31.05.2016 Views

World Image Issue 33 June 2016

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Website = photosociety.net Page 1 email = magazine@photosociety.net


Gordon Longmead - England - CEO<br />

Peter Hogel - Uganda - Deputy CEO<br />

Scott Hurd - Namibia<br />

Tom Coetzee - South Africa<br />

Paul Welch—Australia<br />

Contents:<br />

National and Regional Management<br />

3 Open Letter<br />

4 In Close Proximity - Bwindi by Peter Hogel<br />

8 Long Exposure Competition - Results for May<br />

10 The Netherlands - The Ardennes by Paul Weijenberg<br />

14 Water, Water Everywhere - Pictures by Alan Griffiths<br />

17 Tucson Rodeo Parade by Georgene Bergstrom<br />

21 A Sting in the Tail Pictures by Tom Coetzee<br />

22 Babies of the Night by Tony Sparkes<br />

23 Cholla Flower by Georgene Bergstrom<br />

24 War Eagle Cavern, Bever Lake by Louise Bradt<br />

32 Wild Horses of Namibia by Judy and Scott Hurd<br />

34 Wildlife of Borneo, Sabah Reef by Gary Bridger<br />

36 A Study in Greyscale - IR Landscapes by Alan Griffiths<br />

39 Wild Africa by Tony Sparkes<br />

41 Picture Spot - Tigers by Mike Shawcross<br />

42 Stevenage, A Town I Once Called Home by Gordon Longmead<br />

53 A Time to Spend the Time - Gordon Longmead<br />

54 Common Reptiles of the Southern Kruger by Ian Bales-Smith<br />

58 A Study in Nature - Kestrel by Scott Latham<br />

60 A Study in Architecture - Waterfront Homes by Louise Bradt<br />

62 Birds of a Feather<br />

64 Bringing Rhinos Back to Uganda, Ziwa Rhino Foundation<br />

68 Study in Flight by Scott Latham<br />

69 Photo Spot - Actress Jessica Messenger by Mike Shawcross<br />

70 Travel Supplement.<br />

Steve Cook - USA<br />

Robert Murray - Scotland<br />

Tina Andreasson - Sweden and Mexico<br />

Jack Glisson - Kentucky USA<br />

Rodger Lee - Steam Punk Events<br />

<strong>World</strong> <strong>Image</strong> Magazine on Fine Art America<br />

Peoples Photographic Society Member galleries<br />

http://gordon-longmead.artistwebsites.com/index.html?tab=galleries<br />

As part of the expansion and ongoing development of the <strong>World</strong><br />

<strong>Image</strong> Magazine, we have established a website presence within Fine<br />

Art America for the presentation and promotion, and sale of member<br />

images.<br />

Members wishing to add their own gallery should contact Gordon@worldimagemag.co.uk for<br />

details.<br />

© Please remember that all articles and images published in this magazine are copyright protected<br />

Cover picture - Bwindi Gorilla by Peter Hogel<br />

Website = photosociety.net Page 2 email = magazine@photosociety.net


With less than 12 weeks before the decision deadline, the time has finally come to notify the many<br />

loyal advertisers and readers of the current situation regarding this free magazine. The following is<br />

a copy of an open letter that was issued on the 14th May <strong>2016</strong>.<br />

Dear Sir’s,<br />

The <strong>World</strong> <strong>Image</strong> Magazine is now fast approaching the end of its third year of successful<br />

publication. This milestone will take place with the publication of the September <strong>2016</strong> issue of the<br />

magazine. This coincides with the renewal date for the website that holds the magazine on-line, and<br />

the final issue in which all current advertising arrangements will come to an end.<br />

This brings me to the reason for this letter. The magazine and its work was originally supported by<br />

private funding and paid advertising. For the continuation of the magazine, we are again seeking<br />

advertising support. The rates are not expensive as the magazine is non-profit, we seek only<br />

sufficient funding to continue publishing. While there are other costs associated with the magazine,<br />

the most immediate is our web hosting package which is due for renewal in August, the future<br />

continuation and coverage of the magazine will depend entirely on the amount of advertising and<br />

support we receive.<br />

Site statistics show that in 2015 our website received 18,839 visitors reading 261640 pages, an<br />

average of 3087 readers each month indicating that the unique readers are returning for further<br />

reading. Thus far in <strong>2016</strong> this full colour magazine has enjoyed highs approaching (and surpassing)<br />

4000 readers. The magazine itself has be revamped and has recently been made available via a<br />

number of on-line sources such as <strong>Issue</strong> and Joomag, this also allows access to the magazine via<br />

mobile devices.<br />

At the present time we do not pay for articles, we want people to write for us who are passionate<br />

about their photography and not writing for greed. We also wish to avoid those photographers<br />

claiming the work of others as their own as has recently been the case with many ‘known’<br />

professionals. The flip side to this approach is that we have a magazine that is free to anyone who<br />

wishes to become a part of the <strong>World</strong> <strong>Image</strong> family.<br />

Currently quarter and half page adverts are included in a section to the rear of the magazine, but<br />

these may also be copied anywhere within the magazine to suit editorial requirements. The cost for<br />

advertising is £5 per quarter page per issue, or £50 (GBP) per quarter page for 12 issues. Please<br />

contact Gordon by email at the address below for information.<br />

As CEO and Editor in Chief of the Society and Magazine, I would like to thank all those companies<br />

who have supported and funded us in the last three years. This has truly been a great experience.<br />

Yours Sincerely<br />

Gordon Longmead<br />

lendasnow@hotmail.co.uk<br />

Website = photosociety.net Page 3 email = magazine@photosociety.net


Close up with the family, in two ways…<br />

We are close relatives with the Mountain Gorillas, I’d like to see<br />

them as our better half, not destroying the world around them…<br />

also this time close to their new family members…<br />

The Rushegura family in Buhoma, Bwindis Impenetrable Rain<br />

Forest in Uganda has two newborns.<br />

Tracking Mountain Gorillas are always a thrill, I’ve been<br />

doing it a few times, guiding tours in Uganda, and every<br />

time is as exiting, the dense rainforest, spectacular view<br />

over the mountains and finally to meet the relatives…it<br />

never gets old!<br />

This time, was a treat<br />

above ordinary, we knew the<br />

Rushegura family have two new born, and after<br />

a short walk, not even an hour there the family was.<br />

We approached the family and found ourselves a few meters<br />

from two females and their two month old babies, and a big<br />

brother, and for almost the entire hour we could just sit and<br />

watch, very close, the family life of the mountain gorilla, the<br />

silverback just behind our backs, keeping an eye…keeping<br />

everyone in order…us included.<br />

The Rangers guarding and caring for the gorillas, are doing an<br />

awesome job, both directly with us visitors, guiding and<br />

educating, also monitoring the gorillas, reporting to the<br />

“gorilla doctors” if help is needed.<br />

Website = photosociety.net Page 4 email = magazine@photosociety.net


Gorillas do self-medicate, on the menu are some 57 species of plants some eaten to<br />

treat upset stomachs or for de-worming purposes.<br />

The Rangers also fight a war against poachers, they<br />

are still hunted for souvenirs or meat, It is a<br />

dangerous war and rangers do pay with their<br />

life. And I wish to pay my respect and gratitude<br />

to all those involved in protecting the last<br />

survivors, around 800 Mountain Gorillas!<br />

So, I am a photographer, and it is a photo<br />

magazine…so, from a photographers point of<br />

view…<br />

Dense, humid,<br />

wet, dark and<br />

muddy rain<br />

forest, whatever<br />

can go wrong?<br />

Well its not as bad as it sounds, but one should be prepared…<br />

Equipment, Me I’m using a Nikon d800, I like to bring my 24-300,<br />

you do get close, so to be able to take full body shots you need that<br />

bit of a wider angle, however I do like those nice close ups so I also<br />

bring my 150-500.<br />

You might be up for a long walk up the<br />

mountains so you don’t want to be carrying<br />

around to much…porters are available … but<br />

also, sitting in that dense forest vegetation<br />

keeping equipment to a minimum is<br />

preferable, you just don’t sit there changing<br />

lenses more than necessary.<br />

Website = photosociety.net Page 5 email = magazine@photosociety.net


Due to the dense “under vegetation” its also tricky to<br />

use a tripod, monopod would be preferable, but I<br />

usually end up handholding or using whatever trees are<br />

around, monopods should also be used carefully…<br />

Gorillas do use sticks when showing of and scaring of<br />

others, and you don’t want that silverback thinking<br />

you are up for challenging his territory with your<br />

stick…you will end up on the short end!<br />

So, challenges…Gorillas like the dense forest, so vegetation is<br />

often a factor…being in the way, so getting clear shots can be a<br />

trick, also, the rainforest often shades the light from breaking<br />

through, ending you up with rather high ISO, I usually manage to<br />

keep it at about 1200, but sometimes you do get lucky, and they<br />

are just there in the open…<br />

I do run tours here in Uganda, if you<br />

are interested, please contact me, we<br />

are not all about gorillas, we have<br />

chimpanzees and a number of<br />

smaller primates, one of the best<br />

Birding locations in the world. And<br />

of course, elephants, rhinos, hippos,<br />

crocs, giraffes, zebras, antelopes …<br />

lions and leopards and so much<br />

more…welcome to Uganda<br />

Peter Hogel , Eden Adventures.<br />

Website = photosociety.net Page 6 email = magazine@photosociety.net


So … You going to come visit?<br />

Website = photosociety.net Page 7 email = magazine@photosociety.net


1st - Alan Griffiths - I love long exposure photography , I also do a lot of mono / infrared<br />

