GRIOTS REPUBLIC - AN URBAN BLACK TRAVEL MAG - AUGUST 2016
O Canada! Our August issue is a destination issue on Canada. Check out profiles from The Passport Party Project, Olympian Aaron Kingsley Brown, Oneika The Traveller and My Wander Year. This issue also includes a Black Lives Matter Special Section.
O Canada! Our August issue is a destination issue on Canada. Check out profiles from The Passport Party Project, Olympian Aaron Kingsley Brown, Oneika The Traveller and My Wander Year.
This issue also includes a Black Lives Matter Special Section.
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GREEN BOOK<br />
REVISITED<br />
A Q&A with Ric Burns, director and producer of the<br />
feature-length documentary, Driving While Black.<br />
new ways of looking at and thinking<br />
about the complex nature of freedom,<br />
mobility and race in America.<br />
We want the film to be a catalyst for<br />
discussion about race and equality<br />
and with that ultimate goal in mind,<br />
Gretchen and our team have been<br />
working to develop a number of<br />
wonderful partnerships.<br />
As an example, we are partnering<br />
with the International Coalition of<br />
Sites of Conscience, a global network<br />
of historic sites, museums,<br />
and memory initiatives whose mission<br />
is to connect past struggles to<br />
today’s movements for social justice,<br />
to develop a dialogue program<br />
that will involve training facilitators<br />
and conducting community discussions<br />
throughout the country.<br />
Our hope is to create a space in<br />
which all Americans can reflect on<br />
shared experiences and values—the<br />
freedom to travel, the joy of driving,<br />
the sense of wonder and adventure<br />
on the open road, the fear of seeing<br />
police lights in the rear view mirror<br />
— but also on those experiences<br />
that divide us, which document a<br />
powerful and deeply troubling, but<br />
often inspiring, history of struggle<br />
and perseverance.<br />
How does this documentary compare<br />
to your previous work? How<br />
does it feel different?<br />
Although my colleagues and I have<br />
a very systematic approach to research,<br />
each time out a film, very<br />
early on, develops its own specialness<br />
– it demands a certain stylistic<br />
approach, for example. In this<br />
case, I am very excited about the<br />
oral histories. Hearing from people<br />
who were “there” so to speak,<br />
who have first-hand knowledge and<br />
experience, is always thrilling and<br />
often very moving. And of course<br />
the opportunity to collaborate with<br />
Gretchen on this project, which she<br />
has really been developing for decades,<br />
is a privilege.<br />
What type of response do you receive<br />
from people when you tell<br />
them about the film?<br />
It is interesting the way that some<br />
projects come about, just at the<br />
right moment. Our sense is that all<br />
of us need and want to be talking<br />
about race in this country. Open<br />
any paper on any day and you’ll<br />
very likely find a story that in one<br />
way or another resonates with the<br />
title of our film – which is “Driving<br />
While Black.”