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Spaces Issue 7

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your designer should address the following<br />

factors in the design:<br />

1. If the room is used for other activities<br />

besides the home theatre, then obviously<br />

these have to be catered for.<br />

2. Big openings towards sources of noise<br />

(road with traffic) should be avoided.<br />

3. Excessive noise from HVAC (heating,<br />

ventilation and air-conditioning) system<br />

must be addressed in the design phase<br />

itself, since rectifying procedures after<br />

construction is done will be expensive and<br />

quite difficult.<br />

4. Wherever practical, choose a rectangular<br />

room and place the screen and front<br />

speakers along one of the short walls (the<br />

length of the room helps the low<br />

frequencies develop).<br />

5. A ratio of 1:1.4:2.1 (H:W:L) in the room<br />

dimensions should be maintained to avoid<br />

unwanted standing wave problems. Skewed<br />

walls will definitely also help in minimizing<br />

standing waves.s<br />

6. Walls, except the sidewalls close to the<br />

screen, should be absorptive. However,<br />

care must be taken to balance both<br />

absorption and diffusion of sound. Too<br />

much absorption will result in a ‘dead<br />

environment’. There are several<br />

commercially manufactured products for<br />

both absorption and diffusion of sound.<br />

7. A nice thick carpet and use of curtains<br />

and soft furnishings can absorb some of<br />

the echo and reverberation.<br />

8. A point of concern in home<br />

theatre owners can be<br />

transmission of sound (noise)<br />

either from other activities in the<br />

home into the theatre or from<br />

the theatre to other parts of the<br />

home. This noise is usually<br />

transmitted through the weaker<br />

points like doorways, windows<br />

and other openings. Hence,<br />

before improving the isolation<br />

quality of the wall, noise path<br />

through these weaker points<br />

needs to be addressed first. A<br />

weather strip or a drop seal on<br />

the doors and windows can be<br />

some of the options to control<br />

unwanted transmissions.<br />

9. Sound isolation can be<br />

achieved either by massive<br />

construction, an airspace in<br />

between of the elimination of<br />

any structural connections that may<br />

transmit sound. However, due to the low<br />

frequency of bass music, proper isolation<br />

can be difficult to achieve.<br />

10. In a larger room with floor standing<br />

front speakers it sometimes helps to hang<br />

curtains directly behind the speakers.<br />

Additionally, for a good audio image, try<br />

to keep the area between the front speakers<br />

as clear as possible.<br />

11. If your floor is of a hard material like<br />

ceramic tile, and for aesthetic reasons the<br />

décor is minimal, then from a sonic<br />

viewpoint you have a problem. In such<br />

cases, select some form of satellite (small<br />

wall mounted) speakers and over-engineer<br />

the subwoofer. In a larger room it is wise<br />

to use two subs. Alternatively call in a<br />

sound engineer who may be able to<br />

recommend a way to control the echo and<br />

reverberation that typically plays havoc in<br />

such an environment.<br />

Gone are the days of ‘Sholay’ and ‘Enter<br />

The Dragon’ when the craze for the silver<br />

screen made people travel even up to Patna<br />

from Kathmandu just to hear Gabbar<br />

Singh roar “Arey oh Samba” and Bruce<br />

Lee dish out kicks and chops with his<br />

famous screech and scowls. Clearly, these<br />

are exciting times for entertainment lovers<br />

with a high-tech bent and a passion for<br />

music and cinema. S<br />

SPACES NOV-DEC 2005 71

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