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GRIOTS REPUBLIC - AN URBAN BLACK TRAVEL MAG - AUGUST 2016

O Canada! Our August issue is a destination issue on Canada. Check out profiles from The Passport Party Project, Olympian Aaron Kingsley Brown, Oneika The Traveller and My Wander Year. This issue also includes a Black Lives Matter Special Section.

O Canada! Our August issue is a destination issue on Canada. Check out profiles from The Passport Party Project, Olympian Aaron Kingsley Brown, Oneika The Traveller and My Wander Year.

This issue also includes a Black Lives Matter Special Section.

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GREEN BOOK<br />

REVISITED<br />

A Q&A with Ric Burns, director and producer of the<br />

feature-length documentary, Driving While Black.<br />

new ways of looking at and thinking<br />

about the complex nature of freedom,<br />

mobility and race in America.<br />

We want the film to be a catalyst for<br />

discussion about race and equality<br />

and with that ultimate goal in mind,<br />

Gretchen and our team have been<br />

working to develop a number of<br />

wonderful partnerships.<br />

As an example, we are partnering<br />

with the International Coalition of<br />

Sites of Conscience, a global network<br />

of historic sites, museums,<br />

and memory initiatives whose mission<br />

is to connect past struggles to<br />

today’s movements for social justice,<br />

to develop a dialogue program<br />

that will involve training facilitators<br />

and conducting community discussions<br />

throughout the country.<br />

Our hope is to create a space in<br />

which all Americans can reflect on<br />

shared experiences and values—the<br />

freedom to travel, the joy of driving,<br />

the sense of wonder and adventure<br />

on the open road, the fear of seeing<br />

police lights in the rear view mirror<br />

— but also on those experiences<br />

that divide us, which document a<br />

powerful and deeply troubling, but<br />

often inspiring, history of struggle<br />

and perseverance.<br />

How does this documentary compare<br />

to your previous work? How<br />

does it feel different?<br />

Although my colleagues and I have<br />

a very systematic approach to research,<br />

each time out a film, very<br />

early on, develops its own specialness<br />

– it demands a certain stylistic<br />

approach, for example. In this<br />

case, I am very excited about the<br />

oral histories. Hearing from people<br />

who were “there” so to speak,<br />

who have first-hand knowledge and<br />

experience, is always thrilling and<br />

often very moving. And of course<br />

the opportunity to collaborate with<br />

Gretchen on this project, which she<br />

has really been developing for decades,<br />

is a privilege.<br />

What type of response do you receive<br />

from people when you tell<br />

them about the film?<br />

It is interesting the way that some<br />

projects come about, just at the<br />

right moment. Our sense is that all<br />

of us need and want to be talking<br />

about race in this country. Open<br />

any paper on any day and you’ll<br />

very likely find a story that in one<br />

way or another resonates with the<br />

title of our film – which is “Driving<br />

While Black.”

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