( 720n filter ) so today I tried a infrared long exposure , a converted camera ( 720n<br />

infrared ) iso 100 , 30 sec, and the new cokin nuance 8 stop nd filter .<br />

3rd - Matt Co<br />

<strong>June</strong> Competitio<br />

“As A<br />

Website = photosociety.net Page 8 email = magazine@photosociety.net


2nd - Peter Hogel - Fire Man<br />

4th - Geoff Bowers - Night Rose<br />

llins - Motorway Madness<br />

Website = photosociety.net Page 9 email = magazine@photosociety.net


The Netherlands<br />

Ardennes, part 4, all kinds of everything.<br />

Paul Weijenberg<br />

Les Ardennes Bleue it is called, the wet parts of the<br />

Ardennes.<br />

Early morning is the best time for walks: the paths<br />

are not busy, the light is fabulous.<br />

There is a restriction however: the animals need<br />

their rest, you may start you trip after 06:00 hours.<br />

That's early enough, it's a drive of about half an hour<br />

up there for me.<br />

This is very much a living and changing<br />

environment, the fragile parts are often hidden deep<br />

in the forests.<br />

It's imperative to stay on the path. In this out of the<br />

world terrain it is also good advice, you cannot walk<br />

over this vegetation.<br />

Website = photosociety.net Page 10 email = magazine@photosociety.net


You will soon be bogged down literally.<br />

This land was divided in the past. It is littered with<br />

border stones from all kinds of royalty. This is from<br />

Butgenbach, the year: 1595.<br />

This is the part where large forests are cut down (see<br />

previous article) to bring more water to the streams<br />

and fresh water lakes.<br />

Website = photosociety.net Page 11 email = magazine@photosociety.net


The part chalk, part sandy grounds and part acid<br />

grounds or the soils that contains iron, they all<br />

contribute to a strange vegetation, plants that are<br />

rare elsewhere.<br />

Fall has it's own special colours. This is a road in<br />

Membach.<br />

Iron is abundant! Layered formations are<br />

everywhere.<br />

Website = photosociety.net Page 12 email = magazine@photosociety.net


All around you there's decay and growth, nature left<br />

to itself in the Ardennes<br />

This area is geologically interesting, all kinds of<br />

strange things are to be found. Look at the size of<br />

these rocks, observe the trees at the top. You finds<br />

this along the Statte, Rocher de Bilisse, near the<br />

town Solwaster.<br />

This corner (Neur Lowe) lies outside the main route<br />

to the much visited Cascade du Bayehon.<br />

Undisturbed and not too moist, this led to a variety<br />

in vegetation.<br />

This concludes our wanderings through the<br />

Ardennes, I hope you enjoyed it and I hope that you<br />

are able to visit here for yourself to enjoy it even<br />

more.<br />

Paul.<br />

Website = photosociety.net Page 13 email = magazine@photosociety.net


Water Water Everywhere<br />

Pictures by Alan Griffiths<br />

When it comes to photographing scenes containing expanses of water, it is so easy to try to<br />

get it all in the frame. Of course there is nothing wrong with that, we<br />

use the technique all the time when photographing<br />

seascapes and landscapes … or<br />

do we?<br />

So we visit the seaside and take the picture of<br />

the sea, split through the middle, sea and sky, we may even show<br />

the sandy beach or cliffs to one side if we think of it, or even a boat. But there is more<br />

to water than an expanse of ripples reflecting the overcast sky.<br />

A little thought and even the normal form of seascape we take can be set apart from those ‘holiday snaps’<br />

we often see. In this picture Alan has use height to take the picture and concentrated on the shoreline. Even<br />

though the sky is full of detail, this has been ignored in favour of the lighting and structure of the beach.<br />

These simple changes to viewpoint<br />

and framing have raised the image<br />

away from the ordinary.<br />

While on the beach it is also worth<br />

remembering that if you can see<br />

across the bay, then you can be<br />

seen from there as well.<br />

Look behind you and if the scene<br />

is worth taking it is also worth<br />

walking to the opposite side of<br />

the bay to get the picture.<br />

Here the calm waters provide the reflections while the<br />

sky provides a stunning backdrop to the main subject.<br />

Website = photosociety.net Page 14 email = magazine@photosociety.net


If you are facing the right way either east<br />

at sunrise or west at sunset, the view of<br />

the seascape changes with the light of the<br />

rising or setting sun.<br />

In these images the sky is of less<br />

importance than the lighting and the<br />

elements in the scene.<br />

We all seem to like a good red sunset, but<br />

these happen only occasionally. These<br />

need the clouds to be in the right place at<br />

the right time, and more often than not<br />

they move away and a promising start<br />

fades to nothing above the water line.<br />

But good foresight and positioning can<br />

still pay dividends, the sea will reflect an<br />

extended image of the sun and the dying<br />

rays of the evening may still illuminate<br />

the structures of the shoreline.<br />

Always keep in mind that here again<br />

height plays a part, the higher you are the<br />

later the sun will set and disappear giving<br />

more opportunity to catch the effects of<br />

the changing light.<br />

In the many pictures seen of both of these events, there<br />

has been one general format that has almost become an<br />

unwritten habit with photographers.<br />

When we see images of sunsets the sun is invariably<br />

setting to the right of the picture, while the sunrise<br />

images has the sun rising to the left of the frame.<br />

There are those odd days when the sun refuses to show<br />

during our visits to the coast. How many times do we<br />

find it is dark overcast and raining, and think “not<br />

much point taking the camera out”.<br />

There is a point, and this picture demonstrates the<br />

reason why. Dull overcast days (also ND filters), allow<br />

us to use very slow shutter speeds to capture the<br />

flowing water as it hits the beach.<br />

These can be effective in colour, but if you have the<br />

right structural elements in the frame, try converting to<br />

greyscale. Not everything will work, but if you do not<br />

try you will never discover.<br />

Website = photosociety.net Page 15 email = magazine@photosociety.net


Staying with those dull overcast<br />

days, you do not have to be at the<br />

seaside to use the slow shutter<br />

speeds to get the effects.<br />

This image of the Drain Hole in<br />

Ladybower Reservoir shows the<br />

flowing of the water, not just in<br />

the overflow, but also in the lake<br />

surface that surrounds it.<br />

This type of movement is found<br />

everywhere where there is water,<br />

from the household tap (faucet if<br />

you like), to rivers and waterfalls,<br />

to rain, lakes and the seas.<br />

One of the things we often take<br />

for granted is the natural, and not<br />

so natural, structures that are<br />

round about us.<br />

We see the pier but not the<br />

breakwaters. We see the cliffs but<br />

not the rocks. It is the old saying<br />

of not seeing the wood for the<br />

trees, and yet if we see the wood we can see much more to take pictures of. The basic rule with<br />

any structure or line in a picture is that it should never lead the eye out of the<br />

frame.<br />

In this final image the eye is drawn back to the<br />

centre of the frame while the reflected<br />

light adds interest to the<br />

jetty.<br />

Website = photosociety.net Page 16 email = magazine@photosociety.net


Tucson Rodeo Parade<br />

Georgene Bergstrom<br />

I always wanted to be a cowgirl. So when I stepped<br />

off that train into the hot desert air, saw the<br />

mountains and the 20 foot high saguaro cacti, I felt<br />

like I had come home.<br />

The Rodeo Parade was about to kick off the annual<br />

9 day Fiesta de los Vaqueros (Spanish for<br />

“Celebration of the Cowboys”).<br />

Arizona had everything – crystal blue skies,<br />

blooming cacti, occasional lightning-infused<br />

thunderstorms & rainbows, fabulous sunsets, the<br />

Grand Canyon and…….a RODEO!<br />

The Thursday morning dawned clear and hot in mid-<br />

February. It was going to be a huge day for all of<br />

Tucson’s residents.<br />

Started in 1925, the rodeo and parade is steeped in<br />

Western tradition. Schools are closed for two days<br />

and people come from all around Arizona and<br />

beyond to enjoy a day with friends & family.<br />

The Tucson Rodeo Parade is said to be the longest<br />

non-motorized parade in the world. It is filled with<br />

horses of all types, sizes and colours.<br />

Website = photosociety.net Page 17 email = magazine@photosociety.net


Website = photosociety.net Page 18 email = magazine@photosociety.net


Website = photosociety.net Page 19 email = magazine@photosociety.net


Riders in western garb, buffalo soldiers, horsedrawn<br />

carriages, floats, buggies and marching and<br />

mariachi bands abound.<br />

There is also an organization called “Cactus<br />

Cowboys” where youngsters can learn skills with<br />

lariats.<br />

Upwards of 200,000 people of all sizes, shapes &<br />

ages line the streets, dressed in cowboy hats, jeans<br />

& boots, sandals & shorts or odd combinations of<br />

whatever came out of their closets.<br />

If you are interested in doing Street Photography,<br />

there’s nothing more fun than a parade to get the<br />

juices flowing.<br />

The Tucson Rodeo itself is a time-honoured sport. It<br />

boasts the fact that it is the only sport that is derived<br />

from actual work experience.<br />

Georgene Bergstrom<br />

These cowboys & cowgirls begin at an early age to<br />

learn the skills that will start them on a life-long<br />

journey in the saddle. This is evidenced by an event<br />

for 4-6 year olds, called “Mutton Bustin” where they<br />

ride sheep for prizes.<br />

Website = photosociety.net Page 20 email = magazine@photosociety.net


A Sting in the Tail -Burrowing Scorpion taken with iPhone<br />

by Tom Coetzee<br />

Website = photosociety.net Page 21 email = magazine@photosociety.net


Babies of the Night.<br />

Tony Sparkes<br />

Babies of the night. Lesser Bushbaby (Galago moholi) In South Africa in Afrikaans they are called<br />

