Viva Brighton Issue #52 June 2017
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DESIGN<br />
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George Hardie<br />
Pink Floyd album cover artist<br />
I speak to <strong>Brighton</strong> University Professor George<br />
Hardie on a Bank Holiday, distracting from<br />
his preparations for a teaching trip to Porto,<br />
a nerve-wracking home visit from a panel of<br />
expert gardeners, and work on his forthcoming<br />
monograph.<br />
The book, to be published by Unit Editions<br />
this year, is described by designer and editor<br />
Adrian Shaughnessy as ‘a comprehensive study<br />
of George Hardie’s vast body of work’. It follows<br />
on from Hardie’s 50th-anniversary retrospective<br />
at <strong>Brighton</strong> University this spring, and ‘will<br />
chart the connections, influences and allusions<br />
that are embedded in Hardie’s work’.<br />
This is no small undertaking, as George hit the<br />
big time as a graphic artist while studying at the<br />
Royal College of Art in the 1970s. He illustrated<br />
the cover of Pink Floyd’s Dark Side of the Moon,<br />
as well as other iconic albums by the likes of<br />
Led Zeppelin and Black Sabbath, with design<br />
group Hipgnosis.<br />
You might imagine that creating work to such<br />
high-profile briefs would be hard to beat even<br />
years later, but no. “They’re not incredibly interesting<br />
to me,” says George, “except of course,<br />
that’s terribly unfair because I was incredibly<br />
grateful, and lucky, to be working for such<br />
important clients so early.<br />
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