Rose, Ministry of Tourism<br />

and Culture; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Andres F; Ramirez; Esposi<strong>to</strong>ri/<br />

Exhibi<strong>to</strong>rs: ADD.locus Architects (Alex<br />

Ellenberger, Mako<strong>to</strong> Sai<strong>to</strong>, Shuchita<br />

Bihani)<br />

SINGAPORE<br />

At <strong>the</strong> “Home Front”<br />

Sede/Venue: Arsenale, Sale d’Armi;<br />

Commissario/Commissioner:<br />

Jeffrey Ho, Executive Direc<strong>to</strong>r of<br />

DesignSingapore Council; Cura<strong>to</strong>re/<br />

Cura<strong>to</strong>r: Wong Yunn Chii Department<br />

of Architecture, School of Design and<br />

Environment, National University of<br />

Singapore<br />

SLOVENIA<br />

Home@Arsenale<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner: Matevž<br />

Celik, Museum of Architecture and<br />

Design, MAO; Cura<strong>to</strong>ri/Cura<strong>to</strong>rs:<br />

Aljoša Dekleva and Tina Gregoric<br />

(Dekleva Gregoric Architects)<br />

SPAGNA/SPAIN<br />

Unfinished<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Iñaqui Carnicero +<br />

Carlos Quintans; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Carnicero + Quintans; Esposi<strong>to</strong>re/<br />

Exhibi<strong>to</strong>r: Contemporary Spanish<br />

Architecture<br />

STATI UNITI D’AMERICA/USA<br />

The Architectural Imagination<br />

Sede/Venue: Giar<strong>di</strong>ni;<br />

Commissario/Commissioner:<br />

Monica Ponce de Leon; Cura<strong>to</strong>ri/<br />

Cura<strong>to</strong>rs: Cynthia Davidson<br />

and Monica Ponce de Leon;<br />

Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: Marcelo<br />

López-Dinar<strong>di</strong> and V. Mitch<br />

McEwen, A(n) Offi ce, Kelly Bair<br />

and Kristy Balliet (BairBalliet),<br />

Greg Lynn (Greg Lynn FORM),<br />

Mack Scogin and Merrill Elam<br />

(Mack Scogin Merrill Elam<br />

Architects), Marshall Brown<br />

(Marshall Brown Projects), Hilary<br />

Sample and Michael Mere<strong>di</strong>th<br />

(MOS Architects), Florencia Pita<br />

and Jackilin Hah Bloom (Pita &<br />

Bloom), Albert Pope and Jesús<br />

Vassallo (Present Future), Pres<strong>to</strong>n<br />

Scott Cohen (Pres<strong>to</strong>n Scott Cohen<br />

Inc), Stan Allen (SAA/Stan Allen<br />

Architect), Thom Moran, Ellie<br />

Abrons, Adam Fure and Mere<strong>di</strong>th<br />

Miller (T+E+A+M), Andrew Zago<br />

and Laura Bouwman, (Zago<br />

Architecture)<br />

SUDAFRICA/SOUTH AFRICA<br />

Cool Capital: The Capital of<br />

Guerilla Design Citizenship<br />

Sede/Venue: Arsenale, Sale d’Armi;<br />

Commissario/Commissioner:<br />

Consul-General Saul Kgomotso<br />

Molobi; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Pieter J.<br />

Ma<strong>the</strong>ws; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: over<br />

1000 citizens of Pre<strong>to</strong>ria participated<br />

in creating 150 inst<strong>alla</strong>tions across<br />

<strong>the</strong> city<br />

SVIZZERA/SWITZERLAND<br />

Incidental Space<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: San<strong>di</strong> Paucic and<br />

Marianne Burki, Swiss Arts Council<br />

Pro Helvetia; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Sandra Oehy; Esposi<strong>to</strong>re/Exhibi<strong>to</strong>r:<br />

Christian Kerez<br />

THAILANDIA/THAILAND<br />

Class of 6.3<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner:<br />

The Offi ce of Contemporary Art<br />

and Culture, Ministry of Culture;<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Teeranuj<br />

Wongwaisayawan; Esposi<strong>to</strong>ri/<br />

Exhibi<strong>to</strong>rs: Pitupong Chaowakul,<br />

Chatpong Chuenrudeemol, Jeravej<br />

Hongsakul, Kanika R’Kul, Jun<br />

Sekino Chutayaves Sinthuphan,<br />

Suriya Umpansiriratana, Twitee<br />

Vajrabhaya, Varudh Varavarn<br />

TURCHIA/TURKEY<br />

Darzanà: Two Arsenals, One Vessel<br />

Sede/Venue: Arsenale, Sale d’Armi;<br />

Commissario/Commissioner:<br />

Istanbul Foundation for Culture<br />

and Arts (IKSV); Cura<strong>to</strong>ri/Cura<strong>to</strong>rs:<br />

Feride Çiçekoglu, Mehmet<br />

Kütükçüoglu, Ertug Uçar; Esposi<strong>to</strong>ri/<br />

Esposi<strong>to</strong>re/Exhibi<strong>to</strong>rs: Hüner<br />

Aldemir, Caner Bilgin, Hande Cigerli,<br />

Gökçen Erkiliç, Nazli Tümerdem,<br />

Yigit Yalgin<br />

UNGHERIA/HUNGARY<br />

æctiva<strong>to</strong>rs; Locally active<br />

architecture<br />

Sede/Venue: Giar<strong>di</strong>ni;<br />

Commissario/Commissioner: Júlia<br />

Fabényi; Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Gábor<br />

Fábián, Dénes Fajcsák; Esposi<strong>to</strong>re/<br />

Exhibi<strong>to</strong>r: Arkt<br />

URUGUAY<br />

Reboot Architecture lessons from<br />

<strong>the</strong> “guerrilla Tupamara” and <strong>the</strong><br />

Andes plane crash<br />

Sede/Venue: Giar<strong>di</strong>ni;<br />

Commissario/Commissioner: Miguel<br />

Fascioli; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Marcelo<br />

Danza; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs:<br />

Antar Kuri, Borja Fermoselle, Diego<br />

Cataldo, Facundo Romeo, Federico<br />

Parra, Jose de los San<strong>to</strong>s, Marcelo<br />

Danza, Marcelo Staricco, Mateo<br />

Vidal and Miguel Fascioli<br />

VENEZUELA<br />

Fuerzas Urbanas - Urban Forces<br />

Sede/Venue: Giar<strong>di</strong>ni;<br />

Commissario/Commissioner:<br />

Nelsón Rodriguez; Cura<strong>to</strong>ri/<br />

Cura<strong>to</strong>rs: Marcos Coronel, Rolando<br />

Carmona, Alejandro Haiek, Gabriel<br />

Visconti, Maximilian Nowotka,<br />

Camilo González; Esposi<strong>to</strong>ri/<br />

Exhibi<strong>to</strong>rs: PICO, LAB;PRO;FAB, AGA,<br />

PGRA, Proyec<strong>to</strong> Colectivo, MAAN,<br />

Asymetric, Ofi cina Lú<strong>di</strong>ca, 439<br />

estu<strong>di</strong>o arquiurbano, Insitu, Taller<br />

indepen<strong>di</strong>ente, Colectivo animal,<br />

CoDA, Abono, SER<br />

YEMEN<br />

Beautiful Yemen<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner: Ayed<br />

Ali Al-Shawafy, Undersecretary<br />

for Cultural Relations, Ministry of<br />

Culture, Yemen; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Renzo Ravagnan<br />

Progetti speciali/Special projects<br />

Reporting from Marghera and O<strong>the</strong>r Waterfronts - Proget<strong>to</strong> Speciale della<br />

<strong>Biennale</strong> Architettura 2016/Special Project of <strong>the</strong> <strong>Biennale</strong> Architettura 2016<br />

Questa sezione della mostra è stata immaginata come un percorso nel tempo<br />

che, a partire dall’analisi e d<strong>alla</strong> rilettura <strong>di</strong> alcuni dei progetti più signifi cativi <strong>di</strong><br />

rigenerazione urbana <strong>di</strong> porti industriali, contribuisca a stimolare una rifl essione<br />

ampia e trasversale sui principi e sulle modalità con cui affrontare e orientare<br />

la complessa riconversione produttiva <strong>di</strong> Por<strong>to</strong> Marghera/This section of <strong>the</strong><br />

exhibition is imagined as a voyage through time which starts with analysis and<br />

reinterpretation of some of <strong>the</strong> most signifi cant urban regeneration projects for<br />

industrial ports. It encourages wide-ranging refl ection on <strong>the</strong> principles and methods<br />

with which <strong>to</strong> approach and orient <strong>the</strong> complex conversion of production<br />

in Por<strong>to</strong> Marghera.<br />

Sede/Venue: Forte Marghera, E<strong>di</strong>fi cio 36; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Stefano Recalcati;<br />

Gruppo <strong>di</strong> lavoro del cura<strong>to</strong>re/Cura<strong>to</strong>r’s Team: Demetrio Scopelliti (assistente<br />

del cura<strong>to</strong>re/cura<strong>to</strong>r’s assistant), Stefano Manda<strong>to</strong> (graphic designer)<br />

A World of Fragile Parts - Proget<strong>to</strong> Speciale Pa<strong>di</strong>glione delle Arti Applicate/Special<br />

Project of <strong>the</strong> Applied Arts Pavilion<br />

A segui<strong>to</strong> dell’accordo tra La <strong>Biennale</strong> <strong>di</strong> Venezia e il Vic<strong>to</strong>ria and Albert<br />

Museum <strong>di</strong> Londra, si affronta il tema delle minacce che incombono sulla<br />

salvaguar<strong>di</strong>a dei siti patrimonio globale dell’umanità, indagando in che<br />

modo la produzione <strong>di</strong> copie può aiutare nella preservazione degli artefatti<br />

culturali. Ques<strong>to</strong> porta con sé domande <strong>di</strong>ffi cili: cosa possiamo copiare e<br />

come? Che <strong>di</strong>fferenza c’è fra una brutta copia e una che mantiene il valore<br />

nel tempo? Qual è il rappor<strong>to</strong> fra copia e originale in una società che privilegia<br />

l’autenticità? E come sarà possibile coor<strong>di</strong>nare effi cacemente un tale<br />

impegno su scala davvero mon<strong>di</strong>ale e inclusiva?/Following <strong>the</strong> agreement<br />

between La <strong>Biennale</strong> <strong>di</strong> Venezia and <strong>the</strong> Vic<strong>to</strong>ria and Albert Museum, <strong>the</strong><br />

exhibition explores <strong>the</strong> threats facing <strong>the</strong> preservation of global heritage sites<br />

and how <strong>the</strong> production of copies can aid in <strong>the</strong> preservation of cultural<br />

artifacts. With that comes a host of <strong>di</strong>ffi cult questions: What do we copy and<br />

how? What <strong>di</strong>stinguishes a bad copy from one with lasting value? What is<br />

<strong>the</strong> relationship between <strong>the</strong> copy and <strong>the</strong> original in a society that privileges<br />

au<strong>the</strong>nticity? And how can such an effort be properly coor<strong>di</strong>nated at a truly<br />

global and inclusive scale?<br />

Sede/Venue: Sale d’Armi A, Arsenale; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Brendan Cormier<br />

(V&A); Gruppo <strong>di</strong> lavoro del cura<strong>to</strong>re/Cura<strong>to</strong>r’s Team: Danielle Thom (Research,<br />

V&A), Charlotte Churchill (Project Manager, V&A), Or<strong>di</strong>nary Architecture<br />

(exhibition design). Realizza<strong>to</strong> d<strong>alla</strong> <strong>Biennale</strong> <strong>di</strong> Venezia/Realized by La<br />

<strong>Biennale</strong> <strong>di</strong> Venezia<br />

Report from Cities: Conflicts of an Urban Age - Proget<strong>to</strong> Speciale della <strong>Biennale</strong><br />

Architettura 2016/Special Project of <strong>the</strong> <strong>Biennale</strong> Architettura 2016<br />

A segui<strong>to</strong> dell’accordo tra La <strong>Biennale</strong> <strong>di</strong> Venezia e la London School of Economics<br />

Cities, in previsione della conferenza mon<strong>di</strong>ale delle Nazioni Unite Habitat<br />

III/Following <strong>the</strong> agreement between La <strong>Biennale</strong> <strong>di</strong> Venezia and <strong>the</strong> London<br />

School of Economics Cities, in view of The United Nations Habitat III.<br />

Il pa<strong>di</strong>glione «delle città» offre approfon<strong>di</strong>menti sulle più importanti tendenze<br />

e confl itti che si verifi cano oggi nell’ambi<strong>to</strong> urbano. Sviluppa tre temi: come<br />

sono cambiate le città negli ultimi 25 anni, quali sono stati gli effetti sullo<br />

spazio pubblico, sulla <strong>di</strong>seguaglianza e l’informalità, quali modelli <strong>di</strong> pianifi -<br />

cazione urbana hanno <strong>di</strong>mostra<strong>to</strong> maggior resilienza nel tempo/The ”cities”<br />

pavilion will provide <strong>the</strong> visi<strong>to</strong>r with insights on <strong>the</strong> major trends and confl icts<br />

experienced <strong>to</strong>day in <strong>the</strong> urban realm. The exhibition addresses three issues:<br />

how have cities transformed over <strong>the</strong> last 25 years, what are <strong>the</strong> effects on<br />

public space, inequality and informality, which models of urban planning<br />

demonstrate resilience over time.<br />

Sede/Venue: Sale d’Armi C, Arsenale; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Ricky Burdett; Gruppo<br />

<strong>di</strong> lavoro del cura<strong>to</strong>re/Cura<strong>to</strong>r’s Team: Aron Bohmann (researcher, LSE Cities),<br />

Peter Griffi ths (managing e<strong>di</strong><strong>to</strong>r, LSE Cities), Emily Cruz (project manager, LSE<br />

Cities). Realizza<strong>to</strong> d<strong>alla</strong> <strong>Biennale</strong> <strong>di</strong> Venezia/Realized by La <strong>Biennale</strong> <strong>di</strong> Venezia<br />

25-28 MAGGIO LIVE<br />

Segui la nostra e<strong>di</strong>zione live per la 15. <strong>Biennale</strong> <strong>di</strong> Architettura su:<br />

#GdArchlive @GdArchitettura ilgiornaledell<strong>architettura</strong>.com<br />

GUIDA ALLA BIENNALE DI ARCHITETTURA | 6


Ph: Gianluca Cisternino | Freedot<br />

#DesignForThePeople<br />

Non più pareti ma opere d’arte<br />

CalceCruda, rivestimen<strong>to</strong> decorativo minerale per finiture d’interno.<br />

Novacolor Srl Via Ulisse Aldrovan<strong>di</strong> 10 - 47122 Forlì (FC) Italy - tel +39 0543 401840 - info@novacolor.it<br />

novacolor.it


Chi, cosa, dove Who, what, where<br />

3XN, Exhibi<strong>to</strong>r, Denmark<br />

403architecture(Takuma Tsuji,<br />

Takeshi Hashimo<strong>to</strong>, Toru Yada),<br />

Exhibi<strong>to</strong>r, Japan<br />

439 estu<strong>di</strong>o arquiur bano,<br />

Exhibi<strong>to</strong>r, Venezuela<br />

A<br />

a team, Exhibi<strong>to</strong>r, Finland<br />

A(n) Office, Exhibi<strong>to</strong>r, United<br />

States of America<br />

AART architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Åbäke, Cura<strong>to</strong>r, Albania<br />

Abono, Exhibi<strong>to</strong>r, Venezuela<br />

ADD.locus Architects (Alex<br />

Ellenberger, Mako<strong>to</strong> Sai<strong>to</strong>,<br />

Shuchita Bihani) Exhibi<strong>to</strong>r<br />

Seychelles<br />

Adept, Exhibi<strong>to</strong>r, Denmark<br />

Adeyemi Kunlé (NLÉ),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Afen<strong>to</strong>uli Eirini, Participant, Greece<br />

AGA, Exhibi<strong>to</strong>r, Venezuela<br />

Ahn Keehyun, Cura<strong>to</strong>r/Exhibi<strong>to</strong>r,<br />

Korea<br />

AI, Exhibi<strong>to</strong>r, Denmark<br />

Aires Mateus Francisco,<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Aires Mateus Manuel,<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Al Nahyan Foundation,<br />

Commissioner, United Arab<br />

Emirates<br />

Al Sayeh Noura, Cura<strong>to</strong>r, Bahrain<br />

Albanian Ministry of Culture,<br />

Commissioner, Albania<br />

Aldemir Hüner, Exhibi<strong>to</strong>r, Turkey<br />

Aliaba<strong>di</strong> Arash (VAVStu<strong>di</strong>o),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Alonso de San<strong>to</strong>s Francisco<br />

