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9. Sept 2014

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REVIEWS<br />

A POWER<br />

PERFORMANCE<br />

houseful of audience were amused by<br />

A veteran Bollywood actor Anupam Kher’s<br />

solo play Kuchh Bhi Ho Sakta Hai on August<br />

22, at the Army Officers’ Club, Sundhara.<br />

The performance of Saaransh actor, also<br />

known for movies like Dilwale Dulhaniya Le<br />

Jayenga, Hum Aaapke Hai Kaun along with<br />

critically acclaimed movie like Maine Gandhi<br />

Ko Nahi Mara was sterling – thanks to the<br />

well-scripted play with a good direction and<br />

of course a power performance.<br />

This versatile and talented actor of Hindi<br />

cinema made the two-and-half hour long<br />

play worth watching and proved such a<br />

long monologue is indeed fun to watch if<br />

delivered in Kher’s way.<br />

Directed by Feroze Abbas Khan, this is an<br />

autobiographical play, thus chronicles Kher’s<br />

journey as a human being and as an actor.<br />

The actor enacts his own story on stage,<br />

capturing his life from Shimla to Bombay.<br />

As Kher narrated and dramatized some<br />

important events of his life, the audience<br />

got glimpses of fun to romantic to struggling<br />

to sad and successful moments of his life.<br />

From his first kiss as a teenager to rejection<br />

in love as a youth to struggle of getting the<br />

first break in Bollywood to handling of fame<br />

and success to again being a failure, the play<br />

captured some major important events of<br />

Kher’s life. There were ordinary moments in<br />

his life like that of any other common man.<br />

And there were some incidents that seemed<br />

dramatic – like Kher cursing Mahesh Bhatt for<br />

not letting him do Saaransh, the melodramatic<br />

encounter with father of the girl he loved.<br />

While portraying these life incidents, the<br />

actor interacted freely with the audience thus<br />

making the audience relate to his story.<br />

Along with simply narrating the events<br />

just the way they happened to making<br />

commentaries of certain incidents which<br />

were often humorous, the play was<br />

presented in diverse way. And there<br />

was imitation of some moments – his<br />

performance in his first play of his life Prithvi<br />

Raj Chauhan and doing a rape scene for a<br />

movie with Jaya Prada.<br />

The gloom and pain was felt when he told<br />

his stories of failure – when he was rejected<br />

for Nehru’s role in Gandhi film, when he was<br />

in debt and when his face got paralyzed.<br />

Whether he told his story of success or<br />

failure, pain or happiness, loss or gain,<br />

Kher did equal justice to all the parts.<br />

Neither he was not only basking in his<br />

success nor was carried away while<br />

highlighting his failure. Of course, he is<br />

the man who “celebrates failure”, but as<br />

an actor, he had delivered his parts with a<br />

sense of objectivity making the production<br />

worth watching. And again he was retelling<br />

his life stories – there were both good and<br />

bad moments, some were of failures and<br />

embarrassment, but Kher boldly revealed<br />

everything.<br />

Nonetheless, the beautiful light design with<br />

right music, minimal props of chair, tables,<br />

a door and a raised platform along with<br />

display visuals and photographs from his<br />

movies were few things that accompanied<br />

Kher for two-and-a-half-hours in this oneman<br />

performance. Not to forget were the<br />

applauses of the audience that resounded<br />

the full house auditorium throughout the<br />

performance.<br />

The creative monologue about Kher’s life<br />

and time is worth a watch.<br />

It was a charity show orgaisned to raise<br />

funds for Koseli foundation, a centre for<br />

children of slums and streets.<br />

16 / SPACESNEPAL.COM

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