'Nagapies/Nagaap' or 'little night monkey' which I think is a great name. these are one of two species of<br />

bushbaby found in South Africa, the other being the Thick-tailed Bushbaby (Otolemur crassicaudatus)<br />

which is much larger, although both nocturnal. These I caught popping their heads out of the tree close to<br />

where we lived in South Africa.<br />

Tony Sparkes<br />

Website = photosociety.net Page 22 email = magazine@photosociety.net


Cholla Cactus Flower<br />

Georgene Bergstrom<br />

The Cholla cactus represents over twenty species of the Opuntia genus (Family Cactacea) found in the<br />

North American deserts. Cholla cactus are found in all of the hot deserts of the American Southwest, with<br />

different species having adapted to different ranges.<br />

Most require coarse, well-drained soil in dry, rocky flats or slopes. Some have adapted to mountain forests,<br />

while others require steep, rocky slopes in mountain foothills.<br />

Prickly pears are also members of the Opuntia genus, but their branches are pads rather than cylindrical<br />

joints. Although found in other cactus, the Opuntia are unique in that they have clusters of fine, tiny, barbed<br />

spines called glochids found at the base of regular spines, these are yellow or red in colour and are difficult<br />

to see and remove once lodged in the skin.<br />

Those of us who have grown these in the greenhouse will be aware that the barbed glochids can be ‘fired’ at<br />

a passing hand, especially if the person is unknown, well that is the way it appears, the spines are designed<br />

so that they land on the skin and cause irritation.<br />

They get embedded when we try to brush them away, so don’t. The best way of removing them is to wash<br />

them off under running water but do not try to wipe them off. Embedded spines are easiest to remove using<br />

glass paper (sandpaper).<br />

Website = photosociety.net Page 23 email = magazine@photosociety.net


Lake Facts<br />

Beaver Lake is a manmade lake<br />

that was built by the Army<br />

Corps of Engineers.<br />

Work began on building the<br />

Beaver Dam across White River<br />

in 1964 & was completed in<br />

1966. It then took another two<br />

years for the flooding to be<br />

complete &the lake to be<br />

formed.<br />

War Eagle Cavern – “a little<br />

gem hidden in the woods”<br />

Let’s be honest here, when people talk about places to visit in the U.S,<br />

Arkansas probably isn’t on many peoples Top 10 list! When my parents<br />

flew out here for the first time they came through customs in Atlanta and<br />

the Customs Officer actually said to them “Arkansas? Why on earth<br />

would you be going there?” Well, I am perfectly O.K with that, and I am<br />

sure that most people who live here are too, because that means that this<br />

wonderful unspoilt gem, known as ‘The Natural State’ has more chance<br />

of staying that way – Natural and wonderful.<br />

In actual fact Arkansas has lots going for it, especially here in the NW of<br />

the state where we have the Ozarks, a mountain range that was thrust up<br />

out of what was once an ocean about 350 million years ago! Because this<br />

area was once covered by water, this area is all sedimentary rock and here<br />

at Beaver Lake that rock is predominantly Limestone. So when the<br />

Ozarks were formed, all those millions of years ago, as the rocks were<br />

pushed up, many caverns were formed, some small, some bigger and<br />

some a lot bigger like War Eagle Cavern.<br />

<br />

The lake has approx. 472 miles<br />

of coastline depending on how<br />

close to full pool level it is. Full<br />

pool is 1130ft<br />

At it deepest the lake is 250–<br />

300 ft deep.<br />

The lake looks like a giant<br />

octopus when you look at it on<br />

a map.<br />

<br />

<br />

20% of the drinking water for<br />

NW Arkansas comes from<br />

Beaver Lake.<br />

Thousands of people come to<br />

spend their summer holiday on<br />

Beaver Lake every year.<br />

Website = photosociety.net Page 24 email = magazine@photosociety.net


About the Cavern<br />

War Eagle Cavern is situated on the south side of<br />

Beaver Lake just off Hwy 12 about halfway<br />

between Rogers and Eureka Springs.<br />

It sits nestled in the woods with the lake on one<br />

side and the Hobbs State Park on the other in a<br />

region know to locals as the Piney Point Area.<br />

Once you turn into the cavern driveway there<br />

are signs telling you that you are entering a<br />

media no mans land. There is no cell signal and<br />

no internet – the advice is to accept that you are<br />

unplugged from the rest of the world and just<br />

enjoy the nature around you!<br />

It is beautiful unspoilt countryside that is home<br />

to some wonderful wildlife in the form of Bald<br />

Eagle, Turkey Vulture, Red-tailed Hawk, Whitetailed<br />

Deer, Gray & Red Fox, Bobcat, Raccoon,<br />

Armadillo (yes you did read that right!),<br />

Opossum, Skunk, Coyote, Black Bear and even<br />

the odd Mountain Lion or two, to name but a few<br />

of the more recognizable; as well as some<br />

beautiful and lush vegetation like Red & White<br />

Oak, Sassafras, Short-leaf & Lob-lolly Pine,<br />

Cedar, Black Walnut, Birch, Sweetgum, Hickory,<br />

Dogwood, Sumac & Elm.<br />

The cavern is open from mid-March (when our<br />

bats start to come out of hibernation) until the<br />

beginning of November (when hibernation starts<br />

again), and it is open 7 days a week, with guided<br />

tours every 20 minutes during busiest times. If<br />

you are keen to see lots of bats you really need<br />

to come early or late in the season since by the<br />

end of July the bats will have left the cave for<br />

the summer and won’t return until the weather<br />

starts to get cooler and they begin to prepare for<br />

hibernation.<br />

As well as tours of the Cavern, there are Nature<br />

Trails to explore and a Maze to lose yourself in,<br />

or you can pan for gems in our mining sluice.<br />

There is also a great gift store full of cavern and<br />

nature themed gifts for you to take home for<br />

family and friends.<br />

Website = photosociety.net Page 25 email = magazine@photosociety.net


More about the Cavern<br />

War Eagle Cavern has always been a privately<br />

owned cavern and it was first opened to the public in<br />

1977,when the Wallace family owned it. The current<br />

owners, the Boyers bought the Cavern and grounds<br />

about 20 years ago and it is a real labor of love for<br />

them, both of them working each day alongside their<br />

other staff to ensure that all visitors have a<br />

wonderful experience when they visit.<br />

The cave has a very long and documented history<br />

though, going back long before 1977. It would have<br />

first been used by the Osage and Cherokee Indians<br />

who we know used to come to the Ozarks to hunt<br />

deer, bear, mountain lion and in those days wolves.<br />

When the early settlers moved in, they undoubtedly<br />

found and used the cave too. Arkansas was<br />

originally settled by the French and this is where the<br />

name for the mountain range ‘The Ozarks’ came<br />

from. The French would call the area ‘Aux<br />

Arkansas’ or ‘Aux Ark’ for short. The none French<br />

speakers in the area unable to get the French<br />

pronunciation right said ‘Ozark’ and it stuck!<br />

During the Great Depression we know that a family<br />

used one of the rooms just inside the entrance to the<br />

cavern, and lived there for several years having lost<br />

everything they had. They even went so far as to put<br />

a mailbox up on what would have been the highway<br />

at the time!<br />

This area of NW Arkansas is also extremely famous<br />

for the outlaws Frank & Jesse James and the James<br />

Younger Gang. The James brothers had family who<br />

lived just a few miles down the road in an area<br />

called Clifty, and also an Uncle who owned a<br />

hardware store in nearby Eureka Springs. It is<br />

known that the gang would come and hide out in the<br />

cavern while the brothers visited family, and the<br />

whole gang would resupply from the Uncles<br />

hardware store. The movie ‘Frank & Jesse’ starring<br />

Rob Lowe and Bill Paxton was filmed entirely in<br />

this area of Arkansas with scenes shot in War Eagle<br />

Cavern as well since it known the gang used the<br />

cave.<br />

As well as outlaws, our cave is famous for<br />

moonshine, but it’s probably best not to talk about<br />

that too much!<br />

Website = photosociety.net Page 26 email = magazine@photosociety.net


So what about Bats?<br />

The Cavern is home to approx. 75,000 Eastern Pipistrelle and Gray Bats. NW Arkansas is about on the limits<br />

of the Eastern Pipistrelles range, and the Pipistrelle is a tiny little yellowish brown bat that in adulthood is<br />

about the size of your thumb. They have a wingspan of 7-8 inches so when they are in flight they look a lot<br />

bigger than they really are. The Pipistrelle is not a colony bat so when you see them hanging in the cavern they<br />

are always dotted about rather than in big clumps. They are quite inquisitive and they have pretty good<br />

eyesight, contrary to what we are all taught about being ‘blind as a bat’, and they like to fly pretty close to<br />

visitors in the cavern to ‘check them out’.<br />

The Pipistrelles breed in late August/October, but the females are able to hold onto the sperm through<br />

hibernation, and fertilization and pregnancy takes place in the Spring with one or two pups being born at the<br />

end of May or beginning of <strong>June</strong>. The male Pipistrelles don’t hang around after hibernation and quickly head<br />

out into the surrounding woodland leaving the females to work together raising the young pups. During this<br />

time the females will tend to hang together so that they can help each other with the pups and be able to get out<br />

and feed as well. By the end of July all of the pups are weaned and are expert fliers, and so all the young and<br />

females leave the cavern for the summer and don’t really return until the end of the fall when it starts to get<br />

cooler and they prepare for hibernation. While they are out in the woodland the females and young usually<br />

group together in numbers of approx. 15, this helps the females keep an eye on their young through this first<br />

summer period. The males do not group together at all preferring to spend their time in the woods as solo bats.<br />

