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Le nazioni The Nations<br />

KUWAIT<br />

Between East and West, A Gulf<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner:<br />

NCCAL; Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Hamed<br />

Bukhamseen and Ali Karimi<br />

LUSSEMBURGO/LUXEMBOURG<br />

5 Tracing transitions<br />

Sede/Venue: Ca’ del Duca, Corte<br />

del Duca Sforza, San Marco 3052;<br />

Commissario/Commissioner: LUCA<br />

Luxembourg Center for Architecture,<br />

Andrea Rumpf; Cura<strong>to</strong>ri Esposi<strong>to</strong>ri/<br />

Cura<strong>to</strong>rs Exhibi<strong>to</strong>rs: Claude Ballini,<br />

Serge Ecker, Daniel Grünkranz,<br />

Panajota Pano<strong>to</strong>poulou<br />

MACEDONIA<br />

No Man’s land<br />

Sede/Venue: Arsenale; Commissario/<br />

Commissioner: Ivanka Apos<strong>to</strong>lova;<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: S<strong>to</strong>jan Pavleski;<br />

Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: S<strong>to</strong>jan Paveski,<br />

Ivan Simeonov, Gjorgji Radovanovic<br />

and Ljupcho Tasevski<br />

MESSICO/MEXICO<br />

Unfol<strong>di</strong>ngs and assemblages<br />

(Despliegues y ensambles)<br />

Sede/Venue: Arsenale, Sale d’Armi;<br />

Commissario/Commissioner:<br />

María Margarita Segarra Lagunes;<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Pablo Landa<br />

Ruiloba; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: David<br />

Mora Torres, Valeria Prie<strong>to</strong>, Mariano<br />

Arias-Diez, Alejandro Suárez Pareyón,<br />

César Augus<strong>to</strong> Guerrero Rodríguez,<br />

Mariana Ordoñez Grajales, Jorge<br />

Andrade Narváez, Paloma Vera, João<br />

Bo<strong>to</strong> Ma<strong>to</strong>s Caeiro, Javier Toscano<br />

Guerrero, Isadora Hastings, Melba<br />

Denisse García, Álvaro Lara Cruz, Juan<br />

Carlos de la Garza Madero, Juan José<br />

Santibañez, Luz Yazmin Viramontes,<br />

Juan Alfonso Garduño, Jesús Rober<strong>to</strong><br />

Nuñez, Rodolfo Samperio, Alfredo<br />

Hidalgo Rasmussen, Daniel Filloy<br />

Ring, Juan M; Casillas Pin<strong>to</strong>r, José<br />

Carlos Lavalle Alonzo, Alexa Mabel<br />

Pacheco, Carlos Hagerman, Jesús<br />

Álvarez, Lara Becerra, Betsaid M;<br />

Moreno Corona, Jorge A; Rivera, Aarón<br />

Gutiérrez, Raúl Cárdenas Osuna<br />

MONTENEGRO<br />

6 Project Solana Ulcinj<br />

Sede/Venue: Palazzo Malipiero,<br />

San Marco 3079; Commissario/<br />

Commissioner: Dijana Vucinic,<br />

Ministry of Sustainable Development<br />

and Tourism; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Bart<br />

Lootsma; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs:<br />

ecoLogicSTUDIO (Clau<strong>di</strong>a Pasquero,<br />

Marco Polet<strong>to</strong>), LAAC Architects<br />

(Kathrin Aste, Frank Lu<strong>di</strong>n, Benjamin<br />

Ennemoser, Alois Hehenberger, Cenk<br />

Güzelis), LOLA Landscape Architects<br />

(Eric-Jan Pleijster, Peter Veenstra,<br />

Brigitta van Weeren, Simon Verbeeck,<br />

Marco Peruzzi)<br />

NIGERIA<br />

7 Diminished Capacity<br />

Sede/Venue: Spazio Punch,<br />

Fondamenta San Biagio 800/O,<br />

Giudecca; Commissario/<br />

Commissioner: Nkanta George Ufot<br />

(Ministry of Information and Culture);<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Camilla Boemio;<br />

Esposi<strong>to</strong>re/Exhibi<strong>to</strong>r: Ola-Dele Kuku<br />

NUOVA ZELANDA/NEW ZEALAND<br />

8 Future Islands<br />

Sede/Venue: Palazzo Bollani, Castello<br />

3647; Commissario/Commissioner:<br />

Tony Van Raat; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Charles Walker; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs:<br />

Kathy Waghorn, Jessica Barter,<br />

Stephen Brookbanks, Maggie Carroll,<br />

Bruce Ferguson, Minka Ip, Jonathan<br />

Rennie, Rewi Thompson<br />

OLANDA/THE NETHERLANDS<br />

Blue: Architecture of Peacekeeping<br />

Missions<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Het Nieuwe Instituut;<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Malkit Shoshan<br />

PAESI BALTICI/BALTIC STATES<br />

9 The Baltic Pavilion<br />

Sede/Venue: Palasport G.B.<br />

Gianquin<strong>to</strong>, Castello, Calle S. Biagio;<br />

Commissario Es<strong>to</strong>nia /Commissioner<br />

Es<strong>to</strong>nia: Raul Järg; Commissario<br />

Let<strong>to</strong>nia/Commissioner Latvia:<br />

Janis Dripe (Ministry of Culture of<br />

<strong>the</strong> Republic of Latvia); Commissari<br />

Lituania/Commissioners Lithuania:<br />

Ona Lozuraité, Jonas Žukauskas;<br />

Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Karlis Berzinš,<br />

Jurga Daubaraite, Petras Išora, Ona<br />

Lozuraityte, Niklavs Paegle, Dagnija<br />

Smilga, Johan Tali, Laila Zarina, Jonas<br />

Žukauskas; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs:<br />

Architekturos Fondas, Eesti<br />

Arhitektuurikeskus<br />

PAESI NORDICI (Finlan<strong>di</strong>a, Norvegia,<br />

Svezia)/NORDIC COUNTRIES<br />

(Finland, Norway, Sweden)<br />

In Theraphy - Nor<strong>di</strong>c Countries Face<br />

<strong>to</strong> Face<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: ArkDes, The Swe<strong>di</strong>sh<br />

Centre for Architecture and Design<br />

(Sweden); Commissario aggiun<strong>to</strong>/<br />

Deputy Commissioner: The Finnish<br />

Museum of Architecture (Finland)<br />

and Nasjonalmuseet (Norway);<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: David Basul<strong>to</strong>,<br />

James Taylor-Foster<br />

PERÙ/PERU<br />

Our Amazon Frontline<br />

Sede/Venue: Arsenale, Sale d’Armi;<br />

Commissario/Commissioner: José<br />

Orrego; Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Sandra<br />

Barclay and Jean Pierre Crousse;<br />

Esposi<strong>to</strong>re/Exhibi<strong>to</strong>r: Ministry of<br />

Education, Plan Selva Project Head<br />

of <strong>the</strong> project Elizabeth Añaños<br />

and with Clau<strong>di</strong>a Flores, Sebastian<br />

Cilloniz, Jose Luis Villanueva, Miguel<br />

Chavez, Gino Fernandez, Alvaro<br />

Echevarria, Alfonso Orbegoso, Luis<br />

Miguel Hadzich, Carlos Tamayo<br />

POLONIA/POLAND<br />

Fair Buil<strong>di</strong>ng<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Hanna Wróblewska;<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Dominika Janicka,<br />

in cooperation with Martyna Janicka<br />

and Michal Gdak<br />

PORTOGALLO/PORTUGAL<br />

10 Neighbourhood: Where Alvaro<br />

meets Aldo<br />

Sede/Venue: Campo <strong>di</strong> Marte,<br />

Giudecca; Commissario/<br />

Commissioner: Carlos Moura-<br />

Carvalho; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Nuno<br />

Grande e Rober<strong>to</strong> Cremascoli;<br />

Esposi<strong>to</strong>re/Exhibi<strong>to</strong>r: Álvaro Siza<br />

Vieira<br />

REPUBBLICHE<br />

CECA E SLOVACCA/<br />

REPUBLIC CZECH AND SLOVAK<br />

Care for Architecture: Exemplum<br />

of <strong>the</strong> Slovak National Gallery or<br />

Asking Arche of Architecture <strong>to</strong><br />

Dance<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Monika Mitášová,<br />

