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THE NARRATIVE IN THE LAY OF LEITHIAN TO ITS<br />

TERMINATION<br />

This substantial portion of the poem takes up from the last line of Canto VII in The Lay of<br />

Leithian (‘But none would yield, and none would tell’, p. 132), and the opening of Canto<br />

VIII corresponds to the very compressed account in the Quenta (p. 133) of the confinement<br />

of Lúthien in Nargothrond, imposed on her by Celegorm and Curufin and from which she<br />

was rescued by Huan, whose origin is told. A line of asterisks in the text of the Lay marks<br />

the start of a further Canto; Canto IX at line 329; Canto X at line 619; Canto XI at line 1009;<br />

Canto XII at line 1301; Canto XIII at line 1603; and Canto XIV, the last, at line 1939.<br />

Hounds there were in Valinor<br />

with silver collars. Hart and boar,<br />

the fox and hare and nimble roe<br />

there in the forests green did go.<br />

Oromë was the lord divine<br />

of all those woods. The potent wine<br />

went in his halls and hunting song.<br />

The Gnomes anew have named him long<br />

Tavros, the God whose horns did blow<br />

over the mountains long ago;<br />

who alone of Gods had loved the world<br />

before the banners were unfurled<br />

of Moon and Sun; and shod with gold<br />

were his great horses. Hounds untold<br />

baying in woods beyond the West<br />

of race immortal he possessed:<br />

grey and limber, black and strong<br />

white with silken coats and long,<br />

brown and brindled, swift and true<br />

5<br />

10<br />

15

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