The other bat in the cavern is the Gray bat, which is actually an Endangered Species. They are approx. 4 times<br />

bigger than the Eastern Pipistrelle’s and unlike the Pipistrelles, the Gray bats stay in the cavern year round.<br />

Gray bats are colony bats, meaning they like to group together in very large numbers, and it is for this very<br />

reason that they have become endangered - large numbers of them living in only a few caves. As a result, they<br />

are extremely vulnerable to disturbance. Arousing bats while they are hibernating can cause them to use up a<br />

lot of energy, which lowers their energy reserves. If a bat runs out of reserves, it may leave the cave too soon<br />

and die. In <strong>June</strong> and July, when flightless young are present, human disturbance can lead to deaths as<br />

frightened females drop their young in the panic to flee from the visitor. The Gray bats in War Eagle Cavern<br />

have made their home much further back in the cavern than the public tour will take you. Spelunker or Wild<br />

tours which take visitors further back into the cavern, do not begin until after all the young are weaned and<br />

flying which is usually by the end of July.<br />

Bats eat bugs and the Pipistrelles in particular love mosquitoes – each one consuming up to 5,000 a night. The<br />

Gray bats eat a variety of aquatic and terrestrial insects present along rivers or lakes.<br />

Website = photosociety.net Page 27 email = magazine@photosociety.net


More views of the Cavern & grounds<br />

Website = photosociety.net Page 28 email = magazine@photosociety.net


Guided Tours of the Cavern take approximately one hour and unlike many caverns, the tour<br />

starts up above the entrance to the cavern and takes down a pathway that winds down through<br />

the woodland with your Guide giving you a brief history of the area, of when and how the<br />

Ozarks were formed (be prepared for tales of Noahs Ark if Phil is your Guide), and also a history<br />

of Beaver Lake. As you meander down the hill you are actually walking over the cavern itself<br />

and you get a change to really appreciate the beauty of this area and all that it has to offer.<br />

If you are lucky you may get to see Mama Armadillo and her young, or Mama Gray Fox and her 3<br />

cubs which she has had this year and lives with in a smaller cave just above the entrance to the<br />

cavern. Wild flowers grow among the trees, and birdsong can be heard all around you. One<br />

thing you cannot do in Arkansas is be in a rush – there is no such thing as a ‘rush’ here. Life<br />

happens as life happens, people enjoy life, they sit long, talk often and enjoy the beauty of the<br />

world around them. People here live long and nature rich lives. It’s probably why so many of<br />

them say they are “older ‘n dirt”.<br />

You can find more information about War Eagle Cavern on Beaver Lake in NW Arkansas by<br />

visiting.<br />

https://www.facebook.com/WarEagleCavern/<br />

Or<br />

http://www.wareaglecavern.com<br />

Words and Photographs by Louise Bradt of Lou Bradt Photography<br />

Website = photosociety.net Page 29 email = magazine@photosociety.net


Generated <strong>Image</strong>s Can be Fun<br />

Next month we review LandscapePro by Anthropics<br />

To wet the appetite...<br />

Landscape Pro is a manipulation software from Anthropics ( www.anthropics.com ), makers of Protrait Pro,<br />

designed to take the effort out of image manipulation.<br />

In next months issue we will be reviewing the software from the point of view of someone who has never<br />

used it … me … I do things the ‘proper’ way which means learning to do the tasks using the tools in Adobe<br />

CS6 and discovering how they work for each change I wish to make.<br />

In post processing we learn by our mistakes, so it should be interesting to discover what the photographer<br />

can, or will, learn when using Landscape Pro.<br />

To give you a taster of what is to come, these images are part of the first group to be tried and will be<br />

discussed in the article..<br />

Website = photosociety.net Page 30 email = magazine@photosociety.net


Website = photosociety.net Page 31 email = magazine@photosociety.net


Wild Horses of Namibia<br />

Pictures by Judy and Scott Hurd<br />

In the last few magazines we<br />

have been exploring the world of<br />

the Namib Horses. The<br />

magazine tries to support certain<br />

charities and trusts, the Namib<br />

Horses is one of them.<br />

Having covered most of their<br />

story, we thought you may<br />

like to see some more images<br />

of these domestic horses<br />

turned wild.<br />

Abandoned and set free in<br />

the harsh, arid landscape of<br />

the Namibian Desert, these<br />

nomads have so far beaten<br />

the odds to survive.<br />

There are newborns in the herd that<br />

must learn to live in this<br />

environment where food is scarce<br />

and water even scarcer, especially<br />

in the dry season.<br />

The horses are protected and a<br />

licence is required to go and<br />

visit them in the wild, which<br />

is probably a good thing as<br />

there are only a few<br />

hundred of them in the herd.<br />

Although those looking after the<br />

horses do not interfere with this<br />

mini culture, money is used to<br />

provide such things as salt licks which<br />

enable the horses to survive the journeys between<br />

meals and watering places.<br />

Website = photosociety.net Page 32 email = magazine@photosociety.net


They kick, bite, mate and fight, They breed<br />

and feed, they are alive … they survive inspite<br />

of all the desert can throw at them.<br />

If you want to donate money to help<br />

them or our other projects please<br />

contact the magazine. We take no<br />

fees so every penny you donate<br />

goes where it should.<br />

Website = photosociety.net Page <strong>33</strong> email = magazine@photosociety.net


Wildlife Borneo - Another Day in Paradise 5<br />

Sabah Reef by Gary Bridger<br />

The underwater world of Sabah Reef is threatened by development and irresponsible tourism. Here is just a<br />

glimpse of the fragile beauty that may soon disappear.<br />

Website = photosociety.net Page 34 email = magazine@photosociety.net


Website = photosociety.net Page 35 email = magazine@photosociety.net


Toned G<br />

A Study in Greyscale - IR Landscapes<br />

Pictures by Alan Griffiths<br />

There is something about pictures taken<br />

in infra-red although many are not truly<br />

IR. They are in effect infra-red effect<br />

pictures, but this does not detract from<br />

the final pictures.<br />

IR is the recording of an image in the<br />

form of a heat map. The hotter the<br />

subject the whiter they appear in the<br />

image.<br />

You can convert the sensor in the<br />

camera to record the image as IR, but<br />

most settle for the digital conversion.<br />

Website = photosociety.net Page 36 email = magazine@photosociety.net


For the most part the viewer will be unable to tell the<br />

difference, and why would they want to?<br />

When we look at the world around us it is easy to assume that<br />

some items are hot therefore will be light in IR and others will<br />

be dark because they are cold.<br />

Those people who have installed night security cameras to<br />

watch over their gardens will certainly be surprised at the<br />

unexpected variation in the picture.<br />

We may expect that all plants would give off a similar amount<br />

of heat, no so, some plants appear very dark in IR while others,<br />

like the aubrietia are almost white with the radiated heat.<br />

Just because an image looks other worldly in infra-red, does<br />

not mean they must stay that way. Toning can change an image<br />

and create a new masterpiece. The most commonly used is the<br />

sepia tone, but there are many others, and even this can be<br />

adjusted to the subject.<br />

Website = photosociety.net Page 37 email = magazine@photosociety.net


The best subjects for the infra-red<br />

treatment tend to be trees and sunlit<br />

landscapes (but I could be wrong - feel<br />

free to prove this).<br />

In the main, the greens in the plants<br />

appear bright, as many shades appear in<br />

the leaves as there are shades of green.<br />

Each shade of green and brown radiates<br />

a different amount of heat and that in<br />

turn varies the picture.<br />

Expect the unexpected and remember<br />

that water is cold and so is the open sky.<br />

Sunlit landscapes are warm where the<br />

sun touches.<br />

Clouds you may expect to be cold are in<br />

fact hot. Read up on cloud<br />

temperatures and you will discover that<br />

some can be as much as 10,000 Kelvin.<br />

As a photographer you should know<br />

this as it is a major part of the visual<br />

training.<br />

Be prepared to experiment as it is only<br />

by trying that you will learn the skills<br />

necessary. Above all, enjoy.<br />

Website = photosociety.net Page 38 email = magazine@photosociety.net


Wild Africa by Tony Sparkes<br />

An 'Elephant Bull' I took coming out the water from the 'Sweni' river in the Kruger National Park - South Africa. I wasn't that<br />

happy with the colour version. I gave it a different post process, monochrome. The B&W version gives a lot more of a<br />

