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PERSONAL FIDELITY<br />

FEATURE<br />

FEATURE<br />

tunes by k.d. lang, Lana Del Ray, Cat<br />

A great companion<br />

Power, Chris Isaac, Enya, Jeff Buckley,<br />

Admittedly, I prefer sound to the<br />

Adele, Leonard Cohen and others, the<br />

slightly warm side of neutral – especially<br />

when using headphones. The<br />

Quad’s smoothness provides the performances<br />

with a very beguiling and addictive<br />

quality. The PA-One does a stellar job<br />

Quad delivers smooth sound that<br />

makes possible hours of listening, at<br />

of presenting the entire musical picture<br />

reasonable volume levels, without fatigue.<br />

No matter which headphones<br />

with vocalists upfront. It’s easy to get<br />

drawn into the “just one more song” syndrome,<br />

and suddenly you realize several<br />

or IEMs are used to enjoy music<br />

through the Quad, the PA-One has<br />

hours have evaporated.<br />

the power and impedance options to<br />

deliver plenty of oomph, detail, and<br />

Big Iron<br />

musicality.<br />

Connected to a conventional two channel<br />

system, the PA-One serves as a great<br />

While the soundstage is not as<br />

wide and airy as a few more expensive<br />

headphone amps I’ve encoun-<br />

preamplifier. The sonic characteristics<br />

of the headphone amplifier remain true<br />

tered, instruments are well separated<br />

and vocals deliver the power and<br />

through an external amp and speakers<br />

with a slightly warm character. The<br />

emotive presence of the vocalist. A<br />

beguiling ease and organic quality to<br />

Quad’s soundstaging, transparency,<br />

the audio presentation remains evident<br />

in the Quad’s voicing regardless<br />

characteristics cannot match that of more<br />

resolution of ambient cues, and bass<br />

of musical source, yet the PA-One<br />

expensive, dedicated preamps, but this<br />

doesn’t over-embellish either, striking<br />

is an excellent place to build a very enjoyable<br />

two channel system, as your needs<br />

a great balance. Tracks like Massive<br />

Attack’s “Angel” which commands<br />

expand.<br />

the listener’s attention from the get-go<br />

At $1,799 Quad’s latest offering<br />

with its low frequency opening notes,<br />

serves up major sound and value. And<br />

could benefit from a little more heft.<br />

considering you’re getting a great preamp<br />

and highly competent DAC all on<br />

On the other hand, for long listening<br />

sessions, not having the eardrums<br />

one chassis for this price, it’s an amazing<br />

used as punching bags remains a<br />

value. However, it’s important to reiterate<br />

all its owner receives in capability and<br />

welcome voicing choice.<br />

The PA-One accepts high resolution<br />

format up to 24 bit/192kHz.<br />

PA-One and would place it on a personal<br />

value. I very much enjoyed time with the<br />

There’s no DSD capability, but then<br />

list of headphone amplifiers I could enjoy<br />

again, many listeners still have the<br />

daily. If you are seeking a component<br />

bulk of their audio collection as CDquality<br />

16/44.1 or prefer streaming<br />

the hood, do yourself a favor and head to<br />

with great sound and a lot of value under<br />

options from a computer, NAS, or a<br />

your local Quad dealer for an audition. l<br />

service like Tidal, so this shouldn’t be<br />

an issue for most listeners.<br />

Quad PA-One Headphone Amplifier<br />

Putting the Quad through its<br />

$1,799<br />

paces with a plethora of vocally driven<br />

www.quad.com<br />

114 TONE AUDIO NO.78<br />

AUGUST 2016 115

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