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Tokyo Weekender - January 2016

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GALLERY GUIDE<br />

TOKYO GALLERY GUIDE<br />

OUR PICKS FROM THE EXHIBITIONS AROUND TOWN<br />

by Luca Eandi<br />

TOKYO ART MEETING VI: “TOKYO” – Sensing the Cultural Magma of the Metropolis<br />

In the build up to the <strong>Tokyo</strong><br />

2020 Olympic Games, the<br />

public focus has been largely<br />

on questions around the<br />

skyrocketing cost of hosting<br />

(recently quoted at an estimated<br />

¥1.8 trillion) and controversial<br />

issues such as logo plagiarism,<br />

outlandish stadium designs and<br />

increased security from possible<br />

terrorist threats. The latest<br />

installment of the “<strong>Tokyo</strong> Art<br />

Meeting” series seeks to answer<br />

a different question: what is<br />

<strong>Tokyo</strong>’s cultural identity and how<br />

does it differentiate itself among<br />

other enlightened world capitals?<br />

Acknowledging <strong>Tokyo</strong>’s initial<br />

impact onto the global artistic<br />

scene in the 1980s, the exhibition<br />

is framed by two elements that allow<br />

people to sense <strong>Tokyo</strong> anew.<br />

One presents images curated by<br />

<strong>Tokyo</strong>-based, internationally<br />

known creative figures and the<br />

other consists of new works by<br />

artists who work both in Japan<br />

and abroad, all proposing their<br />

own concept of the city.<br />

Not restricted to conventional<br />

art, the exhibition covers<br />

a wide range of media including<br />

music, video and design,<br />

giving the viewer a sense of the<br />

possibilities that are present<br />

in the city today and putting<br />

its current identity into relief.<br />

Some of the featured artists<br />

include YMO + Akio Miyazawa,<br />

Mika Ninagawa, SUPERFLEX,<br />

Takashi Homma, Saâdane Afif,<br />

Toshiki Okada, [Mé], EBM(T),<br />

Lin Ke and Tetsuaki Matsue,<br />

along with works from the collection<br />

of Museum of Contemporary<br />

Art <strong>Tokyo</strong>.<br />

Tabor Robak 20XX, 2013, Courtesy: the artist and Team Gallery<br />

Museum of Contemporary Art <strong>Tokyo</strong><br />

Dates: November 7, 2015–February 14, <strong>2016</strong><br />

Open: 10:00 am–6:00 pm, closed on Mondays (except Jan 11) and Jan 12<br />

Web: www.mot-art-museum.jp/eng/exhibition/TAM6-tokyo.html<br />

CEDRIC DELSAUX: Dark Lens<br />

Dark Lens, The Falcon’s Flight, Dubai, 2009 © Cédric Delsaux<br />

As we get used to them,<br />

the shapes and contours<br />

of fictional characters<br />

become as fully integrated<br />

into our culture as our actual<br />

surroundings. Shaking up the<br />

boundaries between fiction and reality,<br />

French photographer Cedric<br />

Delsaux pairs familiar images of<br />

modern cityscapes with equally<br />

familiar characters and vehicles<br />

from the “Star Wars” universe, to<br />

create scenes that induce a sort of<br />

“double déjà vu.” The postmodern<br />

world meets “a long time ago, in a<br />

galaxy far, far away.”<br />

Serving as the artist’s first-ev-<br />

er exhibition in Japan, and<br />

coinciding with the release of the<br />

much-awaited film, “Star Wars:<br />

The Force Awakens,” “Dark Lens”<br />

features photographs of surreal<br />

scenes such as an AT-AT Walker<br />

wandering through a thick fog<br />

by interstate overpasses, the Millennium<br />

Falcon parked amidst a<br />

Dubai construction site and two<br />

Speeder Bikes zooming under<br />

power lines. The fourteen pieces<br />

that make up the exhibit have<br />

received high praise from George<br />

Lucas himself and were released<br />

as part of a book, also titled<br />

“Dark Lens,” back in November.<br />

Diesel Art Gallery<br />

Dates: November 20, 2015–February 11, <strong>2016</strong> | Open: 11:30 am–9:00 pm<br />

Web: www.diesel.co.jp/art/en/cedric_delsaux<br />

JANUARY <strong>2016</strong> www.tokyoweekender.com

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