'contrasty' photograph which I think works better in this situation, as their was little contrast in the original colour version.<br />

Tony Sparkes<br />

Right: Here Kitty Kitty by Tony Sparkes<br />

Black & White of a female lion (Panthera leo) showing her<br />

canine's here, interestingly lions have three types of teeth, all are<br />

shown in the photograph<br />

1. The incisors, the smallest teeth at the front of the mouth, these<br />

are used for gripping and tearing of flesh.<br />

2. The canines, the four largest teeth (located either side of the<br />

incisors), can reach up to 70 millimetres (3in) in length. These<br />

are used to rip skin and tear away flesh.<br />

3. Carnassial, are the sharpest teeth at the back of the mouth,<br />

these act like a pair of scissors to cut flesh.<br />

Little bit of a fact: Lions can open their jaws to up 110mm (4in)<br />

wide, giving lions one of the animal kingdom’s biggest bites!<br />

Meow.....<br />

Website = photosociety.net Page 39 email = magazine@photosociety.net


After my last post of a glorious splash of colour I have come back to the monotones of Black and White. I<br />

was really to close to this Hippo bull in South Africa's, Kruger National Park with the camera/lens set up I<br />

had at the time. As you can see from the photograph, I would have liked to have captured his whole wide<br />

gap However, never give up on an opportunity to take the shot which I did. In post edit and by giving the<br />

shot a more 'dramatic' look, the attention is focused more on the 'drama' and the Hippo's teeth within its<br />

gape which is nearly the size of small car, not the fact the top of the mouth is not captured.<br />

Tony Sparkes<br />

Equus quagga (Plains Zebra) B&W - Mkuze - South<br />

Africa by Tony Sparkes<br />

Hippopotamus (Hippopotamus amphibius) Kruger National Park -<br />

South Africa. High key' version of one of Africa's most dangerous of<br />

animals By Tony Sparks<br />

Website = photosociety.net Page 40 email = magazine@photosociety.net


Elephant Bathtime<br />

Just a bit of high key B&W work from the Kruger National Park - South Africa<br />

Tigers by Mike Shawcross<br />

Website = photosociety.net Page 41 email = magazine@photosociety.net


Stevenage, A Town I Once Called Home<br />

Gordon Longmead<br />

Of the 60 plus years I have spent on this<br />

planet, over 40 of those were spent living<br />

in Welwyn, 10 were spent in north east<br />

Scotland, and the remaining ten were spent<br />

in Stevenage.<br />

Having left the town, my only desire was<br />

never to return except in passing through or<br />

the occasional shopping trip.<br />

However the best laid plans never seem to<br />

work out, the car was due for testing and I<br />

had a few hours to kill so I took the camera<br />

and went for a walk.<br />

The area I chose for the walk was one<br />

that I never visited when I lived there,<br />

being on the south side of the town.<br />

Much of Stevenage is a green area, that<br />

is where ever you chose to look there<br />

are trees and green spaces.<br />

These can change as quickly as<br />

crossing the road. These two pictures<br />

were taken in this manner.<br />

Although traffic can be a problem,<br />

especially in rush hour, most times the<br />

roads are relatively quiet.<br />

While Stevenage is a commercial town<br />

with its industrial areas to the north and<br />

west, the east is open countryside, and the<br />

development to the south has been stopped<br />

by a band of ‘green belt’ which has saved<br />

the neighbouring village of Knebworth<br />

from being absorbed.<br />

My walk began in the retail park to the<br />

south of the town, the buildings here were<br />

of the modern fad when they were<br />

constructed. Steel frame covered in<br />

coloured steel sheets. While this may give<br />

interesting simplistic lines and aesthetics,<br />

they are functional, nothing more.<br />

Website = photosociety.net Page 42 email = magazine@photosociety.net


Now I should mention that I am not an<br />

avid football fan. The last pro game I<br />

attended was an England verses West<br />

Germany under 21 in the 1960’s and a<br />

Watford verses Southampton match in the<br />

1970’s where I made the save of the<br />

match. Well it would have been had I<br />

been in goal and not been on duty behind<br />

the goal.<br />

I digress, my point here being that many<br />

people do support football, and some<br />

even support Stevenage, the ground sees<br />

many visitors for the matches, and the<br />

many conferences held in their facilities.<br />

In addition to these probably 100 times<br />

that number enter Stevenage past the<br />

football ground every day.<br />

Why then do Stevenage have so much pride in their town they allow this prominent advert for the town to<br />

remain such a terrible eyesore? If you look at the fixture board you will see that the next match is against<br />

AFC Wimbledon on the 0th April kick-off at 3.00pm. These pictures were taken on the 4th May. Just for<br />

the record, I did pass the Twin Foxes pub on this walk who were still advertising their Christmas Eve<br />

event, at least I hope it was last years event, so perhaps it is a tradition here to promote events you have<br />

missed.<br />

Just behind the ground there is a roundabout that<br />

is not a roundabout, with an underpass that leads<br />

from nowhere to another nowhere.<br />

The picture is taken at the entrance to a car park<br />

which extends alongside of this road past the<br />

aforementioned roundabout.<br />

The original intention was to build houses where<br />

the carpark stands, but why did they not put the<br />

entrance to the carpark at the roundabout?<br />

So if you are going to visit for the football match, or to walk the dog, then this is the entrance and car park<br />

to be using. Walking the dog here on match day is probably not a good idea, but for those who do visit on a<br />

sunny day in May, you might have a pleasant surprise.<br />

I walked into the carpark knowing there was a footpath through to the town centre, but instead I decided to<br />

walk in and investigate the woodland. Before I even entered the woods I was greeted by trees covered in<br />

May blossom, although by this time the petals were starting to fall from the early flowers.<br />

Website = photosociety.net Page 43 email = magazine@photosociety.net


The apparent facility to join these two images is purely an accident. They are two different trees. The<br />

blossom allows for the photographer to start exploring different aspects of the art.<br />

It is easy to see the tree and even the sections of the tree, but<br />

there are more images available to be taken if we just look a<br />

little closer.<br />

Quite often when I am taking a picture, I will stand and look at<br />

the subject for what seems to others to be a very long time. They<br />

wonder why I do not just ‘take the picture’.<br />

The simple answer is that I am using my mind to ‘see’ the<br />

pictures within the subject matter. The longer I stand the more I<br />

see to take. I do not rely on my eyes alone, the brain ‘sees’ 100<br />

times more than the eyes, so I let it work for me.<br />

On this walk I had decided to restrict my photography by only<br />

using one lens. I chose the Canon f1:4.5-5.6 18 - 55mm zoom.<br />

In hindsight I regretted my choice, not because it was the wrong<br />

lens, but because it gives a very poor quality image compared to<br />

what I am used too.<br />

Still, my choice was made and the sun was shining so …<br />

The first surprise was that the woodland was<br />

even here in the middle of the town, the<br />

second was that it was such a well kept and<br />

litter free place.<br />

I confess I took around 60 pictures of the<br />

woods but I promise not to share them all<br />

with you, but I am going to include a<br />

selection on the next pages just so you can<br />

get the feel of the place.<br />

This is a bluebell wood, but I suspect it may<br />

change with the seasons.<br />

Website = photosociety.net Page 44 email = magazine@photosociety.net


It is open and fresh with wide paths although a few are blocked by fallen trees. These are left to rot as a<br />

home for insects and fauna as it decays. On sunny days the open canopy allows the light to shine through<br />

creating many and varied shadows over the ground which are a photographers delight in their own right.<br />

The light also plays through the varying densities of the foliage to give the variety of shades in the overall<br />

scene. Care must be taken with the exposures due to the high contrast between light and shade, over rather<br />

than under is the general rule.<br />

Website = photosociety.net Page 45 email = magazine@photosociety.net


Website = photosociety.net Page 46 email = magazine@photosociety.net


Not everything in the wood is alive, there are those trees<br />

that are dead but not yet fallen. I only took the one<br />

picture of this, but looking closer affords a number of<br />

other opportunities.<br />

Photography is all about observation and imagination, it<br />

is also about moving to different locations and adopting<br />

different positions to get the image from a new<br />

perspective.<br />

Getting low down brings a new world into the<br />

viewfinder. We stand tall and only get one perspective,<br />

but the squirrel eye view offers something new.<br />

Compare the picture below with the one on the previous<br />

page. The one below was taken with the camera sitting<br />

on the stump seen at the base of the previous image.<br />

The ground level view can make the small look<br />

large, and give the subject more in the way of<br />

form. The plant below when seen from above is<br />

just a group of green leaves, here they look like<br />

small trees.<br />

After trees fall and before they get into their full decaying<br />

mode, the branches can sometimes take on a structure and<br />

colour of their own.<br />

The conifer has browned, but the play of the sunlight has<br />

given it one final burst of brilliance to attract the<br />

photographer.<br />

Website = photosociety.net Page 47 email = magazine@photosociety.net


So far I have looked at the woods from our point of view, but this wood is not all bluebells, there are some<br />

white interlopers. There are also some natural objects that make for perfect props for pictures.<br />

