03.01.2017 Views

Portfolieau 2016 ENG

Architectural portfolio of my works

Architectural portfolio of my works

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

A<br />

R CHIT<br />

E<br />

C<br />

temparament<br />

tem ptatron<br />

tenatious<br />

talended<br />

tuneing<br />

toncue<br />

tonic<br />

tics


PROLOGUE<br />

Designs presented in this portfolio are architectural visions and studies mostly proposed in master‘s<br />

program at the Faculty of Architecture of the Czech Technical University. Conducted under the<br />

auspices of academic teams of architects with years of experience in the field - Prof. Ing. arch. Irena<br />

Šestáková, doc. Ing. arch. Vladimír Krátký or doc. Acad. arch. Vladimír Soukenka. Most of the<br />

studies are accompanied by a separate portfolio, presentation posters and „live“ models. Some<br />

of them were later deepened by more detailed engineering designs and analytical seminars. The<br />

intent of processing all projects is the author‘s own presentation with demonstration of interpretation<br />

for future experience in the field.


Design<br />

Úroveň vzdělání: Maturita (matematika, fyzika, angličtina)<br />

Úroveň vzdělání: Inženýr architekt (Architektura a Urbanismus)<br />

Mendelovo gymnázium, Opava (osmileté studium)<br />

E-mail:<br />

České vysoké učení technické, fakulta architektury, Praha<br />

VZDĚLÁNÍ<br />

2 0 - 2 08<br />

2 08 - 2015<br />

BUS,<br />

LE<br />

BUS,<br />

LODĚ<br />

DĚTI<br />

o:<br />

:<br />

us)<br />

)<br />

O MNĚ<br />

Cestování<br />

Výtvarné umění<br />

Tvorba www stránek<br />

Sport, fireshow, zpěv, tanec<br />

Komunikace s lidmi, filosofie, rap<br />

Ing. arch. Ondřej Šváb<br />

Uvaděč na 19. konferenci IYPT (v ang. jazyce), Opava, 2 06<br />

Sborový zpěv: sbor Luscinia a další, Opava (a po Evropě), 1 95 - 2 04<br />

Služba v církvi, Opava, 1 95 - 2 05<br />

Sbírky pro charitu, Opava, 1 9 - 2 0<br />

2. místo v soutěži „O pohár Becario“ - fyzikální soutěž, Opava, 2 06<br />

Instruktor Slack-line: Str et Game festival Opava, 2013 - 14, zahraniční zájezdy<br />

Promoční projev v Betlémské kapli, Praha, 2015<br />

Angličtina: 15 let, FCE, TOEFL certifikát (B2)<br />

Adobe Photoshop, Adobe I lustrator, Adobe InDesign<br />

Německý jazyk: 4 roky, pasivně<br />

Autodesk AutoCAD 2D, AutoCAD 3D<br />

Španělský jazyk: 3 roky, pasivně<br />

Autodesk 3DsMax<br />

Český jazyk: 27 let, rodný jazyk<br />

Rhinoceros 3D<br />

Microsoft Offce<br />

Sony Vegas<br />

ČINNOSTI<br />

Mostní 111, 747 05, Opava<br />

SOFTWARE<br />

, angličtina)<br />

+420 731 826 036<br />

mayclip@gmail.com<br />

2015 (9-12)<br />

WPL Limited, Inc.<br />

Ing. František Mikulinec, Opava<br />

delování, asistence u projektů)<br />

2012 (5-10)<br />

. arch. Richard Myslivec, Praha<br />

inuálně dodnes)<br />

ZÁJMY<br />

ZÁJMY<br />

I<br />

JAZYKY<br />

2015 (9-12)<br />

WP Limited, Inc.<br />

Ing. František Mikulinec, Opava<br />

(3D Modelování, asistence u projektů)<br />

2012 (5-10)<br />

Atelier Mysli Group, Ing. arch. Richard Myslivec, Praha<br />

2 04 - 2010 (kontinuálně dodnes)<br />

E SEX, Cyril Šíma, Štěpánkovice - brigády na stavbě, studie a návrhy<br />

Ing. arch. Ondřej Šváb<br />

Mostní 1, 747 05, Opava<br />

+420 731 826 036<br />

mayclip@gmail.com<br />

dy na stavbě, studie a návrhy<br />

O MNĚ<br />

Celé jméno:<br />

Bydliště:<br />

Telefon:<br />

ŠENOSTI<br />

Cestování<br />

Výtvarné umění<br />

Brigády: grafický design, cestovní ruch, DesignBlok,<br />

marketing, odpadní řešení, staveniště, prodej a výstavy<br />

Instruktor snowboardingu: provozováno soukromě, 5 let<br />

Živnostenský list: nevázaná živnost, 2015 (přerušeno)<br />

JAZYKY<br />

Komunikace s lidmi, filosofie, rap<br />

Sport, fireshow, zpěv, tanec<br />

Tvorba www stránek<br />

Uvaděč na 19. konferenci IYPT (v ang. jazyce), Opava, 2006<br />

Sborový zpěv: sbor Luscinia a další, Opava (a po Evropě), 1995 - 2004<br />

Služba v církvi, Opava, 1995 - 2005<br />

Sbírky pro charitu, Opava, 1999 - 2000<br />

Design<br />

2. místo v soutěži „O pohár Becario“ - fyzikální soutěž, Opava, 2006<br />

Promoční projev v Betlémské kapli, Praha, 2015<br />

Instruktor Slack-line: Street Game festival Opava, 2013 - 14, zahraniční zájezdy<br />

