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Guns N’Roses

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LIVE MUSIC<br />

Adorned in his signature top hat,<br />

with the outlines of his face concealed<br />

by a smear of curly hair and<br />

pilot sunglasses, Slash brought a<br />

natural looseness, soulfulness, and<br />

depth none of his replacements<br />

managed to fully replicate. He cocooned<br />

songs in mammoth tones<br />

that seemed to carry for miles,<br />

balanced sensual smoothness<br />

with bluesy grit, and bundled an<br />

agitator’s rebellious edge with the<br />

authoritative command of a strict<br />

disciplinarian.<br />

With McKagan and Ferrer supplying<br />

double-barreled rhythms,<br />

Slash shredded during the first<br />

half of “Double Talking Jive” before<br />

upping the pace, mashing<br />

together arpeggios with hurricaneflurry<br />

urgency, and finishing with<br />

a romantic Spanish-styled coda.<br />

The 51-year-old underlined the<br />

serpentine movements of “Mr.<br />

Brownstone” with slouch-andswagger<br />

grooves and enhanced<br />

the cheap, sleazy grind of “Rocket<br />

Queen” with talk-box innuendo<br />

that wouldn’t have been out of<br />

place in a low-rent strip club. Slash<br />

even improved three songs from<br />

“Chinese Democracy” on which he<br />

didn’t play in the studio, bestowing<br />

the title track with strident acidity<br />

and shaping the balladic “This I<br />

Love” with sleeker contours.<br />

Despite all the bad blood<br />

between he and Slash, Rose appeared<br />

to draw inspiration from<br />

having his old right-hand man back<br />

at his side. He pranced, marched,<br />

and kicked about the stage with<br />

assertive confidence and often<br />

sang with piercing intensity. The<br />

vocalist also still hit most of the<br />

mountain-peak-scraping highs.<br />

(continued)<br />

Studio<br />

quality<br />

for your<br />

living<br />

room<br />

DIRECTOR — DA Converter and Preamplifier<br />

PHONITOR X — Headphone and Preamplifier<br />

PHONITOR E — Headphone Amplifier<br />

PHONOS — RIAA Phono Preamplifier<br />

Professional Fidelity<br />

Sound Performance Lab (SPL) has been designing and manufacturing professional audio<br />

equipment in Germany for more than 30 years for some of the world’s top studios.<br />

PRO-FI SERIES<br />

30 TONE AUDIO NO.78<br />

PERFORMER S800 — Stereo Power Amplifier<br />

USA • Distribution by Audio Plus Services — CANADA • Distribution by Plurison

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