ASO ENGLISH PREVIEW
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
The beauty of<br />
Africa Switched<br />
On, or “<strong>ASO</strong>”<br />
is embedded<br />
in our editorial<br />
focus: One that<br />
contemplates our<br />
sustainable futures<br />
through creative<br />
collaborations.<br />
2<br />
Cover & coverstory photography by Dexter Livingstone of DextDee Photography<br />
Akosua Busia
square one<br />
Haute CANOE’s smart approach for an African renaissance<br />
advocates the integration of human capacity in education<br />
and business - en masse. We start enterprising discussions<br />
to share and seek solutions, ultimately geared to advance<br />
continental growth. Africa Switched On [or <strong>ASO</strong>] does not<br />
succeed as a collective without professional input. We also<br />
create a forum to optimize synergies. <strong>ASO</strong> solicits intelligence:<br />
Urging a renascent informed reform that denounces any kind<br />
of exclusion that arises from postcode, passport or religion.<br />
<strong>ASO</strong> enables online peer interaction and trade relationships<br />
based on individual capacity and team effort. Find peers<br />
to advance, build, collaborate, develop and expand your<br />
fortunes on www.africaswitchedon.com. If you doubt that<br />
Africa switches on without you - this forum is not for you.<br />
3<br />
business + education<br />
Haute CANOE, Manual of Blackness is a Business and Education Quarterly<br />
Registered by Ghana’s National Media Commisssion<br />
NMC / C I 39/16/2059<br />
Our Editorial Offices are based @ Ground Floor TVAfrica<br />
B500 Feo Eyoo Street, North Industrial Area, Kaneshie, Accra-Ghana<br />
Business and Education: be@tootmap.com | +233 [0] 56 000 8888 [GH]<br />
Advertising and Sponsorship: ops@tootmap.com | +233 [0] 56 000 9999 [GH]
4<br />
Dear Reader,<br />
I’m pleased to present your next Manual of Blackness - <strong>ASO</strong>,<br />
acronym for Africa Switched On. <strong>ASO</strong> is an attempt to<br />
woo Africa’s “business - educated” elite. I struggle finding<br />
balance between creating a journal that spurs our educated<br />
superiors into sound business conversation, relationships,<br />
and practice; an entertaining Manual of sorts’ whose artistry<br />
is ultimately bohemian African [also available in French, and<br />
soon in Arabic]; and the ultimate inspirational ‘coffee table’<br />
journal [although currently only available online]. I veer less<br />
towards traditionally exciting editorial. The average magazine<br />
‘reader’ is really a browser looking for one thing, some thing or<br />
another. The brands that support generic content [especially<br />
by way of advertising] are inclined to favourably influence<br />
your consumption. In creating Haute CANOE, I sought nontrending<br />
discourse and imagery to show a new aesthetic<br />
essence. The people who helped achieve this vision also<br />
share a belief in a conscientised African renaissance. You will<br />
enjoy <strong>ASO</strong>, if you are interested in the science of engaging your<br />
time profitably. I apologise for the shift toward advertorials,<br />
the profiles remain meritocratic. You can contribute to Haute<br />
CANOE and Africa Switched On through any of our portals.<br />
If you are entrepreneurial, a tertiary or professional lecturer<br />
or student, creative, millenial traveller, literary institution, and/<br />
or working towards a better Africa [and world], you are our<br />
primary target. Please enjoy, criticize and share <strong>ASO</strong>.<br />
best regards, Nkwaye Ansah<br />
Being Online, we are happy to correct opinions and errors if you let us know.