I<br />

ČINNOSTI<br />

Adobe Photoshop, Adobe I lustrator, Adobe InDesign<br />

Autodesk AutoCAD 2D, AutoCAD 3D<br />

SOFTWARE<br />

Rhinoceros 3D<br />

Autodesk 3DsMax<br />

Sony Vegas<br />

Microsoft Offce<br />

JAZYKY<br />

Řidičský průkaz: typ B, Vítkov, přibližně 23 00 km, od 2 07<br />

AKTIVITY A LICENCE<br />

Kurzy, soutěže, olympiády: matematika, fyzika, sport, hudba<br />

TRASA<br />

METRO - C<br />

DEJVICE<br />

OBSAH<br />

USPOŘÁDÁNÍ PROJEKTŮ - STUDIÍ V PORTFOLIU<br />

Český jazyk: 27 let, rodný jazyk<br />

Španělský jazyk: 3 roky, pasivně<br />

Německý jazyk: 4 roky, pasivně<br />

Angličtina: 15 let, FCE, TOEFL certifikát (B2)<br />

PROFESNÍ ZKUŠENOSTI<br />

PROFIL AUTORA<br />

HRADČANY<br />

KONTAKTNÍ INFORMACE, ŽIVOTOPIS<br />

II<br />

HOLEŠOVICE<br />

Brigády: grafický design, cestovní ruch, DesignBlok,<br />

Angličtina: 15 let, FCE, TOEFL certifikát (B2)<br />

O MNĚ<br />

SMÍCHOV<br />

06<br />

FLORENC<br />

NOVÉ<br />

MĚSTO<br />

Mostní 111, 747 05, Opava<br />

Ing. arch. Ondřej Šváb<br />

PRAŽSKÝ<br />

OKRUH<br />

Celé jméno:<br />

33-38<br />

2015 (9-12)<br />

WPL Limited, Inc.<br />

Ing. František Mikulinec, Opava<br />

(3D Modelování, asistence u projektů)<br />

2012 (5-10)<br />

Atelier Mysli Group, Ing. arch. Richard Myslivec, Praha<br />

2004 - 2010 (kontinuálně dodnes)<br />

ESSEX, Cyril Šíma, Štěpánkovice - brigády na stavbě, studie a návrhy<br />

marketing, odpadní řešení, staveniště, prodej a výstavy<br />

Instruktor snowboardingu: provozováno soukromě, 5 let<br />

O MNĚ<br />

Živnostenský list: nevázaná živnost, 2015 (přerušeno)<br />

Řidičský průkaz: typ B, Vítkov, přibližně 23 000 km, od 2007<br />

Kurzy, soutěže, olympiády: matematika, fyzika, sport, hudba<br />

mayclip@gmail.com<br />

+420 731 826 036<br />

DEJVICE<br />

Telefon:<br />

Bydliště:<br />

VINOHRADY<br />

AKTIVITY A LICENCE<br />

Ing. arch. Ondřej Šváb<br />

TRASA<br />

METRO - C<br />

VYŠEHRAD<br />

BUDĚJOVICKÁ<br />

03<br />

KRČ<br />

MICHLE<br />

15-20<br />

„BUDĚJOVICKÁ“<br />

URBANISTICKÁ VIZE NOVĚ VZNIKAJÍCÍHO NÁMĚSTÍ, PRAHA 2013<br />

NAPOJENÍ<br />

MAGISTRÁLY<br />

02<br />

09-14<br />

Úroveň vzdělání: Maturita (matematika, fyzika, angličtina)<br />

E-mail:<br />

PROFESNÍ ZKUŠENOSTI<br />

Mendelovo gymnázium, Opava (osmileté studium)<br />

Úroveň vzdělání: Inženýr architekt (Architektura a Urbanismus)<br />

2000 - 2008<br />

HRADČANY<br />

II<br />

„DÍLNA NÁRODŮ“<br />

České vysoké učení technické, fakulta architektury, Praha<br />

2008 - 2015<br />

SMÍCHOV<br />

PRAŽSKÝ<br />

OKRUH<br />

HOLEŠOVICE<br />

NOVÉ<br />

MĚSTO<br />

VZDĚLÁNÍ<br />

MULTIKULTURNÍ INTERNACIONÁLNÍ CENTRUM SDÍLENÍ POZITIVNÍCH VL<br />

OBSAH<br />

USPOŘÁDÁNÍ PROJEKTŮ - STUDIÍ V PORTFOLIU<br />

+420 731 826 036<br />

Mostní 111, 747 05, Opava<br />

Celé jméno:<br />

Výtvarné um<br />

PROFIL AUTORA<br />

mayclip@gmail.com<br />

Bydliště:<br />

Tvorba www st<br />

Telefon:<br />

Sport, fireshow, zpěv,<br />

Sborový zpěv: sbor Luscinia a další, Opava (a po Evropě), 1995 - 2004<br />

Uvaděč na 19. konferenci IYPT (v ang. jazyce), Opava, 2006<br />

2. místo v soutěži „O pohár Becario“ - fyzikální soutěž, Opava, 2006<br />

Promoční projev v Betlémské kapli, Praha, 2015<br />

Instruktor Slack-line: Street Game festival Opava, 2013 - 14, zahraniční zájezdy<br />

