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Viva Brighton Issue #52 June 2017

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DESIGN<br />

....................................<br />

George Hardie<br />

Pink Floyd album cover artist<br />

I speak to <strong>Brighton</strong> University Professor George<br />

Hardie on a Bank Holiday, distracting from<br />

his preparations for a teaching trip to Porto,<br />

a nerve-wracking home visit from a panel of<br />

expert gardeners, and work on his forthcoming<br />

monograph.<br />

The book, to be published by Unit Editions<br />

this year, is described by designer and editor<br />

Adrian Shaughnessy as ‘a comprehensive study<br />

of George Hardie’s vast body of work’. It follows<br />

on from Hardie’s 50th-anniversary retrospective<br />

at <strong>Brighton</strong> University this spring, and ‘will<br />

chart the connections, influences and allusions<br />

that are embedded in Hardie’s work’.<br />

This is no small undertaking, as George hit the<br />

big time as a graphic artist while studying at the<br />

Royal College of Art in the 1970s. He illustrated<br />

the cover of Pink Floyd’s Dark Side of the Moon,<br />

as well as other iconic albums by the likes of<br />

Led Zeppelin and Black Sabbath, with design<br />

group Hipgnosis.<br />

You might imagine that creating work to such<br />

high-profile briefs would be hard to beat even<br />

years later, but no. “They’re not incredibly interesting<br />

to me,” says George, “except of course,<br />

that’s terribly unfair because I was incredibly<br />

grateful, and lucky, to be working for such<br />

important clients so early.<br />

....58....

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