(Alonso de San<strong>to</strong>s Estu<strong>di</strong>o),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Al-Shawafy Ayed Ali,<br />

Commissioner, Yemen<br />

Álvarez Jesús, Exhibi<strong>to</strong>r, Mexico<br />

Añaños Elizabeth, Exhibi<strong>to</strong>r, Peru<br />

Anastasopoulos Nicholas,<br />

Participant, Greece<br />

Anders Abraham & Christina<br />

Capetillo, Exhibi<strong>to</strong>r, Denmark<br />

Anders Peder Larsen, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Andersen & Sigurdsson<br />

Architects, Exhibi<strong>to</strong>r, Denmark<br />

Ando Tadao (Tadao Ando<br />

Architect & Associates),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Andrade Narváez Jorge,<br />

Exhibi<strong>to</strong>r, Mexico<br />

AndrésRober<strong>to</strong>, Exhibi<strong>to</strong>r, Brazil<br />

Anrys Johan (51N4E),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Apos<strong>to</strong>lova Ivanka,<br />

Commissioner, Macedonia<br />

Approach Architecture Stu<strong>di</strong>o,<br />

Exhibi<strong>to</strong>r, China<br />

Arama Adrian, Exhibi<strong>to</strong>r,<br />

Romania<br />

Aranda Felipe, Exhibi<strong>to</strong>r, Chile<br />

Arcgency, Exhibi<strong>to</strong>r, Denmark<br />

Architekturos Fondas, Exhibi<strong>to</strong>r,<br />

Lithuania<br />

Arias-Diez Mariano, Exhibi<strong>to</strong>r,<br />

Mexico<br />

ArkDes, Commissioner,<br />

Sweden/Nor<strong>di</strong>c Countries<br />

Arkitektfirmaet Merete Lind<br />

Mikkelsen, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Arkitema Architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Arkt, Exhibi<strong>to</strong>r, Hungary<br />

Art Gallery of Alberta,<br />

Commissioner, Canada<br />

Arts Council Korea,<br />

Commissioner, Korea<br />

Assad Fernando, Exhibi<strong>to</strong>r,<br />

Brazil<br />

Assemble, Participant, Reporting<br />

from <strong>the</strong> Front<br />

Association of Greek Architects,<br />

Cura<strong>to</strong>r, Greece<br />

Asymetric, Exhibi<strong>to</strong>r, Venezuela<br />

Atabaki Behzad, Cura<strong>to</strong>r, Iran<br />

At<strong>to</strong>ut Alice (Recetas Urbanas),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Aureli Pier Vit<strong>to</strong>rio, Exhibi<strong>to</strong>r,<br />

Great Britain<br />

Avgitidou Angeliki, Participant,<br />

Greece<br />

ÅYR, Exhibi<strong>to</strong>r, Great Britain<br />

Azevedo Rodrigo, Exhibi<strong>to</strong>r, Brazil<br />

B<br />

Bachelet Ido, Cura<strong>to</strong>r/Exhibi<strong>to</strong>r,<br />

Israel<br />

BairBalliet (Kelly Bair, Kristy<br />

Balliet), Exhibi<strong>to</strong>r, United States<br />

of America<br />

Balaoura Olga, Participant,<br />

Greece<br />

Ballini Claude, Cura<strong>to</strong>r/Exhibi<strong>to</strong>r,<br />

Luxembourg<br />

Ban Shigeru (Shigeru Ban<br />

Architects), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Banos Symeon, Participant,<br />

Greece<br />

Barclay Sandra, Cura<strong>to</strong>r, Peru<br />

Barghouti Mourid, Exhibi<strong>to</strong>r,<br />

Albania<br />

Barkouta Yianna, Participant,<br />

Greece<br />

Barozzi Fabrizio (Barozzi/Veiga),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Barragán David (Al Borde),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Barter Jessica, Exhibi<strong>to</strong>r, New<br />

Zealand<br />

Bar<strong>the</strong>l Elena (Rural Stu<strong>di</strong>o),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Batlle Enric (Batlle i Roig<br />

Arquitectes), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Battisti Simon, Cura<strong>to</strong>r, Albania<br />

Bauer Bnaya, Cura<strong>to</strong>r/Exhibi<strong>to</strong>r,<br />

Israel<br />

BCVA Architecture, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Becerra Lara, Exhibi<strong>to</strong>r, Mexico<br />

Bélanger Pierre, Cura<strong>to</strong>r, Canada<br />

Benavides Esteban (Al Borde),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Benítez Solani<strong>to</strong> (Gabinete<br />

de Arquitectura), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Benítez Solano (Gabinete<br />

de Arquitectura), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Bernaskoni Boris (Bernaskoni),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Bernhardt Anne-Julchen<br />

(BeL Sozietät für Architektur),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Berzinš Karlis, Cura<strong>to</strong>r, Lithuania<br />

BESSARDs’ STUDIO, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Bienal de São Paulo<br />

Foundation, Commissioner,<br />

Brazil<br />

BIG, Exhibi<strong>to</strong>r, Denmark<br />

Bilbao Tatiana (Tatiana Bilbao<br />

Estu<strong>di</strong>o), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Bilgin Caner, Exhibi<strong>to</strong>r, Turkey<br />

bint Hamdan Salama,<br />

Commissioner, United Arab<br />

Emirates<br />

Bitrou Mara, Participant, Greece<br />

Bletsas Chris<strong>to</strong>s, Participant,<br />

Greece<br />

Block Philippe (Block Research<br />

Group, ETH Zurich - Ochsendorf,<br />

DeJong & Block), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Blonder Arielle, Cura<strong>to</strong>r/<br />

Exhibi<strong>to</strong>r, Israel<br />

Bo Andersen Nicolai, Exhibi<strong>to</strong>r,<br />

Denmark<br />

BO FROST architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Bobic Aleksandar, Scientific<br />

committee, Serbia<br />

Boemio Camilla, Cura<strong>to</strong>r, Nigeria<br />

Boidot & Robin, Cura<strong>to</strong>r, France<br />

Bolchover Joshua (Rural<br />

Urban Framework Participant,<br />

Reporting from <strong>the</strong> Front<br />

Bonelli Mauro, Exhibi<strong>to</strong>r, Brazil<br />

Bonnet Frédéric (OBRAS),<br />

Cura<strong>to</strong>r, France<br />

Bordeleau Anne (School of<br />

Architecture, University of<br />

Waterloo), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Borja Marialuisa (Al Borde),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Borlenghi Luca, Exhibi<strong>to</strong>r, Egypt<br />

Bose Shumi Cura<strong>to</strong>r Great<br />

Britain<br />

Bo<strong>to</strong> Ma<strong>to</strong>s Caeiro João,<br />

Exhibi<strong>to</strong>r,Mexico<br />

Bouchet Boris, Cura<strong>to</strong>r, France<br />

Boy Dyonne, Exhibi<strong>to</strong>r, Brazil<br />

Bradateanu Bogdan (ADNBA),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Brádnanský Benjamín, Cura<strong>to</strong>r/<br />

Exhibi<strong>to</strong>r, Czech and Slovak<br />

Braga Damião, Exhibi<strong>to</strong>r, Brazil<br />

Brandlhuber Arno (Arno<br />

Brandlhuber + Chris<strong>to</strong>pher<br />

Roth), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Braungart Michael<br />

(EPEA Internationale<br />

Umweltforschung), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Bravoure Architecten de Vylder<br />

Vinck Taillieu, Cura<strong>to</strong>r, Belgium<br />

Brodsky Alexander, Participant,<br />

Reporting from <strong>the</strong> Front<br />

Brookbanks Stephen, Exhibi<strong>to</strong>r,<br />

New Zealand<br />

Brorman Jensen Boris, Cura<strong>to</strong>r,<br />

Denmark<br />

Bucci Angelo (SPBR Arquite<strong>to</strong>s),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Bucsa Tiberiu, Cura<strong>to</strong>r/Exhibi<strong>to</strong>r,<br />

Romania<br />

Bukhamseen Hamed, Cura<strong>to</strong>r,<br />

Kuwait<br />

Burki Marianne, Commissioner,<br />

Switzerland<br />

BUS (Sa<strong>to</strong>ru I<strong>to</strong>, Kosuke Bando,<br />

Issei Suma), Exhibi<strong>to</strong>r, Japan<br />

Bu<strong>to</strong>r Michel, Exhibi<strong>to</strong>r, Albania<br />

C<br />

Cabral Gloria (Gabinete de<br />

Arquitectura), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Cáceres Ximena, Exhibi<strong>to</strong>r, Chile<br />

Cachola Schmal Peter,<br />

Commissioner, Germany<br />

Cadaval Eduardo (Cadaval<br />

& Solà-Morales), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Cagic Miloševic Vesna,<br />

Scientific committee, Serbia<br />

Cappai Carlo (C+S Architects),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Caramel architects, Exhibi<strong>to</strong>r,<br />

Austria<br />

Cárdenas Osun, Raúl, Exhibi<strong>to</strong>r,<br />

Mexico<br />

Carmona Rolando, Cura<strong>to</strong>r,<br />

Venezuela<br />

Carnicero Iñaqui,<br />

Commissioner/Cura<strong>to</strong>r, Spain<br />

Carrilho da Graça João Luís,<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Carroll Maggie, Exhibi<strong>to</strong>r, New<br />

Zealand<br />

Casillas Pin<strong>to</strong>r Juan M.,<br />

Exhibi<strong>to</strong>r, Mexico<br />

Castillo Clau<strong>di</strong>o, Exhibi<strong>to</strong>r, Chile<br />

Cataldo Diego, Exhibi<strong>to</strong>r,<br />

Uruguay<br />

CEBRA, Exhibi<strong>to</strong>r, Denmark<br />

Céspedes Ximena, Exhibi<strong>to</strong>r,<br />

Chile<br />

CF. Møller Architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Chandelis Stefanos, Participant,<br />

Greece<br />

Chaowakul Pitupong, Exhibi<strong>to</strong>r,<br />

Thailand<br />

Chatziangeli<strong>di</strong>s Pavlos,<br />

Participant, Greece<br />

Chavez Miguel, Exhibi<strong>to</strong>r, Peru<br />

China Arts & Entertainment<br />

Group (CAEG), Commissioner,<br />

China<br />

Chipperfield David (David<br />

Chipperfield Architects),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Chowdhury Kashef Mahboob<br />

(Kashef Chowdhury / Urbana),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Christ Emanuel (Christ &<br />

Gantenbein), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Christensen & Co architects,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Chris<strong>to</strong>ulia Maria, Participant,<br />

Greece<br />

Chuenrudeemol Chatpong,<br />

Exhibi<strong>to</strong>r, Thailand<br />

Chung Isak, Cura<strong>to</strong>r/Exhibi<strong>to</strong>r,<br />

Korea<br />

Ciata Tia, Exhibi<strong>to</strong>r, Brazil<br />

Çiçekoglu Feride, Cura<strong>to</strong>r, Turkey<br />

Cigerli Hande, Exhibi<strong>to</strong>r, Turkey<br />

Cilloniz Sebastian, Exhibi<strong>to</strong>r,<br />

Peru<br />

Cinn Eungee, Cura<strong>to</strong>r/Exhibi<strong>to</strong>r,<br />

Korea<br />

Ciric Maja, Scientific committee,<br />

Serbia<br />

Cirugeda Santiago (Recetas<br />

Urbanas), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Citizens of Pre<strong>to</strong>ria, Exhibi<strong>to</strong>r,<br />

South Africa<br />

Claas architects, Cura<strong>to</strong>r, France<br />

COBE, Exhibi<strong>to</strong>r, Denmark<br />

CoDA, Exhibi<strong>to</strong>r, Venezuela<br />

Colectivo animal, Exhibi<strong>to</strong>r,<br />

Venezuela<br />

COLORCLOUDSTUDIO, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Coronel Marcos, Cura<strong>to</strong>r,<br />

Venezuela<br />

Cremascoli Rober<strong>to</strong>, Cura<strong>to</strong>r,<br />

Portugal<br />

Crousse Jean Pierre, Cura<strong>to</strong>r,<br />

Peru<br />

Crows<strong>to</strong>n Ca<strong>the</strong>rine, Commissioner,<br />

Canada<br />

D<br />

D.A.T. PANGEA + QUATORZE,<br />

Exhibi<strong>to</strong>r, Finland<br />

da Pedra do Sal Quilombo,<br />

Exhibi<strong>to</strong>r, Brazil<br />

Daflos Kostas, Participant,<br />

Greece<br />

Dalampouras Thomas,<br />

Participant, Greece<br />

Damala Andromachi,<br />

Participant, Greece<br />

Danou Melpo, Participant,<br />

Greece<br />

Danza Marcelo, Cura<strong>to</strong>r/<br />

Exhibi<strong>to</strong>r, Uruguay<br />

Daubaraite Jurga, Cura<strong>to</strong>r,<br />

Lithuania<br />

Daumas Vinicius, Exhibi<strong>to</strong>r,<br />

Brazil<br />

David Basul<strong>to</strong>, Cura<strong>to</strong>r, Nor<strong>di</strong>c<br />

Countries<br />

David Paulo, Participant,<br />

Reporting from <strong>the</strong> Front<br />

Davidson Cynthia, Cura<strong>to</strong>r,<br />

United States of America<br />

de Cris<strong>to</strong> Pedro Henrique,<br />

Exhibi<strong>to</strong>r, Brazil<br />

de Cris<strong>to</strong> Caroline, Exhibi<strong>to</strong>r,<br />

Brazil<br />

de la Cruz Juan Paolo, Cura<strong>to</strong>r,<br />

Philippines<br />

de la Garza Madero Juan Carlos,<br />

Exhibi<strong>to</strong>r, Mexico<br />

de Leon Felipe M.,<br />

Commissioner, Philippines<br />

de los San<strong>to</strong>s Jose, Exhibi<strong>to</strong>r,<br />

Uruguay<br />

DeJong Mat<strong>the</strong>w (Ochsendorf,<br />

DeJong & Block), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Dekleva Gregoric Architects<br />

(Aljoša Dekleva, Tina Gregoric),<br />

Cura<strong>to</strong>r, Slovenia<br />

Del Solar Martín (GrupoTalca),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Deligiorgi Marissia Participant,<br />

Greece<br />

Dellekamp Derek (Dellekamp<br />

Arquitec<strong>to</strong>s), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Demopoulos Panayiotis,<br />

Participant, Greece<br />

Denisse García Melba, Exhibi<strong>to</strong>r,<br />

Mexico<br />

D’Hooghe Alexander (ORG<br />

Permanent Modernity),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Diaman<strong>to</strong>poulou Ivi, Participant,<br />

Greece<br />

Dima Lina, Participant, Greece<br />

Dimiotis Petros, Commissioner,<br />

Cyprus<br />

Disli Elef<strong>the</strong>ria, Participant,<br />

Greece<br />

DISSING+WEITLING<br />

architecture, Exhibi<strong>to</strong>r, Denmark<br />

Dona Dalva, Exhibi<strong>to</strong>r, Brazil<br />

Dondajewska Maria (Hugon<br />

Kowalski + Marcin Szczelina),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Doorzon Interieur Architecten,<br />

Cura<strong>to</strong>r, Belgium<br />

Dopierala Klau<strong>di</strong>a (Hugon<br />

Kowalski + Marcin Szczelina),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Dorte Mandrup Architects,<br />

Exhibi<strong>to</strong>r, Denmark<br />

dot architects (Toshikatsu Ienari,<br />

Takeshi Shakushiro, Wataru Doi),<br />

Exhibi<strong>to</strong>r, Japan<br />

Drawing Architecture Stu<strong>di</strong>o,<br />

Exhibi<strong>to</strong>r, China<br />

Dripe Janis, Commissioner, Latvia<br />

Dujar<strong>di</strong>n Filip, Cura<strong>to</strong>r, Belgium<br />

Ðuric Milan, Scientific<br />

committee, Serbia<br />

Durloi Andrei, Exhibi<strong>to</strong>r, Romania<br />

E<br />

Echevarria Alvaro, Exhibi<strong>to</strong>r, Peru<br />

Ecker Serge, Cura<strong>to</strong>r/Exhibi<strong>to</strong>r,<br />

Luxembourg<br />

Ecole d’architecture d’Abidjan,<br />

Exhibi<strong>to</strong>r, Ivory Coast<br />

ecoLogicSTUDIO (Clau<strong>di</strong>a<br />

Pasquero, Marco Polet<strong>to</strong>),<br />

Exhibi<strong>to</strong>r, Montenegro<br />

Eesti Arhitektuurikeskus,<br />

Exhibi<strong>to</strong>r, Lithuania<br />

EFFEKT; ELKIÆR + EBBESKOV,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Elef<strong>the</strong>ria<strong>di</strong>s Dimitrios,<br />

