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THE PRINCIPLE OF HOPE

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Page 692<br />

formation, of additional release and new formation in material. Thus Kant's aesthetic criterion, mutatis mutandis, more or less also holds good for the technological<br />

genius, wherever it endeavours to advance beyond the mere technology of cunning, as a future­concrete genius. This is not controverted by the fact that Kant regards a<br />

subject in nature (natura naturans) as something which can only be added to nature in the mind, like an immanent I technology of nature' itself, as Kant says. Even the<br />

preponderance which the mere Newtonian mechanism of nature possesses in Kant cannot prevent in the ‘Critique of Judgement’ the — however reflexive or<br />

hypothetical — interpretation which is able to refer to a natura naturans, indeed natura supernaturans. Certainly, a subject of nature (the not merely secularized ancient<br />

Isis) remains problematic as long as no concrete mediation by man, as the youngest son of nature, has succeeded with it. Yet the possibility of this remains open and is<br />

mapped out in the object, not just in our ability to interpret it, in an interpreting ability which would not even be possible as a problematic one without the penetrating<br />

influence of natural material. To sum up, therefore, leaving aside all speculation: there is the predisposition, the real possibility of a subject of nature, by seizure it is<br />

brought into Faust's relation to fire, which only overcomes nature in order to mediate it with the best that is latent within it in our best interests.<br />

If fire is only controlled and guarded, then it remains alien. The separate track on which it moves along is then a downright dangerous one, even if its additional force<br />

were to be better managed in social terms than it is now. In the society which is currently still continuing there is definitely nothing discernible of the related spirit who<br />

has turned his countenance to us precisely in the fire. There is a specific anxiety of the engineer that he has advanced too far, too unsecured, he does not know what<br />

forces he is dealing with. And from such non­mediation stems not least the most obvious effect of omitted content: the technological accident. This above all indicates<br />

how the content of natural forces, which is still so little mediated with us, cannot be abstracted away without great harm. In fact, in all accidents which happen to human<br />

beings, among one another and in their relation to nature, a strangely common factor which is most instructive emerges at the same time: the technological accident is not<br />

wholly unrelated to the economic crisis, nor is the economic crisis wholly unrelated to the technological accident. Certainly, the differences between the two are more<br />

apparent, and in places even greater than this relationship, and the comparison therefore sounds paradoxical. The technological accident appears as a coincidental<br />

crossing of regular motions, as their outward, unforeseen point

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