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The beauty of<br />

Africa Switched<br />

On, or “<strong>ASO</strong>”<br />

is embedded<br />

in our editorial<br />

focus: One that<br />

contemplates our<br />

sustainable futures<br />

through creative<br />

collaborations.<br />

2<br />

Cover & coverstory photography by Dexter Livingstone of DextDee Photography<br />

Akosua Busia


square one<br />

Haute CANOE’s smart approach for an African renaissance<br />

advocates the integration of human capacity in education<br />

and business - en masse. We start enterprising discussions<br />

to share and seek solutions, ultimately geared to advance<br />

continental growth. Africa Switched On [or <strong>ASO</strong>] does not<br />

succeed as a collective without professional input. We also<br />

create a forum to optimize synergies. <strong>ASO</strong> solicits intelligence:<br />

Urging a renascent informed reform that denounces any kind<br />

of exclusion that arises from postcode, passport or religion.<br />

<strong>ASO</strong> enables online peer interaction and trade relationships<br />

based on individual capacity and team effort. Find peers<br />

to advance, build, collaborate, develop and expand your<br />

fortunes on www.africaswitchedon.com. If you doubt that<br />

Africa switches on without you - this forum is not for you.<br />

3<br />

business + education<br />

Haute CANOE, Manual of Blackness is a Business and Education Quarterly<br />

Registered by Ghana’s National Media Commisssion<br />

NMC / C I 39/16/2059<br />

Our Editorial Offices are based @ Ground Floor TVAfrica<br />

B500 Feo Eyoo Street, North Industrial Area, Kaneshie, Accra-Ghana<br />

Business and Education: be@tootmap.com | +233 [0] 56 000 8888 [GH]<br />

Advertising and Sponsorship: ops@tootmap.com | +233 [0] 56 000 9999 [GH]


4<br />

Dear Reader,<br />

I’m pleased to present your next Manual of Blackness - <strong>ASO</strong>,<br />

acronym for Africa Switched On. <strong>ASO</strong> is an attempt to<br />

woo Africa’s “business - educated” elite. I struggle finding<br />

balance between creating a journal that spurs our educated<br />

superiors into sound business conversation, relationships,<br />

and practice; an entertaining Manual of sorts’ whose artistry<br />

is ultimately bohemian African [also available in French, and<br />

soon in Arabic]; and the ultimate inspirational ‘coffee table’<br />

journal [although currently only available online]. I veer less<br />

towards traditionally exciting editorial. The average magazine<br />

‘reader’ is really a browser looking for one thing, some thing or<br />

another. The brands that support generic content [especially<br />

by way of advertising] are inclined to favourably influence<br />

your consumption. In creating Haute CANOE, I sought nontrending<br />

discourse and imagery to show a new aesthetic<br />

essence. The people who helped achieve this vision also<br />

share a belief in a conscientised African renaissance. You will<br />

enjoy <strong>ASO</strong>, if you are interested in the science of engaging your<br />

time profitably. I apologise for the shift toward advertorials,<br />

the profiles remain meritocratic. You can contribute to Haute<br />

CANOE and Africa Switched On through any of our portals.<br />

If you are entrepreneurial, a tertiary or professional lecturer<br />

or student, creative, millenial traveller, literary institution, and/<br />

or working towards a better Africa [and world], you are our<br />

primary target. Please enjoy, criticize and share <strong>ASO</strong>.<br />

best regards, Nkwaye Ansah<br />

Being Online, we are happy to correct opinions and errors if you let us know.


