9. Sept 2014
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REVIEWS<br />
A POWER<br />
PERFORMANCE<br />
houseful of audience were amused by<br />
A veteran Bollywood actor Anupam Kher’s<br />
solo play Kuchh Bhi Ho Sakta Hai on August<br />
22, at the Army Officers’ Club, Sundhara.<br />
The performance of Saaransh actor, also<br />
known for movies like Dilwale Dulhaniya Le<br />
Jayenga, Hum Aaapke Hai Kaun along with<br />
critically acclaimed movie like Maine Gandhi<br />
Ko Nahi Mara was sterling – thanks to the<br />
well-scripted play with a good direction and<br />
of course a power performance.<br />
This versatile and talented actor of Hindi<br />
cinema made the two-and-half hour long<br />
play worth watching and proved such a<br />
long monologue is indeed fun to watch if<br />
delivered in Kher’s way.<br />
Directed by Feroze Abbas Khan, this is an<br />
autobiographical play, thus chronicles Kher’s<br />
journey as a human being and as an actor.<br />
The actor enacts his own story on stage,<br />
capturing his life from Shimla to Bombay.<br />
As Kher narrated and dramatized some<br />
important events of his life, the audience<br />
got glimpses of fun to romantic to struggling<br />
to sad and successful moments of his life.<br />
From his first kiss as a teenager to rejection<br />
in love as a youth to struggle of getting the<br />
first break in Bollywood to handling of fame<br />
and success to again being a failure, the play<br />
captured some major important events of<br />
Kher’s life. There were ordinary moments in<br />
his life like that of any other common man.<br />
And there were some incidents that seemed<br />
dramatic – like Kher cursing Mahesh Bhatt for<br />
not letting him do Saaransh, the melodramatic<br />
encounter with father of the girl he loved.<br />
While portraying these life incidents, the<br />
actor interacted freely with the audience thus<br />
making the audience relate to his story.<br />
Along with simply narrating the events<br />
just the way they happened to making<br />
commentaries of certain incidents which<br />
were often humorous, the play was<br />
presented in diverse way. And there<br />
was imitation of some moments – his<br />
performance in his first play of his life Prithvi<br />
Raj Chauhan and doing a rape scene for a<br />
movie with Jaya Prada.<br />
The gloom and pain was felt when he told<br />
his stories of failure – when he was rejected<br />
for Nehru’s role in Gandhi film, when he was<br />
in debt and when his face got paralyzed.<br />
Whether he told his story of success or<br />
failure, pain or happiness, loss or gain,<br />
Kher did equal justice to all the parts.<br />
Neither he was not only basking in his<br />
success nor was carried away while<br />
highlighting his failure. Of course, he is<br />
the man who “celebrates failure”, but as<br />
an actor, he had delivered his parts with a<br />
sense of objectivity making the production<br />
worth watching. And again he was retelling<br />
his life stories – there were both good and<br />
bad moments, some were of failures and<br />
embarrassment, but Kher boldly revealed<br />
everything.<br />
Nonetheless, the beautiful light design with<br />
right music, minimal props of chair, tables,<br />
a door and a raised platform along with<br />
display visuals and photographs from his<br />
movies were few things that accompanied<br />
Kher for two-and-a-half-hours in this oneman<br />
performance. Not to forget were the<br />
applauses of the audience that resounded<br />
the full house auditorium throughout the<br />
performance.<br />
The creative monologue about Kher’s life<br />
and time is worth a watch.<br />
It was a charity show orgaisned to raise<br />
funds for Koseli foundation, a centre for<br />
children of slums and streets.<br />
16 / SPACESNEPAL.COM