Page Title<br />
1-2 AKOSUA BUSIA<br />
3 SQUARE ONE<br />
4 Editor’s Foreword<br />
6-7 Contents Map [Our creative ecosystem]<br />
8 Stargazers<br />
9 Africa’s collaborative creative drive<br />
10-11 A-Kinko<br />
12-21 Akosua Busia Cover story, One more ride<br />
20 Sandra Don-Artur<br />
22-25 Vanessa Harrison<br />
26-27 Juliet Yaa Asantewa Asante, BSIFF<br />
28-31 Blank Canvas, Steve French Oduro<br />
32-35 Blank Canvas, Samuel Oteng<br />
36-39 Blank Canvas, Alexandra Tanowa Tomiyama<br />
40-43 Blank Canvas, Sama Fletcher<br />
44 Blank Canvas, Yvonne Ntiamoah<br />
45-46 Maison Mimi<br />
47-50 Edwina Kulego<br />
52-63 Chef Ruby Paintsil, Lost in food<br />
64-69 African Landscapes<br />
70- NOMAD, Northern Ghana, The Lara Banger<br />
71-77 Savannah, Zaina Lodge<br />
74-75 Tama Shea production<br />
78-79 Tamale Arts Centre<br />
82-83 Intelligence [excerpts from The Initiated]<br />
85 When called a monkey<br />
86-87 After the fight [Ali, Nkrumah & Mandela]<br />
88- Using Mathematics to solve daily problems<br />
89-92 Decoded, Peter Amoako-Yirenkyi, Mathematics<br />
93 E- Kiosk, TECH FIX<br />
94-95 Shaping our fourth<br />
96-99 Renewing energy<br />
101 Sustenance<br />
102 Interdependence<br />
103 Teamwork, Intro- Democracy<br />
104 When democracy succeeds . . .<br />
105 The last slave<br />
106- 7 KaySo Sound<br />
108- 9 Uber fair fare<br />
110-11 The fourth<br />
112 Governance<br />
113 Inglorious<br />
115 Afro eco’systems<br />
117 Who develops the African Marketplace?<br />
119 Neem<br />
120- 1 Distichs, Non-rhyming Couplets<br />
122- 3 SLR Industrial Design Engineering & Technology<br />
5
Cont ent s Map<br />
Africa Switched On, or <strong>ASO</strong><br />
certifies the emergence of light,<br />
or a celebration. The name<br />
and acronym allude to pooling<br />
Africa’s academic-entrepreneurial<br />
networth. <strong>ASO</strong> is designed<br />
to advance education and<br />
business; oozing bAfrican artistry.<br />
Developing human capacity<br />
starts from acquiring knowledge,<br />
before channelling its use to seek<br />
upwardly intelligent choices.<br />
6<br />
We advocate simple greener cycles for growth<br />
We have created a<br />
forum that enables<br />
many professionals<br />
to share bohemian<br />
African imagery that<br />
inspire change.<br />
Education is not a<br />
complicated process<br />
when like minds fish for<br />
simple sustainable solutions<br />
bAfro<br />
. . . is our fashion aesthetic<br />
intelligence is the ability to acquire and/or apply knowledge and skills
The household that understands<br />
‘sustainability’ does not only invest in<br />
energy saver bulbs. They make use of<br />
the sun in practical ways that brighten<br />
their nights’ with ingenious brilliance.<br />
We can think of the best long-term<br />
sustainable solutions and applications<br />
to address our problems. Of course<br />
our choices may be proven to be<br />
entirely inaccurate through intelligence,<br />
and the maturity of time. The irony<br />
embedded in the realization of how<br />
little we know today, only suggests<br />
what more we are yet to learn in time<br />
due. No matter how significantly fat<br />
our vaults of knowledge weigh today,<br />
they are slimmer after new truths<br />
emerge. It takes humbling awakening,<br />
and enlightened sparks to cultivate<br />
good growth. We limit error when we<br />
commit intelligent thinking towards<br />
sustainable solutions. Time intelligently<br />
uses our lives [especially] when our<br />
lives use time intelligently.<br />
7<br />
When our waste become a<br />
valuable [power generating]<br />
commodity, littering becomes<br />
an expensive habit to entertain.<br />
Sustainability is when our foods<br />
power mileage<br />
Sustainabilities<br />
used prudently, we can sustainably develop the african continent
kisk<br />
smart<br />
creative<br />
paradigms;<br />
advocating<br />
a culture of<br />
applying<br />
intelligence<br />
8<br />
Stargazers’ are dreamers who look beyond inconsequent visions, and their<br />
unattainable starpower and light. At the same time trampling on the flowers<br />
struggling at their feet. As we may not have potted our flowers in a worthy<br />
vase, we prioritise a shift in developing Africa’s limitless resource, our minds.
