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Luxe et al - DESIGNER SPEAK OUT

Luxe et al Magazine. Designers Speak Out - We speak to the experts about the direction of yacht design. The International Yacht & Aviation Awards - A brief look at some of the shortlisted entries.

Luxe et al Magazine. Designers Speak Out - We speak to the experts about the direction of yacht design. The International Yacht & Aviation Awards - A brief look at some of the shortlisted entries.

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Designer in Profile...<br />

Eva Mechler<br />

Owner, Eva Mechler<br />

THG<br />

THG PARIS is a French manufacturer of high-end bathroom fittings.<br />

Born under the instigation of 3 men, the company THG (Tétard-<br />

Haudiquez-Grisoni) remains a subtle mix of craft, know-how and<br />

passion for creativity.<br />

The collaboration with the designer Jean-Claude Delépine in the<br />

1970s <strong>al</strong>lowed the company to evolve into manufacturing luxury<br />

fittings. In 1995, the designer proposed that THG acquired his<br />

creations.<br />

With 60 years experience and 223 employees, THG have expertise in<br />

more than 10 crafts, from casting to the end product. They export to<br />

more than 65 countries and offer over 40 plating finishes.<br />

For its 60th anniversary, THG has chosen to restyle its emblematic<br />

’P<strong>et</strong><strong>al</strong>e de Crist<strong>al</strong>’ collection to offer an exclusive range favouring the<br />

timeless curves and radiance of the fabulous Baccarat Cryst<strong>al</strong>.<br />

Numero 60 is adorned with precious décor and features a sublime<br />

conic<strong>al</strong> piece in lustrous cryst<strong>al</strong> which appears to have been<br />

delicately placed on the cross brace. The p<strong>al</strong>e gold tap fittings shine<br />

with m<strong>et</strong><strong>al</strong>lic and iridescent reflections.<br />

60 years of design, 60 years of dreams, 60 years of expertise.<br />

www.thg.fr<br />

Which sector do you speci<strong>al</strong>ise in?<br />

As a master cabin<strong>et</strong> maker, my aim<br />

is to create wonderful products<br />

that give people the opportunity to<br />

experience the beauty of natur<strong>al</strong><br />

wood in everyday s<strong>et</strong>tings. Having<br />

worked in diverse manufacturing<br />

businesses in Germany and<br />

Switzerland, I compl<strong>et</strong>ed my<br />

training over sever<strong>al</strong> years in both<br />

cabin<strong>et</strong> making and g<strong>al</strong>vanisation<br />

- both to master level. Until now, I<br />

have eighteen years of experience<br />

in the design and manufacture<br />

of solid wood products especi<strong>al</strong>ly<br />

for the bathroom. With my true<br />

experience of handcraft and with<br />

my knowledge of production<br />

management, I am able to present<br />

a viable commerci<strong>al</strong> product with<br />

origin<strong>al</strong>ity and flair that will satisfy<br />

the highest qu<strong>al</strong>ity standards.<br />

Is the Superyacht mark<strong>et</strong> an<br />

integr<strong>al</strong> part of your business/<br />

large percentage of your mark<strong>et</strong>?<br />

The superyacht mark<strong>et</strong> is an<br />

important me<strong>et</strong>ing point for<br />

the world’s leading architects<br />

and designers from <strong>al</strong>l<br />

schools. Superyacht owners<br />

are exception<strong>al</strong>ly rare but they<br />

connect to influencers in <strong>al</strong>l<br />

sectors worldwide who <strong>al</strong>so<br />

demand the very highest levels of<br />

artisan skill and service.<br />

How long have you worked in this<br />

sector?<br />

Eighteen years ago, I qu<strong>al</strong>ified as<br />

a cabin<strong>et</strong> maker. My first job on<br />

a yacht was laying a teak deck.<br />

In recent years with my own<br />

company, I have been gradu<strong>al</strong>ly<br />

increasing my exposure to this<br />

speci<strong>al</strong> segment of the yacht<br />

business and I am now receiving<br />

enquiries for internation<strong>al</strong>ly<br />

acclaimed and complex projects.<br />

Which other sectors do you work<br />

in?<br />

My work is most appropriate for<br />

private luxurious spaces wh<strong>et</strong>her<br />

on a motor yacht, in a home, a<br />

spa, or an exclusive residence or<br />

r<strong>et</strong>reat.<br />

Can you please give d<strong>et</strong>ails of<br />

recent interesting projects<br />

and your direct involvement/<br />

participation in these projects?<br />

Currently, I am developing my<br />

own design for lighting using a<br />

combination of solid hardwood<br />

and cryst<strong>al</strong>; and, following an<br />

enquiry earlier this year, I am<br />

working on a concept for a solid<br />

hardwood serving bar for a leisure<br />

yacht deck. For the bathroom, my<br />

next product is a solid hardwood<br />

shower combined with seating.<br />

My client work is <strong>al</strong>ways treated<br />

with discr<strong>et</strong>ion and I am delighted<br />

to have my solid wood bathroom<br />

furniture inst<strong>al</strong>led in private<br />

and commerci<strong>al</strong> premises in<br />

Europe. More recently, I am in<br />

discussion with world leading<br />

interior and yacht designers about<br />

the application of my design and<br />

technic<strong>al</strong> knowledge in class<br />

leading private projects.<br />

Working within the Superyacht<br />

sector must be different than<br />

the domestic and commerci<strong>al</strong><br />

mark<strong>et</strong>s, have you found this to<br />

be the case?<br />

The superyacht sector is a unique<br />

community. Of course many<br />

people are in direct comp<strong>et</strong>ition<br />

but everyone seems to g<strong>et</strong> <strong>al</strong>ong.<br />

The sector is sm<strong>al</strong>l and open for<br />

newcomers, but I don’t expect the<br />

sector to be forgiving if I should<br />

deliver a substandard job. The<br />

superyacht sector is a hub for<br />

exploring and being ch<strong>al</strong>lenged – a<br />

bit like the ocean itself.<br />

Please describe any relevant<br />

technologic<strong>al</strong> advancements that<br />

may have influenced your work in<br />

recent years. And trends/design<br />

directions moving forward.<br />

I find that solid wood is the most<br />

natur<strong>al</strong> and honest materi<strong>al</strong> in<br />

<strong>al</strong>l the fields of carpentry work.<br />

In my products I use mainly<br />

the hardwoods of black w<strong>al</strong>nut,<br />

chestnut and ash. Their level of<br />

hardness and their pore structure<br />

are very suitable for my work -<br />

and their simple grain gives my<br />

product the desired character. I<br />

love the way that forests are<br />

sustainable: durability, longevity,<br />

recyclability of wood makes<br />

it the perfect materi<strong>al</strong>. The<br />

wood is purchased exclusively<br />

from sustainableforestry sources -<br />

includingnation<strong>al</strong> forests or from<br />

internation<strong>al</strong> certified forestry<br />

operations. I am a partner in Wood<br />

Forever Pact. My suppliers are very<br />

aware of my demand for integrity<br />

in the supply chain and this is a<br />

learning journey for us both.<br />

<strong>Luxe</strong> Et Al 11

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