Monika Palcová; Cura<strong>to</strong>ri Esposi<strong>to</strong>ri/<br />

Cura<strong>to</strong>rs Exhibi<strong>to</strong>rs: Benjamín<br />

Brádnanský, Petr Hájek, Vít Halada,<br />

Ján Studený, Marián Zervan<br />

(Academy of Fine Arts and Design in<br />

Bratislava and University in Trnava);<br />

ROMANIA<br />

11 Selfie Au<strong>to</strong>ma<strong>to</strong>n<br />

Sede/Venue: Giar<strong>di</strong>ni and Nuova<br />

Galleria dell'Istitu<strong>to</strong> Romeno <strong>di</strong><br />

Venezia Palazzo Correr, Campo<br />

Santa Fosca, Cannaregio 2214;<br />

Commissario/Commissioner: Attila<br />

Kim; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Tiberiu<br />

Bucsa; Esposi<strong>to</strong>re/Exhibi<strong>to</strong>r:<br />

Tiberiu Bucsa, Orsolya Gal, Stathis<br />

Markopoulos, Adrian Arama, Oana<br />

Matei, Andrei Durloi<br />

RUSSIA<br />

V.D.N.H.<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Semen Mikhailovsky;<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Sergey Kuznetsov<br />

SERBIA<br />

Heroic: Free Shipping<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Ivan Raskovic;<br />

Comita<strong>to</strong> scientifi co/Scientifi c<br />

Committee: Ljiljana Miletic<br />

Abramovic, Igor Maric, Aleksandar<br />

Bobic, Milan Ðuric, Vla<strong>di</strong>mir<br />

Milenkovic, Vesna Cagic Miloševic,<br />

Maja Ciric; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs:<br />

Stefan Vasic, Ana Šulkic and Igor<br />

Sjeverac<br />

SEYCHELLES<br />

12 Between Two Waters, Searching<br />

for Expression in <strong>the</strong> Seychelles<br />

Sede/Venue: Palazzo Michiel;<br />

Commissario/Commissioner:<br />

Benjamin Rose, Ministry of Tourism<br />

and Culture; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Andres F; Ramirez; Esposi<strong>to</strong>ri/<br />

Exhibi<strong>to</strong>rs: ADD.locus Architects (Alex<br />

Ellenberger, Mako<strong>to</strong> Sai<strong>to</strong>, Shuchita<br />

Bihani)<br />

SINGAPORE<br />

At <strong>the</strong> “Home Front”<br />

Sede/Venue: Arsenale, Sale d’Armi;<br />

Commissario/Commissioner:<br />

Jeffrey Ho, Executive Direc<strong>to</strong>r of<br />

DesignSingapore Council; Cura<strong>to</strong>re/<br />

Cura<strong>to</strong>r: Wong Yunn Chii Department<br />

of Architecture, School of Design and<br />

Environment, National University of<br />

Singapore<br />

SLOVENIA<br />

Home@Arsenale<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner: Matevž<br />

Celik, Museum of Architecture and<br />

Design, MAO; Cura<strong>to</strong>ri/Cura<strong>to</strong>rs:<br />

Aljoša Dekleva and Tina Gregoric<br />

(Dekleva Gregoric Architects)<br />

SPAGNA/SPAIN<br />

Unfinished<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: Iñaqui Carnicero +<br />

Carlos Quintans; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Carnicero + Quintans; Esposi<strong>to</strong>re/<br />