Participant, Greece<br />

Elef<strong>the</strong>riou Loukas, Participant,<br />

Greece<br />

Elk Elke Delugan-Meissl,<br />

Commissioner/Cura<strong>to</strong>r, Austria<br />

ELKIÆR + EBBESKOV, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Elser Oliver, Cura<strong>to</strong>r, Germany<br />

Elsheshtawy Yasser, Cura<strong>to</strong>r,<br />

United Arab Emirates<br />

El<strong>to</strong>n Mirene (el<strong>to</strong>n_léniz),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Eoos, Exhibi<strong>to</strong>r, Austria<br />

Erik Brandt Dam architects,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Erik Møller Architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Erkiliç Gökçen, Exhibi<strong>to</strong>r, Turkey<br />

Escobedo David (The Escobedo<br />

Group), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Eskes Nanda, Exhibi<strong>to</strong>r, Brazil<br />

Etel Adnan, Exhibi<strong>to</strong>r, Albania<br />

Évora Pedro, Exhibi<strong>to</strong>r, Brazil<br />

Eylat Van-Essenn Yael, Cura<strong>to</strong>r/<br />

Exhibi<strong>to</strong>r, Israel<br />

F<br />

Fabényi Júlia, Commissioner,<br />

Hungary<br />

Fábián Gábor, Commissioner,<br />

Hungary<br />

Fajardo Washing<strong>to</strong>n, Cura<strong>to</strong>r,<br />

Brazil<br />

Fajcsák Dénes, Commissioner,<br />

Hungary<br />

Farrell Yvonne (Graf<strong>to</strong>n<br />

Architects), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Farzin Afshin (VAVStu<strong>di</strong>o),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Fascioli Miguel, Commissioner/<br />

Exhibi<strong>to</strong>r, Uruguay<br />

Ferguson Bruce, Exhibi<strong>to</strong>r, New<br />

Zealand<br />

Fermoselle Borja, Exhibi<strong>to</strong>r,<br />

Uruguay<br />

Fernandez Gino, Exhibi<strong>to</strong>r, Peru<br />

Filippidou Despoina, Participant,<br />

Greece<br />

Filloy Ring Daniel, Exhibi<strong>to</strong>r,<br />

Mexico<br />

Finnish Museum of Architecture,<br />

Deputy Commissioner, Finland/<br />

Nor<strong>di</strong>c Countries<br />

Fiorentzakis Vasileios,<br />

Participant, Greece<br />

Flannery Tim, Exhibi<strong>to</strong>r, Australia<br />

Flores Clau<strong>di</strong>a, Exhibi<strong>to</strong>r, Peru<br />

Fontaine Claire, Exhibi<strong>to</strong>r,<br />

Albania<br />

Force4, Exhibi<strong>to</strong>r, Denmark<br />

Foster Norman (Norman Foster<br />

Foundation), Participant,<br />

Reporting from <strong>the</strong> Front<br />

França Elisabete, Exhibi<strong>to</strong>r,<br />

Brazil<br />

Francis Sossah, Cura<strong>to</strong>r, Ivory<br />

Coast<br />

Frans Drewniak & Philip Rahm,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Frederiksund Municipality,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Freear Andrew (Rural Stu<strong>di</strong>o),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Friedman Yona, Exhibi<strong>to</strong>r,<br />

Albania<br />

Friis & Moltke Architects Gottlieb<br />

Paludan Architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Funder Anna, Exhibi<strong>to</strong>r, Australia<br />

G<br />

Gal Orsolya, Exhibi<strong>to</strong>r, Romania<br />

Galloni Federica, Commissioner,<br />

Italy<br />

Gangotena Pascual (Al Borde),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Gantenbein Chris<strong>to</strong>ph (Christ<br />

& Gantenbein), Participant,<br />

Reporting from <strong>the</strong> Front<br />

García-Abril Antón (Ensamble<br />

Stu<strong>di</strong>o), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Garduño Juan Alfonso,<br />

Exhibi<strong>to</strong>r, Mexico<br />

Garrido Gabriel, Exhibi<strong>to</strong>r, Chile<br />

Gazepis Nikos, Participant,<br />

Greece<br />

Gdak Michal, Cura<strong>to</strong>r, Poland<br />

Gehl Jan, Exhibi<strong>to</strong>r, Denmark<br />

Georgakopoulou Foteini,<br />

Participant, Greece<br />

Georgia<strong>di</strong>s Nikos,Participant,<br />

Greece<br />

Gharegozlou Parshia, Cura<strong>to</strong>r,<br />

Iran<br />

Gialia Valia,Participant, Greece<br />

Giannisis Dimitris, Participant,<br />

Greece<br />

Giannopoulos Iasonas-<br />

Anastasios, Participant, Greece<br />

Gironès Toni (Estu<strong>di</strong><br />

d’Arquitectura Toni Gironès),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Gitai Amos (Agav Films),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Giu<strong>di</strong>cci Maria S., Exhibi<strong>to</strong>r,<br />

Great Britain<br />

Gjertsen Andreas Grønvedt<br />

(TYIN tegnestue), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Gonçalves Samuel (SUMMARY),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

González Camilo, Cura<strong>to</strong>r,<br />

Venezuela<br />

Gonzalez Perin Federico,<br />

Commissioner, Argentina<br />

Gould Shane, Exhibi<strong>to</strong>r, Australia<br />

Gounari<strong>di</strong>s Konstantinos,<br />

Participant, Greece<br />

Gounari<strong>di</strong>s Prodromos,<br />

Participant, Greece<br />

Gov Miki, Commissioner, Israel<br />

Grafe Chris<strong>to</strong>ph, Commissioner,<br />

Belgium<br />

Grande Nuno, Cura<strong>to</strong>r, Portugal<br />

Grasso Cannizzo M. Giuseppina,<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Graziani Stefano, Participant,<br />

Reporting from <strong>the</strong> Front<br />

Greg Lynn FORM, Exhibi<strong>to</strong>r,<br />

United States of America<br />

Grevia Kiki, Participant, Greece<br />

Grozopoulos Dimitrios,<br />

Participant, Greece<br />

Grünkranz Daniel, Cura<strong>to</strong>r/<br />

Exhibi<strong>to</strong>r, Luxembourg<br />

Guedes Cristina (Menos é<br />

mais), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Guerra Carolina, Exhibi<strong>to</strong>r, Chile<br />

Guerrero Rodríguez César<br />

Augus<strong>to</strong>, Exhibi<strong>to</strong>r, Mexico<br />

Guimarães Merced, Exhibi<strong>to</strong>r,<br />

Brazil<br />

Gurjit Singh Matharoo<br />

Gutiérrez Aarón, Exhibi<strong>to</strong>r, Mexico<br />

Gyf<strong>to</strong>poulou Stefania,<br />

Participant, Greece<br />

H<br />

H+F, Exhibi<strong>to</strong>r, Brazil<br />

Hadzich Luis Miguel, Exhibi<strong>to</strong>r,<br />

Peru<br />

Hagerman Carlos, Exhibi<strong>to</strong>r,<br />

Mexico<br />

Haiek Alejandro, Cura<strong>to</strong>r,<br />

Venezuela<br />

Hájek Petr, Cura<strong>to</strong>r/Exhibi<strong>to</strong>r,<br />

Czech and Slovak Republic<br />

Halada Vít, Cura<strong>to</strong>r/Exhibi<strong>to</strong>r,<br />

Czech and Slovak Republic<br />

Hanstad Yashar (TYIN<br />

tegnestue), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Harbour Ivan (Rogers Stirk<br />

Harbour + Partners), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Hari Hariklia, Participant, Greece<br />

Harvey Giovane, Exhibi<strong>to</strong>r, Brazil<br />

Hasa Elisavet, Participant, Greece<br />

Hasanbegovic Zlatko,<br />

Commissioner, Croatia<br />

Hastings Isadora, Exhibi<strong>to</strong>r, Mexico<br />

Hastings Sascha (School of<br />

Architecture, University of<br />

Waterloo), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Helsinki Kasbah Combine,<br />

Exhibi<strong>to</strong>r, Finland<br />

Henning Larsen Architects,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Heringer Anna (Stu<strong>di</strong>o Anna<br />

Heringer), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Hernández Alejandro,<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Herz Manuel (Manuel Herz<br />

Architects), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Herzog de Meuron, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Hesselbrand, Exhibi<strong>to</strong>r, Great<br />

Britain<br />

Het Nieuwe Instituut,<br />

Commissioner, The Ne<strong>the</strong>rlands<br />

Hidalgo Rasmussen Alfredo,<br />

Exhibi<strong>to</strong>r, Mexico<br />

Hilal Ahmad, Commissioner,<br />

Egypt<br />

Ho Jeffrey, Commissioner,<br />

Singapore<br />

Holliday Amelia (Aileen Sage<br />

Architects), Cura<strong>to</strong>r, Australia<br />

Hollmén Saija (Hollmén<br />

Reuter Sandman Architects),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Holtrop Anne, Cura<strong>to</strong>r, Bahrain<br />

Hong Kim Sung, Cura<strong>to</strong>r/<br />

Exhibi<strong>to</strong>r, Korea<br />

Hongsakul Jeravej, Exhibi<strong>to</strong>r,<br />

Thailand<br />

Hugo Mesquita<br />

Hustwit Gary (Film First), Participant,<br />

Reporting from <strong>the</strong> Front<br />

I<br />

Iatrou Yvonne, Participant, Greece<br />

in+of architecture, Exhibi<strong>to</strong>r, China<br />

Inetzi Sotiria, Participant, Greece<br />

Inostroza Juan Francisco,<br />

Exhibi<strong>to</strong>r, Chile<br />

GUIDA ALLA BIENNALE DI ARCHITETTURA | 8


ARCHI_.qxp_GUIDA BIENNALE 14.04.16 17:15 Seite 2<br />

Koloman Moser, 1900<br />

Il vetro degli Architetti<br />

Vienna 1900–1937<br />

The Glass of <strong>the</strong> Architects<br />

18.4.–31.7.2016<br />

LE STANZE DEL VETRO<br />

Isola <strong>di</strong> San Giorgio Maggiore<br />

30124 Venezia ITALIA / Venice ITALY<br />

INGRESSO LIBERO / FREE ADMISSION<br />

ore 10-19, chiuso mercoledì<br />

10 am-7 pm, closed on Wednesdays<br />

VISITE GUIDATE GRATUITE / FREE GUIDED TOURS<br />

labora<strong>to</strong>ri gratuiti per bambini / free activities for kids<br />

artsystem@artsystem.it<br />

numero verde <strong>to</strong>ll free 800 662 477<br />

(da lunedì a venerdì 10-17 / Monday <strong>to</strong> Friday 10 am-5 pm)<br />

INFORMAZIONI / INFORMATION<br />

T +39 041 5229 138 info@lestanzedelvetro.org<br />

www.lestanzedelvetro.org / www.cini.it /<br />

VAPORETTO / WATERBUS<br />

linea 2 / line 2 | fermata San Giorgio s<strong>to</strong>p<br />

In collaborazione<br />

con il MAK, Vienna


Chi, cosa, dove Who, what, where<br />

Insitu, Exhibi<strong>to</strong>r, Venezuela<br />

Institut Français, Ministère de la<br />

Culture et de la Communication<br />

- Direction Générale des<br />

Patrimoines, Commissioner,<br />

France<br />

Ip Minka, Exhibi<strong>to</strong>r, New Zealand<br />

IPN, Exhibi<strong>to</strong>r, Brazil<br />

Ishigami Junya, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Išora Petras, Cura<strong>to</strong>r, Lithuania<br />

Istanbul Foundation for Culture<br />

and Arts, Commissioner, Turkey<br />

ITDP, Exhibi<strong>to</strong>r, Brazil<br />

J<br />

Jaeeun-Choi (Stu<strong>di</strong>o Jaeeun-<br />

Choi), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Jain Bijoy (Stu<strong>di</strong>o Mumbai<br />

Architects), Participant,<br />

Reporting from <strong>the</strong> Front<br />

JAJA architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Jallon Benoît (LAN), Participant,<br />

Reporting from <strong>the</strong> Front<br />

James Taylor-Foster, Cura<strong>to</strong>r,<br />

Nor<strong>di</strong>c Countries<br />

Jane Havshøj Architects,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Janet Holmes a Court AC,<br />

Commissioner, Australia<br />

Janicka Dominika, Cura<strong>to</strong>r,<br />

Poland<br />

Janicka Martyna, Cura<strong>to</strong>r,<br />

Poland<br />

Järg Raul, Commissioner,<br />

Es<strong>to</strong>nia<br />

JDS Architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Jensens Tegnestue Kristine,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Jeong Daeun, Cura<strong>to</strong>r/Exhibi<strong>to</strong>r,<br />

Korea<br />

JJW Architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

John Lin (Rural Urban<br />

Framework), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Kaijima Momoyo (Atelier Bow-<br />

Wow), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Kakogiannis Kostas, Participant,<br />

Greece<br />

Kallitsis Phevos, Participant,<br />

Greece<br />

Karanastasi Elina, Participant,<br />

Greece<br />

Karimi Al, Cura<strong>to</strong>r, Kuwait<br />

Karlsson Arkitekter, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Karystinaiou-Efthymia<strong>to</strong>u<br />

Ernestina, Participant, Greece<br />

Kassola Maria, Participant,<br />

Greece<br />

Katerini Tonia, Participant, Greece<br />

Kauste Juulia, Commissioner,<br />

Finland<br />

Kazeros Nikos, Participant,<br />

Greece<br />

Kelly Paul, Exhibi<strong>to</strong>r, Australia<br />

Kengo Kuma (Kengo Kuma<br />

and Associates), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Kéré Francis (Kéré Architecture),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Kerez Christian, Exhibi<strong>to</strong>r,<br />

Switzerland<br />

Kerez Christian, Participant,<br />

Reporting from <strong>the</strong> Front<br />

Kgomotso Molobi Saul,<br />

Commissioner, South Africa<br />

Khadka Sudarshan Jr., Cura<strong>to</strong>r,<br />

Philippines<br />

KHR Arkitekter, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Kibezi Zoi, Participant, Greece<br />

Kim Attila, Commissioner,<br />

Romania<br />

Kim Seungbum, Cura<strong>to</strong>r/<br />

Exhibi<strong>to</strong>r, Korea<br />

King Julia, Exhibi<strong>to</strong>r, Great<br />

Britain<br />

Klampatsea Eirini,<br />

Commissioner, Greece<br />

Knudsen Jakob, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Koji Aoki Architects (Koji Aoki),<br />

Exhibi<strong>to</strong>r, Japan<br />

Kontinou-Chimou Stefania<br />

Participant, Greece<br />

Kontiza Iakovina, Participant,<br />

Greece<br />

Kosma Anthi, Participant,<br />

Greece<br />

Kostaropoulou Myr<strong>to</strong>,<br />

Participant, Greece<br />

Kotionis Zissis, Participant,<br />

Greece<br />

Kotsari Georgia, Participant,<br />

Greece<br />

Kottis Ioannis, Participant,<br />

Greece<br />

Koumoundouros Panagiotis K,<br />

Participant, Greece<br />

Kouros Panos, Participant,<br />

Greece<br />

Koutsonanou Annita, Participant,<br />

Greece<br />

Kowalski Hugon (Hugon<br />

Kowalski + Marcin Szczelina),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

KRADS, Exhibi<strong>to</strong>r, Denmark<br />

Kuku Ola-Dele, Exhibi<strong>to</strong>r, Nigeria<br />

Kundoo Anupama (Anupama<br />

Kundoo Architects), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Kuri Antar, Exhibi<strong>to</strong>r, Uruguay<br />

Kütükçüoglu Mehmet, Cura<strong>to</strong>r,<br />

Turkey<br />

Kuznetsov Sergey, Cura<strong>to</strong>r,<br />

Russia<br />

Kyriazis Apos<strong>to</strong>los, Participant,<br />

Greece<br />

L<br />

LAAC Architects (Kathrin<br />

Aste, Frank Lu<strong>di</strong>n, Benjamin<br />

Ennemoser, Alois Hehenberger,<br />

Cenk Güzelis), Exhibi<strong>to</strong>r,<br />

Montenegro<br />

LAB.PRO.FAB., Exhibi<strong>to</strong>r,<br />

Venezuela<br />

Lada Sasa, Participant, Greece<br />

Lampris Demetrios, Participant,<br />

Greece<br />

Landa Ruiloba Pablo, Cura<strong>to</strong>r,<br />

Mexico<br />

Laoutaris Manos, Participant,<br />

Greece<br />

Lara Cruz Álvaro, Exhibi<strong>to</strong>r,<br />

Mexico<br />

Lavalle Alonzo José Carlos,<br />

Exhibi<strong>to</strong>r, Mexico<br />

Lavasa-Karapa Anna,<br />

Participant, Greece<br />

Lazaris Andreas, Participant,<br />

Greece<br />

Lazarovich Noy, Cura<strong>to</strong>r/<br />

Exhibi<strong>to</strong>r, Israel<br />

Ledgard Jonathan (Future Africa<br />

EPFL), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Leeser Jörg (BeL Sozietät<br />

für Architektur), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Lehm Ton Erde Baukunst<br />

