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Workshop Review<br />
Gently Does it<br />
Valerie Wilson Trower<br />
Dylan’s Ashtanga workshop, at Pure<br />
Yoga in Hong Kong recently, was<br />
one of the gentlest I could ever<br />
imagine for students in terms of<br />
developing their practice. He stressed that<br />
yoga is a form of meditation, and the focus<br />
of a yoga practice was the practice of stilling<br />
the mind.<br />
Reassuring students there was no need to<br />
practice yoga to lose weight, he told them<br />
two handfuls of fat was fine. Each student<br />
gave their name and described their yoga<br />
practice, one confessed trepidation at being<br />
in the class at all! Starting gently in Child’s<br />
pose, the class moved through Down dog<br />
whilst Dylan talked to them, explaining<br />
linking the breathe to movement, the Sun<br />
Salutations, and the first standing poses.<br />
leg at a time was okay if it was ‘too much.’<br />
A variation with hands on the mat was<br />
offered for the Bridge, and Dylan took great<br />
42<br />
Describing the vinyasa as their first<br />
challenge, Dylan made it sound easy,<br />
effortless, and with a little joking on the<br />
side, even fun. Instead of the flexed<br />
description of toes in the seated poses he<br />
used ‘Toes are up!’ - much easier to<br />
understand. A variation in Maricharasana B -<br />
with the calf on the opposite thigh, instead<br />
of tucked in half-lotus allowed those with<br />
tight knees to feel that they were getting the<br />
pose. Students were encouraged to attempt<br />
Maricharasana D, or to repeat C if it was a bit<br />
too much. This was followed by Dylan’s<br />
description of Navasana: ‘A pose we can all<br />
enjoy!’ The pace was easy, not rushed, but<br />
students moved through the sequence at a<br />
reasonable pace: although the room was<br />
full, no one was dripping wet and the<br />
windows were not steamed up as they often<br />
become during morning Mysore practice.<br />
Occasionally, Dylan demonstrated to make<br />
students laugh and feel better about their<br />
efforts, showing the full vinyasa with a<br />
handstand as an example of not allowing<br />
yoga to inflate the ego. As the vinyasa began<br />
to get exhausting for many students he<br />
demonstrated the lift between poses, and<br />
described Chaturanga, repeated so frequently,<br />
as ‘your new best friend.’ After<br />
Bhujapindasana, Dylan skipped Kurmasana<br />
and Supta Kurmasana, but encouraged<br />
students to drop their legs from Supta<br />
Konasana to the mat, explaining bending<br />
their knees was counter-intuitive, but one<br />
DYLAN HELPS A STUDENT WITH HER PRASARITA<br />
care to ensure students were careful in the<br />
Headstand, skipping some of the other<br />
inverted closing sequence to finish with a<br />
‘nice vinyasa’, and the last three poses. I<br />
watched students attempting poses that<br />
they hadn’t previously in an encouraging<br />
atmosphere, and observed how hard some<br />
tried to master a pose. In three hours Dylan<br />
showed students what an Ashtanga practice<br />
might be and gave most of them<br />
something to aim for. As one student in<br />
the changing room told me afterwards:<br />
“You do Hatha and Power and you think<br />
you are fit, and then you come to<br />
Ashtanga!” She looked into the distance<br />
clearly seeing a whole different level of<br />
practice! Dylan’s gentle three-hour workshop<br />
was enough for most students, but not too<br />
long that it deterred them from coming to<br />
an Ashtanga class.<br />
Valerie practices<br />
Ashtanga yoga, Mysore<br />
style, and leads Hatha<br />
yoga stretches for the<br />
Siddha Meditation<br />
Path.