Tutti Per L'Arte
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Orquestra <strong>Tutti</strong> <strong>Per</strong> L’Arte Description<br />
“The project Orquestra <strong>Tutti</strong> <strong>Per</strong> L’Arte”was born<br />
from the necessity of VOCARE, as a producer of<br />
shows and assuming its own creations, to have a<br />
variety of qualified and talented musicians who<br />
could present with the higher dignity its own<br />
productions both artistic and technically. With the<br />
play “Espanca, Eu não sou ninguém”, the<br />
Ensemble presented themselves for the first time in<br />
the small auditorium from the Rivoli Theatre in<br />
Porto. Since then, they have been playing in several<br />
spaces, with several productions, as in the<br />
VOCARE saloon, in the “Capela das Almas” or in<br />
the small auditorium from the Rivoli theatre.<br />
The presentation of the originals, between the<br />
classic and the popular, joined by the harmonious<br />
ways of theatre, as well as the erudite plays from<br />
Mozart, <strong>Per</strong>golesi or Piazzolla are already a part of<br />
the repertoire of Ensemble being that the schedule<br />
for 2014/2015 will be vaster, counting with<br />
originals associated to poetry and to theatre.<br />
In 2015, the Ensemble will tour with a new project<br />
to Polen and Brazil, having as main goal the<br />
disclosure of the portuguese music.<br />
– 01–
– 02–
He started his first clarinet lessons with his father at 6 years old and<br />
soon started his education at Castelo de Paiva Music Academy (AMCP),<br />
where he worked with teacher Víctor <strong>Per</strong>eira.<br />
In 2011 he finished his graduation in Music (Clarinet performance) in the<br />
University of Minho, with the classification of 18 (grade A) and in 2014<br />
he finished the master in Music Teaching with the same classification.<br />
He attended Master classes with clarinetists of international special<br />
renown, such as François Benda, Harri Maki, Charles Neidich, Tibor<br />
Reman, Ronald Van Spaendonck, António Saiote, Michel Lethiec, and<br />
Alessandro Carbonare.<br />
André was awarded with the first prize in the musical Olympiads from<br />
AMCP.<br />
Orchestra of Sta. Maria da Feira, Wind Orchestra of Institute Piaget –<br />
Viseu and Vermoim Philharmonic Orchestra.<br />
In the feature of chamber music, he’s a founding member of the<br />
“Quinteto de Clarinetes Novum Pontem” and a resident clarinetist of<br />
“<strong>Tutti</strong> <strong>Per</strong> L’Arte” Orchestra from the “Professional Institute of Voice<br />
and Communication, Vocare” based in Porto.<br />
André is, since August 2014, concertino in the Portuguese Orchestra of<br />
Winds.<br />
Parallel to that, he’s a teacher of clarinet in the music school from the<br />
Association for the Cultural Development of Douro - Aradum – and<br />
professor of Clarinet in the Academy of Arts in Cinfães.<br />
He collaborated with several Orchestras, from which we can excel the<br />
Philharmonic Orchestra of Beiras, Chamber Orchestra of Minho, Youth<br />
– 03–
André Vieira<br />
– 04–
Bruno Gomes Sousa was born on the 26TH of May 1989 in<br />
Bellinzona - Ticino (Switzerland). At nine years old he started studying<br />
piano under the guidance of Anna Galassetti.<br />
He came to Portugal when he was 11 year’s old, time in which he joined<br />
Braga’s Calouste Gulbenkian Conservatory of Music in viola d’ Arc with<br />
teacher Luís Norberto, with whom he has studied for six years. In the<br />
eighth grade of viola d’ Arc, he integrated the Class of the teacher Dírio<br />
Alves.<br />
In 2010 he concluded his graduation at the College of Music and<br />
<strong>Per</strong>forming Arts, under the guidance of the professor Ryszard Wóycicki.<br />
Now, he is in the 2º year of his Master in Music Teaching in the<br />
University of Aveiro.<br />
During his musical career, he attended several courses and Master classes<br />
to improve his skills with renowned violinists such as: Wilfried Strehle,<br />
