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Leading an Extraordinary Life: Wise Practices for an HIV ... - 2 Spirits

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6. Data on tone <strong>an</strong>d style<br />

The consult<strong>an</strong>t selected posters that, in addition to being representative of a<br />

spectrum of content, are representative of the variety of tones <strong>an</strong>d styles used in <strong>HIV</strong><br />

prevention messages. Focus group particip<strong>an</strong>ts also commented on the tone <strong>an</strong>d styles<br />

that would most effectively capture the attention of their peers.<br />

6.1 Aboriginal Cultural Motifs<br />

Any new poster <strong>for</strong> <strong>HIV</strong> prevention among Two-Spirit men must contain<br />

Aboriginal culture motifs such as the medicine wheel <strong>an</strong>d circular <strong>for</strong>ms.<br />

The focus groups identified the medicine wheel as a critical cultural motif. Poster<br />

#57 featuring a medicine wheel scored highly in the structured questionnaire. One<br />

particip<strong>an</strong>t stated, “the four directions is excellent -- it is critical”, while others felt “all<br />

the elements” are present.<br />

Another Aboriginal poster (#66) contains two h<strong>an</strong>ds <strong>for</strong>ming a circle that frames<br />

a traditionally dressed male. The use of a circle <strong>an</strong>d the colours of the four directions<br />

prompted very positive responses from<br />

particip<strong>an</strong>ts. An Aboriginal ASO poster (#51)<br />

featuring a Haida c<strong>an</strong>oe with a wreath around its<br />

bow also scored well <strong>for</strong> style. The c<strong>an</strong>oe served<br />

as a metaphor <strong>for</strong> the message, “AIDS knows no<br />

boundaries”. It stimulated the imagination of<br />

particip<strong>an</strong>ts as some stated, “the boat travels like<br />

the virus” <strong>an</strong>d that life, like a c<strong>an</strong>oe, was “a<br />

journey”. It was found to be eye-catching, thought<br />

provoking, <strong>an</strong>d memorable. Finally, the<br />

background prairie imagery in CAAN’s posters #48 also prompted much imagination <strong>an</strong>d<br />

contemplation. Particip<strong>an</strong>ts saw the background as symbolic of a “storm” or “winds of<br />

ch<strong>an</strong>ge”.<br />

Medicine wheel<br />

“it has all the elements” (#57)<br />

“The circles overlap to show<br />

relationships” (#57)<br />

“The 4 directions is excellent – it is<br />

critical” (#57)<br />

“like the circle, feather, <strong>an</strong>d colours”,<br />

(#66)<br />

“very cultural” (#66)<br />

“art is cool” (#51)<br />

“not a Hollywood image” (#51)<br />

“c<strong>an</strong>oe as a journey, travel, speaks to us”<br />

(#51)<br />

“eye catching” (#51)<br />

“imagery is nice” (#51)<br />

“very native” (#51)<br />

44

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