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Shakespeare Magazine 08

Shakespeare Magazine 08 celebrates the Shakespeare event of 2015: Benedict Cumberbatch's Hamlet. Our 10-page feature explores Benedict's Shakespearean story and includes beautiful images and a full Barbican review. Also this issue: our essential visitor's guide to Shakespeare's Stratford-upon-Avon (with a nod to Stratford, Ontario). Plus! Shakespeare in Scotland, Shakespeare Video Games, Richard III in California, and Painting Shakespeare with artist Rosalind Lyons.

Shakespeare Magazine 08 celebrates the Shakespeare event of 2015: Benedict Cumberbatch's Hamlet. Our 10-page feature explores Benedict's Shakespearean story and includes beautiful images and a full Barbican review. Also this issue: our essential visitor's guide to Shakespeare's Stratford-upon-Avon (with a nod to Stratford, Ontario). Plus! Shakespeare in Scotland, Shakespeare Video Games, Richard III in California, and Painting Shakespeare with artist Rosalind Lyons.

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<strong>Shakespeare</strong> video games <br />

Gina Bloom at the University of California<br />

at Davis is presently spearheading a project<br />

that will be demonstrated in the lobby of the<br />

Stratford Festival theatre in Ontario, Canada<br />

this summer. The project, Play the Knave: A<br />

<strong>Shakespeare</strong> Performance Videogame, lets users<br />

design a virtual performance space and then<br />

perform a scene from a <strong>Shakespeare</strong> play,<br />

inhabiting this constructed space with an<br />

avatar. As a Davis insider explains: “We use a<br />

kinect motion capture camera to capture the<br />

user’s skeletal data so that players use their<br />

entire bodies to control their avatar’s gestures<br />

onscreen, all the while reciting the lines from<br />

<strong>Shakespeare</strong>’s scene”. This literally immerses<br />

the players in the scene.<br />

<strong>Shakespeare</strong>’s Globe Theatre in London<br />

took another tactic regarding immersion<br />

in the production of the game Hemmings’<br />

Play Company . Hosted on the Playground<br />

portion of the Globe’s website, and thus<br />

aimed at an audience of children, the game<br />

has players taking on the role of Hemmings,<br />

an Elizabethan bear, who leads a troupe of<br />

theatrical animals such as Kit the Cat, Dekker<br />

the Dog, and Slye the Fox.<br />

The turn-based game leads players through<br />

the vagaries of Elizabethan theatre practice,<br />

from patronage to lost props and the plague.<br />

By the end of the game, players must earn<br />

enough money to rebuild the Globe after it<br />

burns down during a performance of Henry<br />

VIII .<br />

Also from <strong>Shakespeare</strong>’s Globe are two<br />

innovative video experiences created for<br />

children aged five to 11. The first, Exploring<br />

Silent Hill 3: Brush up<br />

your <strong>Shakespeare</strong> if<br />

you want to survive.<br />

Hemmings’ Play<br />

Company from<br />

<strong>Shakespeare</strong>’s<br />

Globe.<br />

<strong>Shakespeare</strong> , features two boys on a tour of<br />

the Globe theatre who sneak off to explore<br />

backstage. The video illustrates four plays<br />

using short animations that are keyed<br />

to things the boys find backstage. The<br />

technology combines live action film and<br />

animation to create an interactive, touchable<br />

game. Filled with mini -games, quizzes and<br />

interesting facts about <strong>Shakespeare</strong>, the game<br />

allows players to click through the narrative<br />

or to stop and learn more as they go along.<br />

The second video, called Staging It , uses<br />

the same technology as the first film, but this<br />

time is for the 11-16 age group. In this game,<br />

The Globe has filmed two actors performing<br />

famous duologues from A Midsummer<br />

Night’s Dream and Macbeth on the Globe<br />

stage. Rather than shoot it once, the actors<br />

have performed their lines in different ways<br />

(happy, flirtatious, defensive and so on),<br />

creating several different clips per line.<br />

Players can watch each of the clips and add<br />

their choice to a dynamic storyboard to<br />

build up their final scene. Impressively, the<br />

platform allows for up to 1,000,000 different<br />

combinations of clips.<br />

Apps and Mini-Games<br />

It’s when you start to look outside of the<br />

realm of popular video game platforms<br />

like Xbox or Playstation, that <strong>Shakespeare</strong><br />

SHAKESPEARE magazine! 49

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