Not everything involves looking<br />

down, there is a canopy above<br />

the head and it is here that a<br />

wide angle lens comes into its<br />

own. The two images above<br />

show the effect of the zoom, the<br />

center image shows the lens at<br />

18mm while the right image is at<br />

55mm. Both of these were<br />

taken in vertical format. By way<br />

of a change the next picture was<br />

done horizontal to extend the<br />

skyline between the rows of the<br />

trees.<br />

Website = photosociety.net Page 48 email = magazine@photosociety.net


At this point I decided to leave the woods, between<br />

the trees and the housing estate there were just five<br />

paces to effect the transition.<br />

But this part of the town is open plan with lots of<br />

green spaces, and as can be seen, very little traffic.<br />

Even on the dual carriageway (right), of which there are<br />

many in Stevenage, traffic was light. When I took this<br />

picture I did not want to see the wide ribbon of<br />

tarmacadam that formed the road, so I use the rise of the<br />

bank to hide it.<br />

The town also has a lot of<br />

cycle ways that run throughout<br />

the streets. This keeps<br />

pedestrians and cyclists away<br />

from the traffic and aids road<br />

safety.<br />

If the town planners have one<br />

fault it is in their occasional<br />

lapses of common sense and<br />

very poor judgement in the<br />

aesthetics of the structures they<br />

allow to be built.<br />

This habit of lapseness is well evidenced by<br />

the buildings on this stretch of dual<br />

carriageway. The fronts of these buildings<br />

may look reasonable, travellers on the dual<br />

carriageway only get to see the backs.<br />

This might not be so bad if the facades were<br />

maintained, but they are not. Peeling paint<br />

and broken concrete show the councils<br />

maintenance policy is very poor.<br />

It needs to be understood that any town or<br />

city is not judged on the handsome shopping<br />

arcade fronts and fancy houses, but on the<br />

degradation that is shown behind the scenes.<br />

Stevenage is a developing town which means that it is alive. To the credit of the council it is not being<br />

allowed to stagnate, at least in those parts of the town that visitors see on arrival, (football stadium<br />

excepted).<br />

Website = photosociety.net Page 49 email = magazine@photosociety.net


This was probably one of the most underused<br />

buildings in the town. Now clad in scaffolding it is<br />

being converted into luxury apartments.<br />

Of course we need these like a hole in the head, what<br />

is needed is housing for the hundreds of single people<br />

being forced to live with their parents because there is<br />

no social housing to allow them to live their own<br />

lives.<br />

However the structures do present opportunities for<br />

photography from the ’straight’ picture to the odd<br />

angles.<br />

Wide angle views tend to drag in the verticals so we<br />

can use them to our advantage to provide a sense of<br />

drama to the image.<br />

The view on the right is the right way up. It was taken<br />

this way to confuse the senses, but to be seen correctly<br />

you will need to hold the page above your head.<br />

You can put the screen down now, the easier way is to<br />

turn your head sideways. The point is that no picture<br />

needs to be taken or displayed in the normal aspect.<br />

Experimentation is the key to learning.<br />

Website = photosociety.net Page 50 email = magazine@photosociety.net


Now we enter the vibrant heart of the town shopping<br />

centre, I have included this image as it was shot<br />

from the hip. I just adore the distortion the wide<br />

angle has caused in the windows.<br />

Remove the distortion and the picture becomes just<br />

like any other.<br />

This was a Tuesday and the town is on the quiet<br />

side, but by the weekend it gets busy although not<br />

crowded.<br />

Every part of the town is designed to allow space so<br />

that visitors do not feel hemmed in. But for me, it is<br />

this part of the town that is the reason I do not like to<br />

visit. The shops I remember are mostly gone, those<br />

that have replaced them have nothing special to offer<br />

and the shopping centre has no character.<br />

I realise that others will not agree with my views, and I<br />

can’t even say that it is any specific thing that is<br />

wrong.<br />

The bottom line is that the town centre feels<br />

unfriendly, the shop fronts are like those precinct<br />

shops, functional but without character.<br />

Stevenage has some of the prettiest ladies I have seen<br />

anywhere, but none of them smile when walking<br />

about.<br />

In fact I do not think I saw a single person smiling<br />

anywhere while I was there. It felt as though they<br />

put a sour look on their faces as part of their makeup<br />

routine in the morning, and there it stayed.<br />

So as you may imagine I was once again pleased to<br />

leave the heart of this town, I doubt I will return<br />

again for many years to come.<br />

I am afraid you must visit to make up your own<br />

mind.<br />

Website = photosociety.net Page 51 email = magazine@photosociety.net


There are a few tower blocks<br />

close by the town center, these<br />

look very bland from the<br />

outside, but inside there are<br />

some very nice apartments.<br />

The pictures on the left are of<br />

some of the newer buildings<br />

that have been constructed in<br />

recent years.<br />

It is pleasing to see that some<br />

elements of design has gone<br />

into their construction. This is<br />

one of the good things that is<br />

being accomplished.<br />

Stevenage is famous for the fountain and clock tower that<br />

stands in the centre of the town. It is the one object that<br />

visitors remember.<br />

My final comment on this walk is that I only went through a<br />

small part of the town. But having lived here for ten years<br />

and seeing the area once again, I saw a town of thousands<br />

of people and the only rubbish I saw was one cardboard box<br />

and a discarded paper cup and lid.<br />

It is a pity other towns can’t say the same. It would not take<br />

much to improve the feel of this town, it just takes a little<br />

bit of creative thinking, a a population that is willing to<br />

smile for no reason other than that they can.<br />

Website = photosociety.net Page 52 email = magazine@photosociety.net


A Time to Spend the Time<br />

There are times when you are out and<br />

about that you just know certain pictures<br />

will happen, especially if you wait long<br />

enough.<br />

The modern world demands that<br />

everything is done yesterday, but the<br />

natural world is just the opposite, it can<br />

wait, everything happens at its proper time.<br />

These two swans were moving slowly over<br />

the water and came together for a fraction<br />

of a second then moved apart again. Not<br />

everything is textbook perfect.<br />

Sometimes the picture can have a story applied to it,<br />

and why not? This swan had been fishing - “It was<br />

this big guv … really it was”<br />

Of course he got found out. “Ok, so it was only this<br />

big.”<br />

However we look at pictures others will always see<br />

something else. I can see the faults in these images,<br />

but they serve a purpose. There is not a photographer<br />

alive or dead that takes the perfect picture every time,<br />

although most will never show you their failures if<br />

only to boost their ego.<br />

Most of the time we take them because we<br />

want to, we scrap the really bad, keep the not<br />

so bad and show the good on facebook.<br />

The really great images we try to sell or get<br />

published in glossy magazines, but since less<br />

that 0.1% ever get published most of those<br />

exceptional images are never seen … such a<br />

waste.<br />

Gordon<br />

Website = photosociety.net Page 53 email = magazine@photosociety.net


Common Reptiles of the Southern Kruger<br />

Ian Bales-Smith<br />

Many visitors to the Kruger want to see the big five<br />

and other predators and their prey; they forget that<br />

reptiles, birds, amphibians and flora all contribute to<br />

Kruger’s bio-diversity.<br />

This short article is a follow up to others on the<br />

Southern area of the Kruger and concentrates on the<br />

more common and frequently seen reptiles.<br />

It is hoped it will help to add interest to visitors to<br />

the Kruger.<br />

Three groups [Orders] of reptiles occur in the<br />

Kruger:<br />

· Tortoises and Terrapins.[Chelonia]<br />

· Lizards and snakes. [Squamata] snakes are<br />

plentiful but seldom seen and will be<br />

covered in a later article.<br />

· Crocodile.[Crocodilia]<br />

Nile crocodile and terrapin scrambling to a carcass<br />

in the riverbed. The most common terrapin in the<br />

Southern Kruger are the Cape terrapin and the<br />

serrated hinged terrapin. These are described as side<br />

necked as the neck and head are retracted sideways<br />

into the shell. [Carapace]<br />

Reptiles are exothermic- they rely on the external<br />

environment to regulate their body temperature.<br />

They bask in the sun to warm up and go into the<br />

shade to cool down.<br />

Terrapins take advantage of the back of a hippo to<br />

warm in the morning sun. This photograph was<br />

taken at Doispan en-route to Skukuza from the Paul<br />

Kruger Gate.<br />

Sunrise over the Sabi River near the Skukuza Camp.<br />

Most reptiles are cryptically coloured according to<br />

their environment habitat and some are capable of<br />

degrees of colour change, this is particularly<br />

noticeable in the chameleon, which sadly have<br />

become very scarce and quite rare.<br />

Reptiles rely on the sun to warm their bodies.<br />

Website = photosociety.net Page 54 email = magazine@photosociety.net


Terrapin are mainly carnivorous; they feed on<br />

invertebrates, fish, amphibians and small birds and<br />

will forage in dung in search of food scraps.<br />

Monitor.<br />

The Sekhukhune lizard [Orange-throated flat lizard]<br />

is endemic to the Limpopo-Kruger area. They are<br />

rock living, inhabiting rocky outcrops and ridges.<br />

Lizards have teeth; these differ according to the<br />

species. In all lizards, the tongue has functions of<br />

taste, touch and smell. Lizards have the ability to<br />

lose their tails; this is normally as a defence<br />

mechanism.<br />

Monitors are the largest of the lizard family and are<br />

described as water monitors and veld or rock<br />

monitors. [White throated] They defend themselves<br />

with their powerful tail and strong limbs.<br />

The Water monitor is much smaller than the Rock<br />

monitor. Monitors enjoy eggs and can be seen<br />

searching for birds eggs in numerous different<br />

habitats. Given the opportunity they will also eat<br />

young crocodile hatchlings.<br />

Most lizards feed on invertebrates, some are<br />

primarily insectivorous, and some include<br />

vertebrates.<br />

Lizards are prey of a large range of predators<br />

including birds and mammals.<br />

Lizards may be oviparous. [egg laying] or<br />

viviparous [live bearing]<br />

Monitor.<br />

Tree Agama.<br />

The Tree agama is the largest of the agama species.<br />

It cannot shed its tail. The head of the male agama is<br />

a bright blue colour and is easily recognisable.<br />

Website = photosociety.net Page 55 email = magazine@photosociety.net


It is often seen on the side of a tree, or on a rock<br />

sunning itself.<br />

Nile crocodile almost completely submerged and<br />

well camouflaged. The scales are thick and strong<br />

and add to the animal’s protection.<br />

The Leopard tortoise and the Natal hinged tortoise<br />

are the most common in the Kruger.<br />

Tortoises are mainly vegetarian and will take animal<br />

matter. Tortoise and Terrapin tend to hibernate over<br />

the winter periods and breed in September as the<br />

weather warms up.<br />

A very good place to see crocodile, terrapin and<br />

monitors is at the Lake panic Bird Hide near the<br />

Skukuza Camp and at look out points along the Sabi<br />

River.<br />

The end of the day for many animals and the start of<br />

activity for others.<br />

The Leopard Tortoise can live up to about 70 years.<br />

It does not have teeth; it has a serrated upper lip<br />

which it uses to take its vegetarian food.<br />

Sunset at Skukuza Camp.<br />

Only one species of crocodile [Nile crocodile]<br />

occurs naturally in the Kruger.<br />

The eyes and nostrils are at the top of the head and<br />

protrude from water while the animal cruises<br />

about .They are air breathing and need to surface to<br />

obtain oxygen. They can remain under water for<br />

about one hour.<br />

The crocodile’s strong tail propels it through the<br />

water and stores fat for times of need. The main<br />

food is fish followed by antelope and birds.<br />

During your game drives or tours in the Kruger take<br />

time to look for the more common reptiles. They<br />

play an important role in the eco-system and add to<br />

the Kruger’s bio-diversity.<br />

For information about this brief article or tours to<br />

the Kruger please contact me:<br />

Ian Bales-Smith of Afrika Tourism and Training. E<br />

– Mail: ibs22dec@gmail.com<br />

Website = photosociety.net Page 56 email = magazine@photosociety.net


Website = photosociety.net Page 57 email = magazine@photosociety.net


A Study in Nature - Kestrel<br />

Pictures by Scott Latham<br />

When photographing birds of prey<br />

there are a few prerequisites that every<br />

photographer needs and a few more that<br />

might need.<br />

One of the main things they need is an<br />

infinite amount pf patience, birds do<br />

not tend to sit and post for the camera.<br />

Fact is they will tend to be scared off<br />

by the big black eye that is looking at<br />

them.<br />

That is not so much of a problem taking<br />

captive or tame hunting birds, they like<br />

to pose especially when food is on<br />

offer.<br />

But lets assume you are going into the<br />

wild and want to get the images. So a<br />

camera with a fast speed and a good<br />

lens, the longer the better, are a must.<br />

One ‘cheat’ that you may want is a<br />

motion trigger for the camera. But be<br />

careful, ask yourself the question, “are<br />

you taking the picture when the camera<br />

is on a tripod fifty yards away focussed<br />

on a perch with an automatic device set<br />

to take the pictures”?<br />

You will probably need to hide from<br />

view, usually with camo netting or<br />

other disguise. In some areas there are<br />

timber hides built for comfort.<br />

When using these, especially with those long lenses, please remember that they are called hides for a reason.<br />

We often see these places looking more like a porcupine because of all the lenses sticking out the windows.<br />

Then the people behind the cameras complain that the birds will not show. OF COURSE THEY WON’T,<br />

AND IT IS YOUR FAULT! Ok rant over, but consider other people and the birds .<br />

At this point I will offer some advice, if you find nesting raptors in the wild, take the pictures and show your<br />

friends, but NEVER tell them where the pictures were taken. This failing has resulted in those trusted<br />

friends going out illegally with guns to use the birds for target practice. Never tell anyone except maybe<br />

trusted and dedicated photographers .<br />

If you are offended by the thought of a bird killing small prey, then stay away from raptors or any other<br />

form of wildlife for that matter, because sooner or later you will see nature doing what it is supposed to.<br />

Sadly all to often we see humans do what they are not supposed to through ignorance, greed or because it is<br />

fun.<br />

Website = photosociety.net Page 58 email = magazine@photosociety.net


Kestrels are one of the smallest of the raptors, in the UK<br />

they are often seen hovering over roads in the hope that<br />

small rodents will move in the grass verge.<br />

Their eyesight is keen enough to spot a mouse moving from<br />

2/300feet in the air, after which they descend in stages,<br />

closing the viewing area until they drop suddenly onto their<br />

prey.<br />

They do visit gardens where small birds are being fed, but<br />

do not assume that is what they have seen, a recent visitor<br />

to my own garden was after a mouse that was raiding the<br />

bird feeder.<br />

Website = photosociety.net Page 59 email = magazine@photosociety.net


A Study in Architecture<br />

Waterfront Homes, Pictures by Louise Bradt<br />

Photography is not just about animals and wildlife, there are many different aspects of our world and<br />

cultures that can be explored using the camera. In the old days we would have used a brush and canvas, and<br />

before that the flint and club. There are at least some areas where people have used the advance in ideas to<br />

create new ways to record the world around us. Digital photography is the current leader in one of them.<br />

We have also advanced from the cave dwellings of our ancestors, but surprisingly, not by very much.The<br />

house is just a man made cave with doors and windows. We style it to suit our artistic temperaments, fit it<br />

out with modern technology, but it is still a cave.<br />

We present here a series of pictures depicting riverside caves to show just a small part of the variety of<br />

designs that we, as humans, are capable of constructing. We can not tame the natural world, but we can be<br />

