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PROLOGUE<br />
“I know who I was when I got up this morning, but I think I must have been<br />
changed several times since <strong>the</strong>n.”<br />
—Lewis Carroll, Alice’s Adventures in Wonderland<br />
1988<br />
It wasn’t <strong>the</strong> most lavish-looking present under <strong>the</strong> tree. The flat, square package was wrapped in<br />
simple green and white paper with a glossy red drugstore-bought bow and addressed to me from my<br />
aunt.<br />
When I was nine, Christmas wasn’t necessarily <strong>the</strong> spectacular event it had been in years past. I<br />
wasn’t particularly interested in toys anymore, but I wasn’t yet mature enough to appreciate <strong>the</strong> more<br />
practical presents.<br />
Holding <strong>the</strong> soft object in my hand, I didn’t expect much.<br />
Carefully, I peeled away a corner of <strong>the</strong> paper to reveal what appeared to be <strong>the</strong> bright blue<br />
cover of a book. With a bit more eagerness, I tore away <strong>the</strong> remaining wrap and read aloud <strong>the</strong><br />
words: Marilyn Monroe Paper Dolls.<br />
Of course I had heard of Marilyn Monroe before. Madonna had spent most of <strong>the</strong> ’80s<br />
replicating <strong>the</strong> movie star—most memorably in her 1985 Material Girl music video—and like most<br />
fourth-grade girls, I idolized <strong>the</strong> pop singer. But I don’t recall ever seeing Marilyn before this<br />
moment.<br />
Smiling up at me from <strong>the</strong> cover of this gorgeous book were two illustrations of <strong>the</strong> starlet: one<br />
dressed in a black-sequined showgirl costume and top hat from her 1953 movie Gentlemen Prefer<br />
Blondes and one in a casual pink sweater and capris with flowing blond curls from 1952’s Clash by<br />
Night.<br />
Flipping through <strong>the</strong> thick, glossy pages I saw a variety of costumes from her most famous roles:<br />
a pageant swimsuit with sash and tiara from We’re Not Married (1952); a cream gown with a pink<br />
and purple, frilly kimono wrap from The Prince and <strong>the</strong> Showgirl (1957); a green and yellow Bo<br />
Peep–inspired ensemble from one of her earliest roles; and so many more.<br />
More than 30 different costumes (including one of <strong>the</strong> starlet in nothing but a bathrobe draped<br />
over her o<strong>the</strong>rwise naked body) filled <strong>the</strong> pages to dress <strong>the</strong> bikini-clad Marilyn Monroe cutout<br />
figure. On <strong>the</strong> back of <strong>the</strong> book was a biography, detailing how <strong>the</strong> orphan Norma Jeane became one<br />
of <strong>the</strong> world’s greatest movie stars.<br />
With extra special care, I methodically cut out <strong>the</strong> figure and each of her glittering outfits. I spent<br />
hours dressing and re-dressing my Marilyn doll, imagining how she must have felt in each moment: