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Namaskar - July 2009

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Workshop Review<br />

Gently Does it<br />

Valerie Wilson Trower<br />

Dylan’s Ashtanga workshop, at Pure<br />

Yoga in Hong Kong recently, was<br />

one of the gentlest I could ever<br />

imagine for students in terms of<br />

developing their practice. He stressed that<br />

yoga is a form of meditation, and the focus<br />

of a yoga practice was the practice of stilling<br />

the mind.<br />

Reassuring students there was no need to<br />

practice yoga to lose weight, he told them<br />

two handfuls of fat was fine. Each student<br />

gave their name and described their yoga<br />

practice, one confessed trepidation at being<br />

in the class at all! Starting gently in Child’s<br />

pose, the class moved through Down dog<br />

whilst Dylan talked to them, explaining<br />

linking the breathe to movement, the Sun<br />

Salutations, and the first standing poses.<br />

leg at a time was okay if it was ‘too much.’<br />

A variation with hands on the mat was<br />

offered for the Bridge, and Dylan took great<br />

42<br />

Describing the vinyasa as their first<br />

challenge, Dylan made it sound easy,<br />

effortless, and with a little joking on the<br />

side, even fun. Instead of the flexed<br />

description of toes in the seated poses he<br />

used ‘Toes are up!’ - much easier to<br />

understand. A variation in Maricharasana B -<br />

with the calf on the opposite thigh, instead<br />

of tucked in half-lotus allowed those with<br />

tight knees to feel that they were getting the<br />

pose. Students were encouraged to attempt<br />

Maricharasana D, or to repeat C if it was a bit<br />

too much. This was followed by Dylan’s<br />

description of Navasana: ‘A pose we can all<br />

enjoy!’ The pace was easy, not rushed, but<br />

students moved through the sequence at a<br />

reasonable pace: although the room was<br />

full, no one was dripping wet and the<br />

windows were not steamed up as they often<br />

become during morning Mysore practice.<br />

Occasionally, Dylan demonstrated to make<br />

students laugh and feel better about their<br />

efforts, showing the full vinyasa with a<br />

handstand as an example of not allowing<br />

yoga to inflate the ego. As the vinyasa began<br />

to get exhausting for many students he<br />

demonstrated the lift between poses, and<br />

described Chaturanga, repeated so frequently,<br />

as ‘your new best friend.’ After<br />

Bhujapindasana, Dylan skipped Kurmasana<br />

and Supta Kurmasana, but encouraged<br />

students to drop their legs from Supta<br />

Konasana to the mat, explaining bending<br />

their knees was counter-intuitive, but one<br />

DYLAN HELPS A STUDENT WITH HER PRASARITA<br />

care to ensure students were careful in the<br />

Headstand, skipping some of the other<br />

inverted closing sequence to finish with a<br />

‘nice vinyasa’, and the last three poses. I<br />

watched students attempting poses that<br />

they hadn’t previously in an encouraging<br />

atmosphere, and observed how hard some<br />

tried to master a pose. In three hours Dylan<br />

showed students what an Ashtanga practice<br />

might be and gave most of them<br />

something to aim for. As one student in<br />

the changing room told me afterwards:<br />

“You do Hatha and Power and you think<br />

you are fit, and then you come to<br />

Ashtanga!” She looked into the distance<br />

clearly seeing a whole different level of<br />

practice! Dylan’s gentle three-hour workshop<br />

was enough for most students, but not too<br />

long that it deterred them from coming to<br />

an Ashtanga class.<br />

Valerie practices<br />

Ashtanga yoga, Mysore<br />

style, and leads Hatha<br />

yoga stretches for the<br />

Siddha Meditation<br />

Path.

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