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Song) a “soft, demure and welleducated,”<br />
woman who imparted<br />
her life philosophies to him as a<br />
student.<br />
She taught many of his classes<br />
at junior middle school and<br />
started a journal system meant<br />
as a communication tool between<br />
parents and teachers. His mum was<br />
too busy working to write in it and<br />
it soon became a channel through<br />
which he shares thoughts with<br />
his teacher. Journaling requires<br />
introspection, and he attributes the<br />
process to ensuring he has a good<br />
head on those shoulders.<br />
Lady Luck Shines<br />
Though Chris no longer writes,<br />
quiet time for him still involves<br />
a great deal of reflection, and he<br />
never forgot Song Laoshi’s role as a<br />
nurturer. Troubled as his childhood<br />
was, things took a positive turn for<br />
the family as he reached college.<br />
One day, he followed his senior<br />
to Catwalk’s office in Taiwan –<br />
the agency is one of the largest<br />
talent firms in the region, with<br />
local actors like Fann Wong and<br />
Christopher Lee in its fold. That<br />
moment changed his entire life.<br />
“I was sitting on the sofa<br />
outside the office and the agent<br />
walked by. She said, “Are you<br />
interested in modelling?”<br />
He had never thought of it but<br />
decided to give it a shot anyway.<br />
Within a week of signing the<br />
contract, he was roped in for his<br />
first runway show by Issey Miyake.<br />
The pay? A neat $500.<br />
“That’s a lot for a student!” he<br />
exclaims, “There were two shows in<br />
a week, and I was like, wow, I can<br />
finally earn some money.”<br />
The funds went to defraying<br />
school fees and helping his mum<br />
out with living expenses. Still, she<br />
wasn’t thrilled by his career as a<br />
clothes horse, fearing that it was<br />
short-lived and unstable. When he<br />
decided to leave school to pursue<br />
modelling, she was horrified.<br />
His mother’s mindset is<br />
conventional, but it’s one grounded<br />
in reality. Male models are like<br />
shooting stars; they blaze bright<br />
for seconds, and then sputter into<br />
has-beens.<br />
It doesn’t help that the market<br />
for male models is not as lucrative<br />
as it is for women. Even today, male<br />
models earn ten times less than<br />
their better lit, better airbrushed<br />
female counterparts. The situation<br />
for Asian male models is grimmer<br />
as brands also prefer working with<br />
Western faces.<br />
Lights, Camera, Action<br />
Chris knew this. “You’re limited<br />
as a model,” he explains “But<br />
when you’re an actor, you can act<br />
forever.”<br />
Right off national service<br />
where he served in the Internal<br />
Affairs Bureau, he appeared as the<br />
classmate of a lead actor in youth<br />
drama The Graduate (2006). It was<br />
his first acting role. He called it<br />
“an embarrassment.”<br />
“I watched it again and I<br />
sucked,” he says. “I was the<br />
classmate of the main character but<br />
there was no training.”<br />
Confidence came as he took<br />
on more roles. Soon, he was acting<br />
in TV shows like drama thriller<br />
Channel-X (2010) as a news<br />
producer and as the romantic lead<br />
in comedy Inborn Pair (2013).<br />
Catwalk sent him for training<br />
classes, but he learnt the<br />
most valuable lessons through<br />
experience and his peers — even<br />
his idol: Tom Hanks (“I love his<br />
work. Every one of them.”)<br />
Despite the years of experience,<br />
Chris still finds it difficult to act in<br />
comedic role. He considers Scrum<br />
(2013), a rugby series which aired<br />
on Channel U, his hardest yet. “It<br />
was the first time I took up a funny<br />
role,” he says. “I can be funny in<br />
person. But to be funny on camera<br />
when the humour is not on the<br />
script is hard.”<br />
The Power of a Good Actor<br />
“Is it because you’re naturally, a bit<br />
of a sad person?” I probe.<br />
“Maybe,” came his noncommittal<br />
response. “Some parts<br />
of me I guess, I think it’s mostly<br />
because I was a loner when I was<br />
young. I was a lonely, sad guy.”<br />
It isn’t hard to deduce that<br />
his melancholic early years were<br />
shadows he can’t shake off. “The<br />
negative side is the power to be a<br />
good actor,” he says. In fact, just<br />
hours before our interview, Chris<br />
posted a Facebook thank you note<br />
to Song Laoshi.<br />
“She became the inspiration for<br />
a character that I played,” he says<br />
as he whips out his phone to show<br />
the post to me. “I acted as a teacher<br />
who believed in a student – to act,<br />
you have to know all the emotions,<br />
and understand every character.”<br />
Is it any wonder that people<br />
have drawn comparisons to Tony<br />
Leung? The award-winning Hong<br />
Kong actor is a natural when it<br />
comes to morose scenes, though<br />
he has had more than 20 years<br />
experience on Chris.<br />
“It’s an honour to be compared<br />
to him, but it’s hard to achieve his<br />
level,” he says.<br />
Still, Chris has clearly come<br />
far from where he started. Today,<br />
his mum has hung up her nurse<br />
uniform for good. Does she still<br />
disapprove?<br />
“She’s my biggest fan!” he<br />
jokes. “She doesn’t worry so much<br />
since I can provide for her and the<br />
job is stable.”<br />
Later on, as we walk out of the<br />
cafe and proceed to the photoshoot<br />
a short drive away, I casually ask,<br />
“Do you think you’ll ever remove<br />
those scars?”<br />
He pauses briefly and stares<br />
down at his neon shoes. “No I don’t<br />
think so.”<br />
Chris Lee has all the makings<br />
of a leading man. But that scar<br />
could prove to be his greatest asset<br />
yet.<br />
38 <strong>JUN</strong> <strong>2016</strong>