sympatric to it … or not … as these pictures show.<br />

Ed.<br />

Website = photosociety.net Page 60 email = magazine@photosociety.net


Website = photosociety.net Page 61 email = magazine@photosociety.net


Birds of a Feather<br />

By Ben Oleni Ntale<br />

When I saw this picture you might imagine that it<br />

inspired the title of this series of articles, you would<br />

be right. Inspiration can originate from anywhere,<br />

you just have to recognise it.<br />

African Fish Eagle by Gordon Longmead<br />

This African Fish Eagle was very obliging in that,<br />

although it moved locations, it posed for the camera<br />

allowing pleanty of time for getting the image. The<br />

boat however did not remain still but we can’t have<br />

everything.<br />

Nam Prasad Satsangi<br />

Perching birds can be a nightmare to get a good<br />

picture of, or they can be a delight. The nightmare<br />

comes from their habit of ‘hiding’ behind a twig or<br />

deeper in the bushes. The delight is when they come<br />

out to investigate you and sit in the open.<br />

Most times they perch in the open for their own<br />

purposes, either way as a photographer we do not<br />

mind so long as they stay visible and still for long<br />

enough fo rus to get the picture.<br />

Kingfisher was shot at Tadoba Tiger Reserve<br />

by Nam Prasad Satsangi<br />

Website = photosociety.net Page 62 email = magazine@photosociety.net


Kingfishers come in all colours and sizes, and have<br />

their favoured perches for hunting and preening.<br />

This is just as well since catching them in flight is<br />

near impossible.<br />

Landing by Karim Ahmed<br />

Jay by Gordon Longmead<br />

We do see images of them entering and leaving the<br />

water, but these are usually staged using buckets of<br />

fish. The pictures are impressive but to get that in<br />

the wild is not an easy thing.<br />

I must admit that most of the time they accomplish<br />

this necessary task in a graceful manner however,<br />

keep the camera on them, because there is always<br />

one.<br />

These crash landings occur more on ice covered<br />

lakes than open water or land, but be prepared for<br />

the comedy show.<br />

Grey Crowned Crane by Gordon Longmead<br />

Finally on this foray into the bird world I will leave<br />

you with a male Grey Crowned Crane in his delicate<br />

and graceful dance used to impress his partner.<br />

The Wing ‘eyes’ of the Bluetit by Gordon Longmead<br />

Most people only get to photograph gulls at the<br />

seaside or garden birds, in the case of these two, it is<br />

the tail end of the birds leaving the table, but even<br />

this view can sometimes spring a surprise or two.<br />

Some of the funniest sights to see and photograph<br />

are the larger birds like ducks and geese landing.<br />

After the thousands of years of evolution you might<br />

think they would have learned to do this gracefully.<br />

Website = photosociety.net Page 63 email = magazine@photosociety.net


Website = photosociety.net Page 64 email = magazine@photosociety.net


Website = photosociety.net Page 65 email = magazine@photosociety.net


Website = photosociety.net Page 66 email = magazine@photosociety.net


Website = photosociety.net Page 67 email = magazine@photosociety.net


A Study in Flight<br />

Pictures by Scott Latham<br />

Website = photosociety.net Page 68 email = magazine@photosociety.net


Actress - Jessica Messenger<br />

Picture by Mike Shawcross<br />

Use the Member Code: GL415. Enter the code in<br />

the box before checkout to get 10% discount.<br />

Website = photosociety.net Page 69 email = magazine@photosociety.net


Website = photosociety.net Page 70 email = magazine@photosociety.net


Murchison Falls – Ziwa Rhinos…<br />

Day 1. Arrive Entebbe, pick up and transfer to<br />

accommodation.<br />

Day 2. Early pick up from Kampala and drive to Murchison<br />

Falls national Park and a short game drive in the<br />

afternoon.<br />

Day 3. Full day in Murchison and an afternoon boat cruise on<br />

the Nile .<br />

Day 4. Morning game drive before transfer to Ziwa Rhino<br />

Sanctuary.<br />

Day 5. Morning or evening tracking for Rhinos (time for extra<br />

activities such as bird watching from canoe or nature<br />

walk, additional cost)<br />

Day 6. Transfer to Kampala. (This day has time for additional<br />

activities)<br />

Day 7. Departure from Entebbe airport. (Activities can be<br />

arranged depending on departure time)<br />

<br />

Price for two persons sharing, inclusive of full<br />

board, Uganda airport transfers.<br />

USD 5000$.<br />

Flights to Entebbe and Bar Tabs not included.<br />

Website = photosociety.net Page 71 email = magazine@photosociety.net


Gorilla tour, Queen Elizabeth and Lake<br />

Mburo NP.<br />

Day 1<br />

Day 2.<br />

Day 3.<br />

Day 4.<br />

Day 5.<br />

Day 6.<br />

Day 7.<br />

Day 8.<br />

Day 9.<br />

Arrive Entebbe, pick up and transfer to<br />

accommodation.<br />

Early morning from Kampala to Queen Elizabeth,<br />

Evening game drive.<br />

Full day in Queen, Lion experience, boat cruise, bush<br />

dinner.<br />

Morning game drive while heading for Bwindi.<br />

Gorilla tracking in Bwindi.<br />

Transfer to Lake Mburo NP, with evening game drive.<br />

Full day in Lake Mburo NP.<br />

Morning game drive before heading back to Kampala.<br />

Transfer to Entebbe Airport.<br />

Price for two persons sharing, inclusive of full board, Uganda<br />

airport transfers, Gorilla Permits.<br />

USD 7300$.<br />

Flights to Entebbe and Bar Tabs not included.<br />

Website = photosociety.net Page 72 email = magazine@photosociety.net


Endangered Species Tour.<br />

(This trip aims at the more or less endangered species, besides the other<br />

animals in the Ugandan fauna like hippos, crocodiles, buffaloes, and<br />

various antelopes it includes meeting, Gorillas, chimpanzees, Rhinos,<br />

Rothschild’s giraffes, Lions and elephants…(the leopards are hard to spot<br />

but they are there)).<br />

Day 1 Arrive and pickup at Entebbe Airport.<br />

Day 2 Transfer to Ziwa Rhino sanctuary for evening rhino tracking.<br />

Day 3 Transfer to Murchison Falls, afternoon game drive.<br />

Day 4 Full day at Murchison Falls and afternoon boat cruise.<br />

Day 5 Morning game drive, heading toward Kibale, overnight in Hoima.<br />

Day 6 Transfer to Kibale.<br />

Day 7 Chimpanzee tracking in Kibale.<br />

Day 8 Transfer to Queen Elizabeth NP, Afternoon boat criuse.<br />

Day 9 Full day in Queen Elizabeth NP, Lion experience and bush dinner<br />

Day 10 Early game drive in Queen, transfer to Bwindi.<br />

Day 11 Gorilla tracking.<br />

Day 12 Batwa experience (meet Ugandas last pygmies).<br />

Day 13 Transfer to Lake Mburo NP.<br />

Day 14 Full day in Lake Mburo.<br />

Day 15 Transfer to Kampala.<br />

Day 16 Transfer to the airport, Activities depending on departure time.<br />

<br />

Price for two persons sharing, inclusive of full board,<br />

Uganda airport transfers, Gorilla and Chimpanzee permits.<br />

USD 12700$.<br />

Optional Extra:<br />

<br />

A Hot Air Balloon trip with bush breakfast is available at the<br />

Queen Elizabeth National Park. P.O.A.<br />

Flights to Entebbe and Bar Tabs not included.<br />

Website = photosociety.net Page 73 email = magazine@photosociety.net


Website = photosociety.net Page 74 email = magazine@photosociety.net


Website = photosociety.net Page 75 email = magazine@photosociety.net


Kuyimba means 'to sing' in the<br />

Zambian Chinyanja language and<br />

this site is a celebration of the sights<br />

and sounds of southern Africa. Join<br />

us to experience it for yourself.<br />

Derek & Sarah Solomon<br />

www.kuyimba.com<br />

Website = photosociety.net Page 76 email = magazine@photosociety.net


Website = photosociety.net Page 77 email = magazine@photosociety.net


Website = photosociety.net Page 78 email = magazine@photosociety.net


TECHNOLOGY EQUIPPED FOR GRIP<br />

MacWet Technology<br />

Most gloves on the market today are bulky and uncomfortable, causing a negative impact<br />

on your favourite sport. MacWet's unique Aquatec® fabric responds to moisture and<br />

climate change, ensuring maximum grip, sensitivity, feel and comfort at all times, no<br />

matter how wet or humid. The groundbreaking MacWet Sports glove marks a turning<br />

point in glove technology with characteristics that ensure user comfort, durability and<br />

performance. MacWet gloves' groundbreaking technology uses natural 'wicking'<br />

properties. This allows water to be readily transported along, around and over the gloves`<br />

surface to the fabric face, where it quickly evaporates, thus providing the ultimate in<br />

comfort and gripping power.<br />

The breathable, all-purpose MacWet sports gloves offer a comfortable fit and the<br />

performance you desire. Man made fabric permits the hand to breathe ensuring<br />

maximum grip consistently, with absolutely no compromise to the feel or comfort of the<br />

products. The second skin fit allows for fine adjustment of equipment without the need to<br />

remove the gloves.<br />

Website = photosociety.net Page 79 email = magazine@photosociety.net


Tour Operators<br />

Members who operate, or work on behalf of Tour Operators are invited to submit reports on their<br />

tours as a feature of the magazine. These can be a regular feature if desired and may include<br />

pictures to highlight aspects of the article. The first of these reports should be an introduction to<br />

the company area of operations and its tour guides and staff.<br />

Although the Society can not be held responsible for the conduct and safety of the tours, the tour<br />

operators that advertise on, or have links within, this site or provide reports within the societies<br />

magazine, do so on the understanding that they undertake to conduct the tours in a professional<br />

manner, be customer focused, with an emphasis on safety and value for money.<br />

As many of the tour operators and guides are members of the society, they are knowledgeable both<br />

on the areas they visit and on the subject of photography and will be willing to offer tips and<br />

guidance if required. Feedback about your tour is always welcomed and may appear in the society<br />

magazine.<br />

Magazine Submissions<br />

Members are welcome to submit Bio’s and other articles relating to expeditions and equipment<br />

reviews. Small file size pictures may be included. Recognised wildlife trust and Nature<br />

Conservation group adverts may be included free of charge per quarter page subject to approval.<br />

Any one who would like to write a feature article for the magazine, please do. I have no real limit<br />

on the magazine size but for ease I will find a comfortable limit depending on the method used for<br />

circulating it.<br />

Trade Adverts<br />

Adverts may be placed with the magazine at the editors discretion. A charge will be made in<br />

advance of publication towards the running costs of the society amounting to £5 per quarter page<br />

per issue, or £50 (GBP) per quarter page for 12 issues.<br />

Quarter page adverts should be in A5 vertical format and Half page in A5 horizontal format.<br />

Submissions should be emailed to lendasnow@hotmail.co.uk please state ‘magazine article or<br />

advert’ in the subject line.<br />

The Photographer Academy is the largest European<br />

photography training company providing the award<br />

winning training to get inspired or instructed every day.<br />

http://thephotographeracademy.com<br />

The Cat Survival Trust was registered as a charity in<br />

1976. The Trust's on-site objective is to promote<br />

education regarding the conservation of wild cats and<br />

their habitat by housing an array of species in natural<br />

enclosures.<br />

http://www.catsurvivaltrust.org<br />

We hope you like the magazine, the size and content of future issues depends on you.<br />

Submissions for the next issue are being accepted<br />

Website = photosociety.net Page 80 email = magazine@photosociety.net


Website = photosociety.net Page 81 email = magazine@photosociety.net

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!