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For shippers such as Rainier Fruit, with its<br />
relatively new proprietary varieties Junami and<br />
Lady Alice, the introduction process begins<br />
with being able to harvest enough volume.<br />
“It’s incumbent on us to get production<br />
up to commercial levels as soon as possible,”<br />
says Tudor. “After that it takes a tremendous<br />
amount of time and expense. You have to figure<br />
out how you can get this apple, or at least a<br />
taste of it, into the consumer’s mouth.”<br />
For apple producers growing and harvesting<br />
a new improved variety in volume, however, is<br />
just the beginning of a long process.<br />
“You have to focus your time and energy<br />
to introduce it to the consumer,” says Fred<br />
“There aren’t necessarily new techniques, but a<br />
combination of demos, contests, secondary displays,<br />
and category planning with retailers to determine<br />
when to promote new varieties, and newer packaging<br />
that includes pouch bags.”<br />
— Chuck Sinks, Sage Fruit Company<br />
Wescott, president of Honeybear Marketing<br />
Co., Elgin, MN. “It’s expensive; it takes everything<br />
from demos to media. You can’t just grow<br />
it and they will come. It’s a collaborative effort.<br />
Substantial acreage and markets for organic apples,<br />
such as Columbia Marketing International’s Daisy Girl<br />
Organics brand, are a significant part of the industry.<br />
PHOTO COURTESY OF CMI<br />
Once you have an apple, it’s a three-, four- or<br />
five-year journey to do this.”<br />
Retailers must play a major role in giving<br />
customers an opportunity to make a decision<br />
about new varieties.<br />
“There aren’t necessarily new techniques,<br />
but a combination of demos, contests,<br />
secondary displays, and category planning is<br />
used by retailers to determine when to promote<br />
new varieties and packaging, such as pouch<br />
bags,” says Chuck Sinks, president, sales and<br />
marketing at Sage Fruit Company, Yakima,<br />
WA. “If a retailer is carrying a new variety,<br />
then call attention to it through signage or<br />
secondary displays to give consumers an opportunity<br />
to recognize it is something different<br />
than the normal offering.”<br />
The bottomline in introducing a new apple<br />
variety, assuming it has the right stuff, is getting<br />
enough customers to try it. “The trick is to<br />
get the fruit in people’s hands as quick as you<br />
can,” says Roger Pepperl, marketing director at<br />
Stemilt Growers, Wenatchee, WA. “Promotion<br />
will lower the barrier to trial, so ads are very<br />
important. We do a lot of demo programs as<br />
they also aid in the conversion of consumers.<br />
We use social media, bloggers and our own<br />
blog as tools to get the word out. Big displays<br />
are also important.”<br />
Sampling can help by getting customers<br />
to give promising new varieties the taste test.<br />
“Consumers need a reason to purchase something<br />
new or different,” says Sinks. “If they<br />
have a positive experience, there is opportunity<br />
for repeat sales. If demos are allowed at<br />
stores, we recommend them with new varieties<br />
to increase trial. Some retailers are selecting<br />
a newer variety and merchandising it for a<br />
month at a time.”<br />
Carrying more varieties of apples makes the<br />
allocation of shelf space, especially premium<br />
shelf space, a difficulty worth some thought.<br />
“There’s a limit to how many varieties a<br />
retailer is going to carry,” says Wescott of<br />
Honeybear. “Every retailer is different, but<br />
any variety has to pay for its shelf space. Shelf<br />
space is worth a certain amount of money.<br />
The expansion challenges retailers to make<br />
50 / AUGUST 2016 / PRODUCE BUSINESS