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INTERVIEW<br />
INTERVIEW<br />
Buzz Osborne is making a racket. As the leader of<br />
the Melvins, proponents of sludgy, guttural, and<br />
fast hard rock for three decades, this is, perhaps,<br />
to be expected.<br />
Pans cling. Pots rattle. Running water drowns<br />
out the singer’s voice.<br />
Oblivious, Osborne, meanwhile, fields an<br />
interviewer’s questions as if he’s a slugger taking<br />
batting practice. Thwack. Crack. Boom. Don’t care<br />
about this. Not apologizing for that. Never worried<br />
about the other thing.<br />
On this day, Osborne is at home in Los Angeles.<br />
The background clamor? He’s cleaning the<br />
kitchen, multitasking while talking on the phone<br />
to a reporter. But don’t be fooled by the domestic<br />
chores.<br />
The Melvins, more than 20 albums deep into<br />
their career, are not ones to give much of a hoot<br />
about maturity. The band’s new album, Basses<br />
Loaded, serves as a sort of primer for their career—a<br />
bass swapping, head-spinning (and -banging)<br />
romp that’s as stylistically diverse as it is aggressive.<br />
A key ingredient, as always, is absurdity,<br />
be it the carnival-like cover of “Take Me Out to the<br />
Three Decades of Operating<br />
Ballgame” or the constantly jolting shifts of direction<br />
(see the muddy stump and unexpected bluesy<br />
snarl of album-opener “The Decay of the Living”).<br />
Outside Normalcy<br />
Amid this cacophony resides a secret to the<br />
group’s longevity. Work hard, laugh about it, and<br />
then move on.<br />
Todd Martens Talks With the Melvins<br />
“We’re called the Melvins,” says Osborne. “We<br />
Photos by Mackie Osborne<br />
can’t be serious. It is serious and dark, to some<br />
degree, but that’s part of the humor, too.”<br />
74 TONE AUDIO NO.78<br />
AUGUST 2016 75