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PERSONAL FIDELITY<br />
FEATURE<br />
FEATURE<br />
tunes by k.d. lang, Lana Del Ray, Cat<br />
A great companion<br />
Power, Chris Isaac, Enya, Jeff Buckley,<br />
Admittedly, I prefer sound to the<br />
Adele, Leonard Cohen and others, the<br />
slightly warm side of neutral – especially<br />
when using headphones. The<br />
Quad’s smoothness provides the performances<br />
with a very beguiling and addictive<br />
quality. The PA-One does a stellar job<br />
Quad delivers smooth sound that<br />
makes possible hours of listening, at<br />
of presenting the entire musical picture<br />
reasonable volume levels, without fatigue.<br />
No matter which headphones<br />
with vocalists upfront. It’s easy to get<br />
drawn into the “just one more song” syndrome,<br />
and suddenly you realize several<br />
or IEMs are used to enjoy music<br />
through the Quad, the PA-One has<br />
hours have evaporated.<br />
the power and impedance options to<br />
deliver plenty of oomph, detail, and<br />
Big Iron<br />
musicality.<br />
Connected to a conventional two channel<br />
system, the PA-One serves as a great<br />
While the soundstage is not as<br />
wide and airy as a few more expensive<br />
headphone amps I’ve encoun-<br />
preamplifier. The sonic characteristics<br />
of the headphone amplifier remain true<br />
tered, instruments are well separated<br />
and vocals deliver the power and<br />
through an external amp and speakers<br />
with a slightly warm character. The<br />
emotive presence of the vocalist. A<br />
beguiling ease and organic quality to<br />
Quad’s soundstaging, transparency,<br />
the audio presentation remains evident<br />
in the Quad’s voicing regardless<br />
characteristics cannot match that of more<br />
resolution of ambient cues, and bass<br />
of musical source, yet the PA-One<br />
expensive, dedicated preamps, but this<br />
doesn’t over-embellish either, striking<br />
is an excellent place to build a very enjoyable<br />
two channel system, as your needs<br />
a great balance. Tracks like Massive<br />
Attack’s “Angel” which commands<br />
expand.<br />
the listener’s attention from the get-go<br />
At $1,799 Quad’s latest offering<br />
with its low frequency opening notes,<br />
serves up major sound and value. And<br />
could benefit from a little more heft.<br />
considering you’re getting a great preamp<br />
and highly competent DAC all on<br />
On the other hand, for long listening<br />
sessions, not having the eardrums<br />
one chassis for this price, it’s an amazing<br />
used as punching bags remains a<br />
value. However, it’s important to reiterate<br />
all its owner receives in capability and<br />
welcome voicing choice.<br />
The PA-One accepts high resolution<br />
format up to 24 bit/192kHz.<br />
PA-One and would place it on a personal<br />
value. I very much enjoyed time with the<br />
There’s no DSD capability, but then<br />
list of headphone amplifiers I could enjoy<br />
again, many listeners still have the<br />
daily. If you are seeking a component<br />
bulk of their audio collection as CDquality<br />
16/44.1 or prefer streaming<br />
the hood, do yourself a favor and head to<br />
with great sound and a lot of value under<br />
options from a computer, NAS, or a<br />
your local Quad dealer for an audition. l<br />
service like Tidal, so this shouldn’t be<br />
an issue for most listeners.<br />
Quad PA-One Headphone Amplifier<br />
Putting the Quad through its<br />
$1,799<br />
paces with a plethora of vocally driven<br />
www.quad.com<br />
114 TONE AUDIO NO.78<br />
AUGUST 2016 115