Ryszard Wóycicki, Barbara Friedhoff, Anabela Chaves, Jorge Alves, Avri<br />
Levitan, Diemut Poppen, Tatyana Masurenko, Gérard Caussé, Toby<br />
Hofmann, Rainer Moog and David Win Lloyd.<br />
In 2010, he attended the training: “Uníssono” – I - runs on the Pedagogy<br />
at V. N. Famalicão, under the guidance of Jenny Spanoghe.<br />
In 2005 and 2006 he took part in the I Traineeship of Orchestra under<br />
the guidance of Florin Totan and V Traineeships from the Official Music<br />
Conservatories (where he served as Chief Suit), under the guidance of<br />
the conductor Martin André, and performed under the baton of other<br />
conductors like António Baptista, Pio Salotto, Pedro Neves, Cesário<br />
Costa, Rodolfo Saglimbeni, António Saiote, Christhopher Bochmann,<br />
German Cárceres, Jorge Salgueiro, Harry Lith, Yury Nashuhkin, Ernest<br />
Schelle, Jean- Sebástien Béreu, Rui Massena, Gyudi Sándor, among<br />
others.<br />
Sporadically, he works with Braga’s Chamber Orchestra, Espinho’s<br />
Classical Orchestra, Madeira’s Classical Orchestra, Minho’s University<br />
Orchestra, Gaia’s Philharmonic Orchestra and “<strong>Tutti</strong> <strong>Per</strong> L’Arte”<br />
Orquestra. In Viana do Castelo´s Competition of Stringed Instruments<br />
(2008), he won the third prize ex aequo, in the variant of viola d`Arc in<br />
grade E.<br />
As a professor of Chamber Music he had the opportunity to work with<br />
Basílio Silva, Jaime Mota, Ryszard Wóycicki, Marta Eufrázio e Florian<br />
Petzborn.<br />
Between 2006 and 2010, he was a member of Momentum <strong>Per</strong>petuum<br />
Youth Orchestra of Portugal, with which he travelled to Italy,<br />
representing Portugal in the International Festival of Youth Orchestras,<br />
in 2009 (Florença, Montecatini, <strong>Per</strong>ugia and Ischia Island) under the<br />
direction of the conductor Martin André.<br />
In July of 2009, he collaborated with the Braga’s Chamber Orquestra in<br />
a voyage to Venezuela scheduled by the Portuguese Embassy in the<br />
country.<br />
In April of 2011, he was invited to play in a musical theater organized by<br />
the company “O Bando”, called “The Death of the Clown”.<br />
Since August 2011 he’s a member of Lusitanae Ensemble, performing<br />
several concerts solo with the Ensemble.<br />
In July 2013, he took part in the “Festival Sinfoniche Giovanili in<br />
Fondazione William Walton e la Mortella” with Camerata con Brio,<br />
under the direction of the conductor Martin André.<br />
He is a professor in the Consevatory of Music Calouste Gulbenkian in<br />
Braga and “Companhia da Música” (Braga), where he teaches viola d’<br />
Arc and chamber music.<br />
– 05–
Bruno G. Sousa<br />
– 06–
Francisco Reis was born in 1992 in Porto, Portugal and started his<br />
musical training in the Porto’s Music Conservatory in 2001, finishing in<br />
2010 with the highest qualification.<br />
He is currently doing a Degree in Piano at ESMAE ("Escola Superior de<br />
Música e Artes do Espectáculo") under the guidance of Professor<br />
Madalena Soveral, having initially started with Pedro Burmester.<br />
Among other tutors who played an important role in his coaching as a<br />
chamber musician are Radu Ungureanu, Ryszard Woycicki and António<br />
Saiote.<br />
In addition to this, he was also granted a prize (Margarida Brochado) that<br />
allowed him to make his debut performing with an orchestra in 2010,<br />
playing Liszt's First Piano Concerto.<br />
Renowned pianists with whom he has worked with include Luiz Moura<br />
Castro, Miguel Borges Coelho, Helena de Sá e Costa, Sequeira Costa,<br />
Akiko Ebi, Karl-Heinz Kämmerling, Zoltán Kocsis, Elisabeth Leonskaja<br />
and Eldar Nebolsin.<br />
He’s part of “<strong>Tutti</strong> <strong>Per</strong> L’Arte” Orchestra since 2013.<br />
He has won several prizes in contests around Portugal and Spain, having<br />
distinguished himself with the first place in Florinda Santos<br />
