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GRIOTS REPUBLIC - AN URBAN BLACK TRAVEL MAG - AUGUST 2016

O Canada! Our August issue is a destination issue on Canada. Check out profiles from The Passport Party Project, Olympian Aaron Kingsley Brown, Oneika The Traveller and My Wander Year. This issue also includes a Black Lives Matter Special Section.

O Canada! Our August issue is a destination issue on Canada. Check out profiles from The Passport Party Project, Olympian Aaron Kingsley Brown, Oneika The Traveller and My Wander Year.

This issue also includes a Black Lives Matter Special Section.

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International Wind<br />

Ensemble each<br />

summer in Italy.<br />

I have served as<br />

guest conductor<br />

for numerous ensemble<br />

nationally<br />

and internationally.<br />

IN VIEWING<br />

SOME OF YOUR<br />

CONCERT VID-<br />

EOS, CLEARLY<br />

YOU ARE ENJOY-<br />

ING WHAT YOU<br />

DO, WHAT ARE<br />

YOU FEELING/<br />

THINKING WHILE<br />

CONDUCTING?<br />

I tell you, being a<br />

conductor is one<br />

of the most fascinating<br />

endeavors<br />

one can ever<br />

undertake! It is a<br />

position of leadership<br />

and music<br />

making (re-creating<br />

the composer’s<br />

music)! Whenever<br />

I conduct, I<br />

am always thinking<br />

of the following:<br />

Am I reaching<br />

the “ audience” with the music? Is my interpretation<br />

both unique and in line with<br />

the composer’s intent? If it is a living<br />

composer, am I pleasing him/her with<br />

my interpretation? Am I inspiring the<br />

players/performers? Do I know my score<br />

(meaning the musical structure/form,<br />

harmonic analysis, when to cue various<br />

players)?<br />

As you can see, there are a host of concerns<br />

that go through a conductor’s<br />

mind when he/she is conducting an ensemble!<br />

I’m sure many conductors have<br />

other concerns I have not listed here, but<br />

these are my concerns while conducting.<br />

However, what determines the ultimate<br />

success of a conductor and the performance<br />

is how well the conductor knows<br />

the score/music, as well as how strong<br />

is the relationship between the conductor<br />

and performers.<br />

IN REGARDS TO <strong>TRAVEL</strong>, WHERE HAS<br />

YOUR ROLE TAKEN YOU?<br />

My conducting engagements have taken<br />

me all over the United States, as well as<br />

Canada and Italy. I am looking forward<br />

to more international travel in the near<br />

future, as I desire to perform in more<br />

places in Europe, South American, the<br />

Middle East, and Far East (China, Japan,<br />

etc.).<br />

DO YOU <strong>TRAVEL</strong> WHEN NOT PERFORM-<br />

ING?<br />

I do travel for leisure, but not nearly as<br />

much as I would like to. Nevertheless,<br />

most of my leisure travel has been within<br />

the US. I do have a desire to see more of<br />

Europe, South America, The Carribean,<br />

Australia, and perhaps Russia! Traveling<br />

is a wonderful experience for anyone,<br />

and to have an opportunity to see and<br />

experience other cultures is exciting all<br />

around!<br />

WHERE ARE SOME OF YOUR MOST<br />

MEMORABLE <strong>TRAVEL</strong> MOMENTS?<br />

Some of my most memorable travel moments<br />

included being in Alaska (Fairbanks),<br />

Banff (Canada), Toronto (Canada),<br />

Upstate New York, California (San<br />

Francisco Bay Area, Sierra Mountains,<br />

Yosemite National Park), and of course<br />

Italy (Region of Umbria, Rome, Northern<br />

Italy, and the Adriatic Sea).

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