(Schlins, Austria)<br />

Léniz Mauricio (el<strong>to</strong>n_léniz),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Lenschow & Pihlmann, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Lepik Andres<br />

(Architekturmuseum der TUM),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Lepore Massimo (Stu<strong>di</strong>o<br />

TAMassociati), Participant,<br />

Reporting from <strong>the</strong> Front<br />

LETH & GORI, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Levi Architecture (Jun<br />

Nakagawa), Exhibi<strong>to</strong>r, Japan<br />

Liang Jingyu, Cura<strong>to</strong>r, China<br />

Light art collective Beforelight,<br />

Participant, Greece<br />

Lindberg & Erdman, Exhibi<strong>to</strong>r,<br />

Finland<br />

Lindhardt Weiss Kris<strong>to</strong>ffer,<br />

Cura<strong>to</strong>r, Denmark<br />

Linke Clarisse, Exhibi<strong>to</strong>r, Brazil<br />

Liquid Frontiers, Commissioner/<br />

Cura<strong>to</strong>r, Austria<br />

Liu Jiakun (Jiakun Architects),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Lobo Zé, Exhibi<strong>to</strong>r, Brazil<br />

Lobo Inês (Inês Lobo,<br />

Arquitec<strong>to</strong>s), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Locsin Leandro (LVLP Partners),<br />

Cura<strong>to</strong>r, Philippines<br />

LOLA Landscape Architects<br />

(Eric-Jan Pleijster, Peter<br />

Veenstra, Brigitta van Weeren,<br />

Simon Verbeeck, Marco Peruzzi),<br />

Exhibi<strong>to</strong>r, Montenegro<br />

Lootsma Bart, Cura<strong>to</strong>r,<br />

Montenegro<br />

López-Dinar<strong>di</strong> Marcelo, Exhibi<strong>to</strong>r,<br />

United States of America<br />

Loudrup Kim, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Lozuraité Ona, Commissioner/<br />

Cura<strong>to</strong>r, Lithuania<br />

Lu Wenyu (Amateur Architecture<br />

Stu<strong>di</strong>o), Participant, Reporting<br />

from <strong>the</strong> Front<br />

LUCA Luxembourg Center for<br />

Architecture, Commissioner,<br />

Luxembourg<br />

Lula, Exhibi<strong>to</strong>r, Brazil<br />

LUMO Architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Lundgaard & Tranberg<br />

Architects, Exhibi<strong>to</strong>r, Denmark<br />

Lycourioti Leda, Participant,<br />

Greece<br />

Lykourioti Iris, Participant,<br />

Greece<br />

M<br />

MAAN, Exhibi<strong>to</strong>r, Venezuela<br />

Mabel Pacheco Alexa, Exhibi<strong>to</strong>r,<br />

Mexico<br />

Makin Andrew (designworkshop:<br />

sa), Participant, Reporting from<br />

<strong>the</strong> Front<br />

Mamalaki Panagiota,<br />

Participant, Greece<br />

Manolopoulou Yeoryia, Cura<strong>to</strong>r,<br />

Ireland<br />

MAP Architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Maria Tia, Exhibi<strong>to</strong>r, Brazil<br />

Maric Igor, Scientific committee,<br />

Serbia<br />

Marinaki Konstantina,<br />

Participant, Greece<br />

Maris Elef<strong>the</strong>rios, Participant,<br />

Greece<br />

Markopoulos Stathis, Exhibi<strong>to</strong>r,<br />

Romania<br />

Marshall Brown Projects,<br />

Exhibi<strong>to</strong>r, United States of<br />

America<br />

Marte Bernhard (Marte.<br />

Marte Architects), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Marte Stefan (Marte.Marte<br />

Architects), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Martinussen Kent,<br />

Commissioner, Denmark<br />

Matei Oana, Exhibi<strong>to</strong>r, Romania<br />

Matevž Celik, Museum of<br />

Architecture and Design,<br />

Commissioner, Slovenia<br />

Matharoo Associates<br />

(Ahmedabad, In<strong>di</strong>a), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Ma<strong>the</strong>ws Pieter J., Cura<strong>to</strong>r,<br />

South Africa<br />

Mathilde Petri Architects,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Mavrianos Vasileios, Participant,<br />

Greece<br />

Mavri<strong>di</strong>s Mary, Participant,<br />

Greece<br />

Mazaherian Hamed,<br />

Commissioner, Iran<br />

Mazzanti Giancarlo (El equipo<br />

Mazzanti - Giancarlo Mazzanti,<br />

Carlos Medellín, María<br />

Mazzanti), Participant, Reporting<br />

from <strong>the</strong> Front<br />

McEwen Mitch V., Exhibi<strong>to</strong>r,<br />

United States of America<br />

McKay Donald (School of<br />

Architecture, University of<br />

Waterloo), Participant, Reporting<br />

from <strong>the</strong> Front<br />

McLaughlin Niall,<br />

Commissioner/Exhibi<strong>to</strong>r, Ireland<br />

McNamara Shelley (Graf<strong>to</strong>n<br />

Architects), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Mehrotra Rahul (Rahul Mehrotra<br />

and Felipe Vera), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Meldgaard Houser Jonathan,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Merrill Elam Architects (Mack<br />

Scogin, Merrill Elam), Exhibi<strong>to</strong>r,<br />

United States of America<br />

Mesa Molina Débora (Ensamble<br />

Stu<strong>di</strong>o), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Michail Nafsika, Participant,<br />

Greece<br />

miCo. (Mizuki Imamura, Isao<br />

Shinohara), Exhibi<strong>to</strong>r, Japan<br />

Middelfart Municipality and<br />

Middelfart Wastewater Utility,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Mikhailovsky Semen,<br />

Commissioner, Russia<br />

Mikkelsen Architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Milenkovic Vla<strong>di</strong>mir, Scientific<br />

committee, Serbia<br />

Miletic Abramovic Ljiljana,<br />

Scientific committee, Serbia<br />

Ministère de l’habitat et du<br />

logement social, Exhibi<strong>to</strong>r, Ivory<br />

Coast<br />

Ministère de la construction et<br />

de l’urbanisme, Exhibi<strong>to</strong>r, Ivory<br />

Coast<br />

Ministère de la culture et de la<br />

francophonie, Exhibi<strong>to</strong>r, Ivory<br />

Coast<br />

Ministry of Education, Exhibi<strong>to</strong>r,<br />

Peru<br />

Ministry of Culture,<br />

Commissioner, Armenia<br />

Ministry of Culture,<br />

Commissioner, Croatia<br />

Ministry of Culture, Cura<strong>to</strong>r,<br />

Egypt<br />

Ministry of Education and<br />

Culture, Commissioner, Cyprus<br />

Ministry of Environment and<br />

Energy, General Secretary of<br />

Spatial Planning and Urban<br />

Environment, Commissioner,<br />

Greece<br />

Ministry of Roads and Urban<br />

Development, Commissioner,<br />

Iran<br />

Ministry of Sustainable<br />

Development and Tourism,<br />

Commissioner, Montenegro<br />

Ministry of Tourism and Culture,<br />

Commissioner, Seychelles<br />

Minotakis Stylianos, Participant,<br />

Greece<br />

Mitášová Monika,<br />

Commissioner, Czech and<br />

Slovak Republic<br />

Mitropoulos Yiannis, Participant,<br />

Greece<br />

MMBB, Exhibi<strong>to</strong>r, Brazil<br />

mnm (Mio Tsuneyama),<br />

Exhibi<strong>to</strong>r, Japan<br />

Molina Cristóbal, Commissioner,<br />

Chile<br />

Møller & Grønborg, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Moller Teresa (Estu<strong>di</strong>o del<br />

Paisaje Teresa Moller &<br />

Asociados), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Monsalve Yasna, Exhibi<strong>to</strong>r, Chile<br />

Monte Leticia, Exhibi<strong>to</strong>r, Brazil<br />

Montiel Rozana (Rozana Montiel<br />

Estu<strong>di</strong>o de Arquitectura),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Mora Torres David, Exhibi<strong>to</strong>r,<br />

Mexico<br />

Moreno Corona Betsaid M.,<br />

Exhibi<strong>to</strong>r, Mexico<br />

MOS Architects (Hilary Sample,<br />

Michael Mere<strong>di</strong>th), Exhibi<strong>to</strong>r,<br />

United States of America<br />

Mosse Stephania, Participant,<br />

Greece<br />

Mottelson Johan, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Moura-Carvalho Carlos,<br />

Commissioner, Portugal<br />

Mpahlwa Luyanda (Luyanda<br />

Mpahlwa DesignSpaceAfrica),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Muniz Vik, Exhibi<strong>to</strong>r, Brazil<br />

Muñoz Felipe, Exhibi<strong>to</strong>r, Chile<br />

N’Dri Bar<strong>the</strong>lemy N’Guessan,<br />

Commissioner, Ivory Coast<br />

N<br />

Naka Architects’ Stu<strong>di</strong>o<br />

(Toshiharu Naka, Yuri Uno),<br />

Exhibi<strong>to</strong>r, Japan<br />

Nakagawa Erika, Exhibi<strong>to</strong>r,<br />

Japan<br />

Napolitano Umber<strong>to</strong> (LAN),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Naruse Inokuma Architects (Jun<br />

Inokuma, Yuri Narus), Exhibi<strong>to</strong>r,<br />

Japan<br />

Nasjonalmuseet, Deputy<br />

Commissioner, Norway/Nor<strong>di</strong>c<br />

Countries<br />

National Commission for<br />

Culture and <strong>the</strong> Arts (NCCA),<br />

Commissioner, Philippines<br />

NCCAL, Commissioner, Kuwait<br />

NeM/Niney et Marca architects,<br />

Cura<strong>to</strong>r, France<br />

Nikoloutsou Chrysi, Participant,<br />

Greece<br />

Nishizawa Ryue (Kazuyo Sejima<br />

+ Ryue Nishizawa/SANAA),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

NORD Architects Copenhagen,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Noukakis Yorgis, Participant,<br />

Greece<br />

Nousaku Architects (Fuminori<br />

Nousaku, Junpei Nousaku),<br />

Exhibi<strong>to</strong>r, Japan<br />

Nowotka Maximilian, Cura<strong>to</strong>r,<br />

Venezuela<br />

Nuñez Jesús Rober<strong>to</strong>, Exhibi<strong>to</strong>r,<br />

Mexico<br />

O<br />

O Norte, Exhibi<strong>to</strong>r, Brazil<br />

Ochsendorf John (Ochsendorf,<br />

DeJong & Block), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Oehy Sandra, Cura<strong>to</strong>r,<br />

Switzerland<br />

Oficina Goma, Exhibi<strong>to</strong>r, Brazil<br />

Oficina Lú<strong>di</strong>ca, Exhibi<strong>to</strong>r,<br />

Venezuela<br />

Ohatki Sa<strong>to</strong>shi, Exhibi<strong>to</strong>r,<br />

Finland<br />

ondesign (Osamu Nishida),<br />

Exhibi<strong>to</strong>r, Japan<br />

ONV Architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

OPSYS, Cura<strong>to</strong>r/Exhibi<strong>to</strong>r,<br />

Canada<br />

Orbegoso Alfonso, Exhibi<strong>to</strong>r,<br />

Peru<br />

Ordoñez Grajales Mariana,<br />

Exhibi<strong>to</strong>r, Mexico<br />

Ordre des architects, Exhibi<strong>to</strong>r,<br />

Ivory Coast<br />

Orrego José, Commissioner, Peru<br />

P<br />

Paegle Niklavs, Cura<strong>to</strong>r,<br />

Lithuania<br />

Palcová Monika, Commissioner,<br />

Czech and Slovak<br />

Panagio<strong>to</strong>poulou Vassiliki,<br />

Participant, Greece<br />

Panetsos Georgios A.,<br />

Participant, Greece<br />

Pangalos Panayotis, Participant,<br />

Greece<br />

Pano<strong>to</strong>poulou Panajota,<br />

Cura<strong>to</strong>r/Exhibi<strong>to</strong>r, Luxembourg<br />

Pantaleo Raul (Stu<strong>di</strong>o<br />

TAMassociati), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Pantazis Iason, Participant,<br />

Greece<br />

Papa<strong>di</strong>mas Giorgos, Participant,<br />

Greece<br />

Papadopoulou Anastasia,<br />

Participant, Greece<br />

Papadopoulou Dafni,<br />

Participant, Greece<br />

Papagkikas Giorgos, Participant,<br />

Greece<br />

Papanagio<strong>to</strong>u Nefeli, Participant,<br />

Greece<br />

Paraskevopoulou Asimina,<br />

Participant, Greece<br />

Parra Federico, Exhibi<strong>to</strong>r,<br />

Uruguay<br />

Pathiraja Milinda (Robust<br />

Architecture Workshop),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Paucic San<strong>di</strong>, Commissioner,<br />

Switzerland<br />

Paveski S<strong>to</strong>jan, Exhibi<strong>to</strong>r,<br />

Macedonia<br />

Pavleski S<strong>to</strong>jan, Cura<strong>to</strong>r,<br />

Macedonia<br />

Peeters Luk (ORG Permanent<br />

Modernity), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Pentimalli Atilio, Cura<strong>to</strong>r,<br />

Argentina<br />

People’s Architecture Office,<br />

Exhibi<strong>to</strong>r, China<br />

Pequena África, Exhibi<strong>to</strong>r, Brazil<br />

Peracic Dinko, Cura<strong>to</strong>r/Exhibi<strong>to</strong>r,<br />

Croatia<br />

Perim Junior, Exhibi<strong>to</strong>r, Brazil<br />

Perkins Hetti, Exhibi<strong>to</strong>r, Australia<br />

Persyn Freek (51N4E),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Pe<strong>to</strong>uri Eleni, Participant, Greece<br />

Petra Mara, Participant, Greece<br />

Petri<strong>di</strong>s Pantelis, Participant,<br />

Greece<br />

Petrosyan Sarhat, Cura<strong>to</strong>r<br />

Armenia<br />

Pezo Mauricio (Pezo von<br />

Ellrichshausen), Participant,<br />

Reporting from <strong>the</strong> Front<br />

PGRA, Exhibi<strong>to</strong>r, Venezuela<br />

Piano Renzo (Renzo Piano<br />

Buil<strong>di</strong>ng Workshop and G124),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

PICO, Exhibi<strong>to</strong>r, Venezuela<br />

Pita & Bloom (Florencia Pita,<br />

Jackilin Hah Bloom), Exhibi<strong>to</strong>r,<br />

United States of America<br />

Platanioti Maria, Participant,<br />

Greece<br />

Plavou Vassiliki-Maria,<br />

Participant, Greece<br />

Plus D Stu<strong>di</strong>o, Exhibi<strong>to</strong>r, Brazil<br />

PNG, Cura<strong>to</strong>r, France<br />

Ponce de Leon Monica,<br />

Commissioner/Cura<strong>to</strong>r, United<br />

States of America<br />

Por<strong>to</strong> Bruno, Exhibi<strong>to</strong>r, Brazil<br />

Present Future (Albert Pope,<br />

Jesús Vassallo), Exhibi<strong>to</strong>r, United<br />

States of America<br />

Pres<strong>to</strong>n Scott Cohen Inc.,<br />

Exhibi<strong>to</strong>r, United States of<br />

America<br />

Prie<strong>to</strong> Daniel, Exhibi<strong>to</strong>r, Chile<br />

Prie<strong>to</strong> Valeria, Exhibi<strong>to</strong>r, Mexico<br />

Proyec<strong>to</strong> Colectivo, Exhibi<strong>to</strong>r,<br />

Venezuela<br />

Psallida Julie, Participant,<br />

Greece<br />

Puga Cecilia, Participant, Reporting<br />

from <strong>the</strong> Front<br />

Q<br />

Quintanilha/Paulo Mario,<br />

Exhibi<strong>to</strong>r, Brazil<br />

Quintans Carlos, Commissioner/Cura<strong>to</strong>r<br />

R<br />

R Architecture, Cura<strong>to</strong>r, France<br />

R’Kul Kanika, Exhibi<strong>to</strong>r, Thailand<br />

Radovanovic Gjorgji, Exhibi<strong>to</strong>r,<br />

Macedonia<br />

Ramirez Andres F., Cura<strong>to</strong>r,<br />

Seychelles<br />

Raskovic Ivan, Commissioner,<br />

Serbia<br />

Rauch Martin, Participant,<br />

Reporting from <strong>the</strong> Front<br />

Ravagnan Renzo, Cura<strong>to</strong>r, Yemen<br />

Rennie Jonathan, Exhibi<strong>to</strong>r, New<br />

Zealand<br />

Reuter Jenni (Hollmén<br />

Reuter Sandman Architects),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Rezende Ruy, Exhibi<strong>to</strong>r, Brazil<br />