International Competition (Portugal, 2008), Fundão's International<br />
Competition (Portugal, 2008), Maria Campina International<br />
Competition (Portugal, 2010) and in Ibiza's International Competition<br />
(Spain, 2008) as well. In Ciutat de Carlet International Competition<br />
(Spain, 2009) he won the second place and in Ricardo Viñes<br />
International Competition (Spain, 2009) third.<br />
– 07–
Francisco Reis<br />
– 08–
Born in 1987, he began his musical studies in violin at six years old<br />
in the Music Academy at Barcelos with the teacher Paula Peixoto. On the<br />
following year he entered to the Calouste Gulbenkian Musical<br />
Conservatory of Braga, where he worked with the teacher José Tavares<br />
until the sixth grade. In 1999 he entered in Artave where he concluded<br />
the fifth degree of violin with the professor José Camarinha.<br />
In 2002 he moved to the Class of violin of arc from the professor Jorge<br />
Alves, with whom he has been working ever since. He began his degree<br />
in the College of Applied Arts in Castelo Branco, being now concluding<br />
this degree in the College of Music, Arts and Entertainment of Porto.<br />
Since 2008, he has been working as a violin and viola professor in<br />
Guimarães and Vieira do Minho’s Musical Academy “Valentim Moreira<br />
de Sá” where he has developed interdisciplinary projects like musicals -<br />
“A Bela e o Monstro” and “Música no Coração”, performing the play’s<br />
music and making the corresponding orchestral arrangements.<br />
Along his journey as a player he worked with the violinists: Ryszard<br />
wóycicki, Paul Wakabayashi, Joice Tan and Tobby Hoffman. He has also<br />
had the chance to work with various orchestras, such as Aproarte<br />
Orchestra, Orchestra of the North, ESART Ensemble, Classical<br />
Orchestra of Espinho under the direction of conductors such as Rafael<br />
Montes Gómes, Osvaldo Ferreira, Christopher Bochmann, Timothy<br />
Russel, Roberto Pérez, Mauricio dini Ciacci, António Soares, Xavie<br />
Gagnepain, Homri Adari, Cesário Costa, Stefano Trasimeni, Martin<br />
André, Pedro Neves, Emílio de Cesar, Jean- Sebastien Béreau, Ricardo<br />
Tacuchian, Vasco Pierce de Azevedo, António Saiote, Robert Gutter,<br />
Luís Cipriano Atalaya, Manuel Ivo Cruz, Juan Trillo, Paulo Silva and<br />
Fernando Lapa.<br />
He’s part of “<strong>Tutti</strong> <strong>Per</strong> L’Arte” Orchestra since 2013.<br />
– 09–
Joel C. M. Azevedo<br />
– 10–
He started his first classes at twelve years old and a little bit later he<br />
started his education in the Conservatory of Music in Porto where he<br />
studied with the Profs. Cunha e Silva, Rogério Krieger e Suzanna<br />
Lindegran.<br />
He continued his studies in the College of Music and <strong>Per</strong>forming Arts<br />
with professor Radu Ungureano, studied modern violin and baroque<br />
violin with his professor Amandine Beyer.<br />
During his studies he attended Master classes oriented by Ryszard<br />
Wóycicki, Bárbara Friedhoff, Anabela Chaves, Jorge Alve, Tatyana<br />
Masurenko, Toby Hofmann,and David Win Lloyd and Zofia Woycicka.<br />
Rogério is a resident musician of the Baroque Iberian Orchestra and has<br />
already had international outputs with this orchestra to France and Spain<br />
as a concertino player.<br />
Nowadays he is a professor of violin in the Musical Conservatory of<br />
Freamunde, in the Musical Academy Paulo VI in Gondomar,<br />
Coordinator of the musical department CIC (Colégio dos Carvalhos)<br />
CIC and director musical/concertina player in the “<strong>Tutti</strong> <strong>Per</strong> L’Arte”<br />
Orchestra.<br />
He has being collaborating with various orchestras and ensembles , such<br />
as the Philharmonic Orchestra of Beiras, North Ochestra, Classical<br />
Orchestra of Espinho, Braga’s Chamber Orchestra, Ensemble “Terras<br />
do Sousa”, among others, where he has already worked with conductors<br />
like: Florin Totan, António Baptista, Pio Salloto, Pedro Neves, Cesário<br />
