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A Champion's Mind - Pete Sampras

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messing around, trying to get that stupid little string and tag off the button on the new shirt.<br />

I had a thing about tennis shoes, going all the way back to the time I paid dearly for changing to the new<br />

Nike Air models. Clothing and shoe companies often wanted you to switch to shoes that matched<br />

whatever line they were promoting, but I wouldn’t have it. When I found the Nike Air Oscillate, which<br />

was pretty light but had good stiffness and support, I stuck with it. Nike sold plenty of them, too.<br />

All the shoe manufacturers make special shoes for the grass-court pros, ones with a grid of little stubs<br />

on the bottom. They were like soft, tiny cleats. I didn’t want the stubs to get too low (from wear), but I<br />

also didn’t want to wear a new pair of shoes for every match, like some guys did. In general, I loved<br />

wearing worn-down shoes on most courts, but not on grass. So I would take a new pair of shoes, practice<br />

with them, and play one or maybe two matches wearing them. Then I would throw that pair away and<br />

break in a new one. So the most wear I got out of a pair of shoes at Wimbledon was one practice and two<br />

matches.<br />

With Nike, it was important to stay on top of the company because as they changed lines and factories,<br />

you just never knew what you would get, sizing-wise. Jim Courier and I used to piss and moan about that.<br />

We’d say, “Do what you want to the color or pattern, but don’t change the length of the hem on the shorts<br />

or the cut of the foot bed in the shoe.” Sometimes I’d get a batch of shoes that came from a different<br />

factory than the last batch, and I could barely get my custom-made orthotic inserts into them. Of course,<br />

top pros tend to be more particular about things like the precise fit of their shoes or clothing, and we must<br />

have driven the Nike guys to distraction with our quibbles. Perhaps surprisingly, they didn’t make custom<br />

shoes for us.<br />

I was almost never hassled in Wimbledon Village. One time a couple of kids came to the door and<br />

knocked, asking for an autograph, which I happily gave them. Each day, I’d just call the All England Club<br />

for my courtesy car, and in moments it was there. It took all of five minutes to get to the club to practice or<br />

play. The club itself was very cozy, even after the renovation binge in the late 1990s. The tradition there<br />

until the remodeling was that they had two locker rooms—a fairly big, well-appointed one for the seeded<br />

players (the “A” locker room), and a smaller one that wasn’t even part of the main clubhouse/Centre<br />

Court complex for the journeymen, juniors, and others.<br />

I made it into the A locker room pretty quickly, but the crazy thing was that it was not just tight, it was<br />

probably more crowded than the B locker room. You had all the seeded players in there, plus their<br />

coaches, and you had the former champions, some old guys, and club members. It was jammed. The guys<br />

would sit in there playing backgammon or cards, or telling stories. I’d mostly sit and listen. The most<br />

memorable thing about that locker room to me was it was a very short walk down a set of stairs and<br />

through a small holding room and there you were—right on the hallowed Centre Court.<br />

That holding room is where they have that famous Kipling quote above the door: “If you can meet with<br />

Triumph and Disaster, and treat those two imposters just the same . . .” Everyone talks about that plaque<br />

and how much it means, how it sends chills down the spine of a player waiting to walk out there. It’s<br />

pretty dramatic, because when you’re in that room, you can look out the open door and see that green<br />

patch of Centre Court, all aglow in the sunlight, beyond the short, dark gangway. But the thing I remember<br />

most is the trophy—the singles trophy, which was always sitting right there to the left of the door.<br />

Steve Adams is the attendant in that little room; his official job title is Master of Ceremonies and his<br />

task is to hold the players there until everything is ready. Usually, once you stage with your opponent,<br />

Steve walks out onto Centre Court first to make sure everything is okay—that everybody in the Royal Box<br />

is seated, that the chair umpire is ready, that the crowd has settled, and that the net has been checked and<br />

secured. Then he returns and says, in this chipper, matter-of-fact voice: “Okay, we’re all set, gentlemen.<br />

There is royalty; you must bow . . .”<br />

Later in my career, Adams would sometimes turn to the poor guy standing next to me and say something<br />

like, “Oh, just follow <strong>Pete</strong>; he knows what to do.”

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