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Download The Keith Beedie Story - Beedie Group

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52<br />

THE KEITH<br />

BEEDIE STORY<br />

One of the bookcases <strong>Keith</strong><br />

and his partner Fred Banbury<br />

were building in 1945.<br />

PART 1: LAYING THE FOUNDATION<br />

CHAPTER 4: SETTING UP SHOP<br />

“Th e cash surrender value was only a couple of hundred dollars, but it<br />

was exactly what I needed to buy 50 percent of Fred’s shop.” It would<br />

turn out to be a very good investment.<br />

<strong>Keith</strong> joined Fred in the basement workshop on Howe Street in<br />

downtown Vancouver and they started producing the dancing dollies<br />

as quickly as they could. “We did that for a few weeks,” recalls <strong>Keith</strong>.<br />

“Th en Christmas came and it was all over. We did okay, though.” It<br />

was a humble beginning for a business empire, but one that <strong>Keith</strong><br />

remembers fondly. “I’ve liked dancing dollies ever since.”<br />

<strong>The</strong> workshop wasnʼt limited to producing<br />

toys. <strong>Keith</strong> and Fred took whatever<br />

commissions they could fi nd and soon their<br />

small operation was overwhelmed.<br />

EVERY PROBLEM HAS A SOLUTION<br />

We make a living by what we get,<br />

but we make a life by what we give.<br />

—WINSTON CHURCHILL<br />

One of the biggest problems the partners faced was obtaining the materials they<br />

needed to do their work. Directly above them was a company that produced mantle<br />

radios. When they asked <strong>Keith</strong> and Fred if they could make some radio cabinets the<br />

boys were keen, but they weren’t sure where they could fi nd the material required for<br />

the job. <strong>The</strong> partners put their heads together. “<strong>The</strong>y wanted them made out of walnut,”<br />

recalls <strong>Keith</strong>, “but the price of the walnut plywood we looked at was ludicrous.”<br />

Aft er trying to source materials, <strong>Keith</strong> and Fred quickly realized that<br />

they would have to get creative to fi nd aff ordable wood. “A single sheet<br />

of walnut would have cost us more than we would get for the fi nished<br />

product,” <strong>Keith</strong> says. Working like that, they wouldn’t be in business<br />

for long. <strong>Keith</strong> hit on the idea of approaching furniture producers<br />

to see if they had any wood scraps for purchase. Th e fi rst place they<br />

decided to ask was Hammond Furniture, whose factory was located<br />

at the corner of Clark and Venables. Without much beyond the kernel<br />

of an idea, and because both of their cars were broken down, the two<br />

headed out on the streetcar to talk to someone at Hammond.<br />

Neither <strong>Keith</strong> nor Fred had discussed how they were going to proceed<br />

once they reached the factory. “When we walked in the front doors,<br />

there was a woman sitting at a counter with a typewriter in front<br />

of her,” says <strong>Keith</strong>. “Well, we didn’t really know what to say, so we<br />

just explained very quickly what we needed. She off ered a quick<br />

‘no,’ insisting that the business didn’t supply materials.” To the two<br />

inexperienced entrepreneurs, her response seemed defi nitive. Th ey<br />

weren’t sure who the woman was, or on what authority she had turned<br />

them down. Th ey also had no idea what their next move would be.<br />

Within a minute of walking through the door, they were turning<br />

around to leave. Th at should have been the end of the story. Instead,<br />

they were about to meet the man who would have the single greatest<br />

infl uence on <strong>Keith</strong>’s business future.<br />

As they headed out of the factory, an offi ce door behind the woman<br />

opened. Wally Hammond himself strode out and clapped the boys on<br />

their shoulders. “He asked us why we were there,” says <strong>Keith</strong>. “When<br />

Fred Banbury at the<br />

entrance of their Marpole<br />

workshop, 1946.<br />

53

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