Adobe Photoshop, Adobe Illustrator, Adobe InDesign<br />

SOFTWARE<br />

II<br />

Cestov<br />

Sbírky pro charitu, Opava, 1999 - 2000<br />

Služba v církvi, Opava, 1995 - 2005<br />

ČINNOSTI<br />

Autodesk AutoCAD 2D, AutoCAD 3D<br />

I<br />

Autodesk 3DsMax<br />

Rhinoceros 3D<br />

Microsoft Offce<br />

Německý jazyk: 4 roky, pasivně<br />

Sony Vegas<br />

Desig<br />

Český jazyk: 27 let, rodný jazyk<br />

Španělský jazyk: 3 roky, pasivně<br />

DEJVICE<br />

DEJVICE<br />

I<br />

KONTAKTNÍ INFORMACE, ŽIVOTOPIS<br />

Komunikace s lidmi, filoso<br />

Brigády: grafický design, cestovní ruch, DesignBlok,<br />

marketing, odpadní řešení, staveniště, prodej a výstavy<br />

Instruktor snowboardingu: provozováno soukromě, 5 let<br />

AKTIVITY A LICENCE<br />

Angličtina: 15 let, FCE, TOEFL certifikát (B2)<br />

Kurzy, soutěže, olympiády: matematika, fyzika, sport, hudba<br />

TRAM,<br />

MALÁ<br />

STRANA<br />

Řidičský průkaz: typ B, Vítkov, přibližně 23 000 km, od 2007<br />

ZAHRADY,<br />

„WALTROVKA“<br />

REKONVERZE TOVÁRNY NA VÝROBU LETECKÝCH MOTORŮ, PRAHA 2013<br />

PETŘÍN<br />

04<br />

„POUTNÍ MÍSTO ANEŽSKÝ KLÁŠTER“<br />

DIPLOMNÍ PROJEKT KAPLE S POUTNÍM DOMEM NA TÉMA MEZINÁRODNÍ SOUTĚŽE XELLA, PRAHA 2015<br />

FLORENC<br />

Živnostenský list: nevázaná živnost, 2015 (přerušeno)<br />

2012 (5-10)<br />

Atelier Mysli Group, Ing. arch. Richard Myslivec, Praha<br />

Řidičský průkaz: typ B, Vítkov, přibližně 23 000 km, od 2007<br />

WPL Limited, Inc.<br />

VINOHRADY<br />

(3D Modelování, asistence u projektů)<br />

Ing. František Mikulinec, Opava<br />

Kurzy, soutěže, olympiády: matematika, fyzika, sport, hudba<br />

E-mail:<br />

II<br />

PRAŽSKÝ<br />

OKRUH<br />

2015 (9-12)<br />

VYŠEHRAD<br />

BUDĚJOVICKÁ<br />

KRČ<br />

06<br />

33-38<br />

ESSEX, Cyril Šíma, Štěpánkovice - brigády na stavbě, studie a návrhy<br />

2004 - 2010 (kontinuálně dodnes)<br />

AKTIVITY A LICENCE<br />

MICHLE<br />

TRAM<br />

NAPOJENÍ<br />

MAGISTRÁLY<br />

„BUDĚJOVICKÁ“<br />

Úroveň vzdělání: Maturita (matematika, fyzika, angličtina)<br />

MOŽNOST NAPOJENÍ - MOST<br />

21-26<br />

JAZYKY<br />

Německý jazyk: 4 roky, pasivně<br />

Španělský jazyk: 3 roky, pasivně<br />

Český jazyk: 27 let, rodný jazyk<br />

Živnostenský list: nevázaná živnost, 2015 (přerušeno)<br />

TRAM,<br />

ANDĚL<br />

URBANISTICKÁ VIZE NOVĚ VZNIKAJÍCÍHO NÁMĚSTÍ, PRAHA 2013<br />

České vysoké učení technické, fakulta architektury, Praha<br />

Úroveň vzdělání: Inženýr architekt (Architektura a Urbanismus)<br />

2000 - 2008<br />

HRADČANY<br />

TRASA<br />

METRO - C<br />

Mendelovo gymnázium, Opava (osmileté studium)<br />

SMÍCHOV<br />

PRAŽSKÝ<br />

OKRUH<br />

HRADČANY<br />

SMÍCHOV<br />

PROFESNÍ ZKUŠENOSTI<br />

PROFIL AUTORA<br />

NOVÉ<br />

MĚSTO<br />

VZDĚLÁNÍ<br />

2008 - 2015<br />

REKULTIVACE<br />

PŘÍCHODU<br />

KOTVENÍ<br />

OBJEKT<br />

VÝZNAM NÁBŘEŽNÍ LINIE<br />

KARLOVO<br />

NÁMĚSTÍ<br />

03<br />

15-20<br />

HOLEŠOVICE<br />

09-14<br />

02<br />

FLORENC<br />

VYŠEHRAD<br />

BUDĚJOVICKÁ<br />

Instruktor snowboardingu: provozováno soukromě, 5 let<br />

SPORT,<br />

VÝHLEDOVÁ OSA - ŽOFÍN<br />

HŘIŠTĚ<br />

BARIÉRA<br />

POTENCIÁL<br />

VODNÍ<br />

KORIDOR<br />

PLOCHY<br />

BEZPEČNOST<br />

JIRÁSKŮV<br />

MOST<br />

VINOHRADY<br />

KRČ<br />

marketing, odpadní řešení, staveniště, prodej a výstavy<br />

ZAPOJENÍ OBJEKTŮ DO SOUBORU<br />

SPA,KAVÁRNA,<br />

REKONSTRUKCE?<br />

VÝHLED<br />

VYŠEHRAD<br />

„DÍLNA NÁRODŮ“<br />

KONSTRUKČNÍ PROJEKT INTERIÉRU KAVÁRNY A RESTAURACE, 2014<br />

Brigády: grafický design, cestovní ruch, DesignBlok,<br />

05<br />

27-3<br />

OBSAH<br />

USPOŘÁDÁNÍ PROJEKTŮ - STUDIÍ V PORTFOLIU<br />

KONTAKTNÍ INFORMACE, ŽIVOTOPIS<br />

TRASA<br />

METRO - C<br />

NOVÉ<br />

MĚSTO<br />

BUDĚJOVICKÁ<br />

DIPLOMNÍ PROJEKT KAPLE S POUTNÍM DOMEM NA TÉMA MEZINÁRODNÍ SOUTĚŽE XELLA, PRAHA 2015<br />

MICHLE<br />

VYŠEHRAD<br />

KRČ<br />

„POUTNÍ MÍSTO ANEŽSKÝ KLÁŠTER“<br />

„WALTROVKA“<br />

REKONVERZE TOVÁRNY NA VÝROBU LETECKÝCH MOTORŮ, PRAHA 2013<br />

NAPOJENÍ<br />

MAGISTRÁLY<br />

SOFTWARE<br />

HOLEŠOVICE<br />

Adobe Photoshop, Adobe Illustrator, Adobe InDesign<br />

09-14<br />

Autodesk AutoCAD 2D, AutoCAD 3D<br />

Autodesk 3DsMax<br />

Rhinoceros 3D<br />

Microsoft Offce<br />

Sony Vegas<br />

06<br />

33-38<br />

02<br />

URBANISTICKÁ VIZE NOVĚ VZNIKAJÍCÍHO NÁMĚSTÍ, PRAHA 2013<br />

„BUDĚJOVICKÁ“<br />

FLORENC<br />

AUTHOR`S PROFILE<br />

CONTACT INFORMATION, CURRICULUM VITAE<br />

VINOHRADY<br />

ZAHRADY,<br />

PETŘÍN<br />

BUS,<br />

TRAM<br />

04<br />

21-26<br />

ČINNOSTI<br />

Komunikace s lidmi, filosofie, rap<br />

TRAM,<br />

ANDĚL<br />

BUS,<br />

KARLOVO<br />

NÁMĚSTÍ<br />

VÝZNAM NÁBŘEŽNÍ LINIE<br />

Sport, fireshow, zpěv, tanec<br />

Promoční projev v Betlémské kapli, Praha, 2015<br />

Instruktor Slack-line: Street Game festival Opava, 2013 - 14, zahraniční zájezdy<br />

