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Written by Amy J. Barry<br />
Photography by Mara Lavitt<br />
The Life and Times<br />
of Connecticut Critics<br />
A long-time theater critic and her fellow members of the Connecticut Critics<br />
Circle share the realities of their profession: scribbling notes in the dark (electronic<br />
devices cast a light), enduring shows that never should have made it to the stage,<br />
and celebrating the industry at Connecticut’s version of the Tony Awards.<br />
You have such a fun job,” people are always enviously<br />
remarking when they learn that I’m a theater critic.<br />
Yes, I agree. It is a fun job. I get to experience a<br />
potpourri of world-class theater right here in Connecticut<br />
and be moved to laughter or tears by comedies and riveting<br />
dramas; rocked by marvelous musicals; awed by magical<br />
sets and costume designs; invigorated by emerging young<br />
playwrights’ progressive, thought-provoking new works; and<br />
excited by reinterpretations of classic masterpieces.<br />
On the other hand, I also have to take notes in the dark,<br />
paying rapt attention to every nuance of what’s happening<br />
on stage and how all the elements interact—from acting to<br />
directing to lighting to choreography.<br />
And, if a production turns out to be a disappointment<br />
and is interminably long to top it off, I can’t sneak out at<br />
intermission but must keep myself from nodding off in my<br />
seat until the bitter end.<br />
Then I have to write my review on deadline, trying to<br />
decipher the notes I took in a pitch-black theater. I spend<br />
hours reflecting, researching, and writing in order to create<br />
a balanced, fair, and insightful review that will resonate with<br />
my readers because I take my responsibility to both potential<br />
audiences and the theaters very seriously.<br />
A bad review could seriously hurt ticket sales, which, in<br />
turn, hurts the theater’s profitability. On the other hand, it’s<br />
important to be honest with readers, as theater tickets are not<br />
inexpensive. Of course, I’m always pleased when I can give a<br />
rave review because everyone benefits: the theater, the actors,<br />
and the audience.<br />
About 14 years ago, I happily discovered that there was<br />
a group of critics who had formed the Connecticut Critics<br />
Circle (CCC) as a way for those of us in this often lonely<br />
pursuit to come together, communicate, share ideas, post our<br />
reviews all in one place online, and celebrate Connecticut<br />
theater at an awards ceremony held every spring.<br />
Founded in 1990, the organization has grown from<br />
a handful of critics to more than two dozen. Our awards<br />
ceremony—originally held in libraries, church basements, and<br />
critics’ homes with between 30 and 70 people in attendance—<br />
has grown into a full-blown theatrical production. Held<br />
most recently at Hartford Stage, the glamorous occasion<br />
featured professional lighting, sound, and projections; live<br />
entertainment; engraved awards (versus paper certificates);<br />
celebrity presenters; and more than 350 attendees.<br />
Our all-volunteer organization recently achieved<br />
nonprofit status, enabling us to raise needed funds to keep<br />
future awards ceremonies equally high-caliber.<br />
CCC members live in all corners of Connecticut and<br />
along the Shoreline. Many review both Connecticut and<br />
New York shows. They come from a wide and impressive<br />
range of backgrounds. We have journalism, English, and<br />
drama professors among us (several have PhDs in theater or<br />
literature), as well as those who have written, performed in,<br />
directed, and produced plays and musicals.<br />
To qualify for dues-paying CCC membership, applicants<br />
must submit proof of annual publication of at least five<br />
reviews—print or electronic—of productions at no less than<br />
four different theaters. To maintain active status, current<br />
members must write three reviews of shows at three different<br />
theaters. The membership chairperson determines if reviews<br />
by CCC applicants meet the organization’s standards of<br />
quality.<br />
Members of the CCC receive invitations from all of the<br />
theaters we review to attend press opening nights, and there<br />
is an implicit understanding that offering us complimentary<br />
tickets in no way influences our reviews.<br />
Though Connecticut’s award-winning theaters are<br />
familiar to Seasons readers, the CCC is a lesser-known<br />
Seasons of West Hartford • SPRING 2017 21