Exhibi<strong>to</strong>r: Contemporary Spanish<br />

Architecture<br />

STATI UNITI D’AMERICA/USA<br />

The Architectural Imagination<br />

Sede/Venue: Giar<strong>di</strong>ni;<br />

Commissario/Commissioner:<br />

Monica Ponce de Leon; Cura<strong>to</strong>ri/<br />

Cura<strong>to</strong>rs: Cynthia Davidson<br />

and Monica Ponce de Leon;<br />

Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: Marcelo<br />

López-Dinar<strong>di</strong> and V. Mitch<br />

McEwen, A(n) Offi ce, Kelly Bair<br />

and Kristy Balliet (BairBalliet),<br />

Greg Lynn (Greg Lynn FORM),<br />

Mack Scogin and Merrill Elam<br />

(Mack Scogin Merrill Elam<br />

Architects), Marshall Brown<br />

(Marshall Brown Projects), Hilary<br />

Sample and Michael Mere<strong>di</strong>th<br />

(MOS Architects), Florencia Pita<br />

and Jackilin Hah Bloom (Pita &<br />

Bloom), Albert Pope and Jesús<br />

Vassallo (Present Future), Pres<strong>to</strong>n<br />

Scott Cohen (Pres<strong>to</strong>n Scott Cohen<br />

Inc), Stan Allen (SAA/Stan Allen<br />

Architect), Thom Moran, Ellie<br />

Abrons, Adam Fure and Mere<strong>di</strong>th<br />

Miller (T+E+A+M), Andrew Zago<br />

and Laura Bouwman, (Zago<br />

Architecture)<br />

SUDAFRICA/SOUTH AFRICA<br />

Cool Capital: The Capital of<br />

Guerilla Design Citizenship<br />

Sede/Venue: Arsenale, Sale d’Armi;<br />

Commissario/Commissioner:<br />

Consul-General Saul Kgomotso<br />

Molobi; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Pieter J.<br />

Ma<strong>the</strong>ws; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs: over<br />

1000 citizens of Pre<strong>to</strong>ria participated<br />

in creating 150 inst<strong>alla</strong>tions across<br />

<strong>the</strong> city<br />

SVIZZERA/SWITZERLAND<br />

Incidental Space<br />

Sede/Venue: Giar<strong>di</strong>ni; Commissario/<br />

Commissioner: San<strong>di</strong> Paucic and<br />

Marianne Burki, Swiss Arts Council<br />

Pro Helvetia; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Sandra Oehy; Esposi<strong>to</strong>re/Exhibi<strong>to</strong>r:<br />