2. místo v soutěži „O pohár Becario“ - fyzikální soutěž, Opava, 2006<br />

Uvaděč na 19. konferenci IYPT (v ang. jazyce), Opava, 2006<br />

Sborový zpěv: sbor Luscinia a další, Opava (a po Evropě), 1995 - 2004<br />

MICHLE<br />

03<br />

15-20<br />

Výtvarné umění<br />

Tvorba www stránek<br />

NAPOJENÍ<br />

MAGISTRÁLY<br />

BARIÉRA<br />

KORIDOR<br />

BEZPEČNOST<br />

JIRÁSKŮV<br />

MOST<br />

Služba v církvi, Opava, 1995 - 2005<br />

Sbírky pro charitu, Opava, 1999 - 2000<br />

Cestování<br />

P<br />

SPA,KAVÁRNA,<br />

REKONSTRUKCE?<br />

ZÁJMY<br />

Design<br />

ZAPOJENÍ OBJEKTŮ DO SOUBORU<br />

VÝHLED<br />

VYŠEHRAD<br />

„DÍLNA NÁRODŮ“<br />

KONSTRUKČNÍ PROJEKT INTERIÉRU KAVÁRNY A RESTAURACE, 2014<br />

05<br />

CONTENTS<br />

ARR<strong>ENG</strong>EMENTS OF DESIGNS - STUDIES IN THE PORTFOLIO<br />

DIPLOMNÍ PROJEKT KAPLE S POUTNÍM DOMEM NA TÉMA MEZINÁRODNÍ SOUTĚŽE XELLA, PRAHA 2015<br />

10-15<br />

02<br />

„WALTROVKA“<br />

REKONVERZE TOVÁRNY NA VÝROBU LETECKÝCH MOTORŮ, PRAHA 2013<br />

URBAN VISION OF RECENTLY EMERGING SQUARE, PRAGUE 2013<br />

“BUDĚJOVICKÁ“<br />

06<br />

34-39<br />

„POUTNÍ MÍSTO ANEŽSKÝ KLÁŠTER“<br />

03<br />

16-21<br />

TRAM,<br />

MALÁ<br />

STRANA<br />

ZAHRADY,<br />

PETŘÍN<br />

TRAM,<br />

ANDĚL<br />

BUS,<br />

TRAM<br />

04<br />

21-26<br />

BUS,<br />

KARLOVO<br />

NÁMĚSTÍ<br />

MOŽNOST NAPOJENÍ - MOST<br />

VÝZNAM NÁBŘEŽNÍ LINIE<br />

REKULTIVACE<br />

PŘÍCHODU<br />

OBJEKT<br />

BARIÉRA<br />

KORIDOR<br />

SPORT,<br />

KOTVENÍ<br />

HŘIŠTĚ<br />

BEZPEČNOST<br />

DĚTI<br />

JIRÁSKŮV<br />

MOST<br />

LODĚ<br />

VÝHLEDOVÁ OSA - ŽOFÍN<br />

POTENCIÁL<br />

VODNÍ<br />

PLOCHY<br />

SPA,KAVÁRNA,<br />

REKONSTRUKCE?<br />

É ROZMÍSTĚNÍ OBJEMŮ<br />

VÝHLED<br />

VYŠEHRAD<br />

ZAPOJENÍ OBJEKTŮ DO SOUBORU<br />

„DÍLNA NÁRODŮ“<br />

KONSTRUKČNÍ PROJEKT INTERIÉRU KAVÁRNY A RESTAURACE, 2014<br />

27-32<br />

05<br />

THE DIPLOMA PROJECT OF PILGRIMAGE CHAPEL AND HOUSING ON THE SUBJECT OF COMPETITIO<br />

“PLACE OF PILGRIMAGE“ - ST. A<br />

“WALTROVKA<br />

RE-CONVERSION OF FACTORY FOR THE PRODUCTION OF AIRCRAFT <strong>ENG</strong>INES, PRAGU


“NATIONS WORKSHOP“<br />

INTERNATIONAL EDUCATIONAL CENTER OF SHARING POSITIVE ATTITUDE AND VIBRATIONS, LEIPZIG 2011<br />

TRAM,<br />

MALÁ<br />

STRANA<br />

MOST<br />

LEGIÍ<br />

VÝHLED<br />

HRADČANY<br />

01<br />

06-09<br />

“CHILDREN`S ISLAND“<br />

DESIGN OF CITY SPA AND RECULTIVATION OF THE ISLAND, PRAGUE 2014<br />

REKULTIVACE<br />

PŘÍCHODU<br />

SOURODÉ ROZMÍSTĚNÍ OBJEMŮ<br />

MOŽNOST NAPOJENÍ - MOST<br />

KOTVENÍ<br />

ZAHRADY,<br />

PETŘÍN<br />

OBJEKT<br />

LODĚ<br />

BUS,<br />

TRAM<br />

04<br />

SPORT,<br />

HŘIŠTĚ<br />

VÝHLEDOVÁ OSA - ŽOFÍN<br />

VÝZNAM NÁBŘEŽNÍ LINIE<br />

BARIÉRA<br />

KORIDOR<br />

BEZPEČNOST<br />

DĚTI<br />

POTENCIÁL<br />

VODNÍ<br />

PLOCHY<br />

TRAM,<br />

ANDĚL<br />

BUS,<br />

KARLOVO<br />

NÁMĚSTÍ<br />

SPA,KAVÁRNA,<br />

REKONSTRUKCE?<br />

ZAPOJENÍ OBJEKTŮ DO SOUBORU<br />

22-27<br />

28-33<br />

VÝHLED<br />

VYŠEHRAD<br />

GNES CONVENT<br />

N „XELLA“, PRAGUE 2015<br />

“<br />

E 2013<br />

JIRÁSKŮV<br />

MOST<br />

“NATIONS WORKSHOP“<br />

INTERIOR DESIGN PROJECT OF CAFÉ AND RESTAURANT, 2014<br />

05


ABOUT<br />

LANGUAGE<br />

Full name:<br />

Address:<br />

Ing. arch. Ondřej Šváb<br />

Mostní 111, 747 05, Opava<br />

English: 15 years, FCE, TOEFL certificate<br />

German language: 4 years,<br />

Phone number:<br />

E-mail:<br />

+420 731 826 036<br />

mayclip@gmail.com<br />

Spanish language: 3 ye<br />

Czech language:<br />

EDUCATION<br />

2008 - 2015<br />

Czech Technical University, faculty of architecture, Prague<br />

Degree: Graduation (Maths, Physics, English language)<br />

Degree: Architect Engineer (Architecture and Urbanism)<br />

2000 - 2008<br />

Mendel Grammar School, Opava (8 - year study)<br />

2015 (9-12)<br />

WPL Limited, Inc.<br />

Ing. František Mikulinec, Opava<br />

(3D Models, design assistance)<br />

2012 (5-10)<br />

Design studio Mysli Group, Ing. arch. Richard Myslivec, Prague<br />

2004 - 2010 (continual summer jobs)<br />

ACTIVITY & LI<br />

Driving license<br />

Courses, competitio<br />

ESSEX, Cyril Šíma, Štěpánkovice - constructions, studies and design<br />

EXPERIENCE IN FIELD


SOFTWARE<br />

(C1) Adobe Photoshop, Adobe Illustrator, Adobe InDesign<br />

passive<br />

Autodesk AutoCAD 2D, AutoCAD 3D<br />

ars, passive<br />

Autodesk 3DsMax<br />

27 years, native<br />

Rhinoceros 3D<br />

Microsoft Offce<br />

Sony Vegas<br />

OPTIONAL<br />

Graduation speech at Bethlehem‘s Chapel, Prague, 2015<br />

Slack-line instructor: Street Game festival Opava, 2013 - 14, abroad tours<br />

Design<br />

Travelling<br />

Graphic arts<br />

2. place in „O pohár Becario“ - competition in Physics, Opava, 2006<br />

Reporter at 19. Conferrence of IYPT (in english), Opava, 2006<br />

Community singing: choir Luscinia, Opava (and Europe), 1995 - 2004<br />

Acolyte service, Opava, 1995 - 2005<br />

Kings Collection for Charity, Opava, 1999 - 2000<br />

INTEREST<br />

Summer jobs: graphic design, travel agency, DesignBlok,<br />

Instructor of snowboarding: private teaching, 5 years<br />

marketing, sewage solutions, selling, exhibitions<br />

Trade certificate; unregulated trade, since 2015<br />

: type B, Vítkov, approx. 23 000 km, since 2007<br />

ns, olympiads: Maths, Physics, sports<br />

CENCE<br />

Creating web pages<br />

s<br />

Sport, fireshow, singing, rap<br />

Communication, philosophy


01<br />

INTERNATIONAL<br />

CULTURAL - EDUCAITONAL CENTER<br />

NOT JUST FOR MIGRANTS LIVING IN LEIPZIG - OSTEN<br />

section 1:400<br />

street elevation<br />

0 5 10 15 20m<br />

06


site plan 1:1000<br />

NATIONS WORKSHOP<br />

In the close proximity to the city Leipziger Osten in Germany arises an opportunity<br />

not only for immigrants. The importance of this center is far beyond. The house<br />

in its expression shows its transparency, tolerance and concepts of integration of the<br />

unemployed - mainly Turks, Arabs, Kurds, Russians, Ukrainians, Vietnamese and Poles.<br />

The area study is based on the assumption of full release of the parter, its volume<br />

separates the busy street Eisenbahnstrasse from a large park with an adjacent school.<br />