Richardson Vicky, Commissioner,<br />

Great Britain<br />

Rivera Jorge A., Exhibi<strong>to</strong>r, Mexico<br />

Rizzi Rena<strong>to</strong>, Participant,<br />

Reporting from <strong>the</strong> Front<br />

Rocha Chico, Exhibi<strong>to</strong>r, Brazil<br />

Rodriguez Nelsón,<br />

Commissioner, Venezuela<br />

Rodríguez Javier, Exhibi<strong>to</strong>r, Chile<br />

Rogers Richard (Rogers Stirk<br />

Harbour + Partners), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Roig Joan (Batlle i Roig<br />

Arquitectes), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Román Juan, Cura<strong>to</strong>r, Chile<br />

Romance Was Born, Exhibi<strong>to</strong>r,<br />

Australia<br />

Romeo Facundo, Exhibi<strong>to</strong>r,<br />

Uruguay<br />

Rose Benjamin, Commissioner,<br />

Seychelles<br />

Roskilde Municipality, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Roth Chris<strong>to</strong>pher (Arno<br />

Brandlhuber + Chris<strong>to</strong>pher<br />

Roth), Participant, Reporting<br />

from <strong>the</strong> Front<br />

RUBOW Arkitekter, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Rumpf Andrea, Commissioner,<br />

Luxembourg<br />

Run Atelier, Exhibi<strong>to</strong>r, China<br />

RVTR, Exhibi<strong>to</strong>r, Canada<br />

S<br />

SAA/Stan Allen Architect,<br />

Exhibi<strong>to</strong>r, United States of<br />

America<br />

Saba Engineering Events<br />

Association, Exhibi<strong>to</strong>r, Iran<br />

SADAS-PEA, Cura<strong>to</strong>r, Greece<br />

Saini Anuj (Rock Garden),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Sala Anri, Exhibi<strong>to</strong>r, Albania<br />

Salim Mostafa, Exhibi<strong>to</strong>r, Egypt<br />

Samperio Rodolfo, Exhibi<strong>to</strong>r,<br />

Mexico<br />

Sánchez García José María,<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Sandman Helena (Hollmén<br />

Reuter Sandman Architects),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Santibañez Juan José, Exhibi<strong>to</strong>r,<br />

Mexico<br />

Sapka Anna, Participant, Greece<br />

Sapka Eirini-Dafni, Participant,<br />

Greece<br />

Savvi<strong>di</strong>s Konstantinos,<br />

Participant, Greece<br />

Schmidt Hammer Lassen<br />

Architects, Exhibi<strong>to</strong>r, Denmark<br />

Schønherr, Exhibi<strong>to</strong>r, Denmark<br />

Schuler Matthias (Transsolar),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Secchi Gabriele, Exhibi<strong>to</strong>r, Egypt<br />

Segantini Maria Alessandra<br />

(C+S Architects), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Segarra Lagunes María<br />

Margarita, Commissioner, Mexico<br />

Sejima Kazuyo (Kazuyo Sejima<br />

+ Ryue Nishizawa/SANAA),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Sekino Chutayaves Sinthuphan<br />

Jun, Exhibi<strong>to</strong>r, Thailand<br />

Self Jack, Cura<strong>to</strong>r, Great Britain<br />

SER, Exhibi<strong>to</strong>r, Venezuela<br />

Serbescu Andrei (ADNBA<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Sereti Maria, Participant, Greece<br />

Seys Natalie (ORG Permanent<br />

Modernity), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Sfriso Simone (Stu<strong>di</strong>o<br />

TAMassociati), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Sh. Mai Al Khalifa,<br />

Commissioner, Bahrain<br />

Shamsbeki Saman (VAVStu<strong>di</strong>o),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Sheward Rodrigo (GrupoTalca),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Shingo Masuda+Katsuhisa<br />

Otsubo Architects (Shingo<br />

Masuda, Katsuhisa Otsubo),<br />

Exhibi<strong>to</strong>r, Japan<br />

Shirmohamma<strong>di</strong> Sakhi<br />

(VAVStu<strong>di</strong>o), Participant,<br />

Reporting from <strong>the</strong> Front<br />

GUIDA ALLA BIENNALE DI ARCHITETTURA | 10


Nel 2014, grazie a un Pro<strong>to</strong>collo d’Intesa fra l’ATER del Comune <strong>di</strong> Roma, l’Associazione Culturale 999 e il Municipio VIII <strong>di</strong><br />

Roma Capitale ha preso vita il proget<strong>to</strong> BIG CITY LIFE che ha coinvol<strong>to</strong>, con un approccio partecipa<strong>to</strong>, gli abitanti del quartiere<br />

<strong>di</strong> Tor Marancia. Il proget<strong>to</strong> ha beneficia<strong>to</strong> del sostegno della Fondazione Roma attraverso la Fondazione Roma-Arte-Musei (oggi<br />

Fondazione Terzo Pilastro – Italia e Me<strong>di</strong>terraneo), in collaborazione con 999 contemporary e Roma Capitale attraverso il bando<br />

Roma Creativa 2014. Il pro<strong>to</strong>collo <strong>di</strong> Intesa è sta<strong>to</strong> sot<strong>to</strong>scrit<strong>to</strong> con la convinzione che l’arte urbana contemporanea possa essere un<br />

elemen<strong>to</strong> integrante degli interventi <strong>di</strong> rigenerazione dell’e<strong>di</strong>lizia residenziale pubblica anche per la sua funzione <strong>di</strong> forte coesione<br />

sociale. Con ques<strong>to</strong> spiri<strong>to</strong> ATER ha messo a <strong>di</strong>sposizione dell’Associazione Culturale 999 le facciate <strong>di</strong> 11 e<strong>di</strong>fici <strong>di</strong> sua proprietà del<br />

lot<strong>to</strong> 1 <strong>di</strong> Tormarancia dove 22 artisti provenienti da <strong>di</strong>eci Paesi <strong>di</strong>versi hanno realizza<strong>to</strong> le loro opere, trasformando il quartiere in un<br />

museo permanente a cielo aper<strong>to</strong> che ha già avu<strong>to</strong> migliaia <strong>di</strong> visita<strong>to</strong>ri. Questa esperienza nata dall’incontro fra l’espressione artistica<br />

e l’<strong>architettura</strong> ha cambia<strong>to</strong> i protagonisti del <strong>di</strong>alogo con l’arte e l’<strong>architettura</strong> mettendo al centro gli abitanti.<br />

Il Prof. Emmanuele F. M. Emanuele, Presidente della Fondazione Terzo Pilastro – Italia e Me<strong>di</strong>terraneo ha afferma<strong>to</strong>: «Ho volu<strong>to</strong><br />

intraprendere ques<strong>to</strong> percorso al fine <strong>di</strong> dare voce ad una modalità <strong>di</strong> espressione – la street-art, appun<strong>to</strong> – che porta l’arte fuori dai<br />

musei e la riversa nei luoghi accessibili a tutti, la rende parte del nostro vivere quoti<strong>di</strong>ano. Un fenomeno non accademico, ma vivo<br />

e vitale, che ho conosciu<strong>to</strong> nei miei anni giovanili a Los Angeles e Miami e <strong>di</strong> cui ho imme<strong>di</strong>atamente intui<strong>to</strong> la grande portata e<br />

l’eccezionale efficacia comunicativa».<br />

Il processo virtuoso innesca<strong>to</strong>, portando un po’ <strong>di</strong> arte nella vita <strong>di</strong> tutti i giorni <strong>di</strong> una comunità <strong>di</strong> persone, ha innanzitut<strong>to</strong><br />

contribui<strong>to</strong> al recupero del ruolo urbano del quartiere, che ha conquista<strong>to</strong> centralità e visibilità, sviluppa<strong>to</strong> un senso <strong>di</strong> comunità e<br />

appartenenza negli abitanti che hanno partecipa<strong>to</strong> a tut<strong>to</strong> il proget<strong>to</strong> durante la scelta delle opere, la loro realizzazione e dopo nella<br />

tutela e valorizzazione. Con un po’ <strong>di</strong> vernice, rulli, pennelli, spray e mezzi per andare in al<strong>to</strong> si è concretizzata, così, una straor<strong>di</strong>naria<br />

avventura urbana che ha uni<strong>to</strong> istituzioni, organizza<strong>to</strong>ri, artisti e abitanti ottenendo risultati positivi e soprattut<strong>to</strong> permanenti.<br />

Palazzo Sciarra – Via M. Minghetti, 17 – 00187 Roma - Tel. +39.06.97625591 - Fax +39.06.98380693 - fondazione@fondazioneterzopilastro.it - http://www.fondazioneterzopilastro.it


Chi, cosa, dove Who, what, where<br />

Shoshan Malkit, Cura<strong>to</strong>r, The<br />

Ne<strong>the</strong>rlands<br />

Silva Jonnattan, Exhibi<strong>to</strong>r, Chile<br />

Simeonov Ivan, Exhibi<strong>to</strong>r,<br />

Macedonia<br />

Siza Vieira Álvaro, Exhibi<strong>to</strong>r,<br />

Portugal<br />

Sjeverac Igor, Exhibi<strong>to</strong>r, Serbia<br />

Skopelitis Efstratios, Participant,<br />

Greece<br />

SLA Architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

SLETH Architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Smilga Dagnija, Cura<strong>to</strong>r,<br />

Lithuania<br />

Smith Rusty (Rural Stu<strong>di</strong>o),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

SNE architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Snozzi Luigi (Stu<strong>di</strong>o Snozzi),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Sobek Werner, Participant,<br />

Reporting from <strong>the</strong> Front<br />

Society Lab with <strong>the</strong><br />

participation of Alt Architects,<br />

Exhibi<strong>to</strong>r, Finland<br />

Sofianou Sofia, Participant,<br />

Greece<br />

Solà-Morales Clara (Cadaval<br />

& Solà-Morales), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Solís Carolina, Exhibi<strong>to</strong>r, Chile<br />

Something Fantastic, Exhibi<strong>to</strong>r,<br />

Germany<br />

Song Qun, Exhibi<strong>to</strong>r, China<br />

Sotiropoulou Tzina, Participant,<br />

Greece<br />

Sou<strong>to</strong> de Moura Eduardo<br />

(Sou<strong>to</strong> Moura - Arquitec<strong>to</strong>),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Spektrum Arkitekter, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Spilia<strong>di</strong> Marilli, Participant, Greece<br />

Spilio<strong>to</strong>poulou Athina,<br />

Participant, Greece<br />

Spiotta Artemisia, Participant,<br />

Greece<br />

Stais Prodromos, Participant,<br />

Greece<br />

Stamataki Eftychia, Participant,<br />

Greece<br />

Staricco Marcelo, Exhibi<strong>to</strong>r,<br />

Uruguay<br />

Stavri<strong>di</strong>s Stavros, Participant,<br />

Greece<br />

Steinberg Marco, Cura<strong>to</strong>r, Finland<br />

Stirk Graham (Rogers Stirk<br />

Harbour + Partners), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Stratis Socrates, Cura<strong>to</strong>r, Cyprus<br />

Studený Ján, Cura<strong>to</strong>r/Exhibi<strong>to</strong>r,<br />

Czech and Slovak<br />

Stu<strong>di</strong>o 1984, Cura<strong>to</strong>r, France<br />

Stu<strong>di</strong>olada, Cura<strong>to</strong>r, France<br />

Stu<strong>di</strong>o-X, Exhibi<strong>to</strong>r, Brazil<br />

Styli<strong>di</strong>s Iordanis, Participant,<br />

Greece<br />

Suárez Pareyón Alejandro,<br />

Exhibi<strong>to</strong>r, Mexico<br />

Šulkic Ana, Exhibi<strong>to</strong>r, Serbia<br />

Surica Tia, Exhibi<strong>to</strong>r, Brazil<br />

Svendborg Architects, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Swe<strong>di</strong>sh Centre for Architecture<br />

and Design, Commissioner,<br />

Sweden/Nor<strong>di</strong>c Countries<br />

Swiss Arts Council Pro Helvetia,<br />

Commissioner, Switzerland<br />

Szczelina Marcin (Hugon<br />

Kowalski + Marcin Szczelina),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

T+E+A+M (Thom Moran, Ellie<br />

Abrons, Adam Fure, Mere<strong>di</strong>th<br />

Miller), Exhibi<strong>to</strong>r, United States<br />

of America<br />

T<br />

Tabet Michelle, Cura<strong>to</strong>r, Australia<br />

Tadjsoleiman Amin (VAVStu<strong>di</strong>o),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Tali Johan, Cura<strong>to</strong>r, Lithuania<br />

Taller indepen<strong>di</strong>ente, Exhibi<strong>to</strong>r<br />

Venezuela<br />

Tamai Yoichi (Atelier Bow-Wow),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

TAMassociati (Massimo Lepore,<br />

Raul Pantaleo, Simone Sfriso),<br />

Cura<strong>to</strong>r, Italy<br />

Tamayo Carlos, Exhibi<strong>to</strong>r, Peru<br />

Tasevski Ljupcho, Exhibi<strong>to</strong>r,<br />

Macedonia<br />

Tattara Martino (Dogma),<br />

Exhibi<strong>to</strong>r, Great Britain<br />

Taussig Michael, Exhibi<strong>to</strong>r, Albania<br />

Taves Laura, Exhibi<strong>to</strong>r Brazil<br />

Terepins Luis, Commissioner, Brazil<br />

Terra Tuma Arquite<strong>to</strong>s<br />

Associados, Exhibi<strong>to</strong>r, Brazil<br />

The Japan Foundation,<br />

Commissioner, Japan<br />

<strong>the</strong> next ENTERprise architects,<br />

Exhibi<strong>to</strong>r, Austria<br />

The Office of Contemporary<br />

Art and Culture, Commissioner,<br />

Thailand<br />

Theocharis Stavros, Participant,<br />

Greece<br />

Theodoropoulos Chrysos<strong>to</strong>mos,<br />

Participant, Greece<br />

Theodorou Constantina,<br />

Participant, Greece<br />

Thierfelder Anja, Participant,<br />

Reporting from <strong>the</strong> Front<br />

THIRD NATURE, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Thomopoulou Christina,<br />

Participant, Greece<br />

Thompson Rewi, Exhibi<strong>to</strong>r, New<br />

Zealand<br />

Thorpe Ian, Exhibi<strong>to</strong>r, Australia<br />

Toland Isabelle (Aileen Sage<br />

Architects), Cura<strong>to</strong>r, Australia<br />

Tolj Slaven, Exhibi<strong>to</strong>r, Croatia<br />

Toposfære IVS, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Toscano Guerrero Javier,<br />

Exhibi<strong>to</strong>r, Mexico<br />

Tossouni Konstantina,<br />

Participant, Greece<br />

Totsikas Panos, Participant,<br />

Greece<br />

Traganou Jilly, Participant, Greece<br />

TRANSFORM, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Transporte Ativo, Exhibi<strong>to</strong>r, Brazil<br />

Travlou Penny, Participant,<br />

Greece<br />

Tsagkaraki Evgenia, Participant,<br />

Greece<br />

Tsakalidou Venetia, Participant,<br />

Greece<br />

Tsakiridou Yiouli, Participant,<br />

Greece<br />

Tsakiropoulos Irene, Participant,<br />

Greece<br />

Tsaliki<strong>di</strong>s Ioannis, Participant,<br />

Greece<br />

Tsiolkas Chris<strong>to</strong>s, Exhibi<strong>to</strong>r,<br />

Australia<br />

Tsironi Natassa, Participant,<br />

Greece<br />

Tsi<strong>to</strong>uris Spyros, Participant,<br />

Greece<br />

Tsonakas Vasilis, Participant,<br />

Greece<br />

Tsukamo<strong>to</strong> Yoshiharu (Atelier<br />

Bow-Wow), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Tümerdem Nazli, Exhibi<strong>to</strong>r, Turkey<br />

Turgeman Arad, Commissioner,<br />

Israel<br />

Tyra Lea Am<strong>di</strong>sen Dokkedahl,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Tzevelekou Christina, Participant,<br />

Greece<br />

Tzirtzilaki Eleni, Participant,<br />

Greece<br />

U<br />

Uçar Ertug, Cura<strong>to</strong>r, Turkey<br />

Ufot Nkanta George,<br />

Commissioner, Nigeria<br />

Umpansiriratana Suriya,<br />

Exhibi<strong>to</strong>r, Thailand<br />

Untaru Adrian-Ioan (ADNBA),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

URBAN AGENCY, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Uribe José Luis, Cura<strong>to</strong>r, Chile<br />

