MEISSEN Golden Berry

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manner prescribed. Only when volatile oils are added do the paints take on the consistency needed to apply them. Once the motifs have been outlined on the glazed porcelain in pencil, the process of „laying the painting on“ commences: our painters use a brush or steel pen to apply colours to the porcelain one by one. The next step involves their finishing off the fine detail in each colour. The painting is then supplemented by decorative detail in gilt. The ready-enamelled pieces now need to be fired a third time for the porcelain paints to make their full impact. They melt at around 900°C and fuse with the glaze. In many cases, their colour alters appreciably in the process. The gilded decoration, to conclude, is then burnished with an agate stylus so as to bring out its full radiant intensity – and subsequently set any porcelain fancier’s eyes gleaming. painted with this filigree plant motif is the loving hand-crafting of our Manufactory staff. Anyone beholding one of our porcelains decorated with the delightful Golden Berry pattern will sense that what makes a unique and priceless work of art of each plate, vase and dish 8
First of all, a draft design of the leaves and berries in each motif is carefully produced on paper. The Golden Berry pattern is applied with the deftest of brushwork.
Page 1: NEW ON WAVES Golden Berry
Page 4 and 5: OUR ANNIVERSARY PATTERN THE CONTRAS
Page 6 and 7: Andreas Herten, creator of the Gold
Page 10 and 11: PATTERN AND COLOURS TO MATCH CELADO
Page 12 and 13: CELADON Deriving from a glaze wides
Page 14 and 15: MIX AND MATCH STYLISH PORCELAIN VAR
Page 16 and 17: COLLECTION GOLDEN BERRY ON „WAVES
Page 18 and 19: ESPRESSO Espresso cup, complete V 0
Page 20 and 21: TEA Tea cup, complete V 0,17 l 6191
Page 22 and 23: MILK & SUGAR Sugar bowl V 0,20 l 61
Page 24: © MEISSEN ® 2016. All rights rese

MEISSEN Golden Berry

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