Two to four-storey building formed by monolithic reinforced concrete skeletal support<br />

system of regular span, lightweight cladding with tensioned ETFE - foil, which protects<br />

against adverse environmental effects and filters sunlight. Entrances to the building<br />

are exclusively in the space between the volumes forming parter, thereby activating<br />

passages while maintaining important guidelines.<br />

The house serves as a language school, counseling and reading room, multipurpose<br />

hall, but also for leisure activities, administration, associated with<br />

restaurant and café with panoramic terrace.<br />

The building is wheelchair-accessible<br />

and includes underground<br />

parking lot.<br />

07


VOLUME<br />

GUIDE AXIS<br />

CONNECTIVITY<br />

O C C U P I E S A N A R E A N E A R T H E S T R E E T<br />

F O L L O W S O N T H E B I K E P A T H A N D P A R K<br />

C O N N E C T S T H E P A R K W I T H V I E W O N C H U R C H<br />

V O L U M E R E C E D E S A R R I V A L F R O M T H E C E N T R E<br />

P A R T E R I S S H A P E D A S A F R E E P A S S A G E<br />

E M E R G I N G S P A C E F O R A M A R K E T S Q U A R E<br />

SHARING POSITIVE VIBRATIONS - CONTINUAL MOVEMENT OF MEMBRANE<br />

Membrane theory waves through all life and time - Let us focus on maintaining<br />

unity and continuity in our story of life.. As well as the whole world,<br />

also our fibres are interwoven to perfection,<br />

yearning to be taken with respect<br />

and insight<br />

....<br />

08


BARRIER = BYPASS<br />

TRANSPARENCY<br />

FLOW<br />

R E A C T S T O T H E H I G H D E V E L O P M E N T<br />

U N I F I E S A N D C O M P L E T E T H E S T R E E T L I N E<br />

C O M P L I A N C E L E A D I N G T O P R I V A C Y<br />

N O T P R E V E N T I N G E A S E A N D F L U E N C Y<br />

C H A N G I N G V I B R A T I O N O F U N U S U A L N E S S<br />

A S A P R I N C I P A L D R I V E R O F P U L S E T E N S I O N<br />

parter groundplan 1:400<br />

bicycle path elevation<br />

0 5 10 15 20m<br />

09


02<br />

site plan<br />

0 6 12 18m<br />

original state<br />

RE-CONVERSION OF THE ORIGINAL<br />

FACTORY PROVIDING AIRCRAFT<br />

<strong>ENG</strong>INES “WALTER CORP“<br />

10


ART CENTER “WALTROVKA“<br />

In co-operation with an independent group of actors and artists, the proposal aims to fullfill needs for training,<br />

work, representation, living and free-time.<br />

Lower volume is variable, mostly open-space workshop or design studios, also serves as an alternative gym with<br />

decent temporary housing on a green roof for artists. Main hall inside is sheltered by a new glazing, suitable<br />

for gallery with exceptional illumination from the top and connects both volumes of the building complex.<br />

Higher volume consists of a public parter with a café, presentation room and storage. Second and third floor plays<br />

the role as alternative theatre, and finally the permanent gallery located in the „tubes“ on the highest floor.<br />

Between the divisions of the gallery is newly inbuilt glazed atrium - beneath formerly removed fourth level,<br />

providing suffcient natural illumination in addition to relieving and enhancing the form of the whole complex.<br />

Design counts with a minimal intervention to its holding structure, adds partitions providing better illumination<br />

and connects both volumes together. It shows that there is a possibility to re-use of seemingly horryfying monolitic<br />

structures of one of many brownfields in Prague for integration and re-making quality in urban space for the future.<br />

11


PRESE<br />

0 2,5 5m<br />

EXPRESSION OF HIDDEN DETAILS<br />

UNDIMINISHED BY CONSUMPTION<br />

12


RVING THE LEGACY OF AMBITIONS<br />

DESTINED TO GREAT VALUES<br />

alternative theatre groundplan<br />

0 2,5 5 7,5m<br />

original state<br />

13


14<br />

gallery entrance elevation


lower volume groundplan 1:200<br />

cross - section<br />

flow diagram<br />

0 6 12 18m<br />

původní stav - zachováno<br />

15


KANCELÁŘE A ADMINISTRATIVA<br />

23 300m2<br />

II. - IX. NP<br />

1 stání / 35m2<br />

ČP 14 065m2<br />

potřeba 400 p. míst<br />

OBCHOD & SLUŽBY<br />

1 828m2<br />

I. NP<br />

1 stání / 50m2<br />

30 zaměstnanců<br />

potřeba 37 p. míst<br />

RESTAURACE, KAVÁRNY<br />

2 043m2<br />

I. PP<br />

1 stání / 10m2<br />

ČP 950m2<br />

40 zaměstnanců<br />

potřeba 135 p. míst<br />

BYDLENÍ A SOC. ZÁZEMÍ<br />

8100m2<br />

34 bytů<br />

II. - IV. NP<br />

4 x 230m2<br />

16 x 115 m2<br />

11 x 58 m2<br />

potřeba 54 p. míst<br />

PODZEMNÍ PARKOVIŠTĚ<br />

POTŘEBA PARKOVACÍCH STÁNÍ<br />

651 parkovacích míst<br />

24 492m2<br />

710 stání<br />

59 pronájem a zásobování<br />

16


03<br />

URBAN VISION OF “BUDĚJOVICKÁ“<br />

The street “Budějovická“ is becoming a significant element of communications in the city district Prague 4 - Michle.<br />

Abundantly frequented underground station is enlivened by an expansion of a new and universal public space,<br />

defined by adjacent volumes of multi-functional buildings. Shapes of freshly designed objects consistently reproduce<br />

the street line and provides two height - differenciated platforms with recessed square surrounded by vegetation.<br />

Due to mixed functional utilization in the area is the option of lucrative city housing in combination to services<br />

in parter and rentable areas the best offer and solution to the design of this urban conception. The variety of use<br />

rests on a simplicity and directions of important approaches to the bound surroundings.<br />

The proposal counts with involvement of the urban green belt as an image of tree lines on the street providing<br />

a natural barrier, and the possibility to cross the road using pedestrian islets. Extension in the north part of the DBK<br />

building is removed and creates a new perfectly blended arcade aisle combining the area of recessed square<br />

with the rest of the block. This axis also interconnects yet badly accessible space in the south-western part by newly<br />

designed bridge related to “Budějovická“ street. Designed volumes can be accessed as well from the street,<br />

as from the square below, through the service cores in every building. Those have two-level parter with mixed use<br />

