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GD Toolkit Summary Notes - Lesson 2

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S<br />

Elements - Line<br />

2.01<br />

Line<br />

Line<br />

The direction of a Line can convey mood.<br />

Horizontal – calmness, stability, tranquility<br />

Vertical – balance, formality, alertness<br />

Oblique/Diagonal – movement, action<br />

Curved – fluidity, differing variances generate different moods<br />

Zig-Zag – excitement, intense, danger<br />

Thin – fragile, elegant<br />

Thick – strength, emphasis<br />

Lines can be literal or implied.<br />

Line Types<br />

Contour lines are used to define edges. The create boundaries around or<br />

inside an object. Most lines you encounter are contour lines. In design these<br />

could be the borders you add around an object or group of objects.<br />

Dividing lines can also define edges, but what distinguishes them from<br />

contour lines is they divide space. The lines between columns of text are<br />

dividing lines.<br />

Decoration lines are used to embellish an object. Cross-hatching is an<br />

example of using decoration lines to add shading and form to an object.<br />

Gesture lines are quick and rough continuous lines used to capture form and<br />

movement. They are generally used when studying the shape and motion of<br />

the form. You likely won’t use gesture lines, but you could certainly create<br />

patterns of lines to signify motion of a form.<br />

Line Patterns<br />

A series of lines form a pattern.<br />

Patterns convey meaning in addition to the meaning of individual lines.<br />

Parallel lines of uniform width and spacing create a static and orderly effect.<br />

By varying the spacing between lines of equal thickness we can convey<br />

motion. When the spacing between lines of the same thickness is random<br />

we get a dynamic effect with little order. When we vary both spacing and<br />

thickness the effect becomes more chaotic and disorderly.<br />

Lines can be made up of type or any shape placed one after the other.

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