Tokyo Weekender August 2016
Far from the Madding Crowd Secret Diving Spots, an Organic Farm, a Mountain Onsen, and Other Dreamy Getaways Also: Rediscovered Photos from WWII, Change the Way You Watch TV, Summer Drinks, and a Rio Sports Roundup
Far from the Madding Crowd Secret Diving Spots, an Organic Farm, a Mountain Onsen, and Other Dreamy Getaways
Also: Rediscovered Photos from WWII, Change the Way You Watch TV, Summer Drinks, and a Rio Sports Roundup
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WHY DOES TOKYO NEED A<br />
MOVEMENT LIKE THIS?<br />
<strong>Tokyo</strong> has always been “cool” and a desirable place to<br />
visit, I suppose, but up until recently it has carried this<br />
unwarranted Bubble-Era reputation of being an expensive,<br />
inaccessible island. In reality it is quite a bargain<br />
compared to other alpha cities such as NYC and London.<br />
I think people are now catching on to this, and as a result<br />
we are seeing a huge influx of tourists. Most attempts<br />
to capitalize on this have been financially or politically<br />
motivated – they have focused on the novelty or kooky<br />
stereotypes. We felt that <strong>Tokyo</strong> wasn’t being adequately<br />
represented through conventional channels. <strong>Tokyo</strong> is this<br />
monstrous iceberg under the surface, but what’s sold to<br />
people is just a little ice cube pointing out the ocean. We<br />
wanted to communicate this side of the city to people in<br />
an authentic way. The <strong>Tokyo</strong> we know and love.<br />
DESCRIBE THE TOKYO YOU<br />
KNOW AND LOVE.<br />
It’s inexplicably magnetic. Its depth and mystery allows<br />
the curious mind a lifetime of exploration; around every<br />
turn reveals one of the city’s many secrets. This is all a<br />
result of its urban diversity. There’s no other place where<br />
you can travel between neighborhoods on a short train<br />
ride and feel like you’re in a different city. At the same<br />
time it’s very flat: If you take someone from Kitasenju<br />
and Nakameguro … economically they’re quite separate<br />
but if you put them side by side and interact with them,<br />
you’ll find that they’re quite similar, in manner and<br />
values. I think this is something unique to Japan’s class<br />
system, or lack thereof.<br />
HOW DO YOU SEE THE CITY<br />
EVOLVING RIGHT NOW?<br />
The demographics are changing. The stigma of foreigners<br />
just visiting or not taking life seriously here is being lifted.<br />
We are garnering a bit more respect as contributors<br />
to society and the cultural landscape; we’re becoming an<br />
integral part of it, as opposed to this feeling of “When are<br />
you going home?” You can see this with how we are now<br />
collaborating more intimately as peers on an equal level.<br />
SO WHAT IS TOKYO’S IDENTITY?<br />
Nobody can really answer that. What is a <strong>Tokyo</strong>jin?<br />
Nobody has a clear answer, and I think that’s the beauty.<br />
When you think of a New Yorker or a Parisian, you have<br />
this clear image in your head. But <strong>Tokyo</strong>jin? People are,<br />
like, hmm, overworked salaryman, chic Sunday shopper?<br />
However, I do believe that the cornerstone of <strong>Tokyo</strong>’s<br />
identity is its constant evolution and renewal. I’m always<br />
reminded of a quote from the late Donald Richie: “Worrying<br />
about change in <strong>Tokyo</strong> is a fool’s errand, you might as<br />
well complain about the weather.”<br />
BUT FOR POWERED BY TOKYO YOU’VE<br />
CHOSEN TO FOCUS ON PEOPLE…<br />
Yes, because it’s the people – the entrepreneurs, the<br />
creatives, the chefs, the bartenders, our cultural delegates<br />
– who are shaping this city’s identity and future. We want<br />
to create a platform to give these individuals a voice.<br />
Then, collectively, we can establish an authentic image of<br />
the real <strong>Tokyo</strong>.<br />
Turn the page to meet Cherry, one of the first <strong>Tokyo</strong>jin creatives<br />
featured in the project. See more at poweredby.tokyo<br />
TOKYO WEEKENDER | AUGUST <strong>2016</strong> | 33