of shops, services and administrative offces on higher floors.<br />

17


COMMUNICATION AXIS BARRIERS ELIMINATION UNDERGROUND EXPANSE<br />

CHOOSING APPROPRIATE COMMUNICATION AXIS IS AN IMPOR-<br />

TANT ACT OF DESIGN. PRESERVED AXIS IN THE DIRECTION OF<br />

THE UNDERGROUND LINE AND A PERPEDICULAR ONE GOING<br />

THROUGH SHORTEST PATH BETWEEN ORIGINAL VOLUMES - SERVE<br />

AS A VISUAL CONNECTION FOR WIDER RECOGNITION.<br />

IN THE PATHS OF COMMUNICATION AXIS STANDS A MASS<br />

OF ORIGINAL BUILDINGS. THESE VOLUMES WILL BE REMOVED<br />

AND THEIR PLACE WILL BE TAKEN BY A NEW PUBLIC SPACE.<br />

THE REST OF CONFUSING SPACE WILL BE RE-DEFINED<br />

AND ADJUSTED FOR EFFICIENT USE.<br />

CONSIDERABLE PART OF LIFE ON THE STREET AND AROUND<br />

THE UNDERGROUND STATION BUDĚJOVICKÁ TAKES PLACE IN<br />

THE AREA OF ENTRANCE AND EXIT - THE FIRST UNDERGROUND<br />

LEVEL. CONFINED SPACE DOESN`T ALLOW FLOW OF THE PUBLIC.<br />

THE HOLE EXPANDS AND GIVES MORE POSSIBILITIES TO ASCEND.<br />

green belt<br />

connection<br />

NÁMĚSTÍ<br />

HRDINŮ<br />

TYRŠŮV<br />

VRCH<br />

BOHDALEC<br />

0 200 400 600m<br />

PARK<br />

JEZERKA<br />

HAMERSKÝ<br />

RYBNÍK<br />

PODOLSKÝ<br />

PROFIL<br />

CENTRÁLNÍ<br />

PARK<br />

KAVČÍ<br />

HORY<br />

HŘBITOV<br />

ROZTYLSKÉ SADY<br />

BRANICKÉ<br />

SKÁLY<br />

ZELENÝ PRUH<br />

V PODZÁMČÍ<br />

KUNRATICKÝ<br />

POTOK<br />

ZÁMEK KRČ<br />

MICHELSKÝ LES<br />

18<br />

ÚDOLÍ<br />

KUNRATICKÉHO


VOLUME COMPOSITION PUBLIC SPACE EXPLICITNESS<br />

DESIGNED VOLUMES ARE REFLECTED IN THE URBAN COMPLEX<br />

IN TERMS OF RE-CREATING THE STREET LINE AND ARRANGED<br />

AROUND NEWLY EXPANSED UNDERGROUND. THE MASS<br />

OPERATES ARISING SQUARE AND SEPARATES FROM NOISE<br />

OF HIGHLY FREQUENTED ROADS.<br />

VERTICAL INTERFACE OF SURROUNDINGS IS MODIFIED TO ITS AREAS<br />

OF UTILIZATION HAVE THE BEST SITE FOR PUBLIC USE. CROSSING POINT<br />

OF THE AXIS IS INTER-CONNECTED BY A FOOTBRIDGE<br />

AND FURTHER TRANSMISSIVE THROUGH ARCHWAY IN THE PARTER<br />

OF EXISTING “DBK” BUILDING.<br />

ALLOCATION OF COMMUNICATION AXIS, VOLUMES AND<br />

NEW PUBLIC SPACES OFFER ADVANCED CONTACT OF ALL<br />

OF THE “THREE LEVELS” OF PARTER. THE MASS BINDS<br />

SURROUNDING AREAS AND DON`T REJECT<br />

ANY DIRECTION OF APPROACH.<br />

0 12 24 32m<br />

site plan<br />

19


PROCESS OF TRANSFORMATION<br />

0 50 100 150m<br />

The current appearance of the site “Budějovická“ stands the incidence of many barriers.<br />

Vertical volumes closely surround the deeply stored and hardly accessible line<br />

of the underground. The absence of visual and communication axis causes<br />

an ineffcient way to use the urban area. In places outbreaks flow of the public,<br />

the coordination collapses. Disorder of the high volumes and distances between them<br />

have the effect of loosing the legibility of space completely.<br />

Design of the urban area is particularly about removing the original high-rise building<br />

of “Česká Spořitelna“, which is not more suitable for the purpose of today requirements<br />

of administrative buildings. The visual axis formed by the entrance of recessed line<br />

of the underground is maintained so that height differences between both parters are<br />

joint and to make “dead spots“ with undesirable resettling of homeless fully synoptical.<br />

The space is simplified as much as possible and thus retain quality and acquire a sense<br />

of security by approaching or passing through it. Volumes clearly define the boundaries<br />

of public space by its orientation.<br />

20


KAVČÍ<br />

HORY<br />

traffc analysis<br />

HŘBITOV<br />

ROZTYLSKÉ SADY<br />

ZELENÝ PRUH<br />

V PODZÁMČÍ<br />

KUNRATICKÝ<br />

POTOK<br />

ZÁMEK KRČ<br />

MICHELSKÝ LES<br />

ÚDOLÍ<br />

KUNRATICKÉHO<br />

POTOKA<br />

landscape<br />

analysis<br />

21


cross - section with riverfront<br />

0 6 12 18m<br />

city spa groundplan<br />

22<br />

0 6 12 18m


04<br />

CHILDREN`S ISLAND<br />

CITY SPA AND SPORTS<br />

The island is inseparably linked with the history of its owners and names. It forms an important urban part of Janáček`s<br />

riverfront in the place of the locks corridor. Along with the “Střelecký“ and “Slovanský“ islands, it connects both banks of the river<br />

in the area north of Jirásek`s bridge. Each of the islands is concieved ideologically acording to its utilization - the Children`s island serves<br />

as the “body“ - for sports, communication, entertainment and recreation. It was already connected before by a second bridge to the<br />

embankment - which is recently in the proposal and follows the axis leading to the Petřín`s lookout tower. The main purpose is to provide<br />

access to the island and all its parts, including access to water. Visual axis contonuously permeates the island from “Žofín“ untill it reaches<br />

“Švandovo divadlo“ square. Specific approach to the terrain raises a smooth transition between the height differences of the riverfront<br />

using the roofs of the original volume of café and a new mass of the city spa. The island and the objects on it communicate with each<br />

other thanks to the regular mass deployment.<br />

Sensitively intersecting surfaces distinguished by its utilization, the terrain game and forms of the volumes and objects extends the concept.<br />

The surface of the city spa and the original café roof gets green. Regularly placed ascends and descends outline a multifunctional tribune<br />

in the centre of the island, which can serve as an amphitheatre for watching various matches or social activities. All parts are wheelchair-<br />

-accessible. Northern part of the island is preserved in reference to history. both of them offer unique views and relaxation areas.<br />

23


24<br />

“body language“ - site plan<br />

GREEN ROOF<br />

SCENERY<br />

RESTAURANT<br />

LA-TERRASSA<br />

CLIMBING<br />

FRAMES<br />

SAND PIT<br />

KIDS<br />

SKATE<br />

PARK<br />

STREET<br />

BASKETBALL<br />

BEACH<br />

VOLLEYBALL<br />

SOCCER<br />

FIELD


25<br />

0 10 20 30 40m<br />

WATCHING<br />

TRIBUNE<br />

FOOTBALL<br />

FIELD<br />

BADMINTON<br />

FIELD<br />

WORKOUT<br />

SPACE<br />

MOLO<br />

DOCKS<br />

CITY<br />

SPA<br />

SWING ROPE<br />

SLACK LINE<br />

CHILL<br />

OUT


FORMER DIVISION<br />

MOVEMENT CURVE<br />

SURFACE AND MATERIAL<br />

ENTRANCE PART<br />

SPORTS FIELDS<br />

VEGETATION<br />

MOVEMENT NOTION<br />

FORMER DIVISION<br />

SOLID SURFACE<br />

WATER ACCESS / BEACH<br />

ENTRANCE PART<br />

SPORTS FIELDS<br />

VEGETATION<br />

INTERNAL ENERGY AND BODY HEALTH - FLOATING BLOSSOM WITH PURGATIVE MESSAGE<br />

SOLID SURFACE<br />

Where else than in the middle of the city with floating river is possible to come across to the essential connection<br />

of body and soul. Oasis of peace, undisturbed by the effects of densly grown development<br />

