This Is London 11 Nov
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8<br />
Quite which Coronation Mozart’s<br />
beautiful Mass K317 was first performed<br />
at and which earned it its nickname isn’t<br />
certain but it was either Francis I of<br />
Austria in 1792 or Leopold II the<br />
previous year in Prague. Mozart wrote<br />
eighteen Mass settings of which this and<br />
the unfinished ‘Great’ C minor are<br />
amongst his finest. By way of<br />
complementing the Mass, the strings of<br />
the Brandenburg Sinfonia will play<br />
Mozart’s wonderfully light-hearted<br />
Divertimento in F K138 in three<br />
movements the second of which has a<br />
beguiling melody for the first violins and<br />
the final ‘Presto’ is a helter-skelter finale.<br />
Richard Blackford’s (b1954) Mirror of<br />
Perfection was written in 1995 after the<br />
composer had had a five-year fallow<br />
period. Visiting Assisi that year he was<br />
The Whitehall Choir on the steps of St John’s Smith Square.<br />
WHITEHALL CHOIR PERFORM MOZART CORONATION MASS<br />
The Whitehall Choir is to perform an imaginative concert<br />
with the Brandenburg Sinfonia and four rising star soloists<br />
on 22 <strong>Nov</strong>ember (19.30) in St John’s Smith Square –<br />
Mozart’s Coronation Mass and Richard Blackford’s<br />
amazing Mirror of Perfection.<br />
deeply moved and affected by what he<br />
learned about St. Francis. The most<br />
telling point for Blackford was how the<br />
Saint ‘stripped away everything<br />
superfluous’. <strong>This</strong> inspired him to<br />
compose this work with the same ethic.<br />
Thus, the music eschews the<br />
complexities of much contemporary<br />
music and focuses on the clarity of text<br />
and time honoured polyphonic writing.<br />
The text is by St Francis and forms a<br />
varied seven movement cantata for<br />
choir and small orchestra with soprano<br />
and baritone soloists, Eve Daniell and<br />
Henry Neill.<br />
Musical Director Paul Spicer is an<br />
internationally recognised choral<br />
conductor, partly through the many CDs<br />
he made with the Finzi Singers for<br />
Chandos Records. He conducted Bach<br />
Choirs in Chester and Leicester before<br />
moving to conduct the Bach Choir in<br />
Birmingham in 1992. He taught at the<br />
Royal College of Music between 1995<br />
and 2008, and now teaches choral<br />
conducting at the Birmingham<br />
Conservatoire, where he also directs<br />
both chamber choirs, and at Oxford and<br />
Durham Universities.<br />
The Whitehall Choir is one of<br />
<strong>London</strong>’s leading amateur choirs. It has<br />
a varied repertoire including challenging<br />
unaccompanied pieces as well as larger<br />
choral works, and looks to present a<br />
selection of more rarely performed<br />
pieces alongside favourite classics. The<br />
Choir performs regularly at major central<br />
<strong>London</strong> concert venues, alongside<br />
professional orchestras and soloists,<br />
and has an extensive repertoire from the<br />
Renaissance to the twenty-first century.<br />
They have recorded 3 popular CDs, all<br />
of which are available from the website<br />
www.whitehallchoir.org.uk<br />
For tickets to the 22 <strong>Nov</strong>ember<br />
concert, telephone 020 7222 1061 or<br />
for full details, go to the St Johns Smith<br />
Square web site www.sjss.org.uk<br />
CHRISTMAS CAROLS AT ST JAMES’S<br />
The first Christmas Concert of the<br />
year will take place on 17 <strong>Nov</strong>ember<br />
(19.00) at St James’s Church Piccadilly.<br />
The first part is devoted to the World<br />
Première of Howard Blake’s ‘Snowman<br />
Rhapsody, and will be performed by<br />
17-year old pianist, Julian Trevelyan.<br />
In the second half, sopranos Alison<br />
Langer and Nicola Said will be joined by<br />
Lawrence Thackeray, tenor, and Jacob<br />
Bettinelli, baritone, singing seasonal<br />
songs of great charm and lyricism. They<br />
will be accompanied by Julian Trevelyan,<br />
this time playing the violin, Ozlem Celik,<br />
clarinet, and Keith Beresford, piano.<br />
Tickets at the door on the night.<br />
t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e