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tessella - the Scientia Review

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Case Study:<br />

M. C. Escher was a Dutch graphic artist that was famous for <strong>the</strong> <strong>tessella</strong>tions in<br />

his art. Born in 1898, his family lived in Leeuwarden, <strong>the</strong> Ne<strong>the</strong>rlands before<br />

moving to Arnhem. After high school he attended <strong>the</strong> Haarlem School of architecture<br />

and design. After failing to become an architect, Escher decided to<br />

study decorative arts. In 1937, he started to incorporate ma<strong>the</strong>matics into his<br />

Regular Division of <strong>the</strong> Plane III, woodcut, 1957 - 1958.<br />

artwork which consisted mostly of<br />

lithographs and woodcuts. From a paper<br />

by George Polya, Escher learned<br />

about <strong>the</strong> different symmetries used to<br />

create <strong>tessella</strong>tions. His 1936 Regular<br />

Division of <strong>the</strong> Plane work and his<br />

1937 work Metamorphosis I were some<br />

of his first works to make use of <strong>tessella</strong>tions.<br />

In 1958, he published a book<br />

called Regular Division of <strong>the</strong> Plane<br />

that was composed of his previous<br />

works that made use of <strong>tessella</strong>tions.<br />

His final work to use <strong>tessella</strong>tions was<br />

his Metamorphosis III which he made<br />

The concept of this work (Metamorphosis I) is to morph one image into a <strong>tessella</strong>ted pattern, <strong>the</strong>n gradually to alter <strong>the</strong><br />

outlines of that pattern to become an altoge<strong>the</strong>r different image. From left to right, <strong>the</strong> image begins with a depiction of<br />

<strong>the</strong> coastal Italian town of Atrani. The outlines of <strong>the</strong> architecture <strong>the</strong>n morph to a pattern of three dimensional blocks.<br />

These blocks <strong>the</strong>n slowly become a <strong>tessella</strong>ted pattern of cartoon like figures in oriental attire.<br />

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