Leading an Extraordinary Life: Wise Practices for an HIV ... - 2 Spirits
Leading an Extraordinary Life: Wise Practices for an HIV ... - 2 Spirits
Leading an Extraordinary Life: Wise Practices for an HIV ... - 2 Spirits
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
6. Data on tone <strong>an</strong>d style<br />
The consult<strong>an</strong>t selected posters that, in addition to being representative of a<br />
spectrum of content, are representative of the variety of tones <strong>an</strong>d styles used in <strong>HIV</strong><br />
prevention messages. Focus group particip<strong>an</strong>ts also commented on the tone <strong>an</strong>d styles<br />
that would most effectively capture the attention of their peers.<br />
6.1 Aboriginal Cultural Motifs<br />
Any new poster <strong>for</strong> <strong>HIV</strong> prevention among Two-Spirit men must contain<br />
Aboriginal culture motifs such as the medicine wheel <strong>an</strong>d circular <strong>for</strong>ms.<br />
The focus groups identified the medicine wheel as a critical cultural motif. Poster<br />
#57 featuring a medicine wheel scored highly in the structured questionnaire. One<br />
particip<strong>an</strong>t stated, “the four directions is excellent -- it is critical”, while others felt “all<br />
the elements” are present.<br />
Another Aboriginal poster (#66) contains two h<strong>an</strong>ds <strong>for</strong>ming a circle that frames<br />
a traditionally dressed male. The use of a circle <strong>an</strong>d the colours of the four directions<br />
prompted very positive responses from<br />
particip<strong>an</strong>ts. An Aboriginal ASO poster (#51)<br />
featuring a Haida c<strong>an</strong>oe with a wreath around its<br />
bow also scored well <strong>for</strong> style. The c<strong>an</strong>oe served<br />
as a metaphor <strong>for</strong> the message, “AIDS knows no<br />
boundaries”. It stimulated the imagination of<br />
particip<strong>an</strong>ts as some stated, “the boat travels like<br />
the virus” <strong>an</strong>d that life, like a c<strong>an</strong>oe, was “a<br />
journey”. It was found to be eye-catching, thought<br />
provoking, <strong>an</strong>d memorable. Finally, the<br />
background prairie imagery in CAAN’s posters #48 also prompted much imagination <strong>an</strong>d<br />
contemplation. Particip<strong>an</strong>ts saw the background as symbolic of a “storm” or “winds of<br />
ch<strong>an</strong>ge”.<br />
Medicine wheel<br />
“it has all the elements” (#57)<br />
“The circles overlap to show<br />
relationships” (#57)<br />
“The 4 directions is excellent – it is<br />
critical” (#57)<br />
“like the circle, feather, <strong>an</strong>d colours”,<br />
(#66)<br />
“very cultural” (#66)<br />
“art is cool” (#51)<br />
“not a Hollywood image” (#51)<br />
“c<strong>an</strong>oe as a journey, travel, speaks to us”<br />
(#51)<br />
“eye catching” (#51)<br />
“imagery is nice” (#51)<br />
“very native” (#51)<br />
44