Africa’s creative collaborative drive<br />
Ever so often, a community advances in small incremental changes that are<br />
in keeping with its extended eco-system. Some ‘developed’ communities<br />
predict these progressive changes beforehand; and implement decisions<br />
to chart the best path forward. Others wait for a collective of thinkers and<br />
pacesetters, and simply jump on the winning bandwagon when it gains<br />
traction. The ‘selective‘ that tunnel depths to course the best solutions<br />
forward, often employ tangible creative initiatives with a high probability of<br />
success. Without creativity, even the best solutions with a projected high<br />
rate of success may not be effectively adapted. With the proliferation of<br />
mechanical, technological and digital solutions from the developed world,<br />
Africa needs to source and adapt suitable sustainable systems to enable<br />
her optimize influence on the global scene; concertedly developing her<br />
wealth. With good policies, direction, and prioritization for solution-driven<br />
activity, Africans can collaboratively and creatively align their efforts- in a<br />
bid to optimize their inherent skill-strengths. This generation requires fresh<br />
orientation for a significant role on the global scene [All fields require a<br />
continentally sound creative reawakening]. The choices we make in this<br />
Fourth Industrial Revolution [see page 108] must align and integrate our<br />
continental objectives. Africa’s aesthetics, branding, business models, value<br />
chains, networks, intrinsic and extrinsic values in the new global community:<br />
Education, intellectual property, digital and online policy, urban design, and<br />
relationships must each and all undergo a creative overhaul. Our creative<br />
drive in visual and performing arts, education, cultural progression, networks<br />
and ecosystems, must all reflect this growth. It will be easier to inspire and<br />
implement the right prospective changes: when we are able to appropriate<br />
our creative responsibilitities through the best channels and personnel.<br />
9<br />
<strong>ASO</strong> acknowledges the advantages engendered in boosting creativity, and<br />
collaborations, without painting a dire or inaccurately optimistic picture. In<br />
the advent of globalization, our border-to-border unity-in-vision is almost<br />
as important as our tribal attunement. Just sticking to facts, Africa has vast<br />
human and mineral resources, however we urgently need to recreate a<br />
holistic agenda. Share your thoughts today on www.africaswitchedon.com
Location: Forecourt of A&C Shopping Mall in East Legon, &<br />
Oxford Street Mall, Osu [Accra-Ghana]<br />
Telephone numbers:<br />
+233 20 8613 024 [WhatsApp]<br />
+1 901 340 9307 [WhatsApp]<br />
+233 244 439 792<br />
+233 243 155 896<br />
+251 912 045 322<br />
10
A-KINKO is a Ghanaian company which specializes in unique,<br />
handmade, Afro-centric fashion accessories as never seen<br />
before. These unisex fashion accessories include shoes, bags<br />
and jewellery - produced to high finishes and international<br />
standards: And in line with A-KINKO’s belief that inter-African<br />
trade holds the key to the continent`s development. A-KINKO<br />
regularly uses skilled artisans from all over the continent to<br />
produce these original designs. A-KINKO features the work<br />
of African designers the calibre of Adele Dejak and Koko. In<br />
the production of A-KINKO shoes and bags, and in its bid to<br />
promote an African aesthetic, A-KINKO insists exclusively on<br />
the use of natural materials, sourced almost entitrely from the<br />
African continent. These include cowhide, goatskin, exotic<br />
textured skins from fish, ostrich and rafia - for which it has<br />
become well known for. In producing unique jewellery,<br />
A-KINKO sources natural silver, brass, aluminium, semi-precious<br />
stones and seashells, also almost entirely from the continent.<br />
The brand`s handmade accesories are complemented by<br />
a selection of clothing, also made from natural materials,<br />
sourced from all over the continent. Visit A-KINKO, live.<br />
11<br />
Email: akinkojewellery@yahoo.com | akinkoasneverseenb4@gmail.com<br />
Instagram: lookbookakinko | Facebook :A-KINKO<br />
12<br />
Photographs by Dexter Livingstone of DextDee Photography