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M MAG - JUN 2016

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Song) a “soft, demure and welleducated,”<br />

woman who imparted<br />

her life philosophies to him as a<br />

student.<br />

She taught many of his classes<br />

at junior middle school and<br />

started a journal system meant<br />

as a communication tool between<br />

parents and teachers. His mum was<br />

too busy working to write in it and<br />

it soon became a channel through<br />

which he shares thoughts with<br />

his teacher. Journaling requires<br />

introspection, and he attributes the<br />

process to ensuring he has a good<br />

head on those shoulders.<br />

Lady Luck Shines<br />

Though Chris no longer writes,<br />

quiet time for him still involves<br />

a great deal of reflection, and he<br />

never forgot Song Laoshi’s role as a<br />

nurturer. Troubled as his childhood<br />

was, things took a positive turn for<br />

the family as he reached college.<br />

One day, he followed his senior<br />

to Catwalk’s office in Taiwan –<br />

the agency is one of the largest<br />

talent firms in the region, with<br />

local actors like Fann Wong and<br />

Christopher Lee in its fold. That<br />

moment changed his entire life.<br />

“I was sitting on the sofa<br />

outside the office and the agent<br />

walked by. She said, “Are you<br />

interested in modelling?”<br />

He had never thought of it but<br />

decided to give it a shot anyway.<br />

Within a week of signing the<br />

contract, he was roped in for his<br />

first runway show by Issey Miyake.<br />

The pay? A neat $500.<br />

“That’s a lot for a student!” he<br />

exclaims, “There were two shows in<br />

a week, and I was like, wow, I can<br />

finally earn some money.”<br />

The funds went to defraying<br />

school fees and helping his mum<br />

out with living expenses. Still, she<br />

wasn’t thrilled by his career as a<br />

clothes horse, fearing that it was<br />

short-lived and unstable. When he<br />

decided to leave school to pursue<br />

modelling, she was horrified.<br />

His mother’s mindset is<br />

conventional, but it’s one grounded<br />

in reality. Male models are like<br />

shooting stars; they blaze bright<br />

for seconds, and then sputter into<br />

has-beens.<br />

It doesn’t help that the market<br />

for male models is not as lucrative<br />

as it is for women. Even today, male<br />

models earn ten times less than<br />

their better lit, better airbrushed<br />

female counterparts. The situation<br />

for Asian male models is grimmer<br />

as brands also prefer working with<br />

Western faces.<br />

Lights, Camera, Action<br />

Chris knew this. “You’re limited<br />

as a model,” he explains “But<br />

when you’re an actor, you can act<br />

forever.”<br />

Right off national service<br />

where he served in the Internal<br />

Affairs Bureau, he appeared as the<br />

classmate of a lead actor in youth<br />

drama The Graduate (2006). It was<br />

his first acting role. He called it<br />

“an embarrassment.”<br />

“I watched it again and I<br />

sucked,” he says. “I was the<br />

classmate of the main character but<br />

there was no training.”<br />

Confidence came as he took<br />

on more roles. Soon, he was acting<br />

in TV shows like drama thriller<br />

Channel-X (2010) as a news<br />

producer and as the romantic lead<br />

in comedy Inborn Pair (2013).<br />

Catwalk sent him for training<br />

classes, but he learnt the<br />

most valuable lessons through<br />

experience and his peers — even<br />

his idol: Tom Hanks (“I love his<br />

work. Every one of them.”)<br />

Despite the years of experience,<br />

Chris still finds it difficult to act in<br />

comedic role. He considers Scrum<br />

(2013), a rugby series which aired<br />

on Channel U, his hardest yet. “It<br />

was the first time I took up a funny<br />

role,” he says. “I can be funny in<br />

person. But to be funny on camera<br />

when the humour is not on the<br />

script is hard.”<br />

The Power of a Good Actor<br />

“Is it because you’re naturally, a bit<br />

of a sad person?” I probe.<br />

“Maybe,” came his noncommittal<br />

response. “Some parts<br />

of me I guess, I think it’s mostly<br />

because I was a loner when I was<br />

young. I was a lonely, sad guy.”<br />

It isn’t hard to deduce that<br />

his melancholic early years were<br />

shadows he can’t shake off. “The<br />

negative side is the power to be a<br />

good actor,” he says. In fact, just<br />

hours before our interview, Chris<br />

posted a Facebook thank you note<br />

to Song Laoshi.<br />

“She became the inspiration for<br />

a character that I played,” he says<br />

as he whips out his phone to show<br />

the post to me. “I acted as a teacher<br />

who believed in a student – to act,<br />

you have to know all the emotions,<br />

and understand every character.”<br />

Is it any wonder that people<br />

have drawn comparisons to Tony<br />

Leung? The award-winning Hong<br />

Kong actor is a natural when it<br />

comes to morose scenes, though<br />

he has had more than 20 years<br />

experience on Chris.<br />

“It’s an honour to be compared<br />

to him, but it’s hard to achieve his<br />

level,” he says.<br />

Still, Chris has clearly come<br />

far from where he started. Today,<br />

his mum has hung up her nurse<br />

uniform for good. Does she still<br />

disapprove?<br />

“She’s my biggest fan!” he<br />

jokes. “She doesn’t worry so much<br />

since I can provide for her and the<br />

job is stable.”<br />

Later on, as we walk out of the<br />

cafe and proceed to the photoshoot<br />

a short drive away, I casually ask,<br />

“Do you think you’ll ever remove<br />

those scars?”<br />

He pauses briefly and stares<br />

down at his neon shoes. “No I don’t<br />

think so.”<br />

Chris Lee has all the makings<br />

of a leading man. But that scar<br />

could prove to be his greatest asset<br />

yet.<br />

38 <strong>JUN</strong> <strong>2016</strong>

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