Page Title<br />

1-2 AKOSUA BUSIA<br />

3 SQUARE ONE<br />

4 Editor’s Foreword<br />

6-7 Contents Map [Our creative ecosystem]<br />

8 Stargazers<br />

9 Africa’s collaborative creative drive<br />

10-11 A-Kinko<br />

12-21 Akosua Busia Cover story, One more ride<br />

20 Sandra Don-Artur<br />

22-25 Vanessa Harrison<br />

26-27 Juliet Yaa Asantewa Asante, BSIFF<br />

28-31 Blank Canvas, Steve French Oduro<br />

32-35 Blank Canvas, Samuel Oteng<br />

36-39 Blank Canvas, Alexandra Tanowa Tomiyama<br />

40-43 Blank Canvas, Sama Fletcher<br />

44 Blank Canvas, Yvonne Ntiamoah<br />

45-46 Maison Mimi<br />

47-50 Edwina Kulego<br />

52-63 Chef Ruby Paintsil, Lost in food<br />

64-69 African Landscapes<br />

70- NOMAD, Northern Ghana, The Lara Banger<br />

71-77 Savannah, Zaina Lodge<br />

74-75 Tama Shea production<br />

78-79 Tamale Arts Centre<br />

82-83 Intelligence [excerpts from The Initiated]<br />

85 When called a monkey<br />

86-87 After the fight [Ali, Nkrumah & Mandela]<br />

88- Using Mathematics to solve daily problems<br />

89-92 Decoded, Peter Amoako-Yirenkyi, Mathematics<br />

93 E- Kiosk, TECH FIX<br />

94-95 Shaping our fourth<br />

96-99 Renewing energy<br />

101 Sustenance<br />

102 Interdependence<br />

103 Teamwork, Intro- Democracy<br />

104 When democracy succeeds . . .<br />

105 The last slave<br />

106- 7 KaySo Sound<br />

108- 9 Uber fair fare<br />

110-11 The fourth<br />

112 Governance<br />

113 Inglorious<br />

115 Afro eco’systems<br />

117 Who develops the African Marketplace?<br />

119 Neem<br />

120- 1 Distichs, Non-rhyming Couplets<br />

122- 3 SLR Industrial Design Engineering & Technology<br />

5


Cont ent s Map<br />

Africa Switched On, or <strong>ASO</strong><br />

certifies the emergence of light,<br />

or a celebration. The name<br />

and acronym allude to pooling<br />

Africa’s academic-entrepreneurial<br />

networth. <strong>ASO</strong> is designed<br />

to advance education and<br />

business; oozing bAfrican artistry.<br />

Developing human capacity<br />

starts from acquiring knowledge,<br />

before channelling its use to seek<br />

upwardly intelligent choices.<br />

6<br />

We advocate simple greener cycles for growth<br />

We have created a<br />

forum that enables<br />

many professionals<br />

to share bohemian<br />

African imagery that<br />

inspire change.<br />

Education is not a<br />

complicated process<br />

when like minds fish for<br />

simple sustainable solutions<br />

bAfro<br />

. . . is our fashion aesthetic<br />

intelligence is the ability to acquire and/or apply knowledge and skills


The household that understands<br />

‘sustainability’ does not only invest in<br />

energy saver bulbs. They make use of<br />

the sun in practical ways that brighten<br />

their nights’ with ingenious brilliance.<br />

We can think of the best long-term<br />

sustainable solutions and applications<br />

to address our problems. Of course<br />

our choices may be proven to be<br />

entirely inaccurate through intelligence,<br />

and the maturity of time. The irony<br />

embedded in the realization of how<br />

little we know today, only suggests<br />

what more we are yet to learn in time<br />

due. No matter how significantly fat<br />

our vaults of knowledge weigh today,<br />

they are slimmer after new truths<br />

emerge. It takes humbling awakening,<br />

and enlightened sparks to cultivate<br />

good growth. We limit error when we<br />

commit intelligent thinking towards<br />

sustainable solutions. Time intelligently<br />

uses our lives [especially] when our<br />

lives use time intelligently.<br />

7<br />

When our waste become a<br />

valuable [power generating]<br />

commodity, littering becomes<br />

an expensive habit to entertain.<br />

Sustainability is when our foods<br />

power mileage<br />

Sustainabilities<br />

used prudently, we can sustainably develop the african continent


kisk<br />

smart<br />

creative<br />

paradigms;<br />

advocating<br />

a culture of<br />

applying<br />

intelligence<br />

8<br />

Stargazers’ are dreamers who look beyond inconsequent visions, and their<br />

unattainable starpower and light. At the same time trampling on the flowers<br />

struggling at their feet. As we may not have potted our flowers in a worthy<br />

vase, we prioritise a shift in developing Africa’s limitless resource, our minds.


