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Polish Cinema today - Polski Instytut Sztuki Filmowej

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Film industry<br />

FILM PRODUCTION GUIDE POLAND 2010<br />

30<br />

Production<br />

The <strong>Polish</strong> market of film-related services is well<br />

developed and many producers choose to make use<br />

of existing facilities, which saves them the cost of investing<br />

in developing their own production base. There are numerous<br />

companies that specialize in services for various stages<br />

of production, from casting, lighting equipment and special<br />

effects to editing, sound production and finally subtitling.<br />

Only a few major studios have complex facilities, offering<br />

everything from soundstages to editing services.<br />

distribution<br />

The market for film distribution and exhibition is<br />

slightly more concentrated, with approximately a dozen key<br />

players. Most film distribution companies have a complex<br />

approach to their film product, dealing with everything from<br />

cinema distribution to television sales and the DVD market.<br />

Independent distribution companies in Poland have also<br />

recently been increasing their involvement in film<br />

production; contributing to the film budget and subsequently<br />

acquiring picture rights. This form of co-production has<br />

proven very effective and will undoubtedly continue to gain<br />

in importance.<br />

The <strong>Polish</strong> distribution market itself is dominated<br />

by Hollywood studios and their affiliates – UIP, Forum Film<br />

(Buena Vista International), Imperial CinePix (20 th Century<br />

Fox) and Warner Bros. Apart from these major players, there<br />

are a few local companies that play a key role in the market.<br />

One of these is ITI <strong>Cinema</strong>, the company responsible for<br />

the distribution of the biggest <strong>Polish</strong> films in recent years:<br />

Katyń, Lejdis (Ladies), Idealny facet dla mojej dziewczyny<br />

(The Perfect Guy for My Girlfriend), Kochaj i tańcz (Love<br />

& Dance), Wojna polsko-ruska (Snow White and Russian Red),<br />

and Dom zły (Dark House). Another company worth<br />

mentioning is Gutek Film, credited with familiarizing <strong>Polish</strong><br />

audiences with the works of some of the world’s most<br />

prominent filmmakers, including Lars von Trier and Pedro<br />

Almodovar. In 2007, the <strong>Polish</strong> Filmmakers Association<br />

and several leading film producers jointly set up a foundation<br />

known as Film <strong>Polski</strong>. It was established to promote <strong>Polish</strong><br />

films in Poland and abroad, but also to handle their<br />

distribution.<br />

exhibition<br />

The number of cinemas in Poland <strong>today</strong> is reaching 800,<br />

of which 77 are multiplex cinemas and another nine are<br />

IMAX. In recent years the number of multiplex cinemas has<br />

been increasing steadily. Unfortunately this brought on<br />

the inevitable drop in the number of single-screen cinemas,<br />

although funding from the <strong>Polish</strong> Film Institute can help<br />

improve their situation in the future.<br />

Thanks to participation in the EUROPA CINEMAS<br />

framework, some cinemas in major cities are able to focus on<br />

arthouse films, while the mainstream multiplex venues focus<br />

on first-run pictures. Exhibition of arthouse films is also being<br />

developed through the Arthouse <strong>Cinema</strong> Network (Sieć Kin<br />

Studyjnych), financed by the <strong>Polish</strong> Film Institute and run<br />

by the National Film Archive.<br />

In 2007, a record 13 new multiplex cinemas were<br />

opened throughout Poland. 2008 brought the launch of only<br />

8 multiplexes in Poland’s major cities – the market is now<br />

saturated and investors are more interested in launching<br />

cinemas in smaller cities. <strong>Cinema</strong> owners are now counting<br />

on getting audiences interested in 3D cinema. It is estimated<br />

that by the end of 2009, at least 150 screening rooms<br />

throughout Poland have been equipped with Dolby 3D Digital<br />

<strong>Cinema</strong>, most of these belonging to the Multikino, <strong>Cinema</strong><br />

City and Helios cinema chains. Due to a growing interest<br />

in digital cinema, smaller cinemas are currently being<br />

equipped with digital projectors through special<br />

programmes, like the local initiative in Małopolska,<br />

or the National Programme for the Digitization of <strong>Cinema</strong>s,<br />

run by the <strong>Polish</strong> Film Institute.<br />

national Film archive<br />

The <strong>Polish</strong> National Film Archive (Filmoteka Narodowa)<br />

is located in Warsaw. It is in fact the largest film archive<br />

in Poland, collecting and preserving film prints, and running<br />

a large library of cinematic literature and press. The National<br />

Film Archive is involved in a number of educational projects<br />

and special programmes for the preservation of <strong>Polish</strong> cinema<br />

heritage. The National Film Archive recently launched<br />

a programme for the digitization of old (i.e. pre-WWII) movies<br />

from its own collection.

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