Christian Kerez<br />

THAILANDIA/THAILAND<br />

Class of 6.3<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner:<br />

The Offi ce of Contemporary Art<br />

and Culture, Ministry of Culture;<br />

Cura<strong>to</strong>re/Cura<strong>to</strong>r: Teeranuj<br />

Wongwaisayawan; Esposi<strong>to</strong>ri/<br />

Exhibi<strong>to</strong>rs: Pitupong Chaowakul,<br />

Chatpong Chuenrudeemol, Jeravej<br />

Hongsakul, Kanika R’Kul, Jun<br />

Sekino Chutayaves Sinthuphan,<br />

Suriya Umpansiriratana, Twitee<br />

Vajrabhaya, Varudh Varavarn<br />

TURCHIA/TURKEY<br />

Darzanà: Two Arsenals, One Vessel<br />

Sede/Venue: Arsenale, Sale d’Armi;<br />

Commissario/Commissioner:<br />

Istanbul Foundation for Culture<br />

and Arts (IKSV); Cura<strong>to</strong>ri/Cura<strong>to</strong>rs:<br />

Feride Çiçekoglu, Mehmet<br />

Kütükçüoglu, Ertug Uçar; Esposi<strong>to</strong>ri/<br />

Esposi<strong>to</strong>re/Exhibi<strong>to</strong>rs: Hüner<br />

Aldemir, Caner Bilgin, Hande Cigerli,<br />

Gökçen Erkiliç, Nazli Tümerdem,<br />

Yigit Yalgin<br />

UNGHERIA/HUNGARY<br />

æctiva<strong>to</strong>rs; Locally active<br />

architecture<br />

Sede/Venue: Giar<strong>di</strong>ni;<br />

Commissario/Commissioner: Júlia<br />

Fabényi; Cura<strong>to</strong>ri/Cura<strong>to</strong>rs: Gábor<br />

Fábián, Dénes Fajcsák; Esposi<strong>to</strong>re/<br />

Exhibi<strong>to</strong>r: Arkt<br />

URUGUAY<br />

Reboot Architecture lessons from<br />

<strong>the</strong> “guerrilla Tupamara” and <strong>the</strong><br />

Andes plane crash<br />

Sede/Venue: Giar<strong>di</strong>ni;<br />

Commissario/Commissioner: Miguel<br />

Fascioli; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Marcelo<br />

Danza; Esposi<strong>to</strong>ri/Exhibi<strong>to</strong>rs:<br />

Antar Kuri, Borja Fermoselle, Diego<br />

Cataldo, Facundo Romeo, Federico<br />

Parra, Jose de los San<strong>to</strong>s, Marcelo<br />

Danza, Marcelo Staricco, Mateo<br />

Vidal and Miguel Fascioli<br />

VENEZUELA<br />

Fuerzas Urbanas - Urban Forces<br />

Sede/Venue: Giar<strong>di</strong>ni;<br />

Commissario/Commissioner:<br />

Nelsón Rodriguez; Cura<strong>to</strong>ri/<br />

Cura<strong>to</strong>rs: Marcos Coronel, Rolando<br />

Carmona, Alejandro Haiek, Gabriel<br />

Visconti, Maximilian Nowotka,<br />

Camilo González; Esposi<strong>to</strong>ri/<br />

Exhibi<strong>to</strong>rs: PICO, LAB;PRO;FAB, AGA,<br />

PGRA, Proyec<strong>to</strong> Colectivo, MAAN,<br />

Asymetric, Ofi cina Lú<strong>di</strong>ca, 439<br />

estu<strong>di</strong>o arquiurbano, Insitu, Taller<br />

indepen<strong>di</strong>ente, Colectivo animal,<br />

CoDA, Abono, SER<br />

YEMEN<br />

Beautiful Yemen<br />

Sede/Venue: Arsenale;<br />

Commissario/Commissioner: Ayed<br />

Ali Al-Shawafy, Undersecretary<br />

for Cultural Relations, Ministry of<br />

Culture, Yemen; Cura<strong>to</strong>re/Cura<strong>to</strong>r:<br />

Renzo Ravagnan<br />

Progetti speciali/Special projects<br />

Reporting from Marghera and O<strong>the</strong>r Waterfronts - Proget<strong>to</strong> Speciale della<br />

<strong>Biennale</strong> Architettura 2016/Special Project of <strong>the</strong> <strong>Biennale</strong> Architettura 2016<br />

Questa sezione della mostra è stata immaginata come un percorso nel tempo<br />

che, a partire dall’analisi e d<strong>alla</strong> rilettura <strong>di</strong> alcuni dei progetti più signifi cativi <strong>di</strong><br />

rigenerazione urbana <strong>di</strong> porti industriali, contribuisca a stimolare una rifl essione<br />

ampia e trasversale sui principi e sulle modalità con cui affrontare e orientare<br />

la complessa riconversione produttiva <strong>di</strong> Por<strong>to</strong> Marghera/This section of <strong>the</strong><br />

exhibition is imagined as a voyage through time which starts with analysis and<br />

reinterpretation of some of <strong>the</strong> most signifi cant urban regeneration projects for<br />

industrial ports. It encourages wide-ranging refl ection on <strong>the</strong> principles and methods<br />

with which <strong>to</strong> approach and orient <strong>the</strong> complex conversion of production<br />

in Por<strong>to</strong> Marghera.<br />

Sede/Venue: Forte Marghera, E<strong>di</strong>fi cio 36; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Stefano Recalcati;<br />

Gruppo <strong>di</strong> lavoro del cura<strong>to</strong>re/Cura<strong>to</strong>r’s Team: Demetrio Scopelliti (assistente<br />

del cura<strong>to</strong>re/cura<strong>to</strong>r’s assistant), Stefano Manda<strong>to</strong> (graphic designer)<br />

A World of Fragile Parts - Proget<strong>to</strong> Speciale Pa<strong>di</strong>glione delle Arti Applicate/Special<br />

Project of <strong>the</strong> Applied Arts Pavilion<br />

A segui<strong>to</strong> dell’accordo tra La <strong>Biennale</strong> <strong>di</strong> Venezia e il Vic<strong>to</strong>ria and Albert<br />

Museum <strong>di</strong> Londra, si affronta il tema delle minacce che incombono sulla<br />

salvaguar<strong>di</strong>a dei siti patrimonio globale dell’umanità, indagando in che<br />

modo la produzione <strong>di</strong> copie può aiutare nella preservazione degli artefatti<br />

culturali. Ques<strong>to</strong> porta con sé domande <strong>di</strong>ffi cili: cosa possiamo copiare e<br />

come? Che <strong>di</strong>fferenza c’è fra una brutta copia e una che mantiene il valore<br />

nel tempo? Qual è il rappor<strong>to</strong> fra copia e originale in una società che privilegia<br />

l’autenticità? E come sarà possibile coor<strong>di</strong>nare effi cacemente un tale<br />

impegno su scala davvero mon<strong>di</strong>ale e inclusiva?/Following <strong>the</strong> agreement<br />

between La <strong>Biennale</strong> <strong>di</strong> Venezia and <strong>the</strong> Vic<strong>to</strong>ria and Albert Museum, <strong>the</strong><br />

exhibition explores <strong>the</strong> threats facing <strong>the</strong> preservation of global heritage sites<br />

and how <strong>the</strong> production of copies can aid in <strong>the</strong> preservation of cultural<br />

artifacts. With that comes a host of <strong>di</strong>ffi cult questions: What do we copy and<br />

how? What <strong>di</strong>stinguishes a bad copy from one with lasting value? What is<br />