Africa’s creative collaborative drive<br />

Ever so often, a community advances in small incremental changes that are<br />

in keeping with its extended eco-system. Some ‘developed’ communities<br />

predict these progressive changes beforehand; and implement decisions<br />

to chart the best path forward. Others wait for a collective of thinkers and<br />

pacesetters, and simply jump on the winning bandwagon when it gains<br />

traction. The ‘selective‘ that tunnel depths to course the best solutions<br />

forward, often employ tangible creative initiatives with a high probability of<br />

success. Without creativity, even the best solutions with a projected high<br />

rate of success may not be effectively adapted. With the proliferation of<br />

mechanical, technological and digital solutions from the developed world,<br />

Africa needs to source and adapt suitable sustainable systems to enable<br />

her optimize influence on the global scene; concertedly developing her<br />

wealth. With good policies, direction, and prioritization for solution-driven<br />

activity, Africans can collaboratively and creatively align their efforts- in a<br />

bid to optimize their inherent skill-strengths. This generation requires fresh<br />

orientation for a significant role on the global scene [All fields require a<br />

continentally sound creative reawakening]. The choices we make in this<br />

Fourth Industrial Revolution [see page 108] must align and integrate our<br />

continental objectives. Africa’s aesthetics, branding, business models, value<br />

chains, networks, intrinsic and extrinsic values in the new global community:<br />

Education, intellectual property, digital and online policy, urban design, and<br />

relationships must each and all undergo a creative overhaul. Our creative<br />

drive in visual and performing arts, education, cultural progression, networks<br />

and ecosystems, must all reflect this growth. It will be easier to inspire and<br />

implement the right prospective changes: when we are able to appropriate<br />

our creative responsibilitities through the best channels and personnel.<br />

9<br />

<strong>ASO</strong> acknowledges the advantages engendered in boosting creativity, and<br />

collaborations, without painting a dire or inaccurately optimistic picture. In<br />

the advent of globalization, our border-to-border unity-in-vision is almost<br />

as important as our tribal attunement. Just sticking to facts, Africa has vast<br />

human and mineral resources, however we urgently need to recreate a<br />

holistic agenda. Share your thoughts today on www.africaswitchedon.com


Location: Forecourt of A&C Shopping Mall in East Legon, &<br />

Oxford Street Mall, Osu [Accra-Ghana]<br />

Telephone numbers:<br />

+233 20 8613 024 [WhatsApp]<br />

+1 901 340 9307 [WhatsApp]<br />

+233 244 439 792<br />

+233 243 155 896<br />

+251 912 045 322<br />

10


A-KINKO is a Ghanaian company which specializes in unique,<br />

handmade, Afro-centric fashion accessories as never seen<br />

before. These unisex fashion accessories include shoes, bags<br />

and jewellery - produced to high finishes and international<br />

standards: And in line with A-KINKO’s belief that inter-African<br />

trade holds the key to the continent`s development. A-KINKO<br />

regularly uses skilled artisans from all over the continent to<br />

produce these original designs. A-KINKO features the work<br />

of African designers the calibre of Adele Dejak and Koko. In<br />

the production of A-KINKO shoes and bags, and in its bid to<br />

promote an African aesthetic, A-KINKO insists exclusively on<br />

the use of natural materials, sourced almost entitrely from the<br />

African continent. These include cowhide, goatskin, exotic<br />

textured skins from fish, ostrich and rafia - for which it has<br />

become well known for. In producing unique jewellery,<br />

A-KINKO sources natural silver, brass, aluminium, semi-precious<br />

stones and seashells, also almost entirely from the continent.<br />

The brand`s handmade accesories are complemented by<br />

a selection of clothing, also made from natural materials,<br />

sourced from all over the continent. Visit A-KINKO, live.<br />

11<br />

Email: akinkojewellery@yahoo.com | akinkoasneverseenb4@gmail.com<br />

Instagram: lookbookakinko | Facebook :A-KINKO<br />


12<br />

Photographs by Dexter Livingstone of DextDee Photography

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