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GUY TALK<br />

The Refreshing<br />

Simplicity of<br />

‘John Wick’<br />

I’ve written about how I don’t watch<br />

movies much anymore, how my<br />

attention wanes. Every so often,<br />

however, a film will surprise me. That’s<br />

what happened not long<br />

ago during a dull late<br />

night in front of the television,<br />

flipping through the<br />

channels. I came upon<br />

a movie I’d heard of and<br />

remembered seeing<br />

advertisements for, but<br />

knew nothing about:<br />

John Wick.<br />

I gave it a few minutes to capture my<br />

interest and it succeeded. I didn’t think<br />

about it at the time but later I saw a<br />

brief review online mentioning the<br />

story’s simplicity, and it hit me –<br />

that’s what helped grab me, why<br />

it was so easy to watch. It was<br />

the film’s lack of complication.<br />

To be sure, John Wick is a fullfledged,<br />

R-rated, wait till the kids go<br />

to bed action movie. Lots of long,<br />

meticulously composed fight scenes<br />

in which the central character<br />

(whose name serves as the film’s<br />

title) uses his deft hand-to-hand<br />

combat and firearm skills to mow<br />

through countless challengers.<br />

And I found these plentiful fight<br />

sequences mesmerizing by<br />

their choreography, almost<br />

like watching some kind of<br />

ultra-violent but enthralling<br />

dance. Also, the movie has<br />

a visually stunning quality,<br />

paradoxical as it may<br />

seem, with all the destruction<br />

somehow presented<br />

with an air of elegance.<br />

Most refreshing though was the<br />

fact that all the carnage was brought<br />

about from the most straightforward<br />

of places. A thug stole a guy’s car and<br />

killed his dog.<br />

Mind you, the victimized guy was John<br />

Wick, a retired hit man who can be<br />

fairly described as the superhero of<br />

by Mark Bohm<br />

Sometimes I don’t<br />

want my action<br />

thriller to make<br />

me feel like I<br />

need a degree in<br />

political science<br />

to figure out<br />

what’s going on.<br />

assassins, and his dog was the last gift<br />

bestowed upon him by his deceased<br />

wife, thus making it a very special dog.<br />

But that’s pretty much it. As the film<br />

made its way through the cable TV<br />

rounds and I got a chance to see it<br />

again (that’s right, twice), it occurred<br />

to me while watching the action unfold<br />

that the script didn’t need anything<br />

more. Of course, most action-packed,<br />

explosion happy, car chase-filled flicks<br />

require us to suspend reality for much<br />

of the tale. But why not keep the<br />

underlying plot simple and let’s get on<br />

with the fun? Sometimes I don’t want<br />

my action thriller to make me feel like<br />

I need a degree in political science to<br />

figure out what’s going on. Intricate<br />

conspiracies, corrupt plots within<br />

factions of government, convoluted<br />

schemes to create doomsday weapons<br />

– they make my brain hurt. In John<br />

Wick, we’re shown a stolen muscle<br />

car and a dead puppy, and we know<br />

there’s gonna be hell to pay.<br />

To put a finer point on it, maybe the<br />

John Wick storyline struck a chord with<br />

me because, in a way, its unsophistication<br />

makes it more authentic.<br />

I suspect that in real life, more often<br />

than not, it’s the very plain motivations<br />

that make some bad things happen.<br />

I know I’m not the only one who<br />

was pulled in. I read somewhere that<br />

the John Wick sequel is currently in<br />

production. I look forward to seeing it.<br />

Especially if they keep it simple. P<br />

IMAGE COURTESY THUNDER ROAD PICTURES, JOHN WICK, 2014<br />

48<br />

FEBRUARY 2016

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