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Written by Amy J. Barry<br />

Photography by Mara Lavitt<br />

The Life and Times<br />

of Connecticut Critics<br />

A long-time theater critic and her fellow members of the Connecticut Critics<br />

Circle share the realities of their profession: scribbling notes in the dark (electronic<br />

devices cast a light), enduring shows that never should have made it to the stage,<br />

and celebrating the industry at Connecticut’s version of the Tony Awards.<br />

You have such a fun job,” people are always enviously<br />

remarking when they learn that I’m a theater critic.<br />

Yes, I agree. It is a fun job. I get to experience a<br />

potpourri of world-class theater right here in Connecticut<br />

and be moved to laughter or tears by comedies and riveting<br />

dramas; rocked by marvelous musicals; awed by magical<br />

sets and costume designs; invigorated by emerging young<br />

playwrights’ progressive, thought-provoking new works; and<br />

excited by reinterpretations of classic masterpieces.<br />

On the other hand, I also have to take notes in the dark,<br />

paying rapt attention to every nuance of what’s happening<br />

on stage and how all the elements interact—from acting to<br />

directing to lighting to choreography.<br />

And, if a production turns out to be a disappointment<br />

and is interminably long to top it off, I can’t sneak out at<br />

intermission but must keep myself from nodding off in my<br />

seat until the bitter end.<br />

Then I have to write my review on deadline, trying to<br />

decipher the notes I took in a pitch-black theater. I spend<br />

hours reflecting, researching, and writing in order to create<br />

a balanced, fair, and insightful review that will resonate with<br />

my readers because I take my responsibility to both potential<br />

audiences and the theaters very seriously.<br />

A bad review could seriously hurt ticket sales, which, in<br />

turn, hurts the theater’s profitability. On the other hand, it’s<br />

important to be honest with readers, as theater tickets are not<br />

inexpensive. Of course, I’m always pleased when I can give a<br />

rave review because everyone benefits: the theater, the actors,<br />

and the audience.<br />

About 14 years ago, I happily discovered that there was<br />

a group of critics who had formed the Connecticut Critics<br />

Circle (CCC) as a way for those of us in this often lonely<br />

pursuit to come together, communicate, share ideas, post our<br />

reviews all in one place online, and celebrate Connecticut<br />

theater at an awards ceremony held every spring.<br />

Founded in 1990, the organization has grown from<br />

a handful of critics to more than two dozen. Our awards<br />

ceremony—originally held in libraries, church basements, and<br />

critics’ homes with between 30 and 70 people in attendance—<br />

has grown into a full-blown theatrical production. Held<br />

most recently at Hartford Stage, the glamorous occasion<br />

featured professional lighting, sound, and projections; live<br />

entertainment; engraved awards (versus paper certificates);<br />

celebrity presenters; and more than 350 attendees.<br />

Our all-volunteer organization recently achieved<br />

nonprofit status, enabling us to raise needed funds to keep<br />

future awards ceremonies equally high-caliber.<br />

CCC members live in all corners of Connecticut and<br />

along the Shoreline. Many review both Connecticut and<br />

New York shows. They come from a wide and impressive<br />

range of backgrounds. We have journalism, English, and<br />

drama professors among us (several have PhDs in theater or<br />

literature), as well as those who have written, performed in,<br />

directed, and produced plays and musicals.<br />

To qualify for dues-paying CCC membership, applicants<br />

must submit proof of annual publication of at least five<br />

reviews—print or electronic—of productions at no less than<br />

four different theaters. To maintain active status, current<br />

members must write three reviews of shows at three different<br />

theaters. The membership chairperson determines if reviews<br />

by CCC applicants meet the organization’s standards of<br />

quality.<br />

Members of the CCC receive invitations from all of the<br />

theaters we review to attend press opening nights, and there<br />

is an implicit understanding that offering us complimentary<br />

tickets in no way influences our reviews.<br />

Though Connecticut’s award-winning theaters are<br />

familiar to Seasons readers, the CCC is a lesser-known<br />

Seasons of West Hartford • SPRING 2017 21

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