<strong>the</strong> relationship between <strong>the</strong> copy and <strong>the</strong> original in a society that privileges<br />

au<strong>the</strong>nticity? And how can such an effort be properly coor<strong>di</strong>nated at a truly<br />

global and inclusive scale?<br />

Sede/Venue: Sale d’Armi A, Arsenale; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Brendan Cormier<br />

(V&A); Gruppo <strong>di</strong> lavoro del cura<strong>to</strong>re/Cura<strong>to</strong>r’s Team: Danielle Thom (Research,<br />

V&A), Charlotte Churchill (Project Manager, V&A), Or<strong>di</strong>nary Architecture<br />

(exhibition design). Realizza<strong>to</strong> d<strong>alla</strong> <strong>Biennale</strong> <strong>di</strong> Venezia/Realized by La<br />

<strong>Biennale</strong> <strong>di</strong> Venezia<br />

Report from Cities: Conflicts of an Urban Age - Proget<strong>to</strong> Speciale della <strong>Biennale</strong><br />

Architettura 2016/Special Project of <strong>the</strong> <strong>Biennale</strong> Architettura 2016<br />

A segui<strong>to</strong> dell’accordo tra La <strong>Biennale</strong> <strong>di</strong> Venezia e la London School of Economics<br />

Cities, in previsione della conferenza mon<strong>di</strong>ale delle Nazioni Unite Habitat<br />

III/Following <strong>the</strong> agreement between La <strong>Biennale</strong> <strong>di</strong> Venezia and <strong>the</strong> London<br />

School of Economics Cities, in view of The United Nations Habitat III.<br />

Il pa<strong>di</strong>glione «delle città» offre approfon<strong>di</strong>menti sulle più importanti tendenze<br />

e confl itti che si verifi cano oggi nell’ambi<strong>to</strong> urbano. Sviluppa tre temi: come<br />

sono cambiate le città negli ultimi 25 anni, quali sono stati gli effetti sullo<br />

spazio pubblico, sulla <strong>di</strong>seguaglianza e l’informalità, quali modelli <strong>di</strong> pianifi -<br />

cazione urbana hanno <strong>di</strong>mostra<strong>to</strong> maggior resilienza nel tempo/The ”cities”<br />

pavilion will provide <strong>the</strong> visi<strong>to</strong>r with insights on <strong>the</strong> major trends and confl icts<br />

experienced <strong>to</strong>day in <strong>the</strong> urban realm. The exhibition addresses three issues:<br />

how have cities transformed over <strong>the</strong> last 25 years, what are <strong>the</strong> effects on<br />

public space, inequality and informality, which models of urban planning<br />

demonstrate resilience over time.<br />

Sede/Venue: Sale d’Armi C, Arsenale; Cura<strong>to</strong>re/Cura<strong>to</strong>r: Ricky Burdett; Gruppo<br />

<strong>di</strong> lavoro del cura<strong>to</strong>re/Cura<strong>to</strong>r’s Team: Aron Bohmann (researcher, LSE Cities),<br />

Peter Griffi ths (managing e<strong>di</strong><strong>to</strong>r, LSE Cities), Emily Cruz (project manager, LSE<br />

Cities). Realizza<strong>to</strong> d<strong>alla</strong> <strong>Biennale</strong> <strong>di</strong> Venezia/Realized by La <strong>Biennale</strong> <strong>di</strong> Venezia<br />

25-28 MAGGIO LIVE<br />

Segui la nostra e<strong>di</strong>zione live per la 15. <strong>Biennale</strong> <strong>di</strong> Architettura su:<br />

#GdArchlive @GdArchitettura ilgiornaledell<strong>architettura</strong>.com<br />

GUIDA ALLA BIENNALE DI ARCHITETTURA | 6

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