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Fundamentals_of_Marketing

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MARKETING: DEVELOPMENT AND SCOPE<br />

who respond to this message <strong>of</strong> the market and the instructions <strong>of</strong> the consumer. The revised<br />

sequence in contrast refers to the reality asserted by Galbraith, whereby producers condition<br />

the creation and satisfaction <strong>of</strong>needs and wants in the interests <strong>of</strong> the managerial elite.<br />

Advertising is especially important to the managerial elite as there is a need to create a<br />

ready market for the goods on <strong>of</strong>fer. In response to the riposte that much advertising is<br />

informational Galbraith sardonically replies, ‘Only a gravely retarded person would need<br />

to be told that the American Tobacco Company has cigarettes for sale.’ In Galbraith’s view<br />

the very idea <strong>of</strong> homo economicus acts as a powerful protection for the technostructure which<br />

hides behind the rhetoric <strong>of</strong> the sovereign individual as a cover for its wholesale manipulation<br />

<strong>of</strong> the market place. Others have built on this argument to argue that marketing plays an<br />

ideological role in society by suggesting that everyone is equally free to buy goods, marketing<br />

masks the lack <strong>of</strong> freedom and existence <strong>of</strong> gross inequalities in society (cf. Marcuse, 1964).<br />

Similar views have been expressed by academics working inside the marketing discipline<br />

(cf. Brownlie and Saren, 1992).<br />

Postmodern academics argue that there is no one true or authentic marketing approach<br />

but rather a range <strong>of</strong> different but equally valid perspectives. Postmodernism developed as<br />

a tendency in the arts, and more recently in the social sciences, which reflects upon, attacks<br />

and ironizes modernist thought. Modernism is that set <strong>of</strong> ideas which developed during the<br />

European Enlightenment and which came to be embodied in concepts such as ‘progress’<br />

and ‘scientific rationality’. Postmodernism is a reaction against modernism to the extent that<br />

postmodernists do not believe that society gets progressively better through history, nor do<br />

they believe that science will provide such progress. They argue that modernist tendencies<br />

to believe that science can uncover deep structures <strong>of</strong> meaning are subverted by appearances<br />

and so they lend great credence to appearances. Postmodernists also attack the dualisms<br />

implicit in Enlightenment thinking, for instance between ‘mind’ and ‘body’ or ‘male’ and<br />

‘female’ which traditionally elevate one term (the ‘mind’ over the ‘body’ or ‘male’ over<br />

‘female’) over the other. Postmodernism is concerned with deconstructing or dismantling<br />

such stable binary schemes <strong>of</strong> meaning and substituting a whole plethora <strong>of</strong> differences in<br />

their place. Put simply, postmodernism is concerned with challenging and undermining<br />

oppositions which many people take to be ‘natural’ and in demonstrating that these are<br />

cultural artefacts.<br />

Postmodern marketing comes in a whole range <strong>of</strong> guises usually involving the use <strong>of</strong><br />

irony, ‘playfulness’, critique and pastiche <strong>of</strong>ten rolled together into a seamless web. It is<br />

difficult to discuss postmodern marketing, not least because some <strong>of</strong> those who are labelled<br />

‘postmodern’ do not subscribe to that view themselves. Brown (1995, 1998) adopts a joyful<br />

and ironic posture in criticizing gurus such as Ans<strong>of</strong>f, Kotler and Levitt, who are held high<br />

in the marketing pantheon. In chapter 2 entitled ‘I coulda been a contender!’ Brown attacks<br />

the totalizing tendencies <strong>of</strong> the subject and some <strong>of</strong> the ‘mainstream’s’ most cherished<br />

assumptions. Brown (1998) continues this theme.<br />

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