V<br />

Vagnby Jes, Exhibi<strong>to</strong>r, Denmark<br />

Vajrabhaya Twitee, Exhibi<strong>to</strong>r,<br />

Thailand<br />

Valencia Horacio (Grupo<br />

EPM-Departamen<strong>to</strong> de<br />

intervenciones urbanas<br />

sostenibles), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Valsami<strong>di</strong>s Alexandros,<br />

Participant, Greece<br />

Van Mele Tom (Block Research<br />

Group, ETH Zurich), Participant,<br />

Reporting from <strong>the</strong> Front<br />

van Pelt Robert Jan (School<br />

of Architecture, University of<br />

Waterloo), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Van Raat Tony, Commissioner,<br />

New Zealand<br />

Vandkunsten Architects,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Varavarn Varudh, Exhibi<strong>to</strong>r,<br />

Thailand<br />

Varoufakis Yanis, Exhibi<strong>to</strong>r, Albania<br />

Vasic Stefan, Exhibi<strong>to</strong>r, Serbia<br />

Vasilopoulou Parina, Participant,<br />

Greece<br />

Vatavali Fereniki, Participant,<br />

Greece<br />

Veiga Alber<strong>to</strong> (Barozzi / Veiga),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Velez Simon, Participant,<br />

Reporting from <strong>the</strong> Front<br />

Veljacic Miranda, Exhibi<strong>to</strong>r,<br />

Croatia<br />

Vendrell Xavier (Rural Stu<strong>di</strong>o),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Vera Tanya, Exhibi<strong>to</strong>r, Chile<br />

Vera Paloma, Exhibi<strong>to</strong>r, Mexico<br />

Vera Felipe (Rahul Mehrotra<br />

and Felipe Vera), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Verdugo Cesar, Exhibi<strong>to</strong>r, Chile<br />

Verteouri Anastasia, Participant,<br />

Greece<br />

Vidal Mateo, Exhibi<strong>to</strong>r, Uruguay<br />

Viera de Campos Francisco<br />

(Menos é mais), Participant,<br />

Reporting from <strong>the</strong> Front<br />

View Unlimited Lanscape<br />

Architecture Stu<strong>di</strong>o CUCD,<br />

Exhibi<strong>to</strong>r, China<br />

Vilhelm Lauritzen Architects,<br />

Exhibi<strong>to</strong>r, Denmark<br />

Villanueva Jose Luis, Exhibi<strong>to</strong>r,<br />

Peru<br />

Viramontes Luz Yazmin,<br />

Exhibi<strong>to</strong>r, Mexico<br />

Virirakis Lefteris, Participant,<br />

Greece<br />

Visconti Gabriel, Cura<strong>to</strong>r, Venezuela<br />

Višnic Emina, Exhibi<strong>to</strong>r, Croatia<br />

Vit<strong>to</strong>ri Arturo (Architecture and<br />

Vision), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Vo Trong Nghia (Vo Trong<br />

Nghia Architects), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Vogiatzaki Dimitra, Participant,<br />

Greece<br />

von Ellrichshausen Sofía (Pezo<br />

von Ellrichshausen), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Vorpsi Ornela, Exhibi<strong>to</strong>r, Albania<br />

Vucinic Dijana, Commissioner,<br />

Montenegro<br />

Vyzoviti Sophia, Participant,<br />

Greece<br />

W<br />

Waghorn Kathy, Exhibi<strong>to</strong>r, New<br />

Zealand<br />

Walker Charles, Cura<strong>to</strong>r, New<br />

Zealand<br />

Wallig João Felipe, Exhibi<strong>to</strong>r, Brazil<br />

Wang Shu (Amateur Architecture<br />

Stu<strong>di</strong>o), Participant, Reporting<br />

from <strong>the</strong> Front<br />

Water Basil, Exhibi<strong>to</strong>r, Brazil<br />

WE Architecture, Exhibi<strong>to</strong>r,<br />

Denmark<br />

Weizman Eyal (Forensic<br />

Architecture), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Whitman-Salkin Leah, Cura<strong>to</strong>r,<br />

Albania<br />

Wienberg Architects and Frier<br />

Architecture, Exhibi<strong>to</strong>r, Denmark<br />

Williams Finn, Cura<strong>to</strong>r, Great<br />

Britain, Exhibi<strong>to</strong>r, Albania<br />

Wongwaisayawan Teeranuj,<br />

Cura<strong>to</strong>r, Thailand<br />

Wróblewska Hanna,<br />

Commissioner, Poland<br />

Wuyong, Exhibi<strong>to</strong>r, China<br />

X<br />

Xenaki Maria, Participant,<br />

Greece<br />

Y<br />

Yalgin Yigit, Exhibi<strong>to</strong>r, Turkey<br />

Yamana Yoshiyuki, Cura<strong>to</strong>r, Japan<br />

Yunn Chii Wong, Cura<strong>to</strong>r,<br />

Singapore<br />

Z<br />

Zacharia<strong>di</strong> Alexandra,<br />

Participant, Greece<br />

Zago Architecture (Andrew Zago,<br />

Laura Bouwman), Exhibi<strong>to</strong>r,<br />

United States of America<br />

Zarina Laila, Cura<strong>to</strong>r, Lithuania<br />

Zenbaey Eslam, Exhibi<strong>to</strong>r, Egypt<br />

Zervan Marián, Cura<strong>to</strong>r/<br />

Exhibi<strong>to</strong>r, Czech and Slovak<br />

Zewde Sara, Exhibi<strong>to</strong>r, Brazil<br />

Zhang Ke (ZAO/<br />

Standardarchitecture),<br />

Participant, Reporting from<br />

<strong>the</strong> Front<br />

Zhu Jingxiang, Exhibi<strong>to</strong>r, China<br />

Zi<strong>to</strong>noulis Vaios, Participant,<br />

Greece<br />

Zografou Dafni, Participant,<br />

Greece<br />

Zuber Raphael, Participant,<br />

Reporting from <strong>the</strong> Front<br />

Žukauskas Jonas,<br />

Commissioner, Lithuania<br />

Žukauskas Jonas, Cura<strong>to</strong>r,<br />

Lithuania<br />

Zumthor Peter (Atelier Peter<br />

Zumthor & Partner), Participant,<br />

Reporting from <strong>the</strong> Front<br />

Zuo Jing, Exhibi<strong>to</strong>r, China<br />

Eventi collaterali Collateral Events<br />

ARESENALE<br />

1 Gangcity<br />

Arsenale Nord, Spazio Thetis<br />

26 maggio - 27 novembre<br />

May 26 - November 27<br />

Gangcity documenta il fenomeno <strong>di</strong><br />

cluster urbani sottratti a ogni forma<br />

<strong>di</strong> controllo della legalità, al fine <strong>di</strong><br />

attivare processi <strong>di</strong> riappropriazione<br />

e cura degli spazi privati e pubblici.<br />

Il proget<strong>to</strong> è vol<strong>to</strong> a rivelare la<br />

reciproca influenza tra la violenza<br />

e la geografia delle città, prestando<br />

particolare attenzione alle gang<br />

come gruppi primari che nascono<br />

e si <strong>di</strong>ffondono nei ghetti urbani,<br />

con un coinvolgimen<strong>to</strong> prioritario <strong>di</strong><br />

adolescenti/Gangcity documents<br />

<strong>the</strong> phenomenon of urban clusters<br />

devoid of any kind of legal controls,<br />

in order <strong>to</strong> enable processes of reappropriation<br />

and <strong>the</strong> care of private<br />

and public spaces. The project aims<br />

<strong>to</strong> reveal <strong>the</strong> reciprocal influence between<br />

<strong>the</strong> violence and geography of<br />

cities, paying particular attention <strong>to</strong><br />

<strong>the</strong> gangs as primary groups born<br />

in and spread throughout <strong>the</strong> urban<br />

ghet<strong>to</strong>s, predominantly through <strong>the</strong><br />

involvement of teenagers.<br />

Promo<strong>to</strong>re/Promoter: DIST - Dipartimen<strong>to</strong><br />

Interateneo <strong>di</strong> Scienze, Proget<strong>to</strong><br />

e Politiche del Terri<strong>to</strong>rio – Politecnico<br />

<strong>di</strong> Torino, Università <strong>di</strong> Torino<br />

www.<strong>di</strong>st.poli<strong>to</strong>.it - www.gangcity.it<br />

2 Sarajevo now: People’s Museum<br />

Arsenale Nord, Tesa 100<br />

28 maggio - 1 luglio<br />

May 28 - July 1<br />

Per secoli Sarajevo è stata crocevia<br />

e frontiera urbana. Come è accadu<strong>to</strong><br />

ad altre città trasformate da una crescita<br />

esponenziale o da una decrescita<br />

improvvisa, la Sarajevo postbellica<br />

affronta oggi le sue peculiari modalità<br />

<strong>di</strong> pratica informale. La mostra è iniziativa<br />

<strong>di</strong> «Reactivate Sarajevo», frut<strong>to</strong><br />

della collaborazione tra ETH <strong>di</strong> Zurigo,<br />

comune <strong>di</strong> Sarajevo e Museo s<strong>to</strong>rico<br />

della città/For centuries Sarajevo has<br />

been a crossroads and urban frontier.<br />

Like o<strong>the</strong>r cities transformed by<br />

exponential growth or unanticipated<br />

shrinking, post-conflict Sarajevo is<br />

confronted with its very own modes<br />

of informal practice. The exhibition is<br />

part of <strong>the</strong> initiative “Reactivate Sarajevo”,<br />

a collaboration between ETH<br />

Zurich, <strong>the</strong> City of Sarajevo and <strong>the</strong><br />

City’s His<strong>to</strong>rical Museum.<br />

Promo<strong>to</strong>re/Promoter: Matica of Bosnia<br />

and Herzegovina<br />

www.matica-bih.org<br />

CASTELLO<br />

3 Aftermath_Catalonia in Venice.<br />

Architecture Beyond Architects<br />

Cantieri Navali, Castello, 40<br />

28 maggio - 27 novembre<br />

May 28 - November 27<br />

La mostra focalizza la sua attenzione<br />

sull’<strong>architettura</strong> vissuta, nel momen<strong>to</strong><br />

in cui gli architetti non sono più presenti<br />

e gli utenti continuano a vivere<br />

quoti<strong>di</strong>anamente l’esperienza architet<strong>to</strong>nica.<br />

Le opere selezionate sono<br />

state realizzate nel corso degli ultimi<br />

<strong>di</strong>eci anni da architetti catalani. Hanno<br />

in comune un carattere pubblico<br />

e la capacità <strong>di</strong> integrare spazi naturali,<br />

urbani e umani, estendendo la<br />

funzionalità architet<strong>to</strong>nica <strong>alla</strong> realizzazione<br />

del bene comune/Aftermath<br />

focuses on lived-in architecture when<br />

architects are no longer present and<br />

users continue daily <strong>the</strong> architectural<br />

experience. The selected works have<br />

been created over <strong>the</strong> last 10 years<br />

by Catalan architects. All of <strong>the</strong> works<br />

selected share a public character and<br />

<strong>the</strong> ability <strong>to</strong> integrate <strong>the</strong> natural, urban<br />

and human landscapes, exten<strong>di</strong>ng<br />

architectural functionality <strong>to</strong> <strong>the</strong><br />

creation of common good.<br />

Promo<strong>to</strong>re/Promoter: Institut Ramon<br />

Llull - www.llull.cat - aftermath.llull.cat<br />

4 Coexistence<br />

Arsenale, Castello, 2126/A<br />

(Campo della Tana)<br />

28 maggio - 27 novembre<br />

May 28 - November 27<br />

Macao è un importante e strategico<br />

por<strong>to</strong> commerciale <strong>di</strong>venta<strong>to</strong> inse<strong>di</strong>amen<strong>to</strong><br />

por<strong>to</strong>ghese a metà del XVI<br />

secolo, per essere poi restitui<strong>to</strong> <strong>alla</strong><br />

Cina 1999. Il suo «centro s<strong>to</strong>rico» è<br />

costitui<strong>to</strong> da luoghi dell’antico borgo<br />

che testimoniano un esempio unico<br />

<strong>di</strong> assimilazione e coesistenza delle<br />

culture cinese e por<strong>to</strong>ghese. La mostra<br />

analizza come possiamo imparare<br />

da questi «vecchi» e<strong>di</strong>fici e dall’attuale<br />

contes<strong>to</strong> urbano in un modo<br />

«nuovo». Illustrando recenti progetti<br />

<strong>di</strong> ristrutturazione e riqualificazione e<br />

mostrando le tecniche <strong>di</strong> costruzione<br />

tra<strong>di</strong>zionali e i materiali locali riscoperti,<br />

riutilizzati e applicati durante<br />

il processo <strong>di</strong> rifacimen<strong>to</strong> oggi e in<br />

passa<strong>to</strong>, si potrebbero comprendere<br />

i rapporti est-ovest <strong>di</strong> coesistenza tra<br />

gli approcci architet<strong>to</strong>nici e il centro<br />

s<strong>to</strong>rico/Macao, a strategic port in<br />

<strong>the</strong> development of international<br />

trade in Chinese terri<strong>to</strong>ry, became a<br />

Portuguese settlement in <strong>the</strong> mid-<br />

16th century and returned <strong>to</strong> China<br />

in 1999. The “his<strong>to</strong>ric centre” is a<br />

collection of locations that witnesses<br />

<strong>the</strong> coexistence of Chinese and Portuguese<br />

cultures. This exhibition provides<br />

<strong>the</strong> opportunity <strong>to</strong> review how<br />

we can learn from <strong>the</strong> “old” buil<strong>di</strong>ngs<br />

and <strong>the</strong> existing urban context of<br />

Macao in a “new” way. By presenting<br />

recent res<strong>to</strong>ration and regeneration<br />

projects, as well as <strong>di</strong>splaying <strong>the</strong><br />

tra<strong>di</strong>tional buil<strong>di</strong>ng techniques and<br />

local materials reused and applied<br />

during <strong>the</strong> re-making process in <strong>the</strong><br />

past and present days, one might<br />

be able <strong>to</strong> understand <strong>the</strong> coexisting<br />

east and west relationships between<br />

<strong>the</strong> architectural approaches and <strong>the</strong><br />

his<strong>to</strong>ric centre.<br />

Promo<strong>to</strong>re/Promoter: Institu<strong>to</strong> Cultural<br />

do Governo da R.A.E. de Macau<br />

(I.C.M.) - www.icm.gov.mo<br />

5 Everyday Architecture -<br />

Re: Made in Taiwan<br />

Palazzo delle Prigioni,<br />

Castello, 4209<br />

26 maggio - 27 novembre<br />

May 26 - November 27<br />

La mostra esplora le aspirazioni e le<br />

possibilità <strong>di</strong>mostrate da alcune creazioni<br />

<strong>di</strong> comuni citta<strong>di</strong>ni at<strong>to</strong>rno <strong>alla</strong><br />

loro <strong>architettura</strong> quoti<strong>di</strong>ana. Di fronte<br />

<strong>alla</strong> sfida ambientale globale/locale<br />

e ai problemi sociali, l’esposizione<br />

riesamina il concet<strong>to</strong> <strong>di</strong> costruzione<br />

civile e reinventa materiali provenienti<br />

da rifiuti riciclati per compiere un<br />

passo avanti verso il «miglioramen<strong>to</strong><br />

della qualità dell’ambiente e<strong>di</strong>fica<strong>to</strong><br />

e, <strong>di</strong> conseguenza, della qualità <strong>di</strong><br />

vita delle persone»/The exhibition<br />

explores <strong>the</strong> aspirations and possibilities<br />

demonstrated via common<br />

civilians creations around <strong>the</strong>ir daily<br />

architecture. In <strong>the</strong> face of global/<br />

local environmental challenge and<br />

social issues, <strong>the</strong> event re-investigates<br />

<strong>the</strong> concept of civic construction and<br />

re-invents materials from recycled<br />

waste <strong>to</strong> set forth <strong>the</strong> next-step <strong>to</strong>wards<br />