WATER ACCESS / BEACH<br />

- there lies generations of civilization. The islands, alike body parts, connect basic<br />

elements of every human being by its utilization as separate,<br />

but interrelated components of the city centre.<br />

The building shows off its expression in advance<br />

to the nature and citizen`s requirements.<br />

The island becomes a frequented<br />

spot of recovery and<br />

contense.<br />

26


TERRAIN AND FUNCTION<br />

NEW BRIDGE<br />

TERRAIN<br />

RAMP<br />

LOWER TERRAIN<br />

OBJECT DEPLOYMENT<br />

TERRACE / BAR<br />

TERRAIN ASCEND / DESCEND<br />

ISLAND ACCESS / DESCEND<br />

LOCKS CORRIDOR = BARRIER<br />

ISLAND ACCESS<br />

LOCKS CORRIDOR<br />

BRIDGE<br />

POOLS<br />

SPA<br />

TRIBUDE / SPORTS FIELDS<br />

CHILDREN`S PLAYGROUND<br />

NEW BRIDGE<br />

CAFÉ / CITY VIEW<br />

LOWER TERRAIN<br />

TERRAIN ASCEND / DESCEND<br />

RESTAURANT<br />

WAKEBOARD - CABLE<br />

MOLO / DOCKS<br />

CITY SPA<br />

BRIDGE<br />

TRIBUDE / SPORTS FIELDS<br />

CHILDREN`S PLAYGROUND<br />

NEW BRIDGE<br />

CAFÉ / CITY VIEW<br />

RESTAURANT<br />

„LA - TERRASSA“<br />

WAKEBOARD - CABLE<br />

MOLO / DOCKS<br />

TRIBUNE / AMPHITHEATRE<br />

PUBLIC SPA<br />

CITY SPA<br />

TERRAIN RAMP<br />

TERRAIN RAMPS<br />

CHILL OUT<br />

ACCESS TO RIVER<br />

island section - diagram<br />

0 6 12 18m<br />

cross - section and elevation<br />

27


05<br />

INTERIOR<br />

- CAFÉ & RESTAURANT OF<br />

INTERNATIONAL EDUCATIONAL CENTER IN LEIPZIG<br />

The study builds on the project of “Nations workshop“. It presents structural design of interior elements and detailed construction of newly designed staircase. Originally, the restaurant<br />

was divided into two floors and served through a kernel with two bars and two full kitchens. In terms of unification of the space and uneeded oversizing, a half part of the slab was removed<br />

and a wooden tribune staircase with hyperbolical-parabolic curvature was inserted. Therefore, a space for recess of the bar in the lower floor was created and areas for servicing the whole<br />

restaurant and café in the upper floor were visually and functionally distinguished. People can enter the gallery from main entrance and continue to ascend to the café with a smaller bar,<br />

which has been greatly reduced and modified for existing capacity. There is an utility room and an inside balcony for musical occasions , as well as a big exterior sight-seeing terrace<br />

for the needs of both smoking and non-smoking societies in the second floor.<br />

The staircase is dimensioned for ascending, but also for seating. Therefore, individual stages are distinguished and duplicated by inserted “inter-stages“ throughout the length of the output line.<br />

Risers are covered with plexi-glass for maximum visibility through the staircase to the lower part of the bar and outside of it, endowed with option to illuminate each step and highlight the output<br />

direction by embedded diode strips. Stringers and every stage forming the ascent are designed of pre-stressed glued laminated beams to withstand dynamic loads. Glass railings complements<br />

the whole idea of transparency and prevent falling into sides. Wooden handrails are inserted into the glass and provide security when ascending or descending the stairs. Forging of the staircase<br />

is entirely hidden in the construction of wood and thereby minimizing visual aspect of joints. Visible parts of these connections constitute terminations of polished stainless steel.<br />

28


90<br />

HIDDEN STEP ANCHORAGE<br />

SCHEMATIC SECTION<br />

90<br />

85<br />

90<br />

235<br />

1:20<br />

1000<br />

910 90<br />

140<br />

50<br />

80<br />

GLASS RAILING<br />

ANCHORAGE 1:10<br />

175<br />

90<br />

OF THE OUTPUT LINE<br />

1:40<br />

1750<br />

90<br />

350<br />

175 175<br />

290<br />

290<br />

290<br />

290<br />

290<br />

290<br />

290<br />

290<br />

285<br />

535<br />

350<br />

90<br />

90<br />

175 175<br />

85<br />

85<br />

260<br />

350<br />

275<br />

270<br />

270<br />

535<br />

265<br />

265<br />

525<br />

260<br />

255 250<br />

255<br />

260<br />

515<br />

260<br />

350<br />

90<br />

505<br />

305<br />

110<br />

110<br />

3500<br />

150<br />

250<br />

400<br />

500<br />

900<br />

150<br />

90<br />

85 85<br />

620<br />

90<br />

575<br />

10<br />

15<br />

10<br />

400<br />

150<br />

245<br />

580<br />

450<br />

150<br />

80<br />

100<br />

150 1035 109<br />

150<br />

400<br />

50<br />

300<br />

100<br />

HIDDEN STEP ANCHORAGE<br />

1:20<br />

50<br />

85<br />

175<br />

90<br />

235<br />

85<br />

60<br />

90<br />

15<br />

50<br />

50<br />

80<br />

100<br />

80<br />

140<br />

910<br />

90<br />

1000<br />

29


10<br />

13<br />

EXPLODED ELEVATION<br />

7375<br />

2085 2515<br />

95<br />

4370<br />

2195<br />

658 659 660 661 662<br />

1890<br />

1605<br />

200<br />

OUTPUT STAGE<br />

COMPOSITION<br />

1:55<br />

9700<br />

1010<br />

930<br />

30


90<br />

0 3 6 9m<br />

2775<br />

2480 95<br />

348 363 380 400 424<br />

200<br />

10<br />

4265<br />

550 552 553 555 557<br />

35<br />

1175<br />

1090<br />

90 135<br />

1085<br />

604 606 609 612 617<br />

1000<br />

915<br />

830<br />

135<br />

1045 750 300<br />

2095<br />

3895<br />

4015<br />

31


0 3 6 9m<br />

CONNECTION OF STAGES IN DETAIL<br />

1:5<br />

50<br />

30<br />

90 85 90 85 90<br />

175<br />

50<br />

30<br />

30<br />

50<br />

50<br />

30<br />

30<br />

50<br />

50<br />

10<br />

80<br />

50<br />

80<br />

5<br />

20<br />

15<br />

10<br />

30<br />

30<br />

260 90<br />

90<br />

50<br />

80<br />

10<br />

FIRST<br />

FLOOR<br />

GROUNDPLAN<br />

200 15<br />

GLASS ANCHORAGE<br />

TO STRINGER<br />

1:5<br />

100<br />

100<br />

90<br />

20<br />

350<br />

450<br />

250<br />

90<br />

100<br />

SECOND<br />

FLOOR<br />

200<br />

GROUNDPLAN<br />

80<br />

32


1080<br />

1080<br />

1080<br />

80<br />

DESIGN<br />

475 1170 1170<br />

1170<br />

SCHEME<br />

OF RAILING<br />

1:40<br />

1080<br />

80<br />

200<br />

1070<br />

280<br />

840 840<br />

1090<br />

1090<br />

1090<br />

520<br />

There are columns covered by marble tiles, walls of “Cupamat“<br />

and bars with surfaces of similar imitation, in addition<br />

to wooden - oak and walnut surfaces. The floors are designed<br />

as epoxy seamless brindle floors of black and white<br />

color. There are “Ecophon“ acoustic elements with shade<br />

of timber capturing noise on the ceiling, suspended by a<br />

hanging aluminum structure.<br />

The furniture is mostly of “Arper“ brand with hard or soft<br />

leather and bar stools “Calligaris“. There are also author designed<br />

wooden and metal tea tables. Illumination is provided<br />

by lights of “Foscarini“ brand hanging from the ceiling<br />

or plasterboards with diffuse lights.<br />

33


06<br />

ST. AGNES PILGRIMAGE CONVENT<br />

Genius loci of the area, changes in history and redevelopment calls for the completion of space<br />

