Spaces Issue 7
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your designer should address the following<br />
factors in the design:<br />
1. If the room is used for other activities<br />
besides the home theatre, then obviously<br />
these have to be catered for.<br />
2. Big openings towards sources of noise<br />
(road with traffic) should be avoided.<br />
3. Excessive noise from HVAC (heating,<br />
ventilation and air-conditioning) system<br />
must be addressed in the design phase<br />
itself, since rectifying procedures after<br />
construction is done will be expensive and<br />
quite difficult.<br />
4. Wherever practical, choose a rectangular<br />
room and place the screen and front<br />
speakers along one of the short walls (the<br />
length of the room helps the low<br />
frequencies develop).<br />
5. A ratio of 1:1.4:2.1 (H:W:L) in the room<br />
dimensions should be maintained to avoid<br />
unwanted standing wave problems. Skewed<br />
walls will definitely also help in minimizing<br />
standing waves.s<br />
6. Walls, except the sidewalls close to the<br />
screen, should be absorptive. However,<br />
care must be taken to balance both<br />
absorption and diffusion of sound. Too<br />
much absorption will result in a ‘dead<br />
environment’. There are several<br />
commercially manufactured products for<br />
both absorption and diffusion of sound.<br />
7. A nice thick carpet and use of curtains<br />
and soft furnishings can absorb some of<br />
the echo and reverberation.<br />
8. A point of concern in home<br />
theatre owners can be<br />
transmission of sound (noise)<br />
either from other activities in the<br />
home into the theatre or from<br />
the theatre to other parts of the<br />
home. This noise is usually<br />
transmitted through the weaker<br />
points like doorways, windows<br />
and other openings. Hence,<br />
before improving the isolation<br />
quality of the wall, noise path<br />
through these weaker points<br />
needs to be addressed first. A<br />
weather strip or a drop seal on<br />
the doors and windows can be<br />
some of the options to control<br />
unwanted transmissions.<br />
9. Sound isolation can be<br />
achieved either by massive<br />
construction, an airspace in<br />
between of the elimination of<br />
any structural connections that may<br />
transmit sound. However, due to the low<br />
frequency of bass music, proper isolation<br />
can be difficult to achieve.<br />
10. In a larger room with floor standing<br />
front speakers it sometimes helps to hang<br />
curtains directly behind the speakers.<br />
Additionally, for a good audio image, try<br />
to keep the area between the front speakers<br />
as clear as possible.<br />
11. If your floor is of a hard material like<br />
ceramic tile, and for aesthetic reasons the<br />
décor is minimal, then from a sonic<br />
viewpoint you have a problem. In such<br />
cases, select some form of satellite (small<br />
wall mounted) speakers and over-engineer<br />
the subwoofer. In a larger room it is wise<br />
to use two subs. Alternatively call in a<br />
sound engineer who may be able to<br />
recommend a way to control the echo and<br />
reverberation that typically plays havoc in<br />
such an environment.<br />
Gone are the days of ‘Sholay’ and ‘Enter<br />
The Dragon’ when the craze for the silver<br />
screen made people travel even up to Patna<br />
from Kathmandu just to hear Gabbar<br />
Singh roar “Arey oh Samba” and Bruce<br />
Lee dish out kicks and chops with his<br />
famous screech and scowls. Clearly, these<br />
are exciting times for entertainment lovers<br />
with a high-tech bent and a passion for<br />
music and cinema. S<br />
SPACES NOV-DEC 2005 71