“improving <strong>the</strong> quality of <strong>the</strong><br />

built environment and, consequently,<br />

people’s quality of life”.<br />

Promo<strong>to</strong>re/Promoter: National Taiwan<br />

Museum of Fine Arts (NTMoFA<br />

www.ntmofa.gov.tw<br />

6 Prospect North<br />

Ludoteca Santa Maria Ausiliatrice,<br />

Castello, 450 (Fondamenta San<br />

Gioachino)<br />

26 maggio – 26 giugno<br />

May 26 - June 26<br />

La Scozia e il suo rappor<strong>to</strong> con i vicini<br />

paesi nor<strong>di</strong>ci sono al centro <strong>di</strong><br />

Prospect North, che offre innovative<br />

strategie <strong>di</strong> mappatura, racconti personali,<br />

ritratti e immagini che met<strong>to</strong>no<br />

in evidenza lo spazio e l’identità<br />

scozzese all’interno <strong>di</strong> una regione<br />

del nord Europa economicamente<br />

emergente. Esplora la relazione tra<br />

popolo, cultura, luoghi, industrie ed<br />

economie, e mostra come le comunità<br />

«periferiche» stiano ritrovando<br />

un nuovo impulso attraverso azioni<br />

basate sul ri<strong>to</strong>rno alle proprie origini<br />

e iniziative locali/Scotland and its relationship<br />

with its nor<strong>the</strong>rn neighbors<br />

are <strong>the</strong> centre of Prospect North. The<br />

exhibition delivers innovative mapping<br />

strategies, in<strong>di</strong>vidual narratives,<br />

portraits and imagery highlighting<br />

Scotland’s place and identity within<br />

an economically emerging nor<strong>the</strong>rn<br />

region. It explores <strong>the</strong> relationship be-<br />

GUIDA ALLA BIENNALE DI ARCHITETTURA | 12


Follow<br />

<strong>the</strong> growth<br />

of <strong>the</strong> museum<br />

M9museum.it<br />

M9M9social.it<br />

M9social.it<br />

#M9museum<br />

POPS<br />

UP<br />

M9 is a project by<br />

per M9


Eventi collaterali Collateral Events<br />

tween people, culture, places, industries<br />

and economies and how “peripheral”<br />

communities are re-energising<br />

through grassroots actions and local<br />

endeavours.<br />

Promo<strong>to</strong>re/Promoter: Scottish Government<br />

- www.ads.org.uk/scotlandvenice16<br />

7 Revitalisation by Reconciliation<br />

Fondazione Querini Stampalia,<br />

Castello, 5252 (Campo Santa<br />

Maria Formosa)<br />

28 maggio - 27 novembre<br />

May 28 - November 27<br />

Per la prima volta una mostra internazionale<br />

<strong>di</strong> <strong>architettura</strong> presenta a<br />

Venezia il me<strong>to</strong>do IBA per lo sviluppo<br />

economico, sociale e culturale <strong>di</strong> città<br />

e regioni. Tavole ro<strong>to</strong>nde e conferenze<br />

proporranno un contribu<strong>to</strong> al <strong>di</strong>batti<strong>to</strong><br />

partendo da esperienze rilevanti <strong>di</strong><br />

IBA Parkstad e altri IBA. Esploreranno<br />

i nuovi mo<strong>di</strong> per affrontare il bisogno<br />

<strong>di</strong> maggiore democrazia nella progettazione,<br />

la trasformazione urbana in<br />

Europa, la sostenibilità e il potenziale<br />

della cooperazione transfrontaliera/<br />

For <strong>the</strong> first time <strong>the</strong> international<br />

architecture exhibition presents <strong>the</strong><br />

IBA method in Venice, giving cities<br />

and regions an economic, social<br />

and cultural boost. Roundtables and<br />

conferences will contribute by focusing<br />

on relevant experiences from IBA<br />

Parkstad and o<strong>the</strong>rs. They will explore<br />

new ways <strong>to</strong> address <strong>the</strong> urgent need<br />

of democracy in spatial design, urban<br />

transformation in Europe, sustainability,<br />

and <strong>the</strong> potential of cross-border<br />

cooperation.<br />

Promo<strong>to</strong>re/Promoter: IBA Parkstadwww.iba-parkstad.nl<br />

8 Shaping European Cities.<br />

Urban Confrontation, Democracy<br />

and Identity and Young Talent<br />

Architecture Award Granting<br />

Ceremony Teatro Piccolo Arsenale,<br />

Castello (Campo della Tana)<br />

28 ot<strong>to</strong>bre<br />

Oc<strong>to</strong>ber 28<br />

Il <strong>di</strong>batti<strong>to</strong> e il premio, istituiti nell’ambi<strong>to</strong><br />

del programma Creative Europe,<br />

pongono l’accen<strong>to</strong> sulla convinzione<br />

che le soluzioni architet<strong>to</strong>niche <strong>di</strong> alta<br />

qualità promuovano la crescita, l’integrazione<br />

sociale, la partecipazione<br />

democratica e il benessere in<strong>di</strong>viduale<br />

e sociale per i citta<strong>di</strong>ni. Il premio<br />

recentemente istitui<strong>to</strong> dal Mies van<br />

der Rohe Award pone l’accen<strong>to</strong> sulla<br />

formazione degli architetti e i loro primi<br />

passi nella vita professionale. The<br />

debate and <strong>the</strong> prize, funded by <strong>the</strong><br />

Creative Europe programme, highlight<br />

<strong>the</strong> conviction that high-quality architectural<br />

solutions foster growth, social<br />

inclusion, democratic participation<br />

and in<strong>di</strong>vidual and societal well-being<br />

for city residents. The newly created<br />

award of <strong>the</strong> Mies van der Rohe Award<br />

brings under <strong>the</strong> spotlight <strong>the</strong> architects’<br />

education and <strong>the</strong>ir first steps<br />

in<strong>to</strong> professional life.<br />

Promo<strong>to</strong>ri/Promoters: Fundació Mies<br />

van der Rohe, European Commission<br />

(Creative Europe Program)-www.miesarch.com<br />

http://ec.europa.eu/creative-europe<br />

http://shapingeuropeancities.eu<br />

9 Stratagems in Architecture:<br />

Hong Kong in Venice<br />

Arsenale, Castello, 2126<br />

(Campo della Tana)<br />

26 maggio - 27 novembre<br />

May 26 - November 27<br />

Hong Kong è una città conosciuta<br />

per la sua versatilità ed elasticità;<br />

ma ciò che si percepisce nella vita<br />

<strong>di</strong> tutti i giorni è un senso <strong>di</strong> rigi<strong>di</strong>tà<br />

e mancanza <strong>di</strong> alternative. L’<strong>architettura</strong><br />

<strong>di</strong>venta in queste circostanze un<br />

mezzo per riflettere sulle con<strong>di</strong>zioni<br />

umane, sociali e persino politiche, e<br />

allo stesso tempo dà forma ai valori<br />

del pubblico. Il saggio classico cinese<br />

dei «Trentasei Stratagemmi» è una<br />

collezione <strong>di</strong> tattiche militari applicate<br />

in guerra nell’antica Cina la cui saggezza<br />

è utilizzata nell’era moderna in<br />

politica, in affari e nei rapporti sociali.<br />

Prendendo spun<strong>to</strong> da ques<strong>to</strong> saggio,<br />

gli architetti e gli artisti esaminano le<br />

sfide che si trovano a fronteggiare e<br />

cercano soluzioni per la complessità<br />

della realtà/Hong Kong is a city<br />

known for its versatility and resilience;<br />

yet what is often seen in daily life is<br />

rigi<strong>di</strong>ty and lack of alternatives. Architecture,<br />

under such circumstance,<br />

becomes an agency reflecting on human,<br />

social and even political con<strong>di</strong>tions,<br />

and at <strong>the</strong> same time moul<strong>di</strong>ng<br />

<strong>the</strong> values of <strong>the</strong> public. The classical<br />

Chinese essay “Thirty-Six Stratagems”<br />

is a collection of military tactics applied<br />

at wars in ancient China. The<br />

wisdom provides guides in politics,<br />

business and civil interaction in modern<br />

time. Drawing reference from <strong>the</strong><br />

classic, <strong>the</strong> exhibi<strong>to</strong>rs examine <strong>the</strong><br />

challenges <strong>the</strong>y face and attempt <strong>to</strong><br />

provide solutions <strong>to</strong> <strong>the</strong> complexity<br />

of reality.<br />

Promo<strong>to</strong>ri/Promoters: The Hong<br />

Kong Institute of Architects <strong>Biennale</strong><br />

Foundation; Hong Kong Arts Development<br />

Council<br />

www.hkia.net-www.hkadc.org.hk<br />

www.venicebiennale.hk<br />

10 The Forests of Venice<br />

Serra dei Giar<strong>di</strong>ni, Castello,<br />

1254 (viale Giuseppe Garibal<strong>di</strong>)<br />

28 maggio - 18 settembre<br />

May 28 - September 18<br />

L’even<strong>to</strong> presenta un’inst<strong>alla</strong>zione<br />

spaziale nell’e<strong>di</strong>ficio della Serra dei<br />

Giar<strong>di</strong>ni. Propone l’uso del legno<br />

come materiale da costruzione rigenerante<br />

ed espone una visione dove<br />

<strong>architettura</strong> e ambiente urbanizza<strong>to</strong><br />

possano coesistere con la natura<br />

in modo rivitalizzante e adattabile.<br />

Venezia, costruita su 10 milioni <strong>di</strong><br />

alberi, può servire da esempio per la<br />

gestione <strong>di</strong> ques<strong>to</strong> problema globale.<br />

Forests of Venice cerca <strong>di</strong> scoprire se<br />

10 milioni <strong>di</strong> nuovi alberi possano<br />

rappresentare una soluzione insieme<br />

a 7 architetti svedesi invitati a trasformare<br />

un elemen<strong>to</strong> tipico dei Palazzi<br />

veneziani in una strategia architet<strong>to</strong>nica<br />

contemporanea/The exhibition<br />

presents a spatial inst<strong>alla</strong>tion in <strong>the</strong><br />

Serra dei Giar<strong>di</strong>ni. It suggests wood<br />

as a regenerative construction material,<br />

elucidating a vision of architecture<br />

and urbanity co-existing with nature<br />

in a res<strong>to</strong>rative and adaptive way.<br />

Cities worldwide are threatened by<br />

rising sea levels, Venice - a city built<br />

on 10 million trees - can serve as an<br />

example of how <strong>to</strong> handle this global<br />

problem. The exhibition investigates if<br />

10 million new trees could become<br />

a solution. Seven Swe<strong>di</strong>sh architects<br />

have been invited <strong>to</strong> transform an<br />

element of <strong>the</strong> Venetian palace in<strong>to</strong><br />

an architectural strategy for our time.<br />

Promo<strong>to</strong>re/Promoter: Swe<strong>di</strong>sh Institute<br />

- www.si.se<br />

SAN MARCO<br />

11 Architecture Ukraine – Beyond<br />

<strong>the</strong> Front<br />

Spazio Ridot<strong>to</strong>, San Marco, 1388<br />

(Calle del Ridot<strong>to</strong>)<br />

28 maggio - 30 giugno<br />

May 28 - June 30<br />

La mostra apre un <strong>di</strong>alogo su un<br />

problema cruciale del nostro tempo:<br />

come immaginare la ricostruzione e<br />

la rivitalizzazione delle città nei terri<strong>to</strong>ri<br />

teatro <strong>di</strong> un conflit<strong>to</strong>. Espone il lavoro<br />

del programma <strong>di</strong> ricerca residenziale<br />

della fondazione Izolyatsia esaminando<br />

le sfide infrastrutturali che sta affrontando<br />

Mariupol’, città <strong>di</strong> frontiera<br />

sot<strong>to</strong> asse<strong>di</strong>o nell’Ucraina orientale.<br />

Offre in parallelo anche un’analisi su<br />

Donec’k, attualmente in conflit<strong>to</strong> e<br />

nella cui area le circostanze belliche<br />

hanno crea<strong>to</strong> un <strong>di</strong>vario con le città<br />

vicine anch’esse collocate nel Bacino<br />

del Donec (o Donbass), trasformandole<br />

in avamposti su entrambi i lati <strong>di</strong><br />

un confine <strong>di</strong> fat<strong>to</strong> instabile ed esplosivo/The<br />

exhibition begins a <strong>di</strong>alogue<br />

on a crucial issue of our time: how <strong>to</strong><br />

envision rebuil<strong>di</strong>ng and revitalizing cities<br />

in places of ongoing conflict. It features<br />

work from Izolyatsia’s research<br />

residency program which examines<br />

<strong>the</strong> infrastructure challenges marking<br />

Mariupol, an embattled border city in<br />

Eastern Ukraine. It fur<strong>the</strong>r explores a<br />

parallel examination of <strong>the</strong> foundation’s<br />

home city of Donetsk, currently<br />

under conflict, as circumstances create<br />

a <strong>di</strong>vergence of <strong>the</strong> sister cities of<br />

Donbas <strong>to</strong> outposts on ei<strong>the</strong>r side of<br />

a volatile de fac<strong>to</strong> border.<br />

Promo<strong>to</strong>re/Promoter: Izolyatsia<br />

www.izolyatsia.org/en/<br />

CANNAREGIO<br />

12 Sharing & Regeneration<br />

Palazzo Zen, Cannaregio, 4924<br />

(Gesuiti)<br />

ex Chiesa <strong>di</strong> Santa<br />

Caterina, Cannaregio, 4941/4942<br />

28 maggio - 27 novembre<br />

(chiuso agos<strong>to</strong>)<br />

May 28 - November 27<br />

(closed in August)<br />

La mostra consiste <strong>di</strong> tre parti: la rigenerazione<br />

<strong>di</strong> aree urbane centrali, la<br />

rigenerazione <strong>di</strong> aree rurali e le aree <strong>di</strong><br />

nuova sperimentazione. I progetti rappresentano<br />

l’idea stessa della con<strong>di</strong>visione<br />

tra luoghi e comunità <strong>di</strong>verse,<br />

con<strong>di</strong>visione <strong>di</strong> conoscenze, abilità,<br />

emozioni, pensieri, aspirazioni, oltre<br />

ad attenzione e rispet<strong>to</strong> per il nostro<br />

comune passa<strong>to</strong>, guardando al futuro.<br />

In ques<strong>to</strong> processo l’architet<strong>to</strong> può<br />

giocare un ruolo importante/The exhibition<br />

consists of three parts: <strong>the</strong> regeneration<br />

of urban central areas, <strong>the</strong><br />

regeneration of countryside, and new<br />

experimental areas. It can be schematically<br />

represented by <strong>the</strong> idea of<br />

sharing: sharing of knowledge, skills,<br />

emotions, thinking, wishes, cares and<br />

respect of our common past looking<br />

<strong>to</strong>wards <strong>the</strong> future. In this process<br />

architects can play an important role.<br />

Promo<strong>to</strong>re/Promoter: Fondazione<br />

EMGdotART - www.EMGdotART.net<br />

SANTA CROCE<br />

13 Bran<strong>di</strong>ng Islands Making Nations<br />

Ca’ Tron, Santa Croce, 1957<br />

25 - 26 novembre<br />

November 25 and 26<br />

Concorso basa<strong>to</strong> su un case study<br />

che si propone <strong>di</strong> aprire un <strong>di</strong>batti<strong>to</strong><br />

sul valore aggiun<strong>to</strong> nella progettazione,<br />

sviluppa il tema della «chiamata<br />

alle armi» invitando un ampio<br />

schieramen<strong>to</strong> <strong>di</strong> professionisti degli<br />

spazi. Consulenti e designer della<br />

comunicazione, esperti <strong>di</strong> marketing<br />

e pubblicità riflet<strong>to</strong>no sul ruolo del<br />

bran<strong>di</strong>ng nella creazione <strong>di</strong> un luogo.<br />

Il gruppo <strong>di</strong> esperti del Vertical Geopolitics<br />

Lab fungerà da facilita<strong>to</strong>re. Il<br />

caso propos<strong>to</strong> è quello <strong>di</strong> un governo<br />

che cerca <strong>di</strong> determinare la fattibilità<br />

<strong>di</strong> una riven<strong>di</strong>cazione terri<strong>to</strong>riale;<br />

ai partecipanti viene assegna<strong>to</strong> il<br />

compi<strong>to</strong> <strong>di</strong> presentare un bran<strong>di</strong>ng<br />

package relativo a un terri<strong>to</strong>rio immaginario<br />

e finalizza<strong>to</strong> a legittimare<br />

la riven<strong>di</strong>cazione terri<strong>to</strong>riale <strong>di</strong> una<br />

nazione/It is a case study competition<br />

intended <strong>to</strong> open <strong>the</strong> <strong>di</strong>scourse<br />

on added value in design, expan<strong>di</strong>ng<br />

upon <strong>the</strong> “call <strong>to</strong> arms” by inviting<br />

an extended field of spatial practitioners.<br />

Consultants and communication<br />

designers, marketing and<br />

advertising experts shall speculate<br />

on <strong>the</strong> role of bran<strong>di</strong>ng in <strong>the</strong> making<br />

of a place. Facilitated by <strong>the</strong> Vertical<br />

Geopolitics Lab think-tank, <strong>the</strong> conceptual<br />

framework is based on <strong>the</strong><br />

understan<strong>di</strong>ng that <strong>the</strong> politics of<br />

representation determine <strong>the</strong> success<br />

of an intervention in <strong>the</strong> built<br />

environment. In <strong>the</strong> case of a government<br />

seeking <strong>to</strong> determine <strong>the</strong> feasibility<br />

of a terri<strong>to</strong>rial claim, entrants<br />

are tasked with <strong>the</strong> presentation of<br />

a bran<strong>di</strong>ng package surroun<strong>di</strong>ng<br />

an artificial landmass instrumental<br />

in legitimizing a nation’s terri<strong>to</strong>rial<br />

claim. Promo<strong>to</strong>re/Promoter: Vertical<br />

Geopolitics Lab<br />

www.vg-lab.net - www.bi-mn.net<br />

14 Across Chinese Cities - China<br />

House Vision<br />

Ca’ Tron, Santa Croce, 1957<br />

Programma organizza<strong>to</strong> e promosso<br />

d<strong>alla</strong> Beijing Design Week (Bjdw)<br />

e inaugura<strong>to</strong> <strong>alla</strong> 14° <strong>Biennale</strong> <strong>di</strong><br />