along with predestination by the adjoining monastery - creating a tranquil oasis in the maze<br />

of narrow streets and squares. In the context of precursors the rules of the local area are respected;<br />

character of the riverfront, networks of the Old Town squares with its objects and the preservation<br />

of operational units with the adjacent terrain.<br />

<br />

Design of the pilgrimage house with the chapel of St. Agnes follows the Way of St. James to honor<br />

their graves. The concept is greatly minimized and presents only necessary service elements:<br />

accommodation for pilgrims, café, library, lounge, multi-purpose hall, workshops and archives.<br />

Chapel stands for a landmark of the newly established local square, with access to a semi-public<br />

sunken pilgrimage courtyard for the needs of meditation and contemplation.<br />

KAVÁRNA<br />

JÍDELNA<br />

HALA<br />

Surroundings of the buildings is designed in the interests of clarity and easy orientation in space.<br />

The original street and links to the monastery are preserved. There is a possibility of opening<br />

the monastery garden in the eastern part towards the square and connecting to the exposition<br />

spaces of the National Gallery located inside. Volume of the pilgrimage house follows the line<br />

of the convent wall and separates the area from the noisy road of Dvorak‘s waterfront.<br />

Orientation of the entrance follows main public access to the building<br />

and enhances the courtyard garden of the National Gallery<br />

through its north-south axis. Volume clearly defines<br />

the layout of the operational areas and<br />

divides the space with a bond<br />

to the original terrain.<br />

<br />

34


first floor groundplan<br />

<br />

VSTUPNÍ HALA<br />

SKLAD<br />

TECHNICKÉ ZÁZEMÍ<br />

RECEPCE<br />

NETWORK<br />

OF SQUARES<br />

AREAS AND UNITS<br />

RIVERFRONT CONTEXT<br />

0 6 12 18m<br />

35


VOLUME PLOT UNIT DETERMINATION RESPECT, DISTANCE<br />

HOSPITAL „NA FRANTIŠKU“<br />

ANTIQUITY PROTECTED WALLS<br />

OF THE CONVENT<br />

COMPLETION OF<br />

THE MONASTERY<br />

NORTH GATE OF THE<br />

NATIONAL GALLERY<br />

OPENING OF VISTAS TO THE STREET JUNCTION<br />

PUBLIC<br />

SPACE<br />

SEMI - PUBLIC<br />

SPACE<br />

CONTINUITY OF THE COMPLEX<br />

LANDSCAPE BAY - NATURAL BARRIER<br />

CONNECTION = SHORTCUT<br />

PRESERVED STREET<br />

NATIONAL GALLERY GARDEN<br />

real model<br />

perforated steel - corten<br />

36<br />

0 6 12 18m


HIERARCHY CONTRAST, UNITY CONTEXT<br />

DISTANT VIEWS<br />

DIRECTION FILL<br />

LINK OF “MALÁ KLÁŠTERNÍ“ STREET<br />

COURTYARD<br />

PILGRIMAGE HOUSE<br />

PANORAMA OF THE OLD TOWN<br />

ROOF - SCAPE<br />

DEVELOPMENT LINE<br />

CHAPEL<br />

ARMFUL OF SQUARE, TRANQUIL OASIS<br />

VERTICALITY<br />

HORIZONTALITY<br />

LOCAL DOMINANT<br />

ORIGINAL TERRAIN<br />

PENETRATION OF BONDS - CONNECTION<br />

TO THE CONVENT<br />

shell section 1:70<br />

37


LIBRARY<br />

COMMON ROOMS, W<br />

MULTI-FUNCTIONAL HA<br />

CHILL-OUT TERRACE<br />

CAFÉ / GALLERY<br />

105 m 2<br />

40 people<br />

ST. AGNES CHAPEL<br />

60m 2<br />

MODESTY,<br />

ANCESTORS ESTEEM, LOYALTY<br />

Providing shleter and sanctuary, basic services and a taste of attention.<br />

Everyone is a wanderer of life, whether walking alone or with someone. Transmitting experience<br />

at the end of a journey - wishes not to be forgotten, however, the purpose of the journey sacrifice<br />

misses the gratitude. Our memories gradually fade just as light, which we carry along inside ourselves.<br />

In the names of our children and elders, we must consider the conservation of the legacy of own example.<br />

SENSITIVE APPROACH<br />

PUBLIC ACCESS<br />

145 m 2<br />

50 boarders<br />

SHARED KITCHEN<br />

38<br />

0 6 12 18m


0 6 12 18 24m<br />

65 m 2<br />

ORKSHOP 290 m 2<br />

LL 93 m 2<br />

SHLETER FROM NOISES<br />

189 m.n.m.<br />

LOFT ACCOMMODATION<br />

K<br />

ANEŽSKÝ KLÁŠTER<br />

PARKING<br />

290 m 2<br />

40 beds<br />

WORK-OUT<br />

RIVERFRONT CONNECTION<br />

POUTNÍ DŮM<br />

450 m 2<br />

18 spaces<br />

PARKING<br />

ÚTOČIŠTĚ POUTNÍKŮ<br />

183,5 m.n.m.<br />

PILGRIMAGE ACCESS<br />

615 m 2<br />

NOVÁ BRÁNA<br />

183,5 m.n.m.<br />

KAVÁRNA, GALERIE<br />

KAPLE SV. ANEŽKY<br />

PILGRIMAGE COURTYARD<br />

186,5 m.n.m.<br />

SPACE ILLUMINATION<br />

188 m.n.m.<br />

NÁMĚSTÍ SV. KRYŠTOFA<br />

KE STÍNADLŮM<br />

CONNECTION TO CONVENT<br />

site plan<br />

chapel interior<br />

39


ACKNOWLEDGEMENT<br />

In the context of the experience gained I want to thank all the architects in the field for their approach, willingness<br />

and patience with me during consultations, through which I was able to achieve the desired results. Likewise, I thank<br />

all teachers and faculty of architecture for the opportunity to obtain an architectural degree. Special thanks belong<br />

also to my parents and grandparents, who stood by me in every condition and to myself, that I forged myslef in a<br />

commitment to continually create, manage, improve and dedicate my service to others in the architectural community.<br />

I am glad that I can freely exercise the profession as an architect and mirror pure intentions into life by designing<br />

and manifestation.<br />

For more information about me, my previous projects, but also the experience in the field and realizations of my ideas,<br />

monitor the following Internet links:<br />

LinkedIn: https://cz.linkedin.com/in/opavak-22787563<br />

Internet portfolio: https://issuu.com/opavak/docs/portfolieau_<strong>2016</strong><br />

Older designs: https://issuu.com/opavak/docs/portfolieau_2012

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!