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S<br />
Elements - Line<br />
2.01<br />
Line<br />
Line<br />
The direction of a Line can convey mood.<br />
Horizontal – calmness, stability, tranquility<br />
Vertical – balance, formality, alertness<br />
Oblique/Diagonal – movement, action<br />
Curved – fluidity, differing variances generate different moods<br />
Zig-Zag – excitement, intense, danger<br />
Thin – fragile, elegant<br />
Thick – strength, emphasis<br />
Lines can be literal or implied.<br />
Line Types<br />
Contour lines are used to define edges. The create boundaries around or<br />
inside an object. Most lines you encounter are contour lines. In design these<br />
could be the borders you add around an object or group of objects.<br />
Dividing lines can also define edges, but what distinguishes them from<br />
contour lines is they divide space. The lines between columns of text are<br />
dividing lines.<br />
Decoration lines are used to embellish an object. Cross-hatching is an<br />
example of using decoration lines to add shading and form to an object.<br />
Gesture lines are quick and rough continuous lines used to capture form and<br />
movement. They are generally used when studying the shape and motion of<br />
the form. You likely won’t use gesture lines, but you could certainly create<br />
patterns of lines to signify motion of a form.<br />
Line Patterns<br />
A series of lines form a pattern.<br />
Patterns convey meaning in addition to the meaning of individual lines.<br />
Parallel lines of uniform width and spacing create a static and orderly effect.<br />
By varying the spacing between lines of equal thickness we can convey<br />
motion. When the spacing between lines of the same thickness is random<br />
we get a dynamic effect with little order. When we vary both spacing and<br />
thickness the effect becomes more chaotic and disorderly.<br />
Lines can be made up of type or any shape placed one after the other.