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RENDING MEMORY<br />
I remember . . . (at what hour <strong>of</strong> the day is she not before my eyes!). I remember<br />
the way She had <strong>of</strong> lifting her hair with pale and dainty fingers.<br />
I remember a night she passed, cheek against my breast, so sweetly that<br />
happiness kept me long awake; and the next day she had the imprint <strong>of</strong> the<br />
nipple on her face.<br />
I see her holding her cup <strong>of</strong> milk, and looking at me sidewise with a smile. I see<br />
her, powdered and with her hair new-dressed, opening her great eyes before her<br />
mirror and touching up the rouge upon her lips.<br />
And above all, if my despair is everlasting torture, it is because I know, minute<br />
by minute, how she trembles in the other's arms, and what she asks <strong>of</strong> her and<br />
what she gives, herself.<br />
THE WAX DOLL<br />
Wax-doll, dear plaything that she called her child, she has left you too and forgets<br />
you, like myself, who was with her your father or your mother, I forget.<br />
The pressure <strong>of</strong> her lips has worn the paint from your little cheeks; and, on your<br />
left hand, here is the broken finger that made her cry so much. This little cyclas<br />
that you wear, 'twas, she who worked it for you.<br />
According to her you could already read. However, you had not been weaned, and<br />
at night, leaning over you, she opened her tunic and gave you the breast, "so that<br />
you would not cry," she used to say.<br />
Doll, if I should care to see her, I would give you to Aphrodite as the dearest <strong>of</strong><br />
my gifts. But I want to think that she is wholly dead.<br />
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