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GALLERY O National Gallery of Art, Washington (Andrew W Mellot The Skater (Portrait of william Grant)(l782lby Gilbert Stuart I l I ! I l THIS GENTLEMAN CUTS A FINE FIGURE IN MORE I *uy, than one. He also had the good fortune to be portrayed by the foremost American portrait painter o{ his day, Clibert Strru.t (1755-1828). Stuart painted the likeness of George Washington on numerous occasions, but he is perhaps 6est remembered for the painting he didn't {inish' It was coinmissioned by Martha Washington in the {inal years of her husband's liie and is familiar to all Americans as the image on the US one-dollar bill. Like the portraits of Washington, this painting exudes strength and confidence. Mr. Grant manages to maintain a perf-ectly erect posture even though, from his track on the ici, he is executing arather tight curve. His skating appears efiortless, and he would be the last person to worry about what's happening beneath his blades. He knows it works, and that's lt orgh for him. Let someone else read "The Friction and Preisure of Skating" on page 25'Hdd rather just skate. l
UA TU JULY/AUGUST 1994 VOLUME 4, NUMBER 6 .6iis&'i',,;1 ' rl f . 4
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