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Surrey Homes | SH22 | August 2016 | Wedding supplement inside

The lifestyle magazine for Surrey - Wedding Supplement, Fabulous Fashion, Delicious Dishes

The lifestyle magazine for Surrey - Wedding Supplement, Fabulous Fashion, Delicious Dishes

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Above: The whole back wall of the kitchen is made up of bi-fold glass doors which open up entirely, letting on to the terraced walled<br />

garden which has a planting scheme by Tony Howard of Harborough Nurseries. The slabs are Westmorland Green slate, originally<br />

from the roof terrace of St Thomas’ Hospital, via Retrouvius<br />

design, although she modestly describes architect Jason Wren<br />

as “the design genius of the project. He had the imagination<br />

to completely remodel the house and I trusted his vision, even<br />

when I didn’t entirely understand it.”<br />

She’s also keen to share the glory of the wonderful<br />

paint colours used throughout the house with Patrick<br />

O’Donnell, chief colour consultant at Farrow & Ball:<br />

“I was used to living in places which were various<br />

shades of white and grey, although I have always liked<br />

splashes of colour and yellow in particular. But I was<br />

a little bit nervous about using them because, colours<br />

don’t always come out as you expect.”<br />

In the spacious open-plan kitchen and dining room, the units<br />

are painted in striking Farrow & Ball Hague Blue, with the<br />

<strong>inside</strong>s of cupboards painted in contrasting or complementary<br />

colours. Moroccan pottery in fiery shades from the Industrial<br />

Zone of Marrakech, is set off perfectly by this background and<br />

natural light, flooding in through bi-fold doors, brings the<br />

whole scene to life.<br />

“You could be someone who is utterly hapless with<br />

colour, doesn’t have a clue, and this service would<br />

really help,” says Ginny. “I’m not that person. I have<br />

quite firm ideas about what I like so, in a way, I wanted<br />

a bit of hand-holding, to take me into the ‘dark side’.”<br />

Farrow & Ball provided nearly all of the interior paint -<br />

except for the bright yellow which is a feature in several rooms.<br />

She clearly knew what she wanted: “In the end a technician at<br />

Dulux said: ‘This is the purest yellow, with no hints of green’. I<br />

think I tried about eight different yellows before I got there.”<br />

The kitchen-dining area is not a room to hurry through.<br />

Along one wall runs a huge refectory table in walnut – originally<br />

from the old British Library Reading Room - and Prussian Blue<br />

leather chairs, all sourced through Retrouvius, a reclamation<br />

company based on the Harrow Road in northwest London.<br />

Over the table is a ‘feature wall’ like no other.<br />

“The wallpaper is by Witch and Watchman and the designer<br />

Helen ZB Wilson,” says Ginny. In amongst the foliage, as well<br />

as magpies and crows, is a hand-painted bird. “It’s an Australian<br />

“I care very much about aesthetics, but I also care that things work and are<br />

comfortable and practical,” says Ginny. “If the house is beautiful, that’s fine by me, but<br />

it’s got to work. Some houses are so over-designed they make you feel anxious”<br />

<br />

wealdentimes.co.uk<br />

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