WBHS_School_Magazine_1966 LR 01
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I went last week to tbe opening nigbt of Mr.<br />
Peacock's production of "Tbe Caine Mutiny" and<br />
came out over two bours later botb surprised and<br />
deligbted. I bad already beard the play on tbe<br />
radio, tbought it excellent, and wondered how it<br />
would come out on stage. Now, thanks to Mr.<br />
Peacock's extraordinarily efficient producing and<br />
handling of performers, I cbeerfully support the<br />
unanimous verdict that it was a great success,<br />
and not easily forgotten.<br />
I was astonisbed at tbe ease with whicb the<br />
performers acted their parts, and the almost total<br />
lack of stage fright or prompting was most praisewortby.<br />
Micbael Herbert, playing tbe lead, gave a brilliant<br />
performance as Captain Queeg. His last<br />
outburst .in tbe witness box was tbe best and<br />
most memorable part in the play. In making the<br />
most of every sentence he scored a triumpb in a<br />
most difficult part.<br />
Kenneth Kesner used talents I did not know<br />
he possessed as defending attorney Greenwald,<br />
and made a great success of it. He was faultless<br />
in lines and stage-movement and carried off the<br />
difficult final scene as a drunkard, most convincingly.<br />
"THE CAINE MUTINY"<br />
AJso wortby of much praise is Taki Kyriacos<br />
as Lieutenant Maryk. Once he wore into his part<br />
he was excellent and he bad some particularly<br />
striking moments wben be was cross-examined<br />
near the end. His voice is good and he was another<br />
great asset to the play.<br />
The Anderton brothers both portrayed doctors<br />
and were higbly entertaining in tbeir parts. The<br />
defending attorney's argument with Dr. Bird is<br />
worth mentioning bere as a very well-acted scene.<br />
William Anderton was Dr. Bird and Patrick was<br />
correctly overbearing as Dr. Lundeen.<br />
Keith Brown seemed rather small for the part<br />
of a naval captain but he succeeded in carrying<br />
it off. I liked Jonatban Benjamin as Lieut. Keith<br />
and Peter Furman as Lieut. Keefer very much.<br />
Robin Burns managed a hard part quite amusinglyand<br />
Norman Coates, although baving a less<br />
fIIamboyant script, was also good as tbe prosecuting<br />
attorney.<br />
An enormous amount of hard work went into<br />
tbis play from the producer and cast, and the<br />
result was highly laudable, as shown by the<br />
applause and the very genuine curtain-calls.<br />
R. FrrzWTLLlAMS.<br />
Adjudicator's<br />
TALENT EVENING, 26th September, <strong>1966</strong><br />
Report:<br />
Three judges acted independently, having first<br />
agreed that they would award balf the points for<br />
the quality of the subject matter, a quarter of tbe<br />
points· for stage-craft (good speech, singing, posture,<br />
and so on), and a quarter of the marks for<br />
good taste and style. One judge emphasised (at<br />
least to himself) that mus.ic should include melody,<br />
harmony, rhythm, and variation of texture and<br />
interpretation.<br />
Of the 'group' performances, the 'Nazi'skit,<br />
led by Milliner, gained 34t points of a maximum<br />
of 60, and took first place.<br />
The 'pop' groups did not lag far behind; their<br />
music was of a high 'pop' standard - it had<br />
rhythm and melody, but tended to be too loud.<br />
These groups lost points for displaying little<br />
originality - possibly the fault of the medium.<br />
Of the individual performances, solo and duet,<br />
first place was gained by Coates and Loury with<br />
their Folk Songs and guitar accompaniment.<br />
55<br />
Theirs was tbe most polisbed performance, and<br />
they also revealed pleasing touches of originality.<br />
Runners-up were the other guitar duetists, Benjamin<br />
and Sesselberg, who sang with sympathy and<br />
understanding, though not always with perfect<br />
intonation. Anderton, in his four-part sketch,<br />
captivated the house, and took third place. Other<br />
contestants who earned tbe judges' approval were<br />
Clay and Barrett (violin and piano), Roberts<br />
(piano solo) and Pam, whose folk songs with<br />
banjo/uke' accompaniment were not aided by a<br />
breakdown in tbe mike and amplifier.<br />
The audience rightly showed its appreciation of<br />
the humour of the compere, Micbael Cann, wbo<br />
performed a difficult task well.<br />
Bruce Probyn deserves congratulations for<br />
having initiated this 'Talent Evening', and we<br />
hope that it will become an annual feature.<br />
For consideration for next year's performance,<br />
we would like to suggest that the entertainment<br />
would benefit greatly from the services of a producer.