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Guns N’Roses

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INTERVIEW<br />

INTERVIEW<br />

Buzz Osborne is making a racket. As the leader of<br />

the Melvins, proponents of sludgy, guttural, and<br />

fast hard rock for three decades, this is, perhaps,<br />

to be expected.<br />

Pans cling. Pots rattle. Running water drowns<br />

out the singer’s voice.<br />

Oblivious, Osborne, meanwhile, fields an<br />

interviewer’s questions as if he’s a slugger taking<br />

batting practice. Thwack. Crack. Boom. Don’t care<br />

about this. Not apologizing for that. Never worried<br />

about the other thing.<br />

On this day, Osborne is at home in Los Angeles.<br />

The background clamor? He’s cleaning the<br />

kitchen, multitasking while talking on the phone<br />

to a reporter. But don’t be fooled by the domestic<br />

chores.<br />

The Melvins, more than 20 albums deep into<br />

their career, are not ones to give much of a hoot<br />

about maturity. The band’s new album, Basses<br />

Loaded, serves as a sort of primer for their career—a<br />

bass swapping, head-spinning (and -banging)<br />

romp that’s as stylistically diverse as it is aggressive.<br />

A key ingredient, as always, is absurdity,<br />

be it the carnival-like cover of “Take Me Out to the<br />

Three Decades of Operating<br />

Ballgame” or the constantly jolting shifts of direction<br />

(see the muddy stump and unexpected bluesy<br />

snarl of album-opener “The Decay of the Living”).<br />

Outside Normalcy<br />

Amid this cacophony resides a secret to the<br />

group’s longevity. Work hard, laugh about it, and<br />

then move on.<br />

Todd Martens Talks With the Melvins<br />

“We’re called the Melvins,” says Osborne. “We<br />

Photos by Mackie Osborne<br />

can’t be serious. It is serious and dark, to some<br />

degree, but that’s part of the humor, too.”<br />

74 TONE AUDIO NO.78<br />

AUGUST 2016 75

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