Costa, António Saiote, Christopher<br />
Bochmann, German Cárceres, Jorge Salgueiro, Harry Lith, Yuri<br />
Nasushkin, Ernest Schelle, Rui Massena, Gyudi Sándor, among others.<br />
– 11–
Rogério Monteiro<br />
– 12–
Born on the 22nd of December, 1978 in Porto, Rui André<br />
Felgueiras da Cunha <strong>Per</strong>eira started his musical studies at sixteen years<br />
old in Castro Alves Foundation in V.N. Famalicão.<br />
In 1998 he joined the musical Conservatory Calouste Goulbenkian of<br />
Aveiro in the Class of bass from the professor Sérgio Barbosa. He<br />
proceeded his Higher Education In Porto , in the College of Music and<br />
<strong>Per</strong>forming Arts in the class of bass from the Professor Florian<br />
Petzborn, following the Master in Music Teaching in the University of<br />
Aveiro.<br />
He has been collaborating with various orchestras, symphonic bands and<br />
ensembles such as: Beiras’ Philharmonic Orchestra, North Orchestra,<br />
Espinho’s Classic Orchestra, Portuguese Symphonic Band, Braga’s<br />
Chamber Orchestra, “Terras do Sousa” Ensemble and Joanna Music<br />
Ensemble.<br />
Currently joined “<strong>Tutti</strong> <strong>Per</strong> L’Arte” Orchestra and he’s a professor of<br />
bass at Coimbra´s Conservatory of Music, Paços de Brandão’s Music<br />
Academy and at the St.a Maria da Feira’s Music Academy.<br />
During his academic period he attended Master classes conducted by<br />
some of the best bassists from nowadays, highlighting names such as:<br />
Michael Wolf, Paul Elisson, António Aguiar, Thierrie Barbé, David Eyes<br />
Bartosz Sikorski, Thomas Marting, Bernard Sales, among others.<br />
– 13–
Rui <strong>Per</strong>eira<br />
– 14–
Sónia was born on the third of May 1989 in Covilhã (Portugal). She<br />
started studying cello at twelve years old in the Professional School of<br />
Arts with the Professor Luís Quaresma, Rogério Peixinho and Miguel<br />
Matias.<br />
She has graduated in University of Music and <strong>Per</strong>forming Arts with the<br />
professor Marco Ceccato, and is currently attending her Master in the<br />
same school with the same professor.<br />
She was publicly honored by the Covilhã Town Hall for the merit of the<br />
obtained classification as a student in high school (2006/2007).<br />
She played solo for the first time with 16 years old with the Stringed<br />
Orchestra from EPABI (Escola professional de Artes da Covilhã).<br />
She held several training Masters of Baroque Orchestra under the<br />
guidance of the conductor Rogério Peixinho, Bejamin Chenier,<br />
Amandine Beyer, Marco Ceccato and Ana Mafalda Castro and has<br />
participated in a Summer traineeship with the Orchestra of Young<br />
Momentum <strong>Per</strong>petuum, under the guidance of Martin André and in the<br />
I traineeship of the symphonic Band of Beira Interior.<br />
She was part of the string quartet “Valkyries” with the professor Gian<br />
Marco.<br />
She collaborates with the project “Cronus” and in the Foco Musical. She<br />
held several Master classes from cello, conducted by the professor Jad<br />
Baharal, Miguel Rocha and Jiannis Toulis. She took part in the IV, V, VI,<br />
VII, and IX course of ancient music in Linda-a-Velha, in which she<br />
finished in second place. She was a member of the Orchestra in<br />
conducting the concert “Paixão Segundo S. João de Bach” Under the<br />
guidance of Bárbara Franck.<br />
She has applied for the Academy Montis Regalis in Mondovi, Italy, in<br />
which she became a deputy. She was present in the traineeships<br />
“Intensive Programme La Follia” in Consenza (Italy) and has<br />
participated in a Music Project in COSMOCAIXA in Madrid (Spain).<br />
Now, she belongs to the chamber group IL “suono dell anima”,<br />
Dolcezza, “Tributo a Zeca Afonso”, Time Shifter, ensemble and “<strong>Tutti</strong><br />
<strong>Per</strong> L’Arte”Orchestra.<br />
– 15–
Sónia S. de J. Vicente<br />
– 16–
Sound Portfolio<br />
www.soundcloud.com/tutti-per-larte<br />
– 17–
– 19–