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Polish Cinema today - Polski Instytut Sztuki Filmowej

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<strong>Polish</strong> <strong>Cinema</strong> <strong>today</strong><br />

the year 2005 saw the introduction of the<br />

<strong>Cinema</strong>tography act in Poland, and the launch of the <strong>Polish</strong><br />

Film institute. The new film law determines the extent<br />

of State involvement in film production and other areas<br />

of the industry.<br />

Starting in 2006, this resulted in a rapid increase<br />

in the number of films being produced in Poland,<br />

and in inducing the interest of foreign filmmakers in<br />

co-productions and film services in Poland. The <strong>Polish</strong> Film<br />

Institute actively promotes <strong>Polish</strong> cinema on the international<br />

level. A foreign film producer, festival manager or<br />

international project coordinator looking for <strong>Polish</strong> partners<br />

should turn to the <strong>Polish</strong> Film Institute for financial<br />

consulting and assistance in contacting interested parties.<br />

Funding<br />

the <strong>Polish</strong> Film institute has an annual budget of over<br />

36 million eur (expected revenue as of october 10, 2009),<br />

partially funded by a 1.5% levy imposed on tv, cinema<br />

and cable tv operators. the <strong>Polish</strong> Film institute grants funding<br />

not only for film production, but also other fields of the industry:<br />

film promotion, dissemination of film culture, professional<br />

training, and film distribution. in 2007, the <strong>Polish</strong> Film institute<br />

granted over 15 million eur for film production alone. in 2008<br />

this quota was increased to almost 18 million eur. the 2010<br />

budget of the <strong>Polish</strong> Film institute has 22 million eur allocated<br />

to film production. in most cases, the <strong>Polish</strong> Film institute<br />

grants funding up to 50% of the total production budget.<br />

Thanks to the efforts of the <strong>Polish</strong> Film Institute,<br />

the year 2007 brought the launch of regional film funds.<br />

FILM PRODUCTION GUIDE POLAND 2010<br />

By the end of 2008, eight such projects had already been<br />

introduced and others were in preparation. Most regional<br />

film funds take the form of a competition that selects projects<br />

for funding. A basic condition for entering such a competition<br />

is creating a link between the city or region and the topic<br />

of the film, place of shooting or participation of local<br />

residents and businesses.<br />

Poland participates in the two foremost European<br />

programmes for supporting the audiovisual industry<br />

– eurimages and the European Union’s media 2007<br />

programme. Warsaw is home to Media Desk Poland,<br />

which assists producers in completing forms and settling<br />

the accounts for projects supported by MEDIA.<br />

One of the key investors in film is <strong>Polish</strong> television<br />

(Telewizja Polska SA). It is to date the largest film producer<br />

in Poland. However, commercial TV channels, including<br />

Canal+, TVN and occasionally Polsat and HBO Polska also<br />

participate in film production.<br />

A foreign producer seeking <strong>Polish</strong> production partners<br />

has a wide range of possibilities. There are a number<br />

of businesses specializing in film production services.<br />

Most of them focus on a particular field – be it feature,<br />

documentary or animation production. Although the majority<br />

of players in the film industry consists of private businesses,<br />

among them most production, distribution and exhibition<br />

companies, there is also a number of state-owned film<br />

establishments, a unique element of the structure<br />

of the <strong>Polish</strong> film industry. These regional organizations,<br />

currently undergoing ownership transformation, include<br />

some of Poland’s largest film studios, small-scale animation<br />

studios and film production units 1 . However the ownership<br />

structure is not at all a key factor, as all <strong>Polish</strong> private<br />

and public entities are eligible for public funding.<br />

1. In <strong>Polish</strong> terminology film production companies are often referred to as Studios<br />

(<strong>Polish</strong>: Studio filmowe); film studios are commonly known under the term Wytwórnia.<br />

29<br />

Film industry

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