Viva Brighton Issue #52 June 2017
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LOWDOWN ON...<br />
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Printing <strong>Viva</strong><br />
Mark Tulley from Gemini explains<br />
The printing officially starts<br />
with our repro team. They’ll<br />
process the files that you’ve<br />
sent over, and then impose<br />
them into the right order so<br />
that when we back up the pages<br />
they back up correctly. The<br />
magazine is A5, but it’s printed<br />
on larger sheets in 32-page sections,<br />
with 16 pages on either<br />
side of each sheet. Our team<br />
check for any potential issues,<br />
but essentially this is done by<br />
the computer.<br />
Once the files have been<br />
processed, we need to<br />
create the printing plates<br />
[templates] for each spread. Colour images are<br />
made up of four colours – CMYK (cyan, magenta,<br />
yellow, black) – so for every colour spread we need<br />
to produce four plates. We need 28 plates in total<br />
for one issue of <strong>Viva</strong>. The process used to involve<br />
lots of chemicals, but now the<br />
images are burnt onto the plates<br />
using a combination of thermal<br />
and light exposure. It’s a very<br />
environmentally friendly way of<br />
printing. The aluminium plates<br />
are recycled after use.<br />
<strong>Viva</strong> is printed on one of our<br />
large presses – the Heidelberg<br />
XL press. The clever<br />
thing about this is the colour<br />
control; the colour is recalibrated<br />
every 14 sheets. This<br />
means that as the sheets are<br />
moving through, the computer<br />
is scanning the images to make<br />
sure they’ve got the right<br />
amount of colour in them. If a page is low on, say,<br />
magenta, it automatically pours in more magenta<br />
ink to make sure there’s colour consistency. Before<br />
this technology existed it would have been done<br />
by eye, with one person standing at the end of<br />
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