Architettura, la mostra è curata da<br />

Beatrice Leanza (Bjdw) e Michele<br />

Brunello (Donts<strong>to</strong>p Architettura) e nasce<br />

dal proget<strong>to</strong> House Vision, ricerca<br />

sul «futuro applica<strong>to</strong>» nell’abitazione<br />

domestica. La mostra presenta per<br />

la prima volta i contenuti prodotti<br />

da tale ricerca insieme a un team<br />

<strong>di</strong> architetti ed esperti residenti in<br />

Cina. Tratta del cambiamen<strong>to</strong> del<br />

ruolo e dell’ambiente nella pratica<br />

dell’<strong>architettura</strong> nella Cina contemporanea<br />

e mette in luce i fenomeni<br />

concettuali e i percorsi <strong>di</strong> ricerca <strong>alla</strong><br />

base delle 14 proposte architet<strong>to</strong>niche.<br />

I lavori sono <strong>di</strong>visi in 5 gruppi<br />

tematici/Across Chinese Cities is an<br />

international program organized and<br />

promoted by Beijing Design Week<br />

(Bjdw) since its launch at <strong>the</strong> 14th<br />

International Architecture Exhibition.<br />

The exhibition, curated by Beatrice<br />

Leanza (Bjdw) and Michele Brunello<br />

(Donts<strong>to</strong>p Architettura), stems from<br />

<strong>the</strong> House Vision project. It features<br />

for <strong>the</strong> first time <strong>the</strong> body of research<br />

produced with a team of China-based<br />

architects and experts. It addresses<br />

<strong>the</strong> changing role and habitat of<br />

architecture practice in <strong>to</strong>day China<br />

by rendering manifest <strong>the</strong> contextual<br />

phenomena and research trajec<strong>to</strong>ries<br />

behind 14 architectural proposals<br />

grouped in 5 <strong>the</strong>matic clusters.<br />

Promo<strong>to</strong>re/Promoter: Beijing Design<br />

Week-www.bjdw.org<br />

www.acrosschinesecities.org<br />

DORSODURO<br />

15 Salon Suisse: Wake up! A Path<br />

<strong>to</strong>wards Better Architecture<br />

Palazzo Trevisan degli Ulivi,<br />

Dorsoduro, 810 (Campo S. Agnese)<br />

26 e 28 maggio; 16 - 18 giugno;<br />

8 - 10 settembre; 20 - 22 ot<strong>to</strong>bre;<br />

24 - 26 novembre<br />

May 26 and 28; June 16 - 18;<br />

September 8 - 10; Oc<strong>to</strong>ber 20 - 22;<br />

November 24 - 26<br />

Il Salon Suisse 2016 è cura<strong>to</strong> da<br />

Leïla el-Wakil e si pone un doppio<br />

scopo: <strong>di</strong>scutere e rivalutare le idee<br />

fondamentali che derivano da una<br />

concezione equilibrata della modernità<br />

e contribuire a impostarle come<br />

linee guida adattate per l’<strong>architettura</strong><br />

del XXI secolo. Oggi proliferano<br />

in tut<strong>to</strong> il mondo una moltitu<strong>di</strong>ne<br />

<strong>di</strong> soluzioni architet<strong>to</strong>niche innovative,<br />

gratuite e significative, spesso<br />

basate su lezioni provenienti dal<br />

passa<strong>to</strong> e si assiste a un’emancipazione<br />

dell’<strong>architettura</strong> attuata dagli<br />

stessi utenti. Il Salon Suisse offrirà<br />

uno spazio <strong>di</strong> riflessione su argomenti<br />

quali tra<strong>di</strong>zione, modernità,<br />

riutilizzo e riciclaggio, au<strong>to</strong>costruzione,<br />

la priorità degli esseri umani<br />

e delle esigenze umane, «Piccolo è<br />

bello», Existenzminimum per tutti e<br />

me<strong>to</strong><strong>di</strong> bioclimatici/Curated by Leïla<br />

el-Wakil, <strong>the</strong> two-fold aim of <strong>the</strong><br />

2016 Salon Suisse is <strong>to</strong> <strong>di</strong>scuss and<br />

re-evaluate fundamental ideas resulting<br />

from a balanced conception<br />

of modernity, and <strong>to</strong> participate in<br />

setting <strong>the</strong>se as adapted guidelines<br />

for architecture in <strong>the</strong> 21st century.<br />

Currently, a multitude of innovative,<br />

cost-free and meaningful architectural<br />

solutions, often based on<br />

lessons from <strong>the</strong> past, proliferate<br />

worldwide. One can observe an empowerment<br />

of architecture by <strong>the</strong> users<br />

<strong>the</strong>mselves. The Salon Suisse will<br />

offer a space for reflection on <strong>to</strong>pics<br />

such as tra<strong>di</strong>tion as modernity, reuse<br />

and recycling, au<strong>to</strong>-construction,<br />

<strong>the</strong> priority of human beings and<br />

human needs, “Small is beautiful”,<br />

Existenzminimum for all, and bio-climatic<br />

methods.<br />

Promo<strong>to</strong>re/Promoter: Swiss Arts<br />

Council Pro Helvetia<br />

www.prohelvetia.ch-www.biennials.ch<br />

ISOLA DELLA CERTOSA<br />

16 The Horizontal Metropolis,<br />

a Ra<strong>di</strong>cal Project<br />

28 maggio - 27 novembre<br />

May 28 - November 27<br />

«Metropoli Orizzontale» è un ossimoro<br />

che coniuga l’idea tra<strong>di</strong>zionale <strong>di</strong><br />

Metropoli con quella <strong>di</strong> orizzontalità.<br />

Contrariamente a posizioni <strong>di</strong>ffuse<br />

che identificano nella <strong>di</strong>spersione<br />

urbana solo un fenomeno da contrastare,<br />

il concet<strong>to</strong> <strong>di</strong> Metropoli<br />

Orizzontale la considera invece come<br />

un potenziale e non un limite, per la<br />

costruzione <strong>di</strong> un proget<strong>to</strong> sostenibile<br />

ed innovativo <strong>di</strong> città. La mostra<br />

indaga la Metropoli Orizzontale, i suoi<br />

spazi, le sue tra<strong>di</strong>zioni e gli stili <strong>di</strong> vita<br />

dei suoi abitanti, la sua rilevanza oggi<br />

come questione energetica, ecologica<br />

e sociale. Esplora, in un proget<strong>to</strong><br />

ra<strong>di</strong>cale, scenari e strategie per il riciclaggio<br />

e la riqualificazione <strong>di</strong> vaste<br />

città-terri<strong>to</strong>rio/“Horizontal Metropolis”<br />

is an oxymoron <strong>to</strong> conjugate <strong>the</strong> tra<strong>di</strong>tional<br />

idea of Metropolis with horizontality.<br />

In contrast with main trends that<br />

see figures of urban <strong>di</strong>spersion mainly<br />

as a phenomenon <strong>to</strong> be contrasted,<br />

<strong>the</strong> Horizontal Metropolis concept<br />

consider <strong>the</strong>m as an asset for <strong>the</strong><br />

construction of a sustainable and<br />

innovative terri<strong>to</strong>rial project. The exhibition<br />

investigates <strong>the</strong> Horizontal Metropolis,<br />

its space, its tra<strong>di</strong>tions and<br />

its inhabitants’ lifestyles, its relevance<br />

<strong>to</strong>day as an energetic, ecological and<br />

social design issue, it explores scenarios<br />

and design strategies for <strong>the</strong> re-cycling<br />

and upgra<strong>di</strong>ng of cities-terri<strong>to</strong>ry<br />

in a ra<strong>di</strong>cal project.<br />

Promo<strong>to</strong>re/Promoter: Archizoom<br />

http://archizoom.epfl.ch<br />

SAN SERVOLO<br />

17 Senza Terra/Without Land<br />

27 maggio - 30 settembre<br />

(pallone solo fino a 30 giugno)<br />

May 27 - September 30 (aerostat<br />

until June 30 only)<br />

Stabili<strong>to</strong> un pun<strong>to</strong>, qui viene alza<strong>to</strong><br />

un pallone aerostatico con le fattezze<br />

del mappamondo terracqueo. Con<br />

la scritta: Senza Terra che gli gira<br />

tutta at<strong>to</strong>rno. Di modo che ques<strong>to</strong><br />

<strong>di</strong>venti un segnale per tutti quelli<br />

che non hanno una terra propria, un<br />

luogo dove sostare, un luogo dove<br />

incontrarsi, dove <strong>di</strong>scutere, dove relazionarsi.<br />

Ai pie<strong>di</strong> dell’attacco del<br />

“pallone” aerostatico ci sarà un “cippo”,<br />

o una panchina con incisi tutti<br />

i nomi degli artisti che compongono<br />

il proget<strong>to</strong> in or<strong>di</strong>ne alfabetico senza<br />

alcuna <strong>di</strong>citura che li qualifichi. Solo<br />

nomi e cognomi come esseri umani<br />

che hanno azzera<strong>to</strong> la funzione sociale/In<br />

an agreed upon and fixed point,<br />

an aerostat with <strong>the</strong> features of a terraqueous<br />

world map is raised. It will<br />

show <strong>the</strong> writing Without Land that<br />

keeps rotating around itself. It will be<br />

a sign for all who do not have a land<br />

of <strong>the</strong>ir own, a place where <strong>to</strong> pause,<br />

where <strong>to</strong> meet, <strong>to</strong> converse and argue,<br />

<strong>to</strong> relate with o<strong>the</strong>rs. At <strong>the</strong> bot<strong>to</strong>m of<br />

<strong>the</strong> aerostatic balloon, a plate will be<br />

placed with <strong>the</strong> inscription of all <strong>the</strong><br />

names of <strong>the</strong> artists participating in<br />

<strong>the</strong> project. The names will be in alphabetical<br />

order without <strong>the</strong> mention<br />

of functions and activities. There will<br />

be only names and last names of<br />

human beings who have zeroed <strong>the</strong>ir<br />

social functions.<br />

Promo<strong>to</strong>re/Promoter: Aiap (Associazione<br />

Internazionale Arti Plastiche)<br />

DORSODURO –<br />

STAZIONE MARITTIMA<br />

18 Therapy of Living/Terapia del<br />

vivere. 5,000 years of respect of<br />

Natural Environmental, wearing jades<br />

of Heaven as research of quality<br />

of life, translated in <strong>to</strong>day creations<br />

Magazzino 11, Stazione Marittima<br />

(San Basilio)<br />

Liceo artistico “Marco Polo”,<br />

sede <strong>di</strong> San<strong>to</strong> Spiri<strong>to</strong>, Dorsoduro,<br />

397 - 460 (Zattere)<br />

28 maggio - 27 novembre<br />

May 28 - November 27<br />

Il da<strong>to</strong> strettamente architet<strong>to</strong>nico<br />

del vivere, inteso come ricerca <strong>di</strong> una<br />

crescente migliore qualità della vita,<br />

non può che essere connesso a fat<strong>to</strong>ri<br />

sociali, culturali, geo-politici, s<strong>to</strong>rici,<br />

ambientali, scientifici. Il proget<strong>to</strong><br />

pone al centro l’uomo e l’evoluzione<br />

del rispet<strong>to</strong> del suo ambiente architet<strong>to</strong>nico<br />

primario, lo spazio vitale (il<br />

suo corpo) e lo spazio del vivere (il<br />

contes<strong>to</strong> ambientale). La riflessione<br />

parte d<strong>alla</strong> s<strong>to</strong>ria e in particolare<br />

d<strong>alla</strong> s<strong>to</strong>ria del vicino Oriente, scritta<br />

attraverso una capsule collection, una<br />

rara collezione <strong>di</strong> oggetti in giada, per<br />

ottenere da essa una lezione e principi<br />

tradotti in riflessioni sull’ambiente<br />

umano attraverso i linguaggi contemporanei<br />

della ricerca scientifica<br />

e dell’arte/Living – or <strong>the</strong> inherently<br />

architectural datum <strong>the</strong>reof – as <strong>the</strong><br />

research for a better quality of life. Today,<br />

it cannot but be influenced by social,<br />

cultural, geo-political, his<strong>to</strong>rical,<br />

environmental, scientific fac<strong>to</strong>rs. The<br />

project revolves all around man and<br />

evolution with respect <strong>to</strong> <strong>the</strong> primary<br />

architectural environment, that is living<br />

space (<strong>the</strong> body) and a space <strong>to</strong><br />

live in (<strong>the</strong> environment). Our reflection<br />

starts with his<strong>to</strong>ry, <strong>the</strong> his<strong>to</strong>ry of<br />

<strong>the</strong> Near East in particular, and writes<br />

it by means of a capsule collection,<br />

a precious collection of jade artefacts<br />

– symbol of protection of <strong>the</strong> in<strong>di</strong>vidual<br />

from curse and hazard. Hence, a<br />

lesson and principles <strong>to</strong> understand,<br />

translated in<strong>to</strong> <strong>the</strong> contemporary languages<br />

of art and scientific research.<br />

Promo<strong>to</strong>re/Promoter: Biobridge Foundation<br />

- www.biobridge-event.com<br />

SAN MARCO – CANNAREGIO<br />

19 Time Space Existence<br />

Palazzo Bembo, San Marco, 4793<br />

(Rial<strong>to</strong>, Riva del Carbon)<br />

Palazzo Mora, Cannaregio, 3659<br />

(San Felice, Strada Nova)<br />

Palazzo Rossini, San Marco, 4013<br />

(Campo Manin)<br />

28 maggio - 27 novembre<br />

May 28 - November 27<br />

La mostra presenta una combinazione<br />

<strong>di</strong> architetti dai 6 continenti. Si<br />

vogliono mostrare gli sviluppi nel contes<strong>to</strong><br />

dell’<strong>architettura</strong> contemporanea<br />

internazionale, presentando architetti<br />

con <strong>di</strong>versi background culturali e in<br />

<strong>di</strong>fferenti fasi della loro carriera; ciò<br />

che li accomuna è la de<strong>di</strong>zione all’<strong>architettura</strong>,<br />

tema che viene declina<strong>to</strong><br />

in molteplici variazioni attraverso i<br />

concetti <strong>di</strong> Tempo, Spazio ed Esistenza.<br />

Questa mostra aspira quin<strong>di</strong><br />

ad ampliare la consapevolezza nei<br />

confronti della nostra esistenza personale<br />

in qualità <strong>di</strong> esseri umani che<br />

vivono all’interno <strong>di</strong> uno spazio e tempo<br />

specifico/The exhibition presents<br />

architects from 6 continents. It shows<br />

current developments in international<br />

architecture, presenting architects<br />

with <strong>di</strong>fferent cultural backgrounds<br />

and in <strong>di</strong>fferent stages of <strong>the</strong>ir careers,<br />

what <strong>the</strong>y have in common<br />

is <strong>the</strong>ir de<strong>di</strong>cation <strong>to</strong> architecture,<br />

presenting it through a focus on <strong>the</strong><br />

concepts Time, Space and Existence.<br />

This exhibition aims <strong>to</strong> enlarge our human<br />

awareness of our own personal<br />

existence as human beings within a<br />

specific space and time.<br />

Promo<strong>to</strong>re/Promoter: Global Art Affairs<br />

Foundation - www.globalartaffairs.org<br />

GUIDA ALLA BIENNALE DI ARCHITETTURA | 14


Swiss bankers since 1873<br />

The biennial award acknowledges young architects who<br />

significantly contribute <strong>to</strong> contemporary architecture,<br />

with a particular sensitivity <strong>to</strong> landscape and environment.<br />

Winners of previous e<strong>di</strong>tions:<br />

2008 – Solano Benitez<br />

2010 – Diébédo Francis Kéré<br />

2012 – Stu<strong>di</strong>o Mumbai<br />

2014 – José María Sánchez García<br />

BSI Swiss<br />

Architectural Award<br />

2016 Award ceremony<br />

September 22 nd<br />

Accademia <strong>di</strong> <strong>architettura</strong><br />

Università della Svizzera italiana<br />

Mendrisio, Switzerland<br />

www.bsibank.com<br />

www.bsi-swissarchitecturalaward.ch

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!