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'OP' ART<br />

The current exhibition at the National Gallery entitled<br />

"Art of the Space Age" has aroused considerable<br />

interest amongst old and young alike.<br />

Part of the fascination derived from the exhibition<br />

is due to the fact that the exhibits move, either physically,<br />

or optically, through the way in which the shapes<br />

have been cleverly arranged so as to create the illusion<br />

of movement as you change your vantage point.<br />

Those viewers who seek some relationship between<br />

these exhibits and that definition of art which demands<br />

of it that it concern itself with the representation of<br />

naural appearances, will be disappointed. This definition<br />

bears no relationship to those concepts of art<br />

which have motivated the creation of these exhibits at<br />

the National Gallery. It would take too long to trace<br />

those developments in 20th century art which bave led<br />

up to 'Op', but if any sceptical visitor to this exhibition<br />

wiU regard the works as being mainly inspired by the<br />

tremendous scientific and technological strides of this<br />

century, and the fascination that this scientific development<br />

holds for tbe artist, and if he views them in this<br />

context, he will appreciate them more fully.<br />

The following experiments in 'Op' art were made by<br />

Wynberg boys in Std. VI after they had been shown<br />

some reproductions of work on the "Art of the Space<br />

Age" exhibition.<br />

I. SCHMAMAN.<br />

W. DAWSON, 6d